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Classical Viola da Gamba
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You've selected:
Classical Viola da Gamba
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Sheetmusic to print
62 sheet music found
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Bach,J.S.- Sonata for Viola da Gamba in G Major,BWV 1027,for Viola and Piano
Bach,J.S.- Sonata for Viola da Gamba in G Major,BWV 1027,for Viola and Piano
#
Viola, Piano
#
INTERMEDIATE
#
Classical
#
Bach,J
#
Bach,J.S.- Sonata for Viola da
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Open Cloud
#
SheetMusicPlus
Composed by Bach,J.S. Arranged by MSM. Classical, Romantic Period. Score and part. 48 pages. Open Cloud #4638259. Published by Open Cloud...
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Composed by Bach,J.S. Arranged by MSM. Classical, Romantic Period. Score and part. 48 pages. Open Cloud #4638259. Published by Open Cloud
$11.99 ≈
10.86€
Fiala, J. - Concertino for Three, For Two Violins and Viola
Fiala, J. - Concertino for Three, For Two Violins and Viola
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String Trio: 2 violins, viola
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INTERMEDIATE/ADVANCED
#
Classical
#
J
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Linda M
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Fiala, J. - Concertino for Thr
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Linda M Scott
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SheetMusicPlus
String Ensemble,String Trio Viola,Violin - Level 4 - Digital Download SKU: A0.540469 Composed by J. Fiala. Arranged by Linda M. Scott. Classical. Score a...
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String Ensemble,String Trio Viola,Violin - Level 4 - Digital Download SKU: A0.540469 Composed by J. Fiala. Arranged by Linda M. Scott. Classical. Score and parts. 8 pages. Linda M Scott #4289011. Published by Linda M Scott (A0.540469). Joseph Fiala (1748 – 1816), was a composer, oboist, viola da gamba virtuoso, cellist, and pedagogue. This is a  delightful classical trio arranged for two violins and viola. Ideal for advanced students, adult amateurs and performers.
$5.99 ≈
5.42€
Lullaby Variation (For Viola and Piano)
Lullaby Variation (For Viola and Piano)
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Viola, Piano
#
INTERMEDIATE/ADVANCED
#
Jun-Hee Lim
#
Han-Ki Kim
#
Lullaby Variation
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Han-Ki Kim
#
SheetMusicPlus
Instrumental Solo,Piano,Viola da gamba - Level 4 - Digital Download SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,C...
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Instrumental Solo,Piano,Viola da gamba - Level 4 - Digital Download SKU: A0.1129054 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Children,Classical,Contemporary,Instructional,Romantic Period. Score and individual part. 12 pages. Han-Ki Kim #729579. Published by Han-Ki Kim (A0.1129054). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file and Shown YouTube Link(Fast-forward to 25:55) is played by Vn and Piano, it's just jor a reference.
$5.20 ≈
4.71€
Jesu, Joy of Man's Desiring (J.S. Bach) for classical guitar, flute, and viola da gamba (cello)
Jesu, Joy of Man's Desiring (J.S. Bach) for classical guitar, flute, and viola da gamba (cello)
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J
#
John Pinno
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Jesu, Joy of Man's Desiring
#
John Pinno
#
SheetMusicPlus
Small Ensemble Acoustic Guitar,Flute,Viola da gamba - Level 5 - Digital Download SKU: A0.1088432 Composed by J. S. Bach (1685-1750). Arranged by John Pin...
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Small Ensemble Acoustic Guitar,Flute,Viola da gamba - Level 5 - Digital Download SKU: A0.1088432 Composed by J. S. Bach (1685-1750). Arranged by John Pinno. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 8 pages. John Pinno #692702. Published by John Pinno (A0.1088432). This arrangement, by John Pinno, has the classical guitar playing the familiar running triplet figure, the flute plays the choral theme, and harmonies, and the viola da gamba (or cello) plays the bass line.
$12.00 ≈
10.87€
Monologue and Minuet (for Bass Viol / Viola da Gamba)
Monologue and Minuet (for Bass Viol / Viola da Gamba)
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Contemporary
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Michael Thomas Andrews
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Monologue and Minuet
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Michael Thomas Andrews
#
SheetMusicPlus
Viola da gamba - Level 5 - Digital Download SKU: A0.787394 Composed by Michael Thomas Andrews. Contemporary. Score. 7 pages. Michael Thomas Andrews #3258...
