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Guitar Sonata No. 5 in G major (open G tuning)
Guitar Sonata No. 5 in G major (open G tuning)
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Guitar
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ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Pu...
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95 ≈
8.92€
Sonata in the Style of Scarlatti (solo piano)
Sonata in the Style of Scarlatti (solo piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Jeffrey Ouper
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Sonata in the Style of Scarlat
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Jeffrey Ouper
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.866229 Composed by Jeffrey Ouper. 20th Century,Baroque,Classical,Contemporary. Score. 9 pages. Jeffrey Ou...
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Piano Solo - Level 4 - Digital Download SKU: A0.866229 Composed by Jeffrey Ouper. 20th Century,Baroque,Classical,Contemporary. Score. 9 pages. Jeffrey Ouper #5362761. Published by Jeffrey Ouper (A0.866229). Sonata in the style of Scarlatti is an homage to the composer Domenico Scarlatti and is modeled after one of his many piano sonatas, Sonata in E, K. 403. When I first started learning Scarlatti’s piano sonata, I found myself missing notes in the arpeggios in the first phrase, leading to contemporary harmony that I found interesting. I later decided to write my own version of the sonata from my own contemporary perspective. This sonata follows the binary format common with most Scarlatti sonatas, but does not repeat the second half. It also features a contemporary view of harmony and several key changes while keeping trills and melodic figuration similar to Scarlatti’s.
$7.95 ≈
7.12€
Sonata for Fortepiano & Violin in C (VB 160)
Sonata for Fortepiano & Violin in C (VB 160)
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Violin and Piano
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INTERMEDIATE
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Classical
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Violin
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. Published by Artaria Editions (A0.1488839). Artaria Editions AE434Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the C major sonata, the earlier of two works in this key, is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in D major (VB 159), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00 ≈
26.89€
Sonata for Fortepiano & Violin in D (VB 159)
Sonata for Fortepiano & Violin in D (VB 159)
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Violin and Piano
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INTERMEDIATE
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Classical
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Violin
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Editions #1065692. Published by Artaria Editions (A0.1488838). Artaria Editions AE433Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the D major sonata is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in C major (VB 160), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00 ≈
26.89€
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00 ≈
25.99€
Vivaldi – Trio Sonata for violin, violoncello and continuo in C minor RV 83
Vivaldi – Trio Sonata for violin, violoncello and continuo in C minor RV 83
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Classical
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Trio Sonata for vi
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Sneakwood Editions
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SheetMusicPlus
String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.1266243 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Cl...
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String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.1266243 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. 23 pages. Sneakwood Editions #858975. Published by Sneakwood Editions (A0.1266243). Preface and notes to the edition (English and Spanish) Score Parts (violin, violoncello, and basso) The sonata can be found in autograph version at the Biblioteca Nazionale Universitaria di Torino (Foá 29, pp.83r-86v).  It is the only known copy of this work, and was composed around 1720. It is copied in full score format.In the known catalog of Vivaldi’s works we find only another piece written for the same instrumentation (violin, violoncello, and basso): the trio sonata RV 820. The differences between the two sonatas are notable: the rv 820 sonata was written in Vivaldi’s younger years (ca. 1705) while the rv 83 sonata shows us a Vivaldi who has already forged his own fully recognizable style.Vivaldi used abbreviations and sometimes omitted certain information; a common practice found in many of his autographs. This edition clarifies all these annotations and, at the same time, gives the performer all the information contained in the manuscript.
$10.00 ≈
8.96€
Sonata #1 in C major (Commedia dell’arte all’improvviso)
Sonata #1 in C major (Commedia dell’arte all’improvviso)
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Piano solo
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Contemporary
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James Domine
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Sonata #1 in C major
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976503 Composed by James Domine. 20th Century,Contemporary. Score. 16 pages. Earth Music, Ltd. #2081575. Published ...
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Piano Solo - Digital Download SKU: A0.976503 Composed by James Domine. 20th Century,Contemporary. Score. 16 pages. Earth Music, Ltd. #2081575. Published by Earth Music, Ltd. (A0.976503). The piano sonatas by James Domine are cast in one movement and follow the traditional sonata-allegro form. The first of these, Piano Sonata #1 in C major opens with a lively theme in C major sweetened by the interpolation of a recurring f# that is marked with the tempo indication of Animato. The principal theme is followed by a contrastingly sentimental cantabile melody that has something of a jazz-ballad flavor set in the dominant key. These two themes are cunningly entwined through the development in an harmonic sequence that emerges into a playful recapitulation. The sonata ends with an open-spaced quartal figuration that implies the tonic key of C major but without implicitly spelling it out in its common triadic form. The subtitle Commedia dell’arte all’improvviso comes from the light-hearted comedic character of the principal theme that is treated throughout in a quasi-improvisational manner reminiscent of the sixteenth-century Italian theatrical style. This sonata, although begun at an earlier date, was completed in 2005 at the request of Joanna Ezrin, pianist and pedagogue as a vehicle for her students.
