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DOUBLE BASS Choral SSAATTBB
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You've selected:
DOUBLE BASS Choral SSAATTBB
Sheetmusic to print
5 sheet music found
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.87€
Ein Stundenbuch
Ein Stundenbuch
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Choral SSAATTBB
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ADVANCED
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Heinrich Poos
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Ein Stundenbuch
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATTBB), positive organ, cello and double bass - advanced to difficult - Digital Download SKU: S9.Q46258 Fragmente einer großen Konf...
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Mixed choir (SSAATTBB), positive organ, cello and double bass - advanced to difficult - Digital Download SKU: S9.Q46258 Fragmente einer großen Konfession. Composed by Heinrich Poos. This edition: score. Downloadable, Score. Duration 24 minutes. Schott Music - Digital #Q46258. Published by Schott Music - Digital (S9.Q46258). Latin • German.Heinrich Poos´ Ein Stundenbuch is a contribution to the Luther Year 2017. Poos sets relevant passages from the Bible to music, such as Die Seligpreisungen for choir (SSAATTBB), positive organ, violoncello and double-bass. The eight movements, prologue and epilogue contain contemplative, agitated and bombastic passages. With Vater unser and a thunderous Amen, the work would be suitable for the second half of a concert.
$15.99 ≈
14.63€
Seattle (Live Recording of Premiere Performance)
Seattle (Live Recording of Premiere Performance)
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Contemporary
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Seattle Choral Company, Fred C
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Seattle
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William Hawley
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1130642 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Contemporary. Full Performance. Duration...
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Level 5 - Digital Download SKU: A0.1130642 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Contemporary. Full Performance. Duration 2210. William Hawley #730894. Published by William Hawley (A0.1130642). This is the Live Recording of the Premiere Performance of William Hawley's oratorio Seattle, for Vocal Soloists, Women's Choir, Chorus, and Orchestra, commissioned by the Seattle Choral Company, Fred Coleman, Director, and premiered by them, with Juliana Rambaldi, Soprano, Carolyn Gronlund, Mezzo-Soprano, Wesley Rogers, Tenor, William Rhodes, Bass, and The Seattle Choral Company Chorus and Orchestra, Fred Coleman, Conductor, in Benaroya Hall, Seattle, Washington, on November 4, 2001. The work is a four-movement setting of Chief Seattle's 1854 Treaty Oration in the English translation of Dr. Henry Smith. Total duration: 40 minutes. Soloists: Soprano Mezzo-Soprano Tenor Bass Women's Choir: SSA Large Chorus: SSAATTBB Orchestra: 3 Flutes (Third doubles Piccolo) 2 Oboes English Horn 3 Clarinets in Bb (Third doubles Bass Clarinet in Bb) 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani 2 Percussion (Bass Drum, Triangle, Large Suspended Cymbal) Harp Strings (Contrabasses with low C required). Movement Timings: 1. Yonder Sky 00:00-7:23 2. There Was a Time 7:28-15:42 3. To Us The Ashes 15:46-20:40 4. Day and Night 20:45-27:32 The audio sample consists of excerpts from the first, third, and final movements of the live recording of the World Premiere Performance in Benaroya Hall, including the opening and closing sections of the work. The Full Score of Seattle is also available for download on this site, ASCAP https://williamhawley.net.
$3.99 ≈
3.65€
The Girl From Ipanema (garota De Ipanema)
The Girl From Ipanema (garota De Ipanema)
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Choral SSAATTBB
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INTERMEDIATE/ADVANCED
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Jazz
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As performed and recorded by
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Joanna Forbes L'Estrange
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The Girl From Ipanema
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Alexander L'Estrange
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SheetMusicPlus
Voice, Choir, Mixed choir - Advanced Intermediate - Digital Download By As performed and recorded by the Swingles. Arranged by Joanna Forbes L'Est...
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Voice, Choir, Mixed choir - Advanced Intermediate - Digital Download By As performed and recorded by the Swingles. Arranged by Joanna Forbes L'Estrange. Score. 14 pages. Published by Alexander L'Estrange
Mixed choir SSAATTBB - Advanced Intermediate - Digital Download
As performed and recorded by The Swingles. Arranged by Joanna Forbes L'Estrange. Score. 13 pages. Published by Joanna Forbes L'Estrange.
NEW from singer-songwriter Joanna Forbes L'Estrange (former soprano/MD of The Swingles). Jobim’s most popular song in a sexy, Swingles-style a cappella arrangement is now available for your choirs and a cappella groups to sing. Plenty of fun to be had imitating guitar, shaker, muted trumpets and double bass as well as singing in Portuguese and English! There’s also an opportunity for a singer to display his/her jazz scat solo skills.
Check out more of Joanna's compositions and arrangements at www.joannaforbeslestrange.com and follow L'Estrange Music on Facebook.
$4.50 ≈
4.12€
Seattle (Set of Orchestral Parts)
Seattle (Set of Orchestral Parts)
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Orchestra
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ADVANCED
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Contemporary
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Seattle Choral Company, Fred C
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Choir (4S, 4A, 4T, 4B)
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Seattle
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William Hawley
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1144146 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary....
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Full Orchestra - Level 5 - Digital Download SKU: A0.1144146 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary. Score and parts. 141 pages. William Hawley #744464. Published by William Hawley (A0.1144146). This is the Complete Set of Orchestral Parts for William Hawley's oratorio Seattle, in the Composer's Edition. The work is in four movements, for four Vocal Soloists (Soprano, Mezzo-Soprano, Tenor, and Bass), Women's Choir (SSA), Large Mixed Chorus (SSAATTBB), and orchestra. Instrumentation: 3 Flutes (third doubles Piccolo) 2 Oboes 2 Clarinets in Bb English Horn 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani 2 Percussion Harp Strings (with permission to copy multiple String Parts as required. Suggested minimum strings: 6,6,4,4,2 for a Choir of 16 singers and Chorus of 32 singers): Violin I Violin II Viola Violoncello Contrabass The following PDF and mp3 files are also available at this site: 1. Full Score 2. Vocal Score with Piano Reduction, with permission to make multiple copies as needed for the Conductor, Rehearsal Pianist, Soloists (S, M-S, T, B); Choir (4S, 4A, 4T, 4B); and Chorus. Suggested Chorus size: 32 Singers (8S, 8A, 8T, 8B). 3. Live mp3 Recording of the Premiere Performance by the Seattle Choral Company, Fred Coleman, Conductor. The audio clip contains the opening and closing sections of the work Approximate complete performance duration: 40'. ASCAP https://williamhawley.net.
$9.99 ≈
9.14€
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1
DOUBLE BASS Choral SSAATTBB
