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Death Comes to us All
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You've selected:
Death Comes to us All
Sheetmusic to print
20 sheet music found
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1
Death Comes to us All (from the OmOneko soundtrack)
Death Comes to us All (from the OmOneko soundtrack)
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Oboe, Piano (duet)
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INTERMEDIATE
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Malcolm Escott
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Death Comes to us All
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Malcolm Escott
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.886571 Composed by Malcolm Escott. 20th Century,Contempor...
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Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.886571 Composed by Malcolm Escott. 20th Century,Contemporary,Romantic Period,Video Game. Score and parts. 3 pages. Malcolm Escott #6268743. Published by Malcolm Escott (A0.886571). A hauntingly beautiful piece dealing with love and loss, for piano, cello and oboe. from the OmOneko soundtrack.
$2.99
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
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Choral Unison
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INTERMEDIATE/ADVANCED
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Renee Allsbrook
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be still and just receive
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Heaven's Here to Stay
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Renee Allsbrook Music
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee ...
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music #4795863. Published by Renee Allsbrook Music (A0.915827). Looking for the perfect song for your Christmas Eve service? As music director and pianist at my church, I was too! So one year I decided to write this one. Perhaps the ideal way to present this song is with a soloist who is joined by a choir of adults (or children!) singing in unison on the second and third choruses--emulating a choir of angels. When used this way, this song provides an easy way to stretch your rehearsal time at the Christmas season, as the choir can easily participate, yet there is no learning of extra parts. Brimming with worship of the Christ Child from the very first lyric, Heaven's Here to Stay begins by quietly evoking the atmosphere of the stable. When the chorus arrives, the jubilant singing of the angels arrives as well: Glory in the highest, for the Peace of heaven comes to earth! Glory in the highest--Hope itself was born in Jesus's birth. For Death is dying, Fear is cowering, Light is chasing Night away. The burning love of heaven's here to stay. The second verse takes us from the manger scene to the hills of Judea, where we hear Jesus's words: Come, you weary ones to me, I will give you rest. Trade your tattered rags for my robes of purest white. Come, you hungry, eat, be satisfied. You're all need, but I'm all giving; be still and just receive. The PDF contains parts in this order: 1.Voice/Piano full score in C 2.Violin part in C 3.Lead Sheet in C 4.Lead Sheet in D 5.Violin part in D 6.Piano/Violin/Voice full score in C.
$4.99
Death Came A-Knockin' (Travelin' Shoes)
Death Came A-Knockin' (Travelin' Shoes)
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Gospel/Spiritual
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Paul Rardin and Ruthie Foster
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Death Came A-Knockin'
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3 treble soli and SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.7.0743-E Composed by Paul Rardin and Ruthie Foster. African...
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3 treble soli and SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.7.0743-E Composed by Paul Rardin and Ruthie Foster. African American Heritage. 15 pages. Galaxy Music Corporation - Digital #7.0743-E. Published by Galaxy Music Corporation - Digital (MQ.7.0743-E). UPC: 600313707438. English.This setting requires three treble soloists with power below the staff and confidence in the blues style. The choral backgrounds are deliberately sparse— imitating guitar, light organ, banjo— until a climactic group shout for the preacher. The music is driving and relentless, the singers are determined to be ready to go into the kingdom of God. The characters in this unique and compelling work— mother, sister, borther, neighbor, preacher, and finally self— remind us that we will all face this journey, so we had best live right and shout Hallelujah when our turn comes.
$3.50
Till Death Do Us Part
Till Death Do Us Part
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Contemporary
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Apostolos Paraskevas
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Till Death Do Us Part
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Silver Sickle Publications
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SheetMusicPlus
Small Ensemble Drum Set,Flute,Hand Percussion - Level 4 - Digital Download SKU: A0.942066 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Sc...
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Small Ensemble Drum Set,Flute,Hand Percussion - Level 4 - Digital Download SKU: A0.942066 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 9 pages. Silver Sickle Publications #4755273. Published by Silver Sickle Publications (A0.942066). The last words of a dying soldier, his last 5 minutes. A lament full of love, of beautiful memories and theeminent shadow of Death. His simple melody unfolds through variations of agony and ecstasy. The endcomes closer and closer as his heart beat ascends and descends until with its last beat says ...I love you...Lamentations are a eulogy to love not to death and we lament because we love life. Death needs life toexist but not vice versa.
$8.99
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
We Are Climbing Jacob's Ladder
We Are Climbing Jacob's Ladder
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Choral Unison
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Sacred music
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Joe Cox
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We Are Climbing Jacob's Ladder
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Chorister's Guild - Digital
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SheetMusicPlus
Unison chorus - Digital Download SKU: C7.CGA604 Composed by Joe Cox. General, Spiritual. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA...
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Unison chorus - Digital Download SKU: C7.CGA604 Composed by Joe Cox. General, Spiritual. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA604. Published by Chorister's Guild - Digital (C7.CGA604). UPC: 749193000083.This engaging new setting of a traditional tune comes to us from David Cherwien. The text begins with Christ's birth, and continues on to tell the story of Jesus' death and resurrection. If desired, the sections in measures 9-25 and 143-159 may be sung by sopranos and altos only, in unison with keyboard accompaniment. All SATB voices would then sing in parts beginning in measures 25 and 159, as indicated in the score. Composer: Traditional tune Arranger: Cherwien, David M. Text Author: Traditional.
