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Dona Nobis Pacem Full Score
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You've selected:
Dona Nobis Pacem Full Score
Sheetmusic to print
26 sheet music found
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1
26
Dona Nobis Pacem - Full Score
Dona Nobis Pacem - Full Score
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Handbells
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INTERMEDIATE
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Kevin McChesney
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Dona Nobis Pacem - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB781 Composed by Kevin McChesney. General. With Cello (or other instruments) and/or v...
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB781 Composed by Kevin McChesney. General. With Cello (or other instruments) and/or voice(s), plus optional second part for instrument and/or voice(s). Full score. 20 pages. Chorister's Guild - Digital #CGB781. Published by Chorister's Guild - Digital (C7.CGB781). UPC: 749193018064.Go easy on your music budget with this reproducible collection for Advent and Christmas, which is available in both 2 or 3 and 3, 4 or 5 octave editions, and includes eight wonderful arrangements by Cathy Moklebust. Three of the settings include optional percussion parts, two of the titles may be rung on either handbells or handchimes, and one includes optional handchimes with the bells.
$12.95 ≈
¥94.14
Dona Nobis Pacem - Full Score and Inst Parts
Dona Nobis Pacem - Full Score and Inst Parts
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Christmas
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Margaret R Tucker
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Dona Nobis Pacem - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Misc Inst - Digital Download SKU: C7.CGB379 Composed by Margaret R Tucker. Christmas. With Misc Instruments, Cello (Bsn,Tbn), Violin (Oboe, Clarinet), Fl...
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Misc Inst - Digital Download SKU: C7.CGB379 Composed by Margaret R Tucker. Christmas. With Misc Instruments, Cello (Bsn,Tbn), Violin (Oboe, Clarinet), Flute (Violin), Violin (Oboe, Flute). Score and parts. 20 pages. Chorister's Guild - Digital #CGB379. Published by Chorister's Guild - Digital (C7.CGB379). UPC: 749193009956.The tune PROSPECT, from Walker's Southern Harmony (1835), is given a warm, gentle setting. The use of original material (reminiscent of a bell peal) establishes an ethereal quality, especially when played with mallets while the bells are suspended in the air. LV, swing, and echo are additional techniques used to help sustain the beauty, and add variety to this work. All of this effectively supports the hymn text, which begins with the lone, wild bird in lofty flight is still with you, nor leaves your sight. And I am yours! I rest in you, Great Spirit, come, rest in me, too. With the alternate title, The Hills Are Bare at Bethlehem, the piece may also be used during the Christmas season.
$12.95 ≈
¥94.14
Dona Nobis Pacem (strings)
Dona Nobis Pacem (strings)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Curtis Hanson
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Dona Nobis Pacem
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Curtis Hanson
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.719579 Composed by Curtis Hanson. Contemporary. Score and parts. 47 pages. Curtis Hans...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.719579 Composed by Curtis Hanson. Contemporary. Score and parts. 47 pages. Curtis Hanson #2715. Published by Curtis Hanson (A0.719579). September 11, 2001 has had a profound affect on many people, not the least of which is the composer of this work. Written the month following the tragic events of 9/11, it is a reflection of the chaotic times in which we live. Originally written for SATB chorus and strings, Dona Nobis Pacem (Grant Us Peace) is a prayer for peace to the loving God of all people, that out of our current discord peace and harmony may come to all humanity. In this setting a string quartet plays what was originally the choral part. It can also be played by a fuller ensemble creating a double string orchestra arrangement. The work is in three sections (ABA) with a coda. Throughout these sections the melody wanders in search of a harmonious resting point. In the B section the quartet and strings part ways and resonate increased dissonance. The second A section exactly duplicates the first. The work concludes with an ever-increasing sense of harmonious repose. The listener may hear occasional reflections of Samuel Barber’s Adagio for Strings or Pavane for a Dead Princess by Maurice Ravel. Dona Nobis Pacem was premiered as a choral work in May 2003 by the combined choirs of the John Duss Music Conservatory, Duluth MN, and Pilgrim Lutheran Church, Superior WI, under the direction of the composer. It is purely coincidental that there are 191 measures in the work......the numbers in the date of 9/11. Contains full score and parts.
