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Do You Hear How Many You Are?
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Do You Hear How Many You Are?
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1
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
¥216.20
You Found Me
You Found Me
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C Instruments
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EASY
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Rock
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Bo...
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99 ≈
¥36.02
Do You Want To Build A Snowman?
Do You Want To Build A Snowman?
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Flute ensemble
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INTERMEDIATE
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Kristen Bell
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Lisa Ochoco
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Do You Want To Build A Snowman
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Lisa L Ochoco
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lo...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1173842 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 30 pages. Lisa L Ochoco #773993. Published by Lisa L Ochoco (A0.1173842). Disney's movie, Frozen is so popular, and the songs are, as usual, very popular too. This song is my favorite, even it's the most heart-breaking. It shows the lives of Elsa and Anna beginning as happy children, who enjoy each other's company. Elsa finds out that her ice powers are potentially harmful to her younger sister and is forced to isolate herself in her bedroom. Anna tries, unsuccessfully, to coax her sister out to play for many years. Then, they receive news that their parents have died at sea in a storm. Lonely and desperately unhappy, Anna knocks on her sister's bedroom door...        Elsa?      Please, I know you're in there      People are asking where you've been      They say, Have courage, and I'm trying to      I'm right out here for you, just let me in      We only have each other      It's just you and me      What are we gonna do?      Do you wanna build a snowman?   Scored for low flute choir - 4 altos, 2 basses and contrabass. There is an optional double bass part that doubles contrabass to help fortify it if needed. This arrangement is simple enough for musicians with intermediate playing skills, but it does require good breath support for the many long tones, and it also has a bit of syncopated rhythms. Duration: 4 minutes.
$14.00 ≈
¥101.06
All I Want For Christmas Is You
All I Want For Christmas Is You
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christmas
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Lady Antebellum
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MA...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00 ≈
¥144.38
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Choral SATB
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INTERMEDIATE
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Sacred music
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Music...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
¥72.12
L'alchimista
L'alchimista
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Piano solo
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Contemporary
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0...
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Piano Solo - Digital Download SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
¥28.80
ALCHEMIST
ALCHEMIST
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Piano solo
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Contemporary
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Monica Bergo
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ALCHEMIST
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1...
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Piano Solo - Digital Download SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00 ≈
¥36.09
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
Lord of All Our Days (Funeral Hymn) - Lead Sheet G Major
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C Instruments
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INTERMEDIATE
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,...
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C Instrument - Level 3 - Digital Download SKU: A0.1477116 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053816. Published by Anastace (A0.1477116). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the exact guitar version I used to record the Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar at the internment portion of a funeral service if music is desired at the graveside. I recommend playing it on capo 3 to match the original or a few higher to match your voice. You may also prefer to get the other version in C major and save using a capo. This version is just easier for a slightly more beginner guitarist. One other recommendation is to play it even lower so people can sing very quietly, i.e. capo 1 or even no capo at all, depending on the voice of the person leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoA backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00 ≈
¥28.88
Groove Zones Christmas! - Bb clarinet & audio tracks (included). 15 ALTERNATIVE Carols!
Groove Zones Christmas! - Bb clarinet & audio tracks (included). 15 ALTERNATIVE Carols!
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Clarinet
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INTERMEDIATE
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Christmas
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! - Bb c
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Masquerade Music
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1328193 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Jazz,Reg...
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B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1328193 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Jazz,Reggae. Individual part. 38 pages. Masquerade Music #916183. Published by Masquerade Music (A0.1328193). Groove Zones Christmas! (for that alternative Christmas!) - Bb clarinet edition published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!).Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+.
$14.00 ≈
¥101.06
Groove Zones Christmas! - Bb saxophone & audio tracks (included). 15 ALTERNATIVE Carols!
Groove Zones Christmas! - Bb saxophone & audio tracks (included). 15 ALTERNATIVE Carols!
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Saxophone (band part)
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INTERMEDIATE
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Christmas
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! - Bb s
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Masquerade Music
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1328094 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Holiday,...