$1.95
My Dancing Day
My Dancing Day
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Choral SATB
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Sacred music
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David M Cherwien
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My Dancing Day
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - Digital Download SKU: C7.CGA608 Composed by David M Cherwien. Easter. With Oboe (or other C treble intstruments), tambourine, triangle, and...
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SATB chorus - Digital Download SKU: C7.CGA608 Composed by David M Cherwien. Easter. With Oboe (or other C treble intstruments), tambourine, triangle, and optional keyboard. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA608. Published by Chorister's Guild - Digital (C7.CGA608). UPC: 749193003459.This engaging new setting of a traditional tune comes to us from David Cherwien. The text begins with Christ's birth, and continues on to tell the story of Jesus' death and resurrection. If desired, the sections in measures 9-25 and 143-159 may be sung by sopranos and altos only, in unison with keyboard accompaniment. All SATB voices would then sing in parts beginning in measures 25 and 159, as indicated in the score. Composer: Traditional tune Arranger: Cherwien, David M. Text Author: Traditional.
$2.10
The Life And Death Of Amy Pond
The Life And Death Of Amy Pond
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Piano solo
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EASY
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Murray Gold
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Tom Voysey
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The Life And Death Of Amy Pond
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Tom Voysey
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1431423 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/...
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Piano Solo - Level 2 - Digital Download SKU: A0.1431423 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Classical,Contemporary,Film/TV. Score. 2 pages. Tom Voysey #1011925. Published by Tom Voysey (A0.1431423). The Life And Death Of Amy Pond comes from the closing minutes of Series 5's 'The Pandorica Opens', scoring the apparent victory of the Doctor's greatest adversaries. With his companions in mortal danger (or worse) the Doctor himself is sealed inside the universe's most perfect prison, and unable to help with the incoming end of the universe. With this the audience is left on one of the show's best cliffhangers, leaving us half-way through the finale of the show's triumphant return.Series 5 allowed Murray Gold to prove his expertise at re-inventing the sound of Dr Who, while still retaining core qualities of adventure, danger, huge emotions and even grander scales. The show has evolved, and the music remains world-class. This piece really hammers home the dire ending our heroes find themselves in, enforcing a feeling of helplessness as the world colapses around them.Instrument: PianoLength: Approx 3 minutesDifficulty: Intermediate.
$5.99
To Music, Becalm His Fever
To Music, Becalm His Fever
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Choral SATB
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INTERMEDIATE
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Contemporary
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Tyler Merideth
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To Music, Becalm His Fever
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Tyler Merideth
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SheetMusicPlus
SATB - Intermediate - Digital Download Composed by Tyler Merideth. Modern, Mother's Day, Father's Day, Funeral. Octavo. 6 pages. Published by...
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SATB - Intermediate - Digital Download Composed by Tyler Merideth. Modern, Mother's Day, Father's Day, Funeral. Octavo. 6 pages. Published by Tyler Merideth
My father succumbed to lung cancer in 2007. Setting this poem helped me
through the grieving process. Bill Merideth was not a musician by trade, but did
enjoy playing the guitar every now and again. The accompaniment found in the
opening section represents some of the chords that he would strum in his recliner
after a hard week of work.
As the piece progresses, the accompaniment becomes more complex representing
the extensive chemotherapy that may have extended my father's life, but certainly
changed him. Finally, as the text brings us closer to death in the final stanza, the
accompaniment is now absent, representing my father's last days in hospice where
he could no longer care for himself.
I certainly believe in the healing power of music and hope that this setting brings
comfort and peace to you as it continues to do so for me.
Please feel free to share your experiences with this piece at tylermerideth.com.
Tyler
$3.99
Penitent Thief, The (for viola and piano)
Penitent Thief, The (for viola and piano)
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Viola, Piano
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ADVANCED
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David St...
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Penitent Thief, The
Penitent Thief, The
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Viola and Harp
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ADVANCED
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred....
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
The Dove
The Dove
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String Quartet: 2 violins, viola, cello
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Naji Hakim
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The Dove
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Schott Music - Digital
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SheetMusicPlus
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Download...