$30.00 ≈
¥218.09
Dona Nobis Pacem (woodwind quartet & strings)
Dona Nobis Pacem (woodwind quartet & strings)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Contemporary
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Curtis Hanson
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Dona Nobis Pacem
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Curtis Hanson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.719580 Composed by Curtis Hanson. Contemporary. 47 pages. Curtis Hanson #2719. Pu...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.719580 Composed by Curtis Hanson. Contemporary. 47 pages. Curtis Hanson #2719. Published by Curtis Hanson (A0.719580). September 11, 2001 has had a profound affect on many people, not the least of which is the composer of this work. Written the month following the tragic events of 9/11, it is a reflection of the chaotic times in which we live. Originally written for SATB chorus and strings, Dona Nobis Pacem (Grant Us Peace) is a prayer for peace to the loving God of all people, that out of our current discord peace and harmony may come to all humanity. In this setting a woodwind quartet plays what was originally the choral part. The work is in three sections (ABA) with a coda. Throughout these sections the melody wanders in search of a harmonious resting point. In the B section the quartet and strings part ways and resonate increased dissonance. The second A section exactly duplicates the first. The work concludes with an ever-increasing sense of harmonious repose. The listener may hear occasional reflections of Samuel Barber’s Adagio for Strings or Pavane for a Dead Princess by Maurice Ravel. Dona Nobis Pacem was premiered as a choral work in May 2003 by the combined choirs of the John Duss Music Conservatory, Duluth MN, and Pilgrim Lutheran Church, Superior WI, under the direction of the composer. It is purely coincidental that there are 191 measures in the work......the numbers in the date of 9/11. Contains full score and parts.
$30.00 ≈
¥218.09
Dona Nobis Pacem (Rehearsal Track)
Dona Nobis Pacem (Rehearsal Track)
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Sacred music
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Stephen DeCesare
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Dona Nobis Pacem
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Exultet Music
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SheetMusicPlus
Choir,Piano - Digital Download SKU: A0.1051496 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duration 124. Exultet M...
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Choir,Piano - Digital Download SKU: A0.1051496 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Full Performance. Duration 124. Exultet Music #731. Published by Exultet Music (A0.1051496). Meditative canonic hymn that is scored for 4 solo singers and Piano. Can be used for anytime throughout the liturgical year. Video Review: https://www.youtube.com/watch?v=FkGul2GsSps
$3.99 ≈
¥29.01
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
¥625.11
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
¥639.64
Mass of Peace (Choir/Vocal Score)
Mass of Peace (Choir/Vocal Score)
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Choral SATB
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EASY
#
Sacred music
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Traditional
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Stephen DeCesare
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Mass of Peace
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Exultet Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618561 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618561 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 31 pages. Exultet Music #13439. Published by Exultet Music (A0.618561). Based on the traditional Dona Nobis Pacem (Round) this has been easily arranged to be accessible for any youth group to perform. A Full Score and Lead Sheet edition are also available on this site.
$10.00 ≈
¥72.70
Anonymous: Dona Nobis Pacem - concert band (full score)
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Concert band
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BEGINNER
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Contemporary
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for concert band (full score) of VERY EASY skill level. / concert,festival,latin,traditional,inspirational,classical,sacred,a cappella,instructional,children,secular choral,lawson gould choral,choral...
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Instantly printable sheet music by Anonymous for concert band (full score) of VERY EASY skill level. / concert,festival,latin,traditional,inspirational,classical,sacred,a cappella,instructional,children,secular choral,lawson gould choral,choral
$10.99 ≈
¥79.89
Mass of Peace (Full Score and Parts)
Mass of Peace (Full Score and Parts)
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Choral SATB
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EASY
#
Sacred music
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Traditional
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Stephen DeCesare
#
Mass of Peace
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Exultet Music
#
SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.611408 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.611408 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 134 pages. Exultet Music #13435. Published by Exultet Music (A0.611408). Based on the traditional Dona Nobis Pacem (Round) this has been easily arranged to be accessible for any youth group to perform. A Choir/Vocal Book and Lead sheet edition are also available on this site.
$25.00 ≈
¥181.74
Christmas Flash Mob 2017
Christmas Flash Mob 2017
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Christmas
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Various, Traditional
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Petey C
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Christmas Flash Mob 2017
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Petey C.
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.873886 Composed by Various, Traditional. Arranged by Petey C. Christmas. Score and parts. 8 page...
