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You've selected:
Could You Not Watch
Sheetmusic to print
196 sheet music found
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176
Could You Not Watch
Could You Not Watch
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Choral SATB
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Sacred music
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Hal H
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Choral Octavo
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Could You Not Watch
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-BSCM00061 From Tenebrae: A Service of Darkness. Composed by Hal H. Hopson. Chora...
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Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-BSCM00061 From Tenebrae: A Service of Darkness. Composed by Hal H. Hopson. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Belwin Sacred Choral Series. Holy Week; Sacred; Spring. Choral Octavo. 16 pages. Jubilate Music Group - Digital #00-BSCM00061. Published by Jubilate Music Group - Digital (JX.00-BSCM00061). English.Taken from the larger work, Tenebrae: A Service of Darkness, Could You Not Watch transports us back to that fateful night in the Garden of Gethsemane. Jesus' plaintive words to His disciples are echoed by the choir and congregation as a soloist sings the prayer to His Father. This emotional work is the perfect choice for Maundy Thursday or any time during Holy Week. Parts for congregation and optional oboe are included within the choral score. To further heighten the drama, a string score is available separately.
$2.95 ≈
2.70€
Make You Feel My Love
Make You Feel My Love
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Pop music
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00 ≈
9.17€
Make You Feel My Love
Make You Feel My Love
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Oboe, Piano (duet)
#
INTERMEDIATE
#
Pop music
#
Bob Dylan
#
HELEN MARPLE-HORVAT
#
Make You Feel My Love
#
Helen Marple-Horvat
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen ...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00 ≈
9.17€
Ten Christmas Carols for 8-note Bells and Boomwhackers® (with Black and White Notes)
Ten Christmas Carols for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Christmas
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Sharon Wilson
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Sharon Wilson Music
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Ten Christmas Carols for 8-not
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565351 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565351 By Sharon Wilson. By Charles Wesley, George Frideric Handel, Isaac Watts, Johann A. P. Schulz, Rowland Hugh Prichard, Traditional, Traditional French Carol, Various, and tradition English carol. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Sacred,Standards. Score and parts. 87 pages. Sharon Wilson #3927361. Published by Sharon Wilson (A0.565351). This collection contains 10 Christmas carols arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for handbells on one part and Boomwhackers® on a second part. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included for each song.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Each of the 10 Christmas Carol arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:Angels We Have Heard on HighAs Lately We WatchedCome, All Ye ShepherdsCome, Thou Long Expected JesusThe First NoelHere We Come A-CarolingJoy to the WorldO Come, Little ChildrenO Thou Joyful DaySing We Now of ChristmasBoomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
18.33€
Kissing You
Kissing You
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Contemporary
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Des'ree Weekes and Tim Attack
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HELEN MARPLE-HORVAT
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Kissing You
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.749204 Composed by Des'ree Weekes and Tim Attack. Arranged by HELEN...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.749204 Composed by Des'ree Weekes and Tim Attack. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 14 pages. Helen Marple-Horvat #3548867. Published by Helen Marple-Horvat (A0.749204). https://www.youtube.com/watch?v=CfUzzRnPptQ ‘Kissing You’ was written for the 1996 film Romeo and Juliet by Des’ree Weekes and Tim Atack, with the gorgeous string arrangements by Craig Armstrong. It is a much loved song, very well received by the critics and public alike, and hugely popular at weddings. As well as this arrangement for string quartet, I also have an arrangement on Sheet Music Plus, for female singer and string quartet backing. The Quartet version can be found on my Skinny Black Dogs Youtube Channel, by typing in ‘Romeo and Juliet, Kissing You’. The parts are not difficult to play, and the key is easy for strings. As usual, the first violin has the hardest part in trying to sustain the slow melody with a good vibrato, but my bowing is just a guide, and less experienced players can easily change the bow more often. There is some double stopping, in order to get all the necessary notes into those beautiful chords which thickens the texture, but almost all of it has an open string as one of the notes. There is a tricky part for cello at Bar 28, but with a little help from a good teacher, I’m sure that it is not impossible. The cellist in my Youtube recording plays it very lightly, and it could also be done in thumb position, played an octave lower, or simplified. There is also a cello solo in fourth position at bar 14 including the high harmonic A. There needs to be room for some rubato in the song and the lead needs to be taken from whomever has the tune! Hope you enjoy playing this song! It was a lot of fun to arrange!
$20.00 ≈
18.34€
All I Want For Christmas Is You
All I Want For Christmas Is You
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christmas
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Lady Antebellum
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MA...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00 ≈
18.34€
Where'er You Walk (string parts and continuo) for use with singer.
