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Day by Day and With Each Passing Moment
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You've selected:
Day by Day and With Each Passing Moment
Sheetmusic to print
21 sheet music found
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1
Day by Day and with Each Passing Moment
Day by Day and with Each Passing Moment
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Handbells
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Sacred music
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Oscar Ahnfelt
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W
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Day by Day and with Each Passi
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Wilhelm Schmidt
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SheetMusicPlus
Handbell - Digital Download SKU: A0.806526 Composed by Oscar Ahnfelt. Arranged by W. F. Schmidt. Christian,Sacred. Score. 5 pages. Wilhelm Schmidt #35451...
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Handbell - Digital Download SKU: A0.806526 Composed by Oscar Ahnfelt. Arranged by W. F. Schmidt. Christian,Sacred. Score. 5 pages. Wilhelm Schmidt #3545101. Published by Wilhelm Schmidt (A0.806526). This melody really sings when arranged for handbells. A countermelody generates added interest in the middle segment.
$4.95 ≈
4.56€
Day by Day and With Each Passing Moment
Day by Day and With Each Passing Moment
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Guitar
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INTERMEDIATE
#
Traditional
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Chris Richter
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Day by Day and With Each Passi
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Chris Richter
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1462548 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual pa...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1462548 Composed by Traditional. Arranged by Chris Richter. Christian,Religious,Spiritual. Individual part. 3 pages. Chris Richter #1041307. Published by Chris Richter (A0.1462548). A solo fingerstyle guitar arrangement of the hymn Day by Day and With Each Passing Moment.
$5.99 ≈
5.52€
Day by Day and With Each Passing Moment
Day by Day and With Each Passing Moment
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Piano solo
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INTERMEDIATE
#
Jeff Bjorck
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Jeff Bjorck
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Day by Day and With Each Passi
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1258084 By Jeff Bjorck. By Oskar Ahnfelt. Arranged by Jeff Bjorck. 19th Century,Christian,Religious,Spiri...
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Piano Solo - Level 3 - Digital Download SKU: A0.1258084 By Jeff Bjorck. By Oskar Ahnfelt. Arranged by Jeff Bjorck. 19th Century,Christian,Religious,Spiritual,Traditional. Score. 7 pages. Pure Piano Music by Jeff Bjorck #851324. Published by Pure Piano Music by Jeff Bjorck (A0.1258084). Jeff Bjorck's original solo piano arrangement of this traditional hymn melody by Oscar Ahnfelt debuted on Bjorck's album/CD Impressions in Black and White and also appears on his album/CD This I Know: Ageless Hymns of Faith. This hymn's lyrics (Lina Sandell-Berg, 1865) speak of God's caring presence and provision in the daily life of His children. The old Swedish melody can transport the listener to earlier times, and its plaintive tones reflect the reality that real life often includes both pain and pleasure as the Christian finds strength in trusting God.
$5.50 ≈
5.06€
Day by Day and With Each Passing Moment for orchestra
Day by Day and With Each Passing Moment for orchestra
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Chamber Orchestra
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INTERMEDIATE
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Sacred music
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Oscar Ahnfelt
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Harmony Corelli
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Day by Day and With Each Passi
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Anna Sparks
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.997186 Composed by Oscar Ahnfelt. Arranged by Harmony Corelli. Christian,Sacred. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.997186 Composed by Oscar Ahnfelt. Arranged by Harmony Corelli. Christian,Sacred. Score and parts. 23 pages. Anna Sparks #5205399. Published by Anna Sparks (A0.997186). A sweepingly beautiful arrangement of the moving hymn Day by Day. From the turmoil of the first verse, it moves to a straightforward string section with piano descant for the second verse, before closing with a dramatic key change, added trumpets, and Violin I triplet arpeggios. Arranged for strings, clarinet, trumpet, and piano. Level: intermediate.
$8.00 ≈
7.37€
Instruments In Praise - C Instrumental Solos/Duets
Instruments In Praise - C Instrumental Solos/Duets
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Lloyd Larson
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Instruments In Praise - C Inst
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Fred Bock Music Company
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SheetMusicPlus
C Instruments SKU: HL.8738457 Arranged by Lloyd Larson. Fred Bock Publications. General Worship, Sacred. Fred Bock Music Company #BG0726. Published by Fr...
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C Instruments SKU: HL.8738457 Arranged by Lloyd Larson. Fred Bock Publications. General Worship, Sacred. Fred Bock Music Company #BG0726. Published by Fred Bock Music Company (HL.8738457). ISBN 9781495078309. UPC: 073999384574. 9.0x12.0x0.093 inches.Melody and harmony for solo or duet for 8 songs: Come, Thou Fount * Come, We That Love the Lord * Day by Day, and with Each Passing Moment * Deep River * Savior, Like a Shepherd Lead Us * Stand Up, Stand Up for Jesus * and more. All the editions work together.