$8.95 ≈
8.02€
Sonata for Violin & Harpsichord in D minor (VB 157)
Sonata for Violin & Harpsichord in D minor (VB 157)
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Classical
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Violin & Harpsichor
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Artaria Editions
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SheetMusicPlus
Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical...
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Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00 ≈
26.89€
Sonata A Major
Sonata A Major
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Cello, Piano
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INTERMEDIATE
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Johann Christoph Friedrich Bac
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Sonata A Major
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - Digital Download SKU: S9.Q6322 Composed by Johann Christoph Friedrich Bach. This edition: Sheet music. Cello Library. Ei...
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Cello and piano - intermediate - Digital Download SKU: S9.Q6322 Composed by Johann Christoph Friedrich Bach. This edition: Sheet music. Cello Library. Ein dankbares, nicht allzu schweres Stück für Unterricht und Konzert, das als wichtiges Bindeglied zu den Beethoven-Sonaten zu sehen ist. Downloadable. Schott Music - Digital #Q6322. Published by Schott Music - Digital (S9.Q6322). Key: A major.The autograph of this sonata, composed in 1789, was initially extant in Bückeburg under the title of 'Sonata per il Cembalo o Piano-Forte et Violoncello obligato' but was lost in the Second World War. The version then published was merely a substantially revised version which had been transposed to D major. Our new edition reconstructs the work's original state (in A major), taking the common performance practice principles of articulation and dynamics into account. A rewarding, yet fairly easy piece suitable for lessons and concerts which can be regarded as an important link to Beethoven's sonatas.
$17.99 ≈
16.12€
LOCATELLI TRIO SONATA IN E MINOR OPUS 5 No. 5 for flute, oboe & clarinet
LOCATELLI TRIO SONATA IN E MINOR OPUS 5 No. 5 for flute, oboe & clarinet
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Pietro Antonio Locatelli
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Pat Spence
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LOCATELLI TRIO SONATA IN E MIN
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811794 Composed by Pietro Antonio Locatelli (1695 - 1764). Arran...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811794 Composed by Pietro Antonio Locatelli (1695 - 1764). Arranged by Pat Spence. Baroque,Concert,Graduation,Instructional,Standards. 26 pages. Piper Publications #6345463. Published by Piper Publications (A0.811794). This is the fifth of six trio sonatas opus 5 first published in 1736. Although a clarinet would not have been available at the time of composition, the piece has been edited to preserve the Baroque style. Locatelli wrote the sonatas for violins or flutes with continuo and would have expected them to be played by what instruments were available. All edits are shown in parentheses ( ) or dashed lines. The clarinet part is in A. The three movements, Largo - Andante and Allegros in, respectively common and triple time provide equal independent parts for players of intermediate standard and above. The balance of the ensemble requires careful attention and players may wish to take turns to improvise short cadenzas at the pauses (fermatas).
$12.00 ≈
10.75€
Arne - Presto from Sonata No. 7 in A Major - Intermediate
Arne - Presto from Sonata No. 7 in A Major - Intermediate
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Piano solo
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INTERMEDIATE
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Thomas Augustine Arne
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Piacere Music Sheets
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Arne - Presto from Sonata No.
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1089864 Composed by Thomas Augustine Arne. Arranged by Piacere Music Sheets. Baroque,Classical,Instructio...
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Piano Solo - Level 3 - Digital Download SKU: A0.1089864 Composed by Thomas Augustine Arne. Arranged by Piacere Music Sheets. Baroque,Classical,Instructional,Standards. Score. 4 pages. Piacere Music Sheets #694078. Published by Piacere Music Sheets (A0.1089864). Opus/Catalog Number: RISM A/I: A 2160, No. 7, movement 1Key/Tone: A MajorMovements/Sections: PrestoYear/Date of Composition: 1756Difficulty: Grade 7/12 (Intermediate)Obs.: This piece is the first movement of the Sonata No. 7, part of the VIII Sonatas or Lessons for the Harpsichord.Performance suggestions for the ornaments are in accordance with the performance practice of the Classical period. Also, in measure 18, some editions show in D natural on the fourth beat of the right hand. Furthermore, in measure 33, it's suggested to add a cadential trill, as this was common practice in Arne's time.
