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Concerto for Double Bass
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Bass String Sampler Sheet Music
Bass String Sampler
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Double Bass
#
Contemporary
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Robin Kay Deverich
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Bass String Sampler
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Global Music School String Publications
#
SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music Scho...
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Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355069. Published by Global Music School String Publications (A0.902210). String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99 ≈
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Concerto for Double Bass - Antonio Capuzzi
Concerto for Double Bass - Antonio Capuzzi
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Double Bass
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Classical
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Antonio Capuzzi
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Yuri Braga
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Concerto for Double Bass - Ant
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Yuri Braga
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SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.928087 Composed by Antonio Capuzzi. Arranged by Yuri Braga. Classical. Individual part. 8 pages. ...
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Double Bass,String Bass Solo - Digital Download SKU: A0.928087 Composed by Antonio Capuzzi. Arranged by Yuri Braga. Classical. Individual part. 8 pages. Yuri Braga #5733725. Published by Yuri Braga (A0.928087).
$15.00 ≈
13.64€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.82€
Giovanni Bottesini: Concerto No.2 in B minor instantly for double-bass & piano
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Double bass, Piano (duet)
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ADVANCED
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Classical
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Giovanni Bottesini
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Virtualsheetmusic
Instantly downloadable sheet music by Giovanni Bottesini for double-bass & piano of HIGH skill level. / classical,concert
Instantly downloadable sheet music by Giovanni Bottesini for double-bass & piano of HIGH skill level. / classical,concert
$7.99 ≈
7.27€
Double Concerto in B Minor for Double Bass and Orchestra - Piano Reduction
Double Concerto in B Minor for Double Bass and Orchestra - Piano Reduction
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Double bass, Piano (duet)
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ADVANCED
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Contemporary
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Robert E
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Double Concerto in B Minor for
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R. E. Proctor
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.809792 Composed by Robert E. Proctor and Robert E. Proctor. 20th Century,Contemporary....
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Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.809792 Composed by Robert E. Proctor and Robert E. Proctor. 20th Century,Contemporary. Score and part. 85 pages. R. E. Proctor #3015059. Published by R. E. Proctor (A0.809792). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length. This work explores the full range of the bass. As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play. Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other. The orchestra is interwoven with the basses to add contrast and color. The Double Concerto in B Minor should be interesting to both performer and audience. This is a piano reduction.
$9.95 ≈
9.05€
Concerto for Double Bass and Orchestra - piano reduction
Concerto for Double Bass and Orchestra - piano reduction
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Double bass, Piano (duet)
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ADVANCED
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Contemporary
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Philip Orem
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Concerto for Double Bass and O
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Philip Orem
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.872724 Composed by Philip Orem. Contemporary. Score and part. 88 pages. Philip Orem #6...
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Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.872724 Composed by Philip Orem. Contemporary. Score and part. 88 pages. Philip Orem #6487757. Published by Philip Orem (A0.872724). This concerto is in three movements and is a show piece for bassists. It includes harmonics, pizzicato, lyrical melodies and brilliant passage work. Included in this piano reduction are parts in both solo tuning and concert pitch.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$50.00 ≈
45.48€
Bass and Piano String Sampler Sheet Music
Bass and Piano String Sampler
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Double bass, Piano (duet)
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EASY
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Contemporary
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Robin Kay Deverich
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Bass and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global...
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School String Publications #5355089. Published by Global Music School String Publications (A0.902215). This combined version of the of the Piano Accompaniment and String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99 ≈
5.45€
Concerto for Double Bass & Orchestra
Concerto for Double Bass & Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Malcolm D Robertson
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July 2020 &
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Concerto for Double Bass & Orc
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Publ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malcolm D Robertson (A0.927995). Composed in June & July 2020 & completed on the 19th July 2020. As a former Double Bass player, I thought it was about time a composed a concerto for my former instrument. The Concerto uses a relatively small orchestra (Flute, Oboe, Cor Anglais, 2 Clarinets, Bassoon, 2 Horns, Timpani, Harp & Strings), the string section should not be too large, 8,8,6,6,3, would be a preferable size. The solo Double Bass doesn't have a large amount of carrying power & so the dynamics for the soloist are marked up, as the MIDI playback isn't great for a solo Bass, the soloist's dynamics have been notched up still further in places for MIDI playback purposes, but can be adjusted down in concert performance. The bass clef has largely been used for the solo purely because the tenor clef option sounds an octave too high on the Musescore program. The Concerto is in 3 movements and about 17 minutes in duration.Parts are available upon request.