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Viola da gamba - Level 5 - Digital Download SKU: A0.787394 Composed by Michael Thomas Andrews. Contemporary. Score. 7 pages. Michael Thomas Andrews #3258841. Published by Michael Thomas Andrews (A0.787394). This contemporary-classical piece for viola da by gamba was written for Liam Byrne and was originally performed at the Handel and Hendrix Museum in central London in August 2013. Â The piece was inspired by Samuel Pepys' diary entries. A video of Liam playing this piece at the Cross-Linx Festival (Muziekgebouw Eindhoven) in the Netherlands can be viewed here: https://youtu.be/Fj7BkCWlRQE?t=3m.
$15.00 ≈
13.58€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
23.50€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.07€
Viola da Gamba Sonata: “Largo”
Viola da Gamba Sonata: “Largo”
#
Guitar notes and tablatures
#
EASY
#
Classical
#
Georg Philipp Telemann
#
Mark Phillips
#
Viola da Gamba Sonata: “Larg
#
A. J. Cornell Publications
#
SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.690859 Composed by Georg Philipp Telemann. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cor...
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Guitar - Level 2 - Digital Download SKU: A0.690859 Composed by Georg Philipp Telemann. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #50427. Published by A. J. Cornell Publications (A0.690859). Viola da Gamba Sonata (Largo) by Telemann, for easy classical guitar.
$3.99 ≈
3.61€
Three Gamba Sonatas for Tuba/Bass Trombone and Piano
Three Gamba Sonatas for Tuba/Bass Trombone and Piano
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Tuba and Piano
#
ADVANCED
#
Bach Johann Sebastian
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Sauer, Ralph
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Three Gamba Sonatas for Tuba/B
#
Gordon Cherry
#
SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.811026 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance,Romanti...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.811026 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance,Romantic Period. Score and part. 76 pages. Gordon Cherry #4728681. Published by Gordon Cherry (A0.811026). J. S. Bach, the genius of Baroque music & the father of Western Music composed 3 exquisite Sonatas for Viola da Gamba. They are now available for Tuba or Bass Trombone & Piano, beautifully transcribed by retired Principal Trombonist of the Los Angeles Philharmonic, Ralph Sauer. This edition is truly the only version that fully exploits the possibilities of the Tuba or Bass Trombone. A must for all serious performers. Each work is a full Sonata of at least 15 minutes in length and exploits the technical and musical attributes of the Tuba or Bass Trombone. For advanced performers.
$20.00 ≈
18.11€
Classical pieces
Classical pieces
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Classical pieces
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Schott Music - Digital
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SheetMusicPlus
Cello (viola da gamba) and piano (harpsichord) - intermediate - Digital Download SKU: S9.Q1962 Of the 17 and 1800s. This edition: Sheet music. Dow...
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Cello (viola da gamba) and piano (harpsichord) - intermediate - Digital Download SKU: S9.Q1962 Of the 17 and 1800s. This edition: Sheet music. Downloadable. Schott Music - Digital #Q1962. Published by Schott Music - Digital (S9.Q1962). The edition is part of the Trinity syllabus 2007 (grades 6 & 7).
$12.99 ≈
11.76€
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Original Clefs
Morely Th., The First Booke of Canzonets for two Voyces, Instrumental Fantasies, Original Clefs
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Thomas Morley
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Uri A
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Morely Th., The First Booke of
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edition Prima Vista - Uri A. Dror
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SheetMusicPlus
Large Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.956115 Composed by Thomas Morley....
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Large Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.956115 Composed by Thomas Morley. Arranged by Uri A. Dror - edition Prima Vista. Classical,Renaissance. Score and parts. 16 pages. Edition Prima Vista - Uri A. Dror #5725787. Published by edition Prima Vista - Uri A. Dror (A0.956115). These lovely instrumental Fantasies were composed and printed alongside Morley’s vocal Canzonets, in London, during the reign of Queen Elizabeth I. They can be played on recorders, viola da gambas etc. Score (based on the original print part-books), modern (G) clefs.