$12.95 ≈
11.92€
Instruments In Praise - Bb Instrumental Solos/Duets
Instruments In Praise - Bb Instrumental Solos/Duets
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Lloyd Larson
#
Instruments In Praise - Bb Ins
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Fred Bock Music Company
#
SheetMusicPlus
B-flat Instruments SKU: HL.8738456 Arranged by Lloyd Larson. Fred Bock Publications. Sacred. Fred Bock Music Company #BG0725. Published by Fred Bock Musi...
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B-flat Instruments SKU: HL.8738456 Arranged by Lloyd Larson. Fred Bock Publications. Sacred. Fred Bock Music Company #BG0725. Published by Fred Bock Music Company (HL.8738456). ISBN 9781495078293. UPC: 073999419580. 9x12 inches.Melody and harmony for solo or duet for 8 songs: Come, Thou Fount • Come, We That Love the Lord • Day by Day, and with Each Passing Moment • Deep River • Savior, Like a Shepherd Lead Us • Stand Up, Stand Up for Jesus • and more. All the editions work together.
$12.95 ≈
11.92€
Instruments In Praise - Bass Instrumental Solos/Duets
Instruments In Praise - Bass Instrumental Solos/Duets
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Lloyd Larson
#
Instruments In Praise - Bass I
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Fred Bock Music Company
#
SheetMusicPlus
Bass Clef Instruments SKU: HL.8738458 Arranged by Lloyd Larson. Bass Clef ed. Fred Bock Publications. Sacred. Fred Bock Music Company #BG0727. Published ...
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Bass Clef Instruments SKU: HL.8738458 Arranged by Lloyd Larson. Bass Clef ed. Fred Bock Publications. Sacred. Fred Bock Music Company #BG0727. Published by Fred Bock Music Company (HL.8738458). ISBN 9781495078316. UPC: 073999384581. 9x12 inches.Melody and harmony for solo or duet for 8 songs: Come, Thou Fount • Come, We That Love the Lord • Day by Day, and with Each Passing Moment • Deep River • Savior, Like a Shepherd Lead Us • Stand Up, Stand Up for Jesus • and more. All the editions work together.
$12.95 ≈
11.92€
Day by Day - SATB arrangement with Violincello Obbligato accompaniment.
Day by Day - SATB arrangement with Violincello Obbligato accompaniment.
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Choral SATB
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BEGINNER
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Sacred music
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Oscar Ahnfelt
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KATHLEEN HOLYOAK
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Day by Day - SATB arrangement
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Kathleen Holyoak
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399683 Composed by Oscar Ahnfelt (1813-1882). Arranged by KATHLEEN HOLYOAK. Christian,Pr...
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399683 Composed by Oscar Ahnfelt (1813-1882). Arranged by KATHLEEN HOLYOAK. Christian,Praise & Worship,Religious,Sacred,Traditional. 8 pages. Kathleen Holyoak #982953. Published by Kathleen Holyoak (A0.1399683). The text for this lovely Swedish hymn was written by Carolina Sandell Berg, also known as the Fanny Crosby of Sweden. She was the daughter of a Lutheran pastor and wrote the text for this and some 650 others to cope with the drowning of her father to whom she was very close. The words offer comfort in the storm of darkness and that day by day the Lord will give us strength until we reach the promised land.  Follow the first verse:Day by day and with each passing moment,Strength I find to meet my trials here;Trusting in my Father's wise bestowment,I've no cause for worry or for fear.He whose heart is kind beyond all measureGives unto each day what He dreams best.Lovingly, its part of pain and pleasure,Mingling toil with peace and rest.
$2.99 ≈
2.75€
Day by Day
Day by Day
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Piano solo
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INTERMEDIATE/ADVANCED
#
Sacred music
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Christian contemporary
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Oscar Ahnfelt
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Eric Banitt
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Day by Day
#
Eric Banitt
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1101162 Composed by Oscar Ahnfelt. Arranged by Eric Banitt. Christian,Contemporary,Praise & Worship,Relig...
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Piano Solo - Level 4 - Digital Download SKU: A0.1101162 Composed by Oscar Ahnfelt. Arranged by Eric Banitt. Christian,Contemporary,Praise & Worship,Religious,Spiritual. Score. 5 pages. Eric Banitt #704599. Published by Eric Banitt (A0.1101162). Arranged by Eric Banitt, this intermediate to advanced solo piano piece evokes the reflective and comforting text of the great Swedish poet, Carolina Sandell. A perfect fit for prelude or offertory music, the four-minute work explores a wide array of textures with sophisticated voice-leading and subtle reharmonizations. “Day by day and with each passing moment, strength I find to meet my trials here.â€.
