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D. Otto Oboe, Violin
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You've selected:
D. Otto Oboe, Violin
Sheetmusic to print
11 sheet music found
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1
Canon in D - Full Orchestra version
Canon in D - Full Orchestra version
Organ,Harpsichord,Flute,Oboe,Clarinet,Bassoon,Trumpet,Horn in F,Violin,Viola,Cello,Double Bass,Full Orchestra,String Orchestra,Chamber Orchestra
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Classical
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Johann Pachelbel
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Stefano Pagotto
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Canon in D - Full Orchestra ve
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Stefano Pagotto
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SheetMusicPlus
Composed by Johann Pachelbel (1653-1706). Arranged by Stefano Pagotto. Baroque Period, Repertoire, General Instructional, Christmas, Graduation. Score, Set of P...
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Composed by Johann Pachelbel (1653-1706). Arranged by Stefano Pagotto. Baroque Period, Repertoire, General Instructional, Christmas, Graduation. Score, Set of Parts. 24 pages. Published by Stefano Pagotto (S0.297909). - Score,Set of Parts - Baroque Period,Repertoire,General Instructional,Christmas,Graduation - Stefano Pagotto
$30.00 ≈
$40.46
1. Concerto in D
1. Concerto in D
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Mario Castelnuovo-Tedesco
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1. Concerto in D
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Schott Music - Digital
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SheetMusicPlus
1 Flauto, 1 Oboe, 2 Clarinetti in La, 1 Fagotto, 1 Corno in Fa, Timpani, 2 Violini I, 2 Violini II, 2 Viole, 2 Violoncelli, 1 Contrabasso guitar and orchestra -...
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1 Flauto, 1 Oboe, 2 Clarinetti in La, 1 Fagotto, 1 Corno in Fa, Timpani, 2 Violini I, 2 Violini II, 2 Viole, 2 Violoncelli, 1 Contrabasso guitar and orchestra - difficult - Digital Download SKU: S9.Q1316 Composed by Mario Castelnuovo-Tedesco. This edition: score. Downloadable, Score. Op. 99. Duration 15 minutes. Schott Music - Digital #Q1316. Published by Schott Music - Digital (S9.Q1316). Key: D major.
$40.99 ≈
$55.29
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. ...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95 ≈
$13.42
Amazing Grace - Amazing Grace
Amazing Grace - Amazing Grace
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Contemporary
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Velton Ray Bunch
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R G Roth
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Amazing Grace - Amazing Grace
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Rainer's Rainbow
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Oboe,Violin - Level 2 - Digital Download SKU: A0.902169 Composed by Velton Ray Bunch. Arranged b...
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Small Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Oboe,Violin - Level 2 - Digital Download SKU: A0.902169 Composed by Velton Ray Bunch. Arranged by R G Roth. Contemporary. Score and parts. 12 pages. Rainer's Rainbow #6439627. Published by Rainer's Rainbow (A0.902169). In this arrangement any three woodwinds can be employed to complete the trio. The Lead parts can be on Oboe, Flute, Clarinet in A, Oboe d'amore or Violin. The 2nd voice can be played by a Clarinet or English Horn. The Bottom voice could be covered by a Bassoon, Cello or Bass Clarinet.
$12.99 ≈
$17.52
Ode an die Freude
Ode an die Freude
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Lars Deaken
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Ode an die Freude
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Fibonacci Music & Multimedia
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Pe...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Period. Score and Parts. 81 pages. Fibonacci Music & Multimedia #845098. Published by Fibonacci Music & Multimedia (A0.1250830). Ode an die Freude An 8 minutes version of the famous hymn for orchestra and/or choir with an recognizable introduction. You will need this arrangement if you want the Ode an die Freude to begin with a worthy introductionGreatly reduced version of the 3rd and 4th movements of the 9th symphony. The hymn Ode an die Freude can also be performed as a single movement. Heavy brass has been added as an ad libitum instrumentation, to allow the hymn to be performed with full orchestra on occasion.The 4-part chorus can be sung even by a non-professional choir, and even by the audience, because of a convenient tessitura in A major in the hymn. The reduction of elements used from the 3rd movement leads - as an introduction - to the first passage of the hymn, and with material from the 4th movement it leads to the closing hymn. The hymn shows the lyrics for 3 verses.It has been orchestrated and arranged with full respect for Beethoven's intentions, but with an open mind to the needs of contemporary events and the needs of concert organizations and audiences. For the convenience of these events, heavy brass has been included for modern orchestras - even tuba which essentially doubles the original contrafagotto.This arrangement can be performed with, or without, a choir. For 2nd violins and violas of community orchestras is a notoriously difficult passage, with the length of a few bars, rewritten as ossia bars, where professional orchestras and community orchestras of advanced level can play the original passage.It is possible to set other starting points in the score (rehearsal mark C, F or H)) . It is also possible to end the Hymn in the original D major (bar mark G as a 'fine')Full package contains an orchestral score, and parts for these instruments and voices:InstrumentationPiccolo (ad libitum)Flute 1Flute 2 Oboe 1Oboe 2Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Contra bassoon (ad libitum)Horn 1 in FHorn 2 in FHorn 3 in FHorn 4 in F  (ad libitum) Trumpet 1Trumpet 2Trombone 1 (ad libitum) Trombone 2 (ad libitum) Trombone 3 (ad libitum) Tuba (ad libitum) Timpani  (ad libitum) Choir SATB (ad libitum)Violin 1 Violin 2 (with easy ossia for a difficult passage)Viola (with easy ossia for a difficult passage)CelloBass
$119.00 ≈
$160.50
Flûte en suite
Flûte en suite
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Flute and Piano
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ADVANCED
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99 ≈
$75.52
E lucevan le stelle - Tosca
E lucevan le stelle - Tosca
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Giacomo Puccini
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Silvestro Sabatelli
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E lucevan le stelle - Tosca
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Silvestro Sabatelli
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.925496 Composed by Giacomo Pucc...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin,Voice - Level 5 - Digital Download SKU: A0.925496 Composed by Giacomo Puccini. Arranged by Silvestro Sabatelli. Opera,Standards,World. Score and parts. 18 pages. Silvestro Sabatelli #6323121. Published by Silvestro Sabatelli (A0.925496). Transcription for voice, flute, oboe, clarinet, basson, horn and string quintet.Trascrizione per voce, flauto, oboe, clarinetto, fagotto, corno e quintetto d'archi.