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.873886 Composed by Various, Traditional. Arranged by Petey C. Christmas. Score and parts. 8 pages. Petey C. #3479829. Published by Petey C. (A0.873886). This arrangement was made for the Edmonton Horn Choir, created and led by Mary Fearon. The arrangement was specifically meant for a flash mob event in City Center Mall in Edmonton, Alberta, Canada. It is based off of the traditional holiday, public domain songs, The First Noel, Jingle Bells, It Came Upon a Midnight Clear, Silent Night and Dona Nobis Pacem. It is designed with a beginning and ending meant to facilitate the casual assembling and disassembling of a group. There are 4 parts. All beginner in difficulty, save for maybe few measures of bass clef. All can be performed within a 2 octave range. It is relatively short. Each part fits on one page so it can be taped to the back of a fellow flash mobber. The manner of entering and exiting can be experimented with. The way we did it was each horn part entering a full phrase plus 2 measures apart and done in a round, then 2nd ending taken on cue. It sounds more pleasant and orderly this way. Originally was meant for people to start at the beginning of any bar during The First Noel and for it to become kind of dense and ambiguous until everybody went to the second ending at the same time. Whatever way you want though. Same with the exit for Dona Nobis Pacem.
$6.99 ≈
¥50.81
A Recorder CHRISTMAS Sing-A-Long
A Recorder CHRISTMAS Sing-A-Long
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Christmas
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the Sheep
While Shepherds
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Various
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Cody Sibley
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A Recorder CHRISTMAS Sing-A-Lo
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Drachen Music
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SheetMusicPlus
Acoustic Guitar,Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder,Voice - Level 2 - Digital Download SKU: A0.1295828 Composed by Various. Arran...
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Acoustic Guitar,Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder,Voice - Level 2 - Digital Download SKU: A0.1295828 Composed by Various. Arranged by Cody Sibley. Christian,Christmas,Holiday. 267 pages. Drachen Music #868436. Published by Drachen Music (A0.1295828). Celebrate the holidays with A Recorder Christmas Sing-A-Long - an incredible collection of 60 traditional public-domain Christmas songs. Each performance quality arrangement of each carol in this collection FEATURES full SATB RECORDER SCORES, INDIVIDUAL SATB RECORDER PARTS, and LEAD SHEETS with MELODY, LYRICS, and GUITAR CHORDS! There is also a convenient, detailed Table of Contents to help you quickly find the format and song you need. This collection includes the following pieces:All Through the NightAngels from the Realms of GloryAngels We Have Heard on HighAs Lately We WatchedAs With Gladness Men of OldAuld Lang SyneAway In a MangerBoar's Head Carol (The)Bring a Torch, Jeanette IsabellaCelebrate Immanuel's NameChild In the MangerChristmas DayCome, Thou Long Expected JesusCoventry CarolDeck the HallsDing, Dong, Merrily On HighDona Nobis PacemFirst Noel (The)Friendly Beasts (The)Gently Mary Laid Her ChildGesu BambinoGo Tell It on the MountainGod Rest Ye Merry, GentlemenGood Christian Men RejoiceGood King WenceslasHark! The Herald Angels SingHere We Come A-WassailingHolly and the Ivy (The)I Heard the Bells on Christmas DayI Saw Three ShipsIn the Bleak MidwinterInfant Holy, Infant LowlyIt Came Upon the Midnight ClearJesu, Joy of Man’s DesiringJingle BellsJolly Old St. NicholasJoy to the WorldLo, How a Rose E'er BloomingO Christmas TreeO Come All Ye FaithfulO Come, Little ChildrenO Come, O Come, EmanuelO Holy NightO Little Town of BethlehemO Sanctissima (O Most Holy)Once in Royal David's CityOver the River and Through the Wood`PatapanSilent NightSnow Lay On the GroundStill, Still, StillSussex CarolThere’s a Song In The AirUp on the HousetopWe Three KingsWe Wish You a Merry ChristmasWexford CarolWhat Child is This?While By the SheepWhile Shepherds WatchedThis entire collection of traditional Christmas carols is also available in the following variant collections;A Recorder Christmas Sing-A-Long, an incredible collection of 60 traditional public domain Christmas songs in performance quality arrangements FEATURING full SATB RECORDER SCORES, INDIVIDUAL SATB RECORDER PARTS, and LEAD SHEETS with MELODY, LYRICS and GUITAR CHORDS!A Very Recorder Christmas, is an incredible collection of 60 traditional public domain Christmas songs in performance quality arrangement FEATURING full SATB RECORDER SCORES and INDIVIDUAL SATB RECORDER PARTS!Let's Sing Christmas Songs!, an incredible collection of 60 traditional public domain Christmas songs in easy-to-use LEAD SHEETS. Each carol features the MELODY LINE, LYRICS, and GUITAR CHORDS!Each song in this collection is also available as a separate piece of music with a score, individual parts, and lead sheets with guitar chords. Each piece can be found by searching for the song title.