$4.99 ≈
4.59€
A Hymn A Day Volume 5
A Hymn A Day Volume 5
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Harp, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Hugh Callison
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A Hymn A Day Volume 5
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Publis...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.
Table of Contents:
In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning
$25.00 ≈
23.02€
Day By Day
Day By Day
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Piano Quartet: piano, 2 violins, cello
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INTERMEDIATE
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Oscar Anhfeldt, J
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Alva Lee
#
Day By Day
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simple000
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.917117 Composed by Oscar Anhfeldt, J.S. Bach. Arranged ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.917117 Composed by Oscar Anhfeldt, J.S. Bach. Arranged by Alva Lee. Concert,Instructional,Sacred,Standards. Score and parts. 12 pages. Simple000 #4365300. Published by simple000 (A0.917117). Day by day, and with each passing moment,Strength I find to meet my trials here;This unique ensemble of piano, violin and cello is a peaceful arrangement. A moderately known hymn with a powerful message and mixing with a known Bach piece Prelude in C.
$4.99 ≈
4.59€
Day by Day (Hymn tune) Piano Solo
Day by Day (Hymn tune) Piano Solo
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Piano solo
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INTERMEDIATE/ADVANCED
#
Oscar Ahnfelt 1813
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Gene Roberson
#
Day by Day
#
Gene Roberson
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.848697 Composed by Oscar Ahnfelt 1813. Arranged by Gene Roberson. Christian,Concert,Contemporary. Score. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.848697 Composed by Oscar Ahnfelt 1813. Arranged by Gene Roberson. Christian,Concert,Contemporary. Score. 5 pages. Gene Roberson #4792279. Published by Gene Roberson (A0.848697). Hymn tune Day by Day and with each passing moment. Perfect for Recital, Worship service Offertories and Preludes. Advanced Piano solo.
$3.99 ≈
3.67€
Kearney: Hymn Meditations, vol. 5: Eternal Father, Strong to Save; Day by Day
Kearney: Hymn Meditations, vol. 5: Eternal Father, Strong to Save; Day by Day
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Organ
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ADVANCED
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Michael R
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Kearney: Hymn Meditations, vol
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Homestead Press
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SheetMusicPlus
Instrumental Solo,Organ - Level 5 - Digital Download SKU: A0.1256975 Composed by Michael R. Kearney. Christian,Patriotic,Religious,Sacred. Individual par...
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Instrumental Solo,Organ - Level 5 - Digital Download SKU: A0.1256975 Composed by Michael R. Kearney. Christian,Patriotic,Religious,Sacred. Individual part. 16 pages. Homestead Press #850355. Published by Homestead Press (A0.1256975). Hymn Meditationsfor organEternal Father, Strong to Save (Fantasia on MELITA) quoting Genevan Psalm 107Day by Day and with Each Passing Moment (Improvisation on BLOTT EN DAG)Homestead PressMonaca, PennsylvaniaHP-611.
$8.99 ≈
8.28€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.09€
I Giorni
I Giorni
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Piano solo
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EASY
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Classical
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Various Artists
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Mav Duo
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I Giorni
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Musicial
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SheetMusicPlus
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262587 By Various Artists. By Andreas Romdhane and Josef Larossi. Arranged by Mav Duo. Clas...
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1262587 By Various Artists. By Andreas Romdhane and Josef Larossi. Arranged by Mav Duo. Classical. Score and individual part. 7 pages. Musicial #855600. Published by Musicial (A0.1262587). Embark on a Harmonic Journey: The Captivating Cello and Piano Arrangement of I Giorni by Josef Larossi and Andreas RomdhaneAre you ready to immerse yourself in an enchanting musical voyage that will evoke a tapestry of emotions and transport you to a realm of serene beauty? Prepare to be captivated by the ethereal combination of cello and piano in a breathtaking arrangement of I Giorni by Josef Larossi and Andreas Romdhane.Let the resounding resonance of the cello strings intertwine with the delicate piano melodies, creating a harmonious synergy that will ignite your senses. I Giorni, with its delicate and introspective qualities, finds new life in this exquisite arrangement, painting a vivid musical canvas that reflects the essence of each passing day.Crafted by accomplished musicians and meticulously transcribed with utmost care, this cello and piano arrangement showcases the timeless beauty and emotional depth of I Giorni in a unique and profound manner. The cello, with its rich and expressive tones, weaves intricate melodies that dance gracefully alongside the piano's gentle touch, creating a mesmerizing soundscape that resonates with your very soul.Whether you are an avid cellist seeking a captivating new piece to add to your repertoire, a pianist yearning for a sublime duet, or a devoted fan of Josef Larossi and Andreas Romdhane's work, this cello and piano arrangement is an absolute must-have. It offers an opportunity to immerse yourself in the evocative power of I Giorni, allowing you to experience its poetic essence firsthand.As the haunting melody unfolds, you will be transported to a world where time stands still, where each note carries the weight of a thousand emotions. Feel the gentle caress of the cello as it sings with deep resonance, while the piano delicately embellishes the melodies, adding layers of elegance and depth. Together, they create an exquisite musical dialogue that will leave you spellbound.This cello and piano arrangement of I Giorni is a testament to the profound connection between music and the human spirit. It invites you to embark on a harmonic journey, where the boundaries between reality and dreams blur, and where you are free to explore the depths of your own emotions. Each phrase is a delicate brushstroke, painting a vivid portrait of love, longing, and the beauty found within the passing moments of our lives.Don't miss this extraordinary opportunity to own a piece of musical enchantment. Order your cello and piano arrangement of I Giorni today and let the sublime melodies transport you to a world of serenity and introspection. Embrace the transformative power of music and let it accompany you on a voyage of emotional resonance and artistic discovery.Keywords: cello and piano arrangement, I Giorni, Josef Larossi, Andreas Romdhane, enchanting musical voyage, tapestry of emotions, realm of serene beauty, resounding resonance, harmonious synergy, timeless beauty, emotional depth, unique and profound, captivating new piece, evocative power, poetic essence, haunting melody, musical dialogue, spellbound, profound connection, harmonic journey, passing moments, musical enchantment, transformative power.