$50.00 ≈
$67.44
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menes...
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99 ≈
$17.52
All Grown Up
All Grown Up
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Walt Disney
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Molly Parker
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Sarah Harris
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All Grown Up
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Bandroom.com Publications
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SheetMusicPlus
C Instrument,Instrumental Solo,Piano,Treble Recorder - Level 2 - Digital Download SKU: A0.1236186 By Molly Parker. By 2 and Daniel Hart. Arranged by Sara...
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C Instrument,Instrumental Solo,Piano,Treble Recorder - Level 2 - Digital Download SKU: A0.1236186 By Molly Parker. By 2 and Daniel Hart. Arranged by Sarah Harris. 21st Century,Children,Contest,Festival,Film/TV,Instructional. Score and individual part. 7 pages. Bandroom.com Publications #831696. Published by Bandroom.com Publications (A0.1236186). ____________________________________________________The enchanting, simple lullaby All Grown Up from the Disney movie PETER PAN AND WENDY.Arranged for Soprano or Tenor Recorder ( in C ) and Easy Piano. Also works for VOICE or many other instruments in C, such as Violin, Oboe, etc.Range is from D (touching bottom staff line, treble clef) to F (top line of staff, treble clef).Beautiful, yet simple. The challenge for the soloist will be phrasing (breath marks are indicated), tempo variations (ritardando, a tempo, meno mosso), and learning to play with an accompanist.The easy piano part is playable by young students.Includes chord symbols and lyrics.Also available for:Flute and Easy Piano Clarinet and Easy Piano Alto Saxophone and Easy Piano Trombone and Easy Piano ____________________________________________________.
$5.99 ≈
$8.08
Lesson Plan & Manuscript Book
Lesson Plan & Manuscript Book
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Eric Bolvin
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Lesson Plan & Manuscript Book
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphoni...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphonium,Flute,Harmonica,Harp,Marimba,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.829070 Composed by Eric Bolvin. Instructional,Standards. Score and parts. 78 pages. ERIC V BOLVIN #3579873. Published by ERIC V BOLVIN (A0.829070). All teachers and students can use this book. It is simply an outline for developing a consistent practice routine. Sections A and B should consist of exercises that are for the instrument. For trumpet this may include flexibility, long tones, scales, arpeggios, buzzing, pedal tones or any other technical exercise. Sections C, D and E should be used for assignments concerning music. These could include etudes, jazz transcriptions, orchestral excerpts, concertos, ensemble parts or any other musical application. The indications for REST are very important for all brass players. You must always rest as much as you play during the A and B sections of the lesson.This is the warm-up section of your routine and you will feel better if you take your time during these first and most important steps. If you become fatigued during parts A or B, you are not resting enough and shouldstart fresh the next day, all the while considering the fact that you have not rested properly.The opposing manuscript page is for writing scales, exercises, tunes, licks, notes, or whatever you wish to write there.The book also has a space at the bottom for students to write down how much time they practice each day.
$13.95 ≈
$18.82
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
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Joseph Bodin De Boismortier
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Edited & arranged by Pat Spenc
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Le Sr. Le Clere.
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BOISMORTIER THREE SONATAS OPUS
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 43 pages. Piper Publications #4338647. Published by Piper Publications (A0.811704). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR Written for 2 equal instruments these sonatas bring pleasure to players of intermediate standard and above whilst developing their independent playing skills. Each sonata has 4 movements slow and fast alternating in the same key. The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page. It is highly likely that the sonatas would have been played by pairs of oboes or violins or possibly by bassoons or cellos according to the players available in the homes of the wealthy amateur players who could afford to buy music. The flute parts were printed in the soprano clef - with G on the bottom line. This would have been convenient for flute players who often also played bassoon when required and were often not keyboard players. This edition uses the modern bass clef and has a score plus separate parts to facilitate page turns. In editing the sonatas the presentation of the music has been modernised.
$15.00 ≈
$20.23
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D. Otto Oboe, Violin