Where'er You Walk (string parts and continuo) for use with singer.
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Orchestra
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INTERMEDIATE
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Classical
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George Frideric Handel
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Pam Moutoussi
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Where'er You Walk
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Pamela Moutoussi
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.847034 Composed by George Frideric Handel. Arranged by Pam Moutoussi. Baroque,Concert,Wedding. Score ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.847034 Composed by George Frideric Handel. Arranged by Pam Moutoussi. Baroque,Concert,Wedding. Score and parts. 9 pages. Pamela Moutoussi #3499605. Published by Pamela Moutoussi (A0.847034). I could not find the string parts to this famous and beautiful piece without ordering the whole Opera so here they are, with my own keyboard realization. I have not added the vocal part as this is very easy to get hold of, but you do need the singer, it wont work without! https://www.youtube.com/watch?v=BYOZnwQQV18
$5.00 ≈
4.58€
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
27.46€
Could You Not Watch with Me One Hour
Could You Not Watch with Me One Hour
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Mary Kay Beall
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Could You Not Watch with Me On
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral) - Digital Download SKU: H1.C5029DP Composed by Mary Kay Beall. Piano Accompaniment. Lent, Holy Week, Good Friday. Octavo. 12 pages. Hope ...
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Choral (Choral) - Digital Download SKU: H1.C5029DP Composed by Mary Kay Beall. Piano Accompaniment. Lent, Holy Week, Good Friday. Octavo. 12 pages. Hope Publishing - Digital #C5029DP. Published by Hope Publishing - Digital (H1.C5029DP). Original Anthem Set in d-minor, this sincere ballad exemplifies the humanity of Jesus with his time of sorrow at Gethsemane. Set with piano and four voices, this scaled-back anthem provides an earnest narrative of Holy Week.
$2.95 ≈
2.70€
Lord, I Need You
Lord, I Need You
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Choral Unison
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INTERMEDIATE/ADVANCED
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Passion
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Petr BeÄvář
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Lord, I Need You
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Petr Becvar
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.926914 By Passion. By Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, and Mat...
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Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.926914 By Passion. By Christy Nockels, Daniel Carson, Jesse Reeves, Kristian Stanfill, and Matt Maher. Arranged by Petr BeÄvář. Christian,Gospel. Octavo. 18 pages. Petr Becvar #3618845. Published by Petr Becvar (A0.926914). Arrangment for two violin + solo one, viola, violoncello, contrabass, timpani and singer.Good for music-schools concert and it also could be played at Christian actions (services, meeting,...).!!MP3 (WAV) file made by Sibelius 7 program, is not played by real orchestra.!!https://www.youtube.com/watch?v=LuvfMDhTyMA
$13.00 ≈
11.92€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.66€
Your Favorite Christmas Hymns and Carols for Brass, Book 2
Your Favorite Christmas Hymns and Carols for Brass, Book 2
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Brass ensemble
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score a...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.522155 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Praise & Worship,Sacred. Score and parts. 75 pages. Colin Kirkpatrick Publications #3580273. Published by Colin Kirkpatrick Publications (A0.522155). Your Favorite Christmas Hymns and Carols for Brass, Book 2Arranged for brass by Colin KirkpatrickThis is the second volume of the collection of best-loved Christmas hymns and carols arranged for brass, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for 1st B flat trumpet, 2nd B flat trumpet, horn in F (with a separate optional part for horn in E flat), trombone and/or tuba. The tuba part is also optional because it either doubles the trombone part or plays an octave below. Both trombone and tuba parts appear on a single staff in the bass clef at concert pitch. The arrangements can be used with brass quartet, brass quintet or brass ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in brass-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely. Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas). The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the string collection of the same name.
$25.99 ≈
23.83€
You Are My Child
You Are My Child
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Piano, Voice
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EASY
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Sacred music
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Markus Z
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Please
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You Are My Child
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Mt. Zion Media
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1011621 Composed by Markus Z. Watkins. Christian,Sacred. Score. 6 pages. Mt. Zion Media #3465008. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1011621 Composed by Markus Z. Watkins. Christian,Sacred. Score. 6 pages. Mt. Zion Media #3465008. Published by Mt. Zion Media (A0.1011621). Oh, to be just like a child again, and not have to deal with life. But the fact of the matter is, all we need is a child-like faith and trust that God is our heavenly Father and He watches us. This song will be a blessing to you or someone who is going through a difficult time and needs encouragement. This song is set as a solo with a pretty basic piano accompaniment. Once you buy and download the first one, you can copy as many as you need for your application. Please pardon my singing in the demo. I am NOT a professional singer (if you couldn't tell). Check out more Mount Zion Media products ~ https://treasuredson.wixsite.com/mountzionmediaFollow Mount Zion Media on Instagram ~ https://www.instagram.com/mountzionmediaFollow Mount Zion Media on Facebook ~ https://www.facebook.com/mountzionmediaSubscribe to Mount Zion Media on YouTube ~ https://www.youtube.com/channel/UCVpVGNz55HqxfSm9AuBISqwFollow Mount Zion Media on Soundcloud ~ https://soundcloud.com/user-195544625Questions or comments? Email us --- mtzionmedia5333@gmail.com
$3.99 ≈
3.66€
Song of the Childless
Song of the Childless
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Contemporary
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary....