$7.00 ≈
6.45€
His Memory
His Memory
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #8...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00 ≈
22.10€
The Sundials
The Sundials
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Contemporary
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott ...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00 ≈
6.45€
Together forever
Together forever
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Piano solo
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INTERMEDIATE
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Classical
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Jose Valladares
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Jose Valladares
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Together forever
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. C...
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Piano Solo - Level 3 - Digital Download SKU: A0.1368439 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 3 pages. Circlesquare Music #952785. Published by Circlesquare Music (A0.1368439). Introducing Together Forever, a deeply moving and soulful piano composition that embodies the unwavering commitment and enduring bond of a lifelong partnership. This emotive piece, from the touching album A Celebration of Love, and Life by the acclaimed artist and composer Jose Valladares, is a musical representation of the promise and dedication inherent in the words together forever.With a gentle and steady tempo of 60, Together Forever unfolds with a tenderness and depth that speak directly to the heart. Each note and chord progression in this composition weaves a narrative of love's journey – from its first, tentative steps to the confident strides of a bond that has stood the test of time. The melody is both a comforting embrace and a joyful celebration, encapsulating the beauty and resilience of a love that grows stronger and more profound with each passing day.Together Forever is not just a piece of music; it's a testament to the enduring nature of true love. It invites listeners to reflect on the cherished moments shared with a partner, the trials overcome together, and the shared dreams for the future. This composition is perfect for those who wish to express their deep commitment through the timeless language of music, for pianists looking to convey the richness of a lifelong bond, and for anyone who cherishes the promise of being together forever.Let Together Forever be the soundtrack to your most treasured memories, echoing the steadfast promise of a love that knows no end. Allow this piece to accompany you in moments of reflection and celebration, serving as a musical reminder of the love that binds you to another, through all of life's ebb and flow.
$8.99 ≈
8.28€
Eternal Love
Eternal Love
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Piano solo
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INTERMEDIATE
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Classical
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Jose Valladares
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Jose Valladares
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Eternal Love
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368417 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. C...
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Piano Solo - Level 3 - Digital Download SKU: A0.1368417 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. Circlesquare Music #952764. Published by Circlesquare Music (A0.1368417). Introducing Eternal Love, a deeply moving piano composition that embodies the timeless essence and profound depth of love that endures through the ages. This heart-stirring piece, from the acclaimed album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a tender ode to the unbreakable bonds and enduring promises of love.With a gentle tempo of 65, Eternal Love unfolds like a delicate blossom, revealing layer after layer of emotional depth and soulful expression. The composition is a heartfelt journey through the landscapes of affection and devotion, capturing the quiet strength and unwavering certainty that characterize love in its most enduring form. Each note resonates with the warmth of a cherished embrace, the whisper of a lover's promise, and the soft cadence of heartbeats in perfect harmony.Eternal Love is more than a musical piece; it's a narrative of affection that transcends time and space. It invites listeners to immerse themselves in the profound beauty of love that knows no bounds, to reconnect with memories of heartfelt moments, and to cherish the bonds that grow stronger with each passing day. This composition is perfect for those who wish to celebrate love, for pianists seeking to convey the depth of their emotions through the keys, and for anyone who believes in the enduring power of love.Let Eternal Love serenade you with its tender melody, enveloping you in the warmth and beauty of a love that lasts a lifetime and beyond. This piece is an eternal testament to the most cherished of human connections, a soothing balm for the soul, and a celebration of love's everlasting light.
$8.99 ≈
8.28€
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Day by Day and With Each Passing Moment