$3.95 ≈
3.54€
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
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2 Flutes (duet)
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INTERMEDIATE
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MICHEL BLAVET
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Edited by Pat Spence
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Allegro assai
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BLAVET SONATA No. 1 IN E MINOR
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Piper Publications
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,In...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 17 pages. Piper Publications #3884077. Published by Piper Publications (A0.811687). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the first of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page.The sonata is written for two equal players and has 4 movements, Adagio, Allegro, Affetuoso & Allegro assai. Players of Intermediate ability and above will enjoy the interplay between the parts. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. This edition has been transcribed to the now established treble clef with G on the second line. Trills shown in the original as + are shown in this edition as tr. The breath marks in bar/measures 36, 39 & 41 in the final movement are Blavet’s. This is the first instance of his practice of marking the breaths which he developed in his opus 2 set of sonatas for flute and which has proved so useful to today’s performers of music of this period. Curiously Blavet used a flat (b) to cancel a sharp instead of a natural.
$9.50 ≈
8.51€
Trio Sonata in C
Trio Sonata in C
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3 Saxophones (trio)
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INTERMEDIATE
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Robert Stevens
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Robert Stevens
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Trio Sonata in C
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SAXpress.com
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1394...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1394379 By Robert Stevens. By Johann Georg Linike. Arranged by Robert Stevens. Baroque,Chamber,Classical. 40 pages. SAXpress.com #977861. Published by SAXpress.com (A0.1394379). Trio Sonata in C is a pleasant little work by the mostly unknown German Baroque composer Johann Georg Linike. Although called a trio sonata, it does not follow the typical format of a Baroque trio sonata. Each of the three movements are quite short – think of it as a trio sonata in miniature. Together, all three movements take less than five minutes to perform. 1st, 2nd, and 3rd parts are included for both E flat and B flat instruments. The parts may be combined as desired. The short length and moderate range of the piece make this a good choice for intermediate players. Movement 1, Allegro in C major, is in common time. Movement 2, Adagio in A minor, is in  common time. Movement 3, Vivace in C major, is in 3/4 time.
$18.95 ≈
16.98€
BLAVET SONATA No. 3 in D MAJOR for 2 bassoons
BLAVET SONATA No. 3 in D MAJOR for 2 bassoons
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2 Bassoons (duet)
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INTERMEDIATE
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Michel Blavet
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Pat Spence
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Gavotta.
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BLAVET SONATA No. 3 in D MAJOR
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Piper Publications
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.811695 Composed by Michel Blavet (1700 - 1768). Arranged by Pat Spence. ...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.811695 Composed by Michel Blavet (1700 - 1768). Arranged by Pat Spence. Baroque,Concert,Instructional,Standards. Score and parts. 20 pages. Piper Publications #3916821. Published by Piper Publications (A0.811695). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the third of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. The bass clef has been used for this edition. The sonata is suitable for players of intermediate standard and above. There are movements Adagio, Allegro, Larghetto. Allegro & Gavotta.
$9.50 ≈
8.51€
Sonata XIII à 8 (double string orchestra)
Sonata XIII à 8 (double string orchestra)
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String Orchestra
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EASY
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Renaissance
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Giovanni Gabrieli
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Michele Winter
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Sonata XIII à 8
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MWMusicWorks.com
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.996557 Composed by Giovanni Gabrieli. Arranged by Michele Winter. Renaissance. Score and parts. 42 ...
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String Orchestra - Level 2 - Digital Download SKU: A0.996557 Composed by Giovanni Gabrieli. Arranged by Michele Winter. Renaissance. Score and parts. 42 pages. MWMusicWorks.com #5297415. Published by MWMusicWorks.com (A0.996557). This antiphonal sonata, now usually performed by brass choirs, was originally scored for strings and various Renaissance instruments. Michele Winter's edition for double string orchestra is designed for groups at the Grade 3-3.5 level. After a brief introduction in common time, the sonata settles into triple meter with dance-like cadential hemiolas. Tutti sections alternate with antiphonal episodes and lead to a powerful coda in common time. Here's a chance to introduce your students and audiences to the thrill of antiphonal music. (Performance suggestions included.)
$40.00 ≈
35.85€
Sonata for Piano Quintet
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00 ≈
35.85€
2nd Oboe Sonata
2nd Oboe Sonata
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way of interpretive notes, I e
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Lenny Cavallaro
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2nd Oboe Sonata
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Forton Music - Digital
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SheetMusicPlus
Ob. Pft. - Intermediate - Digital Download SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #F...