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00 ≈
10.09€
You're A Mean One, Mr. Grinch
You're A Mean One, Mr. Grinch
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Albert Hague and Dr Seuss
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Donald Jay Smith
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You're A Mean One, Mr. Grinch
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Donald Jay Smith Music
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Film/TV,Holiday,Jazz,Pop. 12 pages. Donald Jay Smith Music #989057. Published by Donald Jay Smith Music (A0.1406006). This was a natural contrast to the soothing jazz style of “Christmas Time is Here.†The in your face jazz/blues style of “You’re a Mean One, Mr. Grinch†was a style the students had not experienced, but adapted to immediately and joyfully! The appeal that puts this arrangement over the top is the way it portrays the story with a tender violin solo echoed by (spoiler alert) the solo Cello Grinch voice at the end.While teaching at the high school level, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert.  Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!
$12.99 ≈
11.91€
Ten Christmas Carols for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Ten Christmas Carols for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Handbells
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EASY
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Christmas
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Traditional
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Sharon Wilson
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Ten Christmas Carols for 8-not
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Sharon Wilson
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SheetMusicPlus
Xylophone, Percussion Ensemble, Handbell, Orff instruments, one octave Handbells and Boomwhackers, Boomwhacker, handbell choir - Early Intermediate - ...
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Xylophone, Percussion Ensemble, Handbell, Orff instruments, one octave Handbells and Boomwhackers, Boomwhacker, handbell choir - Early Intermediate - Digital Download Composed by Traditional. Arranged by Sharon Wilson. Christian, Sacred, Classroom, Folk, Christmas. Score, Set of Parts. 87 pages. Published by Sharon Wilson
This collection contains 10 Christmas carols arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for handbells on one part and Boomwhackers® on a second part. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.
This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, “Chroma-Notes Stick Ons” can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.
Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs.
Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.
The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included for each song.
Other suggestions and uses:
* have both parts played by bells or both parts played using only Boomwhackers®
* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)
* use as part of the music education for children at school, home, or church
* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few
Each of the 10 Christmas Carol arrangements is also available separately with accompanying preview pages and audio samples.
Titles included in this collection:
Angels We Have Heard on High
As Lately We Watched
Come, All Ye Shepherds
Come, Thou Long Expected Jesus
The First Noel
Here We Come A-Caroling
Joy to the World
O Come, Little Children
O Thou Joyful Day
Sing We Now of Christmas
$19.99 ≈
18.33€
Another Day
Another Day
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Alto voice, Piano
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INTERMEDIATE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Mu...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95 ≈
4.54€
You Are The New Day
You Are The New Day
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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John David
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Jen Mathers
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You Are The New Day
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Jen Mathers
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.778049 Composed by John David. Arranged by Jen Mathers. 20th Century,Pop,Praise & Wors...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.778049 Composed by John David. Arranged by Jen Mathers. 20th Century,Pop,Praise & Worship. Score and parts. 4 pages. Jen Mathers #5790833. Published by Jen Mathers (A0.778049). Arranged for standard string quartet (NOTE: the audio and video samples are performed by a cellist covering all violin, viola, and cello parts, but the voicing/octaves are identical to the string quartet arrangement). This choral work was originally written by John David for the band Airwaves in 1978. It was later arranged by Peter Knight and recorded by the King's Singers. This transcription for strings follows the very popular King's Singers version. The song is about 2 1/2 minutes long, and easy to read for all string parts. Doublestops could be skipped for beginning players. Bowings are included to facilitate uniform ensemble playing. It is a secular song but is often used by church choirs. It is a lovely ensemble piece when played by string quartet, and can be used for weddings, memorial services, or any occasion requiring hopeful or somber music. According to the composer: The inspiration for New Day was quite simple; I had just had a major blow in my personal life, and was sitting alone late at night on the settee feeling very low, and watching an ominous story on the news about the very real possibility of nuclear war. I started singing to the (hopefully) soon-to arrive New Day like it was an entity, that would rescue me from the depths. If the sun came up and the birds started singing as usual then I could believe that it really was the new day in which life would go on, and in which hope would survive.