$16.00 ≈
14.49€
Abel - 6 Easy Sonatas, WK 141-146
Abel - 6 Easy Sonatas, WK 141-146
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Classical
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Carl Friedrich Abel
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J
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Abel - 6 Easy Sonatas, WK 141-
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Continuo,Flute,Harpsichord,Violin - Digital Download SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Clas...
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Small Ensemble Continuo,Flute,Harpsichord,Violin - Digital Download SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 47 pages. J.G. Cuco Barber #6133199. Published by J.G. Cuco Barber (A0.819757). Work Title 6 Easy SonatasAlternative Title Six Easy Sonatas for the Harpsichord or for a Viola da Gamba, Violin or German Flute with a Thorough-Bass AccompanimentComposer Abel, Carl FriedrichOpus/Catalogue Number WK 141-146Movements/Sections 6 sonatas:Sonata in C major, WK 141Sonata in A major, WK 142Sonata in D major, WK 143Sonata in G major, WK 144Sonata in A major, WK 145Sonata in E minor, WK 146First Publication 1771 ca.Composer Time Period ClassicalPiece Style ClassicalInstrumentation harpsichord (viola da gamba), violin (flute), continuoExtra Information Knape classifies these as sonatas for viola da gamba and continuo.
$28.00 ≈
25.36€
White Christmas
White Christmas
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Bing Crosby
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Des McNutty
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White Christmas
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Des Press
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1335183 By Bing Crosby. By Irving Berlin. Arranged by Des McNutty. Baroque,Broadway,Christmas,Classi...
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String Ensemble - Level 2 - Digital Download SKU: A0.1335183 By Bing Crosby. By Irving Berlin. Arranged by Des McNutty. Baroque,Broadway,Christmas,Classical,Early Music,Musical/Show. 13 pages. Des Press #921029. Published by Des Press (A0.1335183). White Christmas was written by Irving Berlin for the 1942 musical film Holiday Inn. It won an Academy Award for Best Original Song and Bing Crosby's recording topped the Billboard chart in 1942, 1943 and 1944. It returned to the charts several more times, selling more than 50 million physical copies to date. This amount is doubled when cover versions by other artists are included. This arrangement is a Baroque-style instrumentation; two violins, a soloistic obbligato viola da gamba, organ and/or harpsichord (played tasto) and a part for a bass instrument or two, figured for the optional lute or theorbo. This is a new arrangement, rather than a transcription of a known version. It is in the same tonality as Bing Crosby's hit record but has only one framed chorus. The organ/ cembalo part, where treetops glisten in the snow, has a cheeky reference to a concert in which an organist triumphantly flipped the last page of their hardback score with such gusto that it dropped onto the keys in the silence between the end of an oratorio and the start of the applause. The part for viola da gamba might need some preparation by a competent player and would be quite a challenge for a daring cellist. The other parts are on the easy side of intermediate. Duration: ca 1'50'' May your days be merry and bright!
$12.99 ≈
11.76€
Inventionen Macabren Vol.1
Inventionen Macabren Vol.1
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Ricardo Souza Melo
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Inventionen Macabren Vol.1
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Souza Melo Academy
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Viola da gamba - Level 4 - Digital Download SKU: A0.1044217 Composed by Ricardo Souza Melo. Classical,Multicultu...
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Instrumental Duet Instrumental Duet,Oboe,Viola da gamba - Level 4 - Digital Download SKU: A0.1044217 Composed by Ricardo Souza Melo. Classical,Multicultural,World. Score and parts. 12 pages. Souza Melo Academy #648952. Published by Souza Melo Academy (A0.1044217). Entertainment pieces for Baroque Oboe and 7 String Viola da Gamba.
$5.00 ≈
4.53€
Canzon a4
Canzon a4
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Samuel Scheidt
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Marc Donatelle
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Canzon a4
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Marc Donatelle
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SheetMusicPlus
String Ensemble Viola - Level 3 - Digital Download SKU: A0.1474780 Composed by Samuel Scheidt. Arranged by Marc Donatelle. Chamber,Classical,Early Music,...