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Ob. Pft. - Intermediate - Digital Download SKU: F2.FM490 Composed by Lenny Cavallaro. Oboe and Piano. Score and part. 27 pages. Forton Music - Digital #FM490. Published by Forton Music - Digital (F2.FM490). ISBN 9790570483891.My Opus 2 - Sonata No. 2 in E minor for Oboe (or Flute) and Piano (or Harpsichord) is nother baroque style composition. Like the Op. 1 Sonata for the same instruments, it follows the familiar four movement structure common to the period. Unlike the earlier sonata, this work was conceived specifically for oboe, although one colleague has assured me it will work extremely well for flute, whilst another would like to try it with flauto traverso and harpsichord. Thus it retains the spirit of Bach, who frequently reset his works for other instrumentation. I have provided some dynamics and ornaments - certainly more than I have with my other baroque compostions. Nevertheless, I trust that performers, particularly those familiar with the baroque idiom, will not hesitate to embellish and improvise. By way of interpretive notes, I encourage performers to respect the metronomic suggestions for the second movement, which should probably not be attempted at too rapid a tempo. The third movement concludes molto ritardande, and by the final measure the two left-hand eighth notes should be played nearly twice as slowl as written (i.e. as quarter notes). Finally, the fugato in the last movement (upbeat to m. 83) should be performed in the baroque style, without overemphasis of the thematic entries.
$10.95 ≈
9.81€
Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
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Flute
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ADVANCED
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Carson Cooman
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Carson Cooman: Sonata in memor
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik...
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Flute Solo - Level 5 - Digital Download SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
$16.95 ≈
15.19€
Sonata No. 1
Sonata No. 1
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Clarinet and Piano
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EASY
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Jean-Xavier Lefevre
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Sonata No. 1
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb and Piano - easy - Digital Download SKU: S9.Q48866 From: Méthode de Clarinette. Composed by Jean-Xavier Lefevre. This edition: S...
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Clarinet in Bb and Piano - easy - Digital Download SKU: S9.Q48866 From: Méthode de Clarinette. Composed by Jean-Xavier Lefevre. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q48866. Published by Schott Music - Digital (S9.Q48866). Key: B flat major. German • English • French.Born in Switzerland, Jean Xavier Lefèvre (1763-1829) was a sought-after clarinetist and one of the first clarinet professors at the Paris Conservatory. He is still known today for his Clarinet School (1802), which became a standard work in France and beyond. From this textbook comes the popular Sonata no. 1 with its catchy melody that encourages light playfulness. The piece is graded here as level 2. Also available: Sonata No. 2 g minor (SE 1039). Lefèvre wrote the piece originally for the then common C-Clarinet. For use in the classroom, this edition omits the transposition of the clarinet part into the B tuning. The accompanying bass voice of the original was transferred to the piano and supplemented with some suggestions on dynamics and articulation. Hints and tips from publisher Rudolf Mauz (Die fröhliche Klarinette) offer students assistance in the preparation of the work. This edition is part of the Schott Student Edition series, which offers a diverse repertoire of lessons, concerts and exams of varying degrees of difficulty (from easy to difficult). To this end Schott continues to publish popular standard works from music history in a modern and clear edition. For many pieces an audio file of the piano accompaniment is available for download. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$10.99 ≈
9.85€
HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet
HOTTETERRE: TRIO SONATA IN G MINOR OPUS 3 No. 1 for flute, oboe & clarinet
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Flute, Oboe, Clarinet (trio)
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INTERMEDIATE
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Jacqes Hotteterre
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Pat pence
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HOTTETERRE: TRIO SONATA IN G M
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by ...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811821 Composed by Jacqes Hotteterre (1673 - 1763). Arranged by Pat pence. Baroque,Concert,Graduation,Holiday,Standards. 24 pages. Piper Publications #6615111. Published by Piper Publications (A0.811821). This Trio Sonata is the first of a set of six published in Paris in 1712 for pairs of ‘flûtes traversieres, flûtes a bec, violons, hautbois, &c.’ with continuo by Mr. Hotteterre, Flûte de la Chambre du Roy. They were dedicated to the Duke of Orleans and published ‘avec privilege du Roy.’ The first Sonata has been edited and arranged for flute, oboe & clarinet in Bb. The four movements, Prelude, Fugue, Grave and Gigue, are in the Baroque style with the interest equally shared between the three parts. Dynamics in the 1712 edition are French - doux and fort. These have been standardised as p & f. The top parts were printed in the soprano clef - with g on the bottom line as was common in France at the time. Amusingly this led to some modern ill informed speculation about flutes of the period being expected to play low bs! In this edition all edits are shown using parentheses ( ) or dashed lines. The Trio is suitable for players of intermediate standard and above and provides repertoire in the French Baroque style for an ensemble of players just a few years beyond the reach of Hotteterre.
$10.00 ≈
8.96€
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Common Sonata