$12.99 ≈
11.82€
Sammartini: Sonata Op. 1 No. 2 for Double Bass Duo
Sammartini: Sonata Op. 1 No. 2 for Double Bass Duo
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2 Double basses (duet)
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INTERMEDIATE
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.1082300 Composed by Giuseppe Sammartini (1695-1750). Arranged by Jam...
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Instrumental Duet Double Bass,Instrumental Duet - Level 3 - Digital Download SKU: A0.1082300 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686449. Published by jmsgu3 (A0.1082300). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
25.42€
Sammartini: Sonata Op. 1 No. 1 for Double Bass Duo
Sammartini: Sonata Op. 1 No. 1 for Double Bass Duo
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2 Double basses (duet)
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EASY
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1083013 Composed by Giuseppe Sammartini (1695-1750). Arranged by Jam...
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Instrumental Duet Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.1083013 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687225. Published by jmsgu3 (A0.1083013). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
25.42€
Concerto for Double Bass in D Major
Concerto for Double Bass in D Major
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Double bass, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Mr T DENYER
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Trevor Denyer
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Concerto for Double Bass in D
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Trevor Denyer
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 4 - Digital Download SKU: A0.1132331 By Mr T DENYER. By Capuzzi. Arranged by Trevor Denyer. Classical. Score and pa...
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Double Bass,Piano,String Bass - Level 4 - Digital Download SKU: A0.1132331 By Mr T DENYER. By Capuzzi. Arranged by Trevor Denyer. Classical. Score and part. 38 pages. Trevor Denyer #732576. Published by Trevor Denyer (A0.1132331). The piano part has been transposed up a tone to match a bass strung with Solo Strings.
$15.00 ≈
13.64€
Bourrée No 2 for Double Bass
Bourrée No 2 for Double Bass
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Double Bass
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BEGINNER
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Classical
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Frederic Chopin
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James Strange
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Bourrée No 2 for Double Bass
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Penny Music Co.
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.896941 Composed by Frederic Chopin. Arranged by James Strange. Concert,Romantic Period....
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.896941 Composed by Frederic Chopin. Arranged by James Strange. Concert,Romantic Period. Individual part. 12 pages. Penny Music Co. #566801. Published by Penny Music Co. (A0.896941). Frédéric Chopin (1810-49) was a Polish composer and pianist of the romantic era. He wrote primarily forthe solo piano, although his works also include two piano concertos, chamber works, and Polish songs.This stately Bourrée, originally composed for piano by Chopin, has been arranged to be played as a recital piece for double bass with piano accompaniment. It provides an opportunity for players at an beginner/early-intermediate stage to practice accurate bowing technique over octave leaps.
$3.99 ≈
3.63€
Concerto in Bb Major for Double Bass and Orchestra
Concerto in Bb Major for Double Bass and Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95 ≈
18.15€
Concerto in Bb Major for Double Bass and Orchestra - Piano Reduction
Concerto in Bb Major for Double Bass and Orchestra - Piano Reduction
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Double bass, Piano (duet)
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ADVANCED
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Contemporary
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.809789 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and part. 36 pa...
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Double Bass,Piano,String Bass - Level 5 - Digital Download SKU: A0.809789 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and part. 36 pages. R. E. Proctor #3010465. Published by R. E. Proctor (A0.809789). A piano reduction of the Concerto in Bb Major for Double Bass and Orchestra. It's a performance or rehearsal ready arrangement of the concerto. Set in the traditional fast - slow - fast format. The first movement is that might be called neo - classical. The second movement is a jazz waltz. The third movement leans toward French Impressionism. As concerto's go, this is not too difficult. However, it will require the soloist to have some mastery over the instrument. Performance time is approximately 13 minutes and 10 seconds.