$14.99 ≈
13.74€
While My Guitar Gently Weeps
While My Guitar Gently Weeps
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Yuki Murakami
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HELEN MARPLE-HORVAT
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While My Guitar Gently Weeps
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul Ja...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.749227 By Yuki Murakami. By George Harrison, John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 23 pages. Helen Marple-Horvat #5310861. Published by Helen Marple-Horvat (A0.749227). https://www.youtube.com/watch?v=_YGzCML5OKYFor many years I laboured under the impression that George Harrison played guitar on this song as well as writing it, but it turns out to have been played by Eric Clapton.This wonderful song is on the ‘100 Greatest Guitar Songs’ list, and number ten on ‘The Beatles 100 Greatest Songs’. None of this is a surprise! I have long wanted to arrange this for Capriccio String Quartet, and I am very proud of it. I think they give a tremendously passionate performance. I am aiming this one at the professional market as it is quite complex. However, with the usual modifications I feel sure that young players could tackle it. I recommend dropping the cello an octave for the first twelve bars but the rest of the cello part falls within expectations for ABRSM Grade 5. As usual the double stopping often contains an open string but it will be possible simply to miss out a note out where tuning could be difficult for young players. Choose from the Score the note that is not already played by one of the others. I am usually writing double stopping to thicken the texture rather than for harmonic considerations. The bowing is just a guide. Take as many bows and play as many open strings as you need to make the song feel comfortable.There is a difficult page turn for viola who plays throughout, so two bars before G could be omitted if necessary as other parts have the note E. The other players have a page break on rests, and the cellist can play open strings and quickly turn with the left hand.Please visit my Youtube Channel at Helen Marple-Horvat Songwriter, Arranger, Composer for playlists of all my arrangements, most of which have been recorded. All but three are available from Sheet Music Plus.
$20.00 ≈
18.34€
Your Favorite Christmas Hymns and Carols for Strings, Book 2
Your Favorite Christmas Hymns and Carols for Strings, Book 2
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String Quartet: 2 violins, viola, cello
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EASY
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Christmas
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Various
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Your Favorite Christmas Hymns
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & ...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 67 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Strings, Book 2
Arranged by Colin Kirkpatrick
This is the second volume of the collection of best-loved Christmas hymns and carols arranged for strings, to brighten up your next Christmas event. This publication includes full four-part instrumental scores plus parts for first violin, second violin, viola, cello and optional double bass. Both cello and bass parts appear on a single staff. The arrangements can be used with string quartet, string quintet or string ensemble. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios. You can create a brighter string tone by asking the more advanced first and second violin players to play an octave higher when necessary. You can hear this effect in the audio samples.
The arrangements are intended either as stand-alone pieces that could be used as interludes in a concert or service, or they could be used to accompany solo, choral or congregational singing. The arrangements been written in string-friendly keys as often as possible. While the hymns mostly use the traditional harmonies, the carols have been treated more freely.
Book 2 contains the following 21 titles: As with Gladness Men of Old (Melody: Dix); Away in a Manger (Melody: Cradle Song); Ding! Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry, Gentlemen; A Great and Mighty Wonder (Melody: Es ist ein Ros); Hark! The Herald Angels Sing (Melody: Mendelssohn); Infant Holy, Infant Lowly (Melody: W. Zlobie Lezy); It Came Upon the Midnight Clear (Melody: Noel); Joseph Dearest, Joseph Mine (Melody: Resonet in Laudibus); Joy to the World (Melody: Antioch); O Come, O Come Emmanuel (Melody: Veni Emmanuel); O Little Town of Bethlehem (Melody: Forest Green) ; Once in Royal David's City (Melody: Irby); Quem Pastores Laudavere; Lully, lulla Thou Little Tiny Child (Melody: Coventry Carol); Hark! A Thrilling Voice is Calling (Melody: Merton); The First Nowell; The Wassail Song; We Three Kings (Melody: Kings of Orient), While Shepherds Watched their Flocks (Melody: Winchester Old) and While Shepherds Watched their Flocks (Melody: Christmas).
The audio samples include Ding! Dong! Merrily on High, Infant Holy, Infant Lowly, Lully, lulla Thou Little Tiny Child and The First Nowell. Please note that the arrangements are usually not usually compatible with the brass collection of the same name.
$25.99 ≈
23.83€
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