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You've selected:
Dolor Rossini
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3 sheet music found
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DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Capp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00 ≈
8.07€
Joseph White: Six Etudes for Violin
Joseph White: Six Etudes for Violin
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Violin
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ADVANCED
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Joseph White
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Robert Debbaut
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Joseph White: Six Etudes for V
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ROBERT DEBBAUT
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. ...
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Violin Solo - Level 5 - Digital Download SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT DEBBAUT #6371729. Published by ROBERT DEBBAUT (A0.939440). The talents of Cuban-born violinist Joseph White (born José Silvestre de los Dolores White y Lafitte) were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had accompanied him on an early recital. Gottschalk raised the money so the young Afro-Cuban virtuoso could go to Paris and study with Jean-Delphin Alard, one of the great violinists and teachers of his day. White won the Premier Prix at the conservatory in 1855 and received high accolades from such musical giants as Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. Following his 1855 prize (one of several more to come) Joseph White became a major force in the cultural life of Paris for the next twenty years. His Six Studies, Op. 13, demonstrate to those were never privileged to hear him his absolute command of his instrument. The overall set is dedicated to Alard with individual studies dedicated to Alard and to four of Europe’s premiere violinists, Camillo Sivori, Henri Vieuxtemps, Henryk Wienawski, Hubert Léonard, as well as to his fellow Cuban, Secondino Arango. These are studies for the serious violinist, or for the advanced student aspiring to achieve the same technical prowess of this incredible virtuoso performer and composer. Contained within this volume are the original exercises, biographies of the six dedicatees, as well as extra information about the life and career of this criminally forgotten violin virtuoso. These works should be considered for the studios of master teachers and for live performance as virtuoso showpieces, or recital encores, especially number six, which is dedicated to one of White's first teachers, Afro-Cuban violin virtuoso Secundino Arango (179?-1876).
$9.95 ≈
8.92€
Stabat Mater (2002) for SATB chorus and organ
Stabat Mater (2002) for SATB chorus and organ
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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Stabat Mater
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Thomas Oboe Lee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octav...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Thomas Oboe Lee #31009. Published by Thomas Oboe Lee (A0.869218). Program note.The greatest challenge of the Stabat Mater text is to figure out how to set twenty stanzas of pain and suffering without making it all sound too depressing. So, before I began composing, I looked at a number of scores and recordings of Stabat Mater by various composers: DesPrez, Palestrina, Pergolesi, Boccherini, Vivaldi, Haydn, Dvorak, Rossini, Poulenc, Szymanowski, Penderecki, et al. It was fascinating to see what each composer did with regard to text setting: the variety of musical textures from movement to movement, different approaches to the use of fast or allegro music to offset the mood of the text, solo versus choral sections, etc. Each composer took a very personal and creative approach to the task. It was a fascinating study! After weeks of listening and scrutinizing, I decided to divide the twenty-stanza text into six sections. It is my hope that the end result is formally coherent and emotionally affecting.I. Lento Stabat Mater dolorosa â?¦II. Allegro Cuius animam gementem â?¦ O quam tristis et afflicta â?¦ Quae moerebat et dolebat â?¦III. Recitativo Quis est homo qui non fleret â?¦ Quis non posset contristari â?¦ Pro peccatis suae gentis â?¦ Vidit suum dulcem natum â?¦IV. ModeratoEia Mater, fons amoris â?¦ Fac, ut ardeat cor meum â?¦ Sancta Mater, istud agas â?¦ Tui nati vulnerati â?¦ Fac me vere tecum flere â?¦ Iuxta cruce tecum stare â?¦ Virgo virginum praeclara â?¦ Fac, ut portem Christi mortem â?¦V. Prestissimo Fac me plagis vulnerari â?¦ Inflammatus et accensus â?¦ Fac me cruce custodiri â?¦VI. Moderato Quando corpus morietur â?¦ Amen.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/stabat-mater-2002Video link: https://youtu.be/_ApUlmSb4Ho
$9.99 ≈
8.95€
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Dolor Rossini