$39.95 ≈
¥290.42
Sanctus, Benedictus and Agnus Dei with Maj 7th, for ATB Choir and guitar (electronic preview) (mp3)
Sanctus, Benedictus and Agnus Dei with Maj 7th, for ATB Choir and guitar (electronic preview) (mp3)
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Reinhold Behringer
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Sanctus, Benedictus and Agnus
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Bass Voice,Guitar,Tenor Voice - Level 4 - Digital Download SKU: A0.1367845 By Reinhold Behringer. By David Warin Solomons. Contemporary,Religi...
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Alto Voice,Bass Voice,Guitar,Tenor Voice - Level 4 - Digital Download SKU: A0.1367845 By Reinhold Behringer. By David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 354. David Warin Solomons #952221. Published by David Warin Solomons (A0.1367845). My setting of the Sanctus, Benedictus and Agnus Dei, with major 7th, for men's voices (alto, tenor and bass) and guitar. Sound realised on Cakewalk by Reinhold Behringer of the Virtual Philharmonic OrchestraSanctus, sanctus, sanctusDeus SabaothPleni sunt caeli gloria TuaOsanna in excelsisHoly, holy, holy,Lord God of Hosts.The Heavens are full of Thy glory.Hosanna in the highest.Benedictus qui venit in nomine DominiOsanna in excelsis.Blessed is He who cometh in the name of the Lord.Hosanna in the highest.Agnus Dei qui tollis peccata mundiMiserere nobisAgnus Dei qui tollis peccata mundiDona nobis pacemLamb of God, that takest away the sins of the world,have mercy on usLamb of God, that takest away the sins of the world,grant us peace.I will be publishing the score shortly.
$5.50 ≈
¥39.98
Dona Nobis Pacem (SATB - full score)
Dona Nobis Pacem (SATB - full score)
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Choral SATB
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Curtis Hanson
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Dona Nobis Pacem
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Curtis Hanson
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SheetMusicPlus
Composed by Curtis Hanson. Sacred, World. Score, Set of Parts. 43 pages. Published by Curtis Hanson (S0.32145). - Score,Set of Parts - Sacred,World - Curtis Han...
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Composed by Curtis Hanson. Sacred, World. Score, Set of Parts. 43 pages. Published by Curtis Hanson (S0.32145). - Score,Set of Parts - Sacred,World - Curtis Hanson
$25.00 ≈
¥181.74
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages....
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
¥1163.12
Alleluia (from "Mass of Peace" - Accompaniment Track)
Alleluia (from "Mass of Peace" - Accompaniment Track)
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Sacred music
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Gospel/Spiritual
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Traditional
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Stephen DeCesare
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Alleluia
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Exultet Music
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SheetMusicPlus
Digital Download SKU: A0.1052025 Composed by Traditional. Arranged by Stephen DeCesare. Children,Christian,Gospel,Sacred. Accompaniment. Duration 69. Exu...
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Digital Download SKU: A0.1052025 Composed by Traditional. Arranged by Stephen DeCesare. Children,Christian,Gospel,Sacred. Accompaniment. Duration 69. Exultet Music #13303. Published by Exultet Music (A0.1052025). Based on the traditional Dona Nobis Pacem (Round) this has been easily arranged to be accessible for any youth group to perform. A Full Score, Instrument Parts and Piano/Vocal Score of the Mass of Peace are available on this site.
$3.99 ≈
¥29.01
Glory To God (from "Mass of Peace") (Accompaniment Track)
Glory To God (from "Mass of Peace") (Accompaniment Track)
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Sacred music
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Gospel/Spiritual
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Traditional
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
Digital Download SKU: A0.1052024 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Gospel,Sacred,Spiritual. Accompaniment. Duration 181. E...
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Digital Download SKU: A0.1052024 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Gospel,Sacred,Spiritual. Accompaniment. Duration 181. Exultet Music #13295. Published by Exultet Music (A0.1052024). Based on the traditional Dona Nobis Pacem (Round) this has been easily arranged to be accessible for any youth group to perform. A Full Score, Instrument Parts and Piano/Vocal Score of the Mass of Peace are available on this site.
$3.99 ≈
¥29.01
Alleluia (from "Mass of Peace")
Alleluia (from "Mass of Peace")
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Choral SATB
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EASY
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Sacred music
#
Traditional
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Stephen DeCesare
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Alleluia
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Exultet Music
#
SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618559 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.618559 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 6 pages. Exultet Music #13413. Published by Exultet Music (A0.618559). Based on the traditional Dona Nobis Pacem (Round) this has been easily arranged to be accessible for any youth group to perform. A Full Score, Instrument Parts and Piano/Vocal Score of the Mass of Peace are available on this site. An accompaniment track for this piece is also available.
$3.99 ≈
¥29.01
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Dona Nobis Pacem Full Score