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1328094 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Holiday,Jazz. Individual part. 38 pages. Masquerade Music #916084. Published by Masquerade Music (A0.1328094). Groove Zones Christmas! (for that alternative Christmas!) - Bb saxophone edition (tenor or soprano sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The  download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!).Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+.
$14.00 ≈
¥101.06
Groove Zones Christmas! Eb saxophone & audio tracks (included). 5/15 ALTERNATIVE Carols!
Groove Zones Christmas! Eb saxophone & audio tracks (included). 5/15 ALTERNATIVE Carols!
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Alto Saxophone
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INTERMEDIATE
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Christmas
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! Eb sax
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Masquerade Music
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. I...
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. Individual part. 37 pages. Masquerade Music #912288. Published by Masquerade Music (A0.1324096). Groove Zones Christmas! (for that alternative Christmas!) - Eb saxophone edition (alto or baritone sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!). Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+
$14.00 ≈
¥101.06
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
Lord of All Our Days (Funeral Hymn) - Lead Sheet C Major
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C Instruments
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INTERMEDIATE
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Stacey Plays Hymns
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Anastace
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Lord of All Our Days
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Anastace
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,...
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C Instrument - Level 3 - Digital Download SKU: A0.1477117 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 3 pages. Anastace #1053825. Published by Anastace (A0.1477117). As of this publishing, over 137,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. This is the guitar or lead sheet version of Outdoor Acoustic Version of Lord of All Our Days, as heard on all streaming platforms. It is intended for use as a burial song, sung softly and reverently accompanied by a quiet guitar or even a capella at the internment portion of a funeral service if music is desired at the graveside. This is in C Major so no capo is required, but for a more beginner guitar or alternate chord voicings you may prefer the G major version which is intended to be played on capo 3 or even 5, depending on the vocal range of whoever is leading the song.Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]A backup music mp3 track for soloists to perform with in a service, including the full backup choral arrangement.For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00 ≈
¥28.88
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano solo
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Contemporary
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1...
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00 ≈
¥36.09
The End Of The World
The End Of The World
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Piano solo
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INTERMEDIATE/ADVANCED
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Mus...
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99 ≈
¥50.46
I Did Not See Temple Spires - an original hymn for SATB voices
I Did Not See Temple Spires - an original hymn for SATB voices
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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I Did Not See Temple Spires -
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701457 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125371. Published by Kevin G. Pace (A0.701457). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/w68JlvntMjcI did not see the vision, Nor dream a prophet’s dream, I only saw the barren desert Stretch forth upon the scene. I was not there when Brigham’s cane Touched the virgin ground Naming the spot the Lord had shown Where a temple would be found. I did not hear the Lord’s own voice As over ocean waves I tossed, Nor spared the death of loved ones dear As the vast plains I crossed. I only felt the Holy Spirit Telling me the work was true, So I obeyed the prophetic words Until my trek was through. I helped dig the rocky soil Before the foundation was laid Then with shovel filled the gaping hole Before Johnston’s army stayed. I did not see the temple’s spires I only saw the walls, I only shaped the granite stones With hammer, chisel, maul. I coaxed oxen through the mud To move stones down a mountain side, I watched our leaders grow old in years, No temple finished before they died. Now soon I too will join them Though I’ve labored oh so long, I’ll not see the rising spires Or sing praises in Hosanna song. I’m just a common earthly man, A laborer in a cause so great, To generations yet unborn, I’m not one you’ll appreciate. Through the years I’ve toiled and sweat, Shared blood and grief and tears, Obeyed the prophet’s call to serve Listened in faith, not fear. Please do not take for granted As you walk through these carved doors, Or hear the echo of carpenters From stairs or roof or floors The love and work that went into Many years of toil and prayer, Feel our spirits in the halls As you enter there. Though the structure’s end I’ll not see, To others who this path may trod, Go forth with diligence and faith Till we finish the work of God.
