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You've selected:
Dorian Score Only
Sheetmusic to print
98 sheet music found
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1
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76
Dorian - Score Only
Dorian - Score Only
#
Orchestra
#
ADVANCED
#
Karol Niklas
#
Dorian - Score Only
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Karol Niklas
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1082629 Composed by Karol Niklas. 20th Century,Film/TV,New Age,Romantic Period,Traditional. Score and...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1082629 Composed by Karol Niklas. 20th Century,Film/TV,New Age,Romantic Period,Traditional. Score and parts. 15 pages. Karol Niklas #686840. Published by Karol Niklas (A0.1082629). It's a classical orchestral piece about sea depicting a journey of a man on a boat. It's a very modern attempt at portraying this story and I hope you enjoy it :).
$20.00 ≈
18.42€
String quartet in Octatonic mode (scores only)
String quartet in Octatonic mode (scores only)
#
String Quartet: 2 violins, viola, cello
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
String quartet in Octatonic mo
#
David Warin Solomons
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575848 Composed by David Warin Solomons. 20th Century. Score and parts. 18 pages. Davi...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575848 Composed by David Warin Solomons. 20th Century. Score and parts. 18 pages. David Warin Solomons #2028789. Published by David Warin Solomons (A0.575848). String quartet in Octatonic mode (except movement 3 in which the viola switches to Dorian while the rest stay in octatonic, creating a fascinating polymodal effect). There are also a few cheeky quotes from the more classical modes, including a Cockney Have a banana phrase in the viola part in various places and the fourth (last) movement quoting a version of Rock a bye baby This has been performed on a few occasions to great effect (see http://www.youtube.com/watch?v=mNctKjXYZ8k for the first performance in 1997) The sound sample is an extract from that performance. The pdf file contains the scores only. A version with scores and parts is also available.
$17.00 ≈
15.65€
The Dorian Way - score only - Score Only
The Dorian Way - score only - Score Only
#
Gian Paolo Chiti
#
The Dorian Way - score only -
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1450294 Composed by Gian Paolo Chiti. 21st Century,Chamber,Classical. 37 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1450294 Composed by Gian Paolo Chiti. 21st Century,Chamber,Classical. 37 pages. Musik Fabrik Music Publishing #1030025. Published by Musik Fabrik Music Publishing (A0.1450294). A work for oboe, celesta and sixteen solo strings (8 violins, 4 viole and 4 violoncelli) by the Italian master composer. This item is the score only. The parts are on rental from the publisher.
$25.95 ≈
23.90€
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
#
Chamber Orchestra
#
INTERMEDIATE
#
David Warin Solomons
#
Bunny Rabbits for Chamber Orch
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. Davi...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00 ≈
4.60€
The Jazz Method (in A Flat) - Score Only
The Jazz Method (in A Flat) - Score Only
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Jazz Ensemble
#
EASY
#
Wesley Besancon
#
Wesley Besancon
#
The Jazz Method
#
Wesley Besancon
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1173609 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instruction...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1173609 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Instructional,Jazz. Score and parts. 42 pages. Wesley Besancon #773756. Published by Wesley Besancon (A0.1173609). Does your band ever struggle with jazz? Do you ever struggle with jazz? Has any of your friends stuggled with jazz? If you said yes to any of these, then I would recommend the First Place For Jazz book by Dean Sorenson. But I have seen one problem. They do not dicuss A flat! A flat is a crucial key in jazz. So I have extended his book with 4 new orginal pieces in A flat. 1. (major)2. (mixolydian)3. (dorian)4. (blues).
$99.99 ≈
92.07€
Prelude 12 in Bb Minor Dorian
Prelude 12 in Bb Minor Dorian
#
Piano solo
#
ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.52€
Prelude 6 in G Minor Dorian
Prelude 6 in G Minor Dorian
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 6 in G Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 18 in C# Minor Dorian
Prelude 18 in C# Minor Dorian
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 18 in C# Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 24 in E Minor Dorian
Prelude 24 in E Minor Dorian
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 24 in E Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Prelude 14 in D# Minor Dorian
Prelude 14 in D# Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.52€
Piece in G Dorian for Journee
Piece in G Dorian for Journee
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Piano solo
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EASY
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Grace Odell
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Piece in G Dorian for Journee
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Grace Odell
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1018194 Composed by Grace Odell. Contemporary,Instructional,Jazz. Score. 1 pages. Grace Odell #623779. Pu...
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Piano Solo - Level 2 - Digital Download SKU: A0.1018194 Composed by Grace Odell. Contemporary,Instructional,Jazz. Score. 1 pages. Grace Odell #623779. Published by Grace Odell (A0.1018194). This piece is soft, smooth, and jazzy. It teaches seventh chords and the G dorian scale. The melody jumps around a bit and uses some syncopation, but it is not overly difficult. It is very short, only 10 measures long.
$3.00 ≈
2.76€
Sketches of Christ 2 "Martha, Only One Thing is Needed" - Tone Poem for Instrumental Solo & Piano
Sketches of Christ 2 "Martha, Only One Thing is Needed" - Tone Poem for Instrumental Solo & Piano
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Stephen R Dalrymple
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Sketches of Christ 2 "Martha,
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Stephen R Dalrymple
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.818292 By Stephen R Dalrymple. By Stephen R Dalrymple. Classical,Contemporary. Score and part. 64 pages....