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Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
Dharma Words at Yokawa for Chorus SATB with Piano Accompaniment
Dharma Words at Yokawa for Chorus SATB with Piano Accompaniment
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Choral SATB
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INTERMEDIATE/ADVANCED
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Richard St
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Dharma Words at Yokawa for Cho
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939673 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 13 pages. Richard St. C...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939673 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 13 pages. Richard St. Clair #3000545. Published by Richard St. Clair (A0.939673). These words were composed by Genshin Shonin (Japan, 11th c. CE), one of the seven Pure Land Masters named by Shinran Shonin (Japan, 1173-1262), founder of the Jodo Shinshu sect of True Shin Buddhism. The MP3 Audio File is a computer-generated soundfile. Duration, about 5 minutes.Lyrics:Dharma Words at Yokawa by Genshin Shonin (942-1017)It is a great joy for us sentient beings to escape from the three evil realms and be born as humans. Even if our status in society is low, could it be worse than the state of animals? Even if we are born in a poor family, we are in a far better condition than hungry spirits. Even if our wishes are not fulfilled, our suffering cannot be compared with the tortures of hell. We should not sorrow over unhappiness in this life; we should consider our lower social position as an incentive to seek Enlightenment. For this reason, we should rejoice at having been born as humans.Even though the mind of faith is shallow, anyone who takes refuge in Amida Buddhawill unfailingly attain birth, because the Original Vow is sdeep. Even though the Nembutsu comes from a reluctant heart,anyone who recites it never fails to see Amida welcoming him to his Pure Land; so great is the merit of the Nembutsu. For this reason, we should rejoice at having encountered the Original Vow.Delusion is the nature of ordinary beings. Apart from delusion, there is no mind in us. If we recite the Nembutsu while resigned to the fact that we are to remain ordinary beings full of delusion until death, we shall be received in welcome by Amida; then, as soon as we mount the lotus seat, our mind of delusion will be turned into that of Enlightenment. The Nembutsu that is uttered with the mind of delusion is like a lotus flower unstained by the muddy water. There should not be any doubt as to our attainment of birth.We should not be concerned about our delusion, but reflecting on the shallowness of our mind of faith, continually recite the Name in earnest.
$8.99
Just Tonight
Just Tonight
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Piano solo
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INTERMEDIATE/ADVANCED
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Jeff Scott
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Just Tonight
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Jeff Scott
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1023832 Composed by Jeff Scott. Broadway,Romantic Period. Score. 12 pages. Jeff Scott #2003197. Published...
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Piano Solo - Level 4 - Digital Download SKU: A0.1023832 Composed by Jeff Scott. Broadway,Romantic Period. Score. 12 pages. Jeff Scott #2003197. Published by Jeff Scott (A0.1023832). From the ghostly musical Til Death Do Us Start, comes this haunting love duet (between the two main characters, Chip & Madeline). This song happens just as Madeline is about to throw herself off Chip's roof (because he's engaged, and she's to be sacrificed)...it's all quite mad! As this song starts, Chip has stopped Madeline from jumping, and they sing their true feelings for each other. True love will save the day. SYNOPSIS: It is the summer of 1919 in Nantucket. At the engagement party for blue blood Chip Chatamborough and the pushy (though socially desirable) Bitsy Claypoole, Chip meets the exotic Madeline Mojeaux. It is love at first site, but Chip is to be married, and Madeline is scheduled to be sacrificed to the Ruler of the Netherworld at the next full moon. It is something of a dilemma. While the two are trying to find a solution, Madeline accidentally dances off the roof to an untimely death. With the help of Madeline's mother, the mystical Diabolique Mojeaux, Chip fakes his own death to follow Madeline beyond the grave, hoping to reclaim the one true love of his life.
$4.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Choral TTBB
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BEGINNER
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditio...
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Contagion (Full Album Score)
Contagion (Full Album Score)
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Orchestra
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INTERMEDIATE/ADVANCED
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
Greater Is He (Anthem) - Piano Accompaniment
Greater Is He (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Christopher R
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747204 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pa...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747204 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4725447. Published by Christopher Brown (A0.747204). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$4.99
Greater Is He (Anthem) - Orchestration
Greater Is He (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 1...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$49.99
Elegia sulla morte di Antonio Rubinstein per due violoncelli
Elegia sulla morte di Antonio Rubinstein per due violoncelli
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2 Cellos (duet)
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INTERMEDIATE/ADVANCED
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Carlo Alfredo Piatti
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Michele Galvagno
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Elegia sulla morte di Antonio
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074277 Composed by Carlo Alfredo Piatti. Arranged by Michele Galvagno. Classical,Holiday,Instructi...
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Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074277 Composed by Carlo Alfredo Piatti. Arranged by Michele Galvagno. Classical,Holiday,Instructional,Praise & Worship,Romantic Period. Score. 12 pages. Artistic Score Engraving di Galvagno Michele #678570. Published by Artistic Score Engraving di Galvagno Michele (A0.1074277). The Elegy on the death of Anton Rubinstein, for two cellos, written by Carlo Alfredo Piatti (1822—1901) is a poignant expression of the pain the composer must have felt at the news of his friend’s death, in the first days of November, 1894. The piece begins with an almost sentence-like cadence, in C minor, with the first cello sounding the church’s bells, and the second cello answering with chest-tearing cries of pain. The true elegy start on a Dactyl rhythm and develops into four increasingly tense episodes before seeing the return of the opening melody. But not all is bleak: a shift to C major brings us into the heavens now enriched by the music and pure soul of our friend, and while the end is once more in C minor, we know inside us that he will always be with us. This publication is the second one celebrating the 200th anniversary of Piatti’s birth, and comes in a single file containing both parts and score.
$10.95
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Death Comes to us All