$1.99 ≈
¥14.37
Dreams - Score Only
Dreams - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99 ≈
¥1154.93
Nobody Like U
Nobody Like U
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Piano, Vocal and Guitar
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EASY
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Pop music
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4 TOWN
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Barry McCormick
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Nobody Like U
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Fil...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Film/TV,Pop. Score. 9 pages. B. McCormick #645038. Published by B. McCormick (A0.1040259). About this Piano/Vocal/Guitar arrangement of “Nobody like You†Disney's smash hit animation Turning Red was a massive success early in 2022. The sound track was brought to us by none other than Finneas O'connell, Billie Eilish. This arrangement of the main song on the soundtrack, Nobody like U, is for piano, voice and guitar. The key is in Am With this arrangement you will get the piano and vocal part, 7 pages, and the voice part with chords/lyrics separately acting as a lead sheet which is useful for all types of performers who do not necessarily need the whole piano part. This keeps paper usage at minimum and means the whole song can be laid out side by side without the need for page turns. The piano arrangement is very easy, mainly a heavily repeated chordal rhythmic motif. The most difficult part is in the left hand for the change in the bass line. There is also a large section of the song that is purely percussive in the backing. In one instance this is simply marked indicating when the piano drops and the accompanist could clap/beat box in this section if desired or if playing with a drummer just let them have the spot light. The song also finishes with only percussive backing, for this final section to give an idea of this I've changed the rhythm to a simple staccato beat on 2 and 4 so that if this was performed with only a pianist and singer there was some appropriate melodic backing that seemed percussive through the use of the staccato. The vocal part is close to the audio however I have omitted most of the vocal runs that happen between sections. These can be included in the performance should the singer decide to. I have only included the opening vocal run passage. In some areas I have simplified the melody, retaining the rough melodic shape but simplifying the rhythm. These can be sung as written or adjusted to the performers taste. I hope you enjoy this arrangement of Nobody Like U for piano, vocal and guitar and I hope it serves as a versatile arrangement for many purposes. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
¥36.02
Chamber Symphony
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital ...
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Clarinet, bassoon, trumpet, viola, piano - Digital Download SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00 ≈
¥397.03
Beyond The Sea
Beyond The Sea
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
¥72.19
Misty
Misty
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Piano solo
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INTERMEDIATE
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Jazz
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Erroll Garner
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Mario Stallbaumer
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Misty
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Erroll Garner. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Erroll Garner. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "Misty" on piano!
With this piano sheet music, you can play the famous jazz standard "Misty" in an arrangement which is not too hard to play, and sounds beautiful!
The whole melody is included in the piano arrangement, so it makes for a beautiful instrumental (piano solo) version. However, these sheet music comes with a seperate system for the singer and the song's full lyrics, so you can also use it to accompany a singer, or sing along yourself!
These piano sheets also include the song's chords.
"Misty" was composed in 1954 by American jazz pianist Erroll Garner (1923-1977), Johnny Burke later added lyrics to the song.
"Misty" has been recorded by countless famous artists, including Johnny Mathis, Ella Fitzgerald, Aretha Franklin, Frank Sinatra, Sarah Vaughan, Ray Stevens, Count Basie, Bing Crosby, and many others.
Time for you to play "Misty" as well!
Here are the song's full lyrics:
Look at me,
I'm as helpless as a kitten up a tree;
And I feel like I'm clingin' to a cloud,
I can' t understand
I get misty, just holding your hand.
Walk my way,
And a thousand violins begin to play,
Or it might be the sound of your hello,
That music I hear,
I get misty, the moment you're near.
Can't you see that you're leading me on?
And it's just what I want you to do,
Don't you notice how hopelessly
I'm lost
That's why I'm following you.
On my own,
When I wander through this wonderland alone,
Never knowing my right foot from my left
My hat from my glove
I'm too misty, and too much in love.
$4.99 ≈
¥36.02
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Do You Hear How Many You Are?