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String Ensemble Viola - Level 3 - Digital Download SKU: A0.1474780 Composed by Samuel Scheidt. Arranged by Marc Donatelle. Chamber,Classical,Early Music,Renaissance. 16 pages. Marc Donatelle #1052367. Published by Marc Donatelle (A0.1474780). The Canzon a 4 was taken from Scheidt’s Ludi Musici (1621). Although labeled Canzon Cornetto in some modern editions, it was likely composed for viola da gamba. This arrangement for viola da braccio (sorry-I couldn’t help myself…) shows the mixture of styles of the late Renaissance and the new virtuosity of the Italians.
$15.00 ≈
13.58€
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
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2 Flutes (duet)
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INTERMEDIATE
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Carl Friedrich Abel 1723 - 87
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edited and arranged by Pat Spe
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C.F. ABEL TRIO No. 1 in G WK 9
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811678 Composed by Carl Friedrich Abel 1723 - 87. Arranged by edite...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811678 Composed by Carl Friedrich Abel 1723 - 87. Arranged by edited and arranged by Pat Spence. Classical,Concert,Standards. Score and parts. 45 pages. Piper Publications #3454519. Published by Piper Publications (A0.811678). Composed for the Earl of Abingdon London during the 1760s, this trio was written for a pair of flutes and cello or viola da gamba. Abel would have played the gamba part. It was the first of four trios which were afterwards published and sold by John Preston at his music Warehouse. This would have been an additional source of income for Abel. When the trios were played at the musical gatherings of John Preston's customers the parts would be played on whatever instruments were available, the flute parts on oboes, violins or even clarinets which were then pitched in C. A bassoon might be substituted for the cello . With versatility in mind I have included alternative parts: for clarinet in Bb in lieu of flute 2; clarinet in Bb or Bass clarinet in lieu of cello. All parts are well within the abilities of players of about grade 6 ABRSM.
$15.00 ≈
13.58€
Le Basque
Le Basque
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Ocarina
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INTERMEDIATE/ADVANCED
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Emiliano Bernagozzi
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Emiliano Bernagozzi
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Le Basque
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Emiliano Bernagozzi
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SheetMusicPlus
Ocarina - Level 4 - Digital Download SKU: A0.1366525 By Emiliano Bernagozzi. By Marin Marais. Arranged by Emiliano Bernagozzi. Baroque,Classical,Early Mu...
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Ocarina - Level 4 - Digital Download SKU: A0.1366525 By Emiliano Bernagozzi. By Marin Marais. Arranged by Emiliano Bernagozzi. Baroque,Classical,Early Music,Instructional. Score. 10 pages. Emiliano Bernagozzi #950861. Published by Emiliano Bernagozzi (A0.1366525). Le Basque è un brano tratto da Cinque Danze Francesi una raccolta di composizioni per viola da gamba di Marin Marais. E' una danza veloce e gioiosa. In Francia la frase Courir comme un Basque significa Correre come una lepre (letteralmente sarebbe correre come un Basco).Probabilmente a causa della sua breve durata, oggi il pezzo viene utilizzato molto sovente come bis nei concerti.Il brio e lo spirito di questo brano ben si adattano alle caratteristiche tecniche dell'ocarina.Difficoltà medio alta.
$12.00 ≈
10.87€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menest...
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99 ≈
7.24€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 ≈
7.24€
Clarinet Quartet No. 1
Clarinet Quartet No. 1
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Classical
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Iwan Muller
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Edits by Gary Bricault
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Clarinet Quartet No. 1
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Gary Bricault
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.1096092 Composed by Iwan Muller. Arranged by Edits by Gar...
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Small Ensemble B-Flat Clarinet,Cello,Viola da gamba,Violin - Level 5 - Digital Download SKU: A0.1096092 Composed by Iwan Muller. Arranged by Edits by Gary Bricault. Classical. Score and parts. 59 pages. Gary Bricault #700042. Published by Gary Bricault (A0.1096092). This is an edited version assembled from the individual hand written parts into a completed score containing Bb Clarinet, Violin, Viola and Cello. The score and parts were carefully reviewed and cleaned up to remove numerous errors and omissions, primarily accidental markings. The finished product is a much improved copy of the hard written material.
$19.99 ≈
18.10€
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Classical Viola da Gamba