$9.95 ≈
9.05€
CHRISTMAS CONCERTO - STRING ORCHESTRA - Concerto VIII, Oop. 6 No. 8, Fatto per la Notte di natale, C
CHRISTMAS CONCERTO - STRING ORCHESTRA - Concerto VIII, Oop. 6 No. 8, Fatto per la Notte di natale, C
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String Quintet: 2 violins, viola, cello, bass
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INTERMEDIATE
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Christmas
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Arcangelo Corelli
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Sherry Lewis
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CHRISTMAS CONCERTO - STRING OR
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521646 Composed by Arcangelo Corelli. Arranged by Sherry Lewis. Baroqu...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521646 Composed by Arcangelo Corelli. Arranged by Sherry Lewis. Baroque,Christmas,Sacred. 65 pages. Sherry Lewis Publishing #6291929. Published by Sherry Lewis Publishing (A0.521646). Christmas Concerto, Concerto VIII Op. 6 No. 8, Fatto per la notte di natale, Complete, by Corelli, Intermediate Level, String Orchestra (String Quintet) of violin 1 and 2, viola, cello, string bass Score: 31 pages parts: 31 pages time: 14' DEMO NOTE: I have a recording of a little of each movement so that you can hear through it quickly and repeats in the demo are removed. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$14.00 ≈
12.73€
Double Concerto in B Minor for Double Bass and Orchestra
Double Concerto in B Minor for Double Bass and Orchestra
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Orchestra
#
ADVANCED
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Contemporary
#
Robert E
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Double Concerto in B Minor for
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Pr...
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Full Orchestra - Level 5 - Digital Download SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. Published by R. E. Proctor (A0.809761). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length. This work explores the full range of the bass. As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play. Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other. The orchestra is interwoven with the basses to add contrast and color. The Double Concerto in B Minor should be interesting to both performer and audience.
$19.95 ≈
18.15€
Concerto for Double Bass (solo part, orchestral parts & full score)
Concerto for Double Bass (solo part, orchestral parts & full score)
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Orchestra
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ADVANCED
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Contemporary
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James Bersey
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Concerto for Double Bass
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James Bersey
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.932543 Composed by James Bersey. Contemporary. Score and Parts. 268 pages. James Bersey #6668845. Pub...
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Full Orchestra - Level 5 - Digital Download SKU: A0.932543 Composed by James Bersey. Contemporary. Score and Parts. 268 pages. James Bersey #6668845. Published by James Bersey (A0.932543). CONCERTO FOR DOUBLE BASScomposed by JAMES BERSEYINCLUDES:1) Solo double bass part (& cadenza, as performed by the composer 2017)2) Complete set of orchestral parts 3) Full scoreVersion for Double bass & Piano is also available from Sheetmusic Plus:ITEM ID: S0.1162305PRINTING:Parts:Select each part, set your printer to A4 booklet, paper size A3 and fold each part into an A4 booklet. No staples or binding required.Score:Either read from device, or print off onto A4 back-to-back or fit to A3 back-to-back & bind.COPYRIGHTInternational copyright secured.LICENCESfor public performances, recordings or broadcasts are available from PRS for Music (UK), ASCAP (USA) and all other global affiliated Performing Rights Organisations.
$14.99 ≈
13.63€
Cadenzas for KICHO
Cadenzas for KICHO
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Double Bass
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INTERMEDIATE
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Tango
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Lila Horovitz
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Lila Horovitz
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Cadenzas for KICHO
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Lila Horovitz
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1293385 Composed by Lila Horovitz. Arranged by Lila Horovitz. 20th Century,Classical,Co...
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Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.1293385 Composed by Lila Horovitz. Arranged by Lila Horovitz. 20th Century,Classical,Contemporary,Multicultural,World. Individual part. 6 pages. Lila Horovitz #883911. Published by Lila Horovitz (A0.1293385). Kicho is a piece for soloist double bass written by Astor Piazzolla and dedicated to his double bass player, Kicho DÃaz. There are original versions by Piazzolla for quintet and for double bass and piano. I wrote two different cadences for solo double bass to precede the performance as a classical music concerto. Which do you like the best?
$12.00 ≈
10.92€
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, Contrabass part
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, Contrabass part
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Double Bass
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart, Marie
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Wolfgang Amadeus Mozart: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.534119 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. In...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.534119 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Individual part. 9 pages. Musik Fabrik Music Publishing #3120997. Published by Musik Fabrik Music Publishing (A0.534119). This is the double bass part for the MC Jamet/C Lardé edition of the Mozart flute and harp concerto. 
$5.95 ≈
5.41€
Marcello's Adagio for Double Bass and Piano
Marcello's Adagio for Double Bass and Piano
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Double bass, Piano (duet)
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EASY
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Classical
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Double B
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Diego Marani
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1189678 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,I...
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Double Bass,Piano,String Bass - Level 2 - Digital Download SKU: A0.1189678 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #789299. Published by Diego Marani (A0.1189678). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for contrabass with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99 ≈
7.27€
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Concerto for Double Bass