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Cello,Piano - Level 4 - Digital Download SKU: A0.818292 By Stephen R Dalrymple. By Stephen R Dalrymple. Classical,Contemporary. Score and part. 64 pages. Stephen R Dalrymple #4991043. Published by Stephen R Dalrymple (A0.818292). Sketches of Christ (Movement 2)  Only One Thing is Necessary♫ Tone Poem for Cello and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & violin ♫ music © 2010 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ The movements of the tone poem Sketches of Christ are written using contemporary classical music composition techniques.♫ The storyline behind the music is the interaction between Mary and Martha, 2 sisters with different personalities and goals.♫ Martha’s theme is set in the Dorian Mode. The 5/4 meter is hectic and efficient. Mary’s theme is set in the Mixolydian Mode in 3/4 alternating with 4/4 time (effectively 7/4. This theme is calm and deep in thought.♫ This .pdf file includes 14 score choices • Letter size score for Cello & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello, • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50 ≈
5.99€
ModeUlations, 16 original solos for harp
ModeUlations, 16 original solos for harp
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Harp
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INTERMEDIATE
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New Age
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Contemporary
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Cindy Blevins
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ModeUlations, 16 original solo
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Cindy Blevins
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SheetMusicPlus
Harp - Level 3 - Digital Download SKU: A0.541752 Composed by Cindy Blevins. Contemporary,New Age. Score. 45 pages. Cindy Blevins #3122275. Published by C...
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Harp - Level 3 - Digital Download SKU: A0.541752 Composed by Cindy Blevins. Contemporary,New Age. Score. 45 pages. Cindy Blevins #3122275. Published by Cindy Blevins (A0.541752). ModeUlations is a book of pieces using modes and exotic scales. It contains 32 pages of music, along with four pages of text (descriptions and scales of the various modes used). The playing level is approximately intermediate.The harp solos are each two pages long. There are nine solos for lap harp (range of C below middle C and 24-26 strings). Seven of these are also arranged for larger harp. In some cases, I changed the key of the piece for the larger arrangement. Obviously, larger harps can play the entire book, while lap harps can play the nine lap harp versions.Song titles are: Absence, Aoleo, Dominoes, Dorianation, Gypsy Fantasy, Impossibilities, Leap Phrog, Mind Over Minor and Minor Malady. Many of the songs are done both for regular harp and lap harp in this book (which is why there are 16 solos in the book and only 9 song titles.)You can view several sample pages above. The audio sample is an excerpt from Dorianation. The sheet music and single mp3 recordings from this book are also available here on Sheet Music Plus.
$23.95 ≈
22.05€
Rorie Dall's Sister's Lament for Double-strung Lap Harp
Rorie Dall's Sister's Lament for Double-strung Lap Harp
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Harp
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EASY
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Celtic/Irish
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament f
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Karen Peterson
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peter...
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Harp - Level 2 - Digital Download SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.com
$4.99 ≈
4.59€
Rorie Dall's Sister's Lament for Double-strung Harp
Rorie Dall's Sister's Lament for Double-strung Harp
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Harp
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EASY
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Celtic/Irish
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament f
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Karen Peterson
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peter...
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Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament
$4.99 ≈
4.59€
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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the beginning and the end
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Diamante del tiempo
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. ...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El sÃmbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espÃritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolÃa y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. DeberÃamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estarÃa bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.
$4.99 ≈
4.59€
Easy ModeUlations, 16 original solos for harp
Easy ModeUlations, 16 original solos for harp
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Harp
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EASY
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New Age
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Contemporary
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Cindy Blevins
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Easy ModeUlations, 16 original
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Cindy Blevins
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.541751 Composed by Cindy Blevins. Contemporary,New Age. Score. 45 pages. Cindy Blevins #3122273. Published by C...
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Harp - Level 2 - Digital Download SKU: A0.541751 Composed by Cindy Blevins. Contemporary,New Age. Score. 45 pages. Cindy Blevins #3122273. Published by Cindy Blevins (A0.541751). Easy ModeUlations is a book of pieces using modes and exotic scales. It contains 32 pages of music, along with four pages of text (descriptions and scales of the various modes used). This book is the easy version of my book ModeUlations. The playing level is approximately early intermediate.The audio sample is an excerpt from Gypsy Fantasy. The harp solos are each two pages long. There are nine solos for lap harp (range of C below middle C and 24-26 strings). Seven of these are also arranged for larger harp. In some cases, I changed the key of the piece for the larger arrangement. Obviously, larger harps can play the entire book, while lap harps can play the nine lap harp versions.Song titles are: Absence, Aoleo, Dominoes, Dorianation, Gypsy Fantasy, Impossibilities, Leap Phrog, Mind Over Minor and Minor Malady. Many of the songs are done both for regular harp and lap harp in this book (which is why there are 16 solos in the book and only 9 song titles.) The sheet music and single mp3 recordings from this book are also available here on Sheet Music Plus.
$23.95 ≈
22.05€
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00 ≈
13.81€
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Dorian Score Only
