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Duo for Sunday
Sheetmusic to print
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426
VV2021AB-Duo for Sunday for 2 Violas-Individual Parts in legal size pages
VV2021AB-Duo for Sunday for 2 Violas-Individual Parts in legal size pages
#
2 Violas (duet)
#
ADVANCED
#
Contemporary
#
Katrina Wreede
#
VV2021AB-Duo for Sunday for 2
#
Vlazville Music-Digital
#
SheetMusicPlus
Viola Duet Viola - Level 5 - Digital Download SKU: A0.737230 Composed by Katrina Wreede. 20th Century,Contemporary. Score. 15 pages. Vlazville Music-Digi...
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Viola Duet Viola - Level 5 - Digital Download SKU: A0.737230 Composed by Katrina Wreede. 20th Century,Contemporary. Score. 15 pages. Vlazville Music-Digital #2951763. Published by Vlazville Music-Digital (A0.737230). Legal page-sized original performance viola 1 and 2 parts for Duo for Sunday (VV2021). Some hand-written corrections by original performers and very old notation software. Offered for informational purposes and ease of page turns (single sided copies). Supplemental to full score. Feel free to contact composer with questions.
$6.99 ≈
6.44€
Duo for Sunday
Duo for Sunday
#
2 Violas (duet)
#
ADVANCED
#
Contemporary
#
Katrina Wreede
#
Duo for Sunday
#
Vlazville Music-Digital
#
SheetMusicPlus
Viola Duet Viola - Level 5 - Digital Download SKU: A0.737189 Composed by Katrina Wreede. 20th Century. Score. 14 pages. Vlazville Music-Digital #2007839....
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Viola Duet Viola - Level 5 - Digital Download SKU: A0.737189 Composed by Katrina Wreede. 20th Century. Score. 14 pages. Vlazville Music-Digital #2007839. Published by Vlazville Music-Digital (A0.737189). Created for a series of duo concerts with Karen Elaine and Katrina Wreede, premiered with Lil' Phrygian Rondo for Karen, also a viola duet. Movements are: Sunday, Rocking, and Tango. Each movement explores fun rhythmic complexities and extends the traditional tonal range of the viola. Printed small to accommodate page turns. Contact composer for free large-print version.
$10.95 ≈
10.08€
Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
22.97€
Bach: Wachet auf for Baritone Horn & Piano
Bach: Wachet auf for Baritone Horn & Piano
#
Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Baritone
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
22.97€
Bach: Wachet auf for Bassoon & Piano
Bach: Wachet auf for Bassoon & Piano
#
Bassoon, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Bassoon &
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.97€
Bach: Wachet auf for Oboe & Piano
Bach: Wachet auf for Oboe & Piano
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Oboe, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Oboe & Pi
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.97€
Jingle Bells for Euphonium & Piano
Jingle Bells for Euphonium & Piano
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Euphonium, Piano (duet)
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BEGINNER
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Christmas
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James Pierpont
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James M
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Jingle Bells for Euphonium & P
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8...
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Euphonium,Piano - Level 1 - Digital Download SKU: A0.548660 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408515. Published by jmsgu3 (A0.548660). Jingle Bells arranged for euphonium & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.97€
New Troubadour Blues for clarinet and guitar - live performance (mp3)
New Troubadour Blues for clarinet and guitar - live performance (mp3)
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Clarinet, Guitar (duet)
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INTERMEDIATE/ADVANCED
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András Csáki and Balá
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New Troubadour Blues for clari
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268814 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century...
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268814 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Blues,Contemporary. Full Performance. Duration 416. David Warin Solomons #861345. Published by David Warin Solomons (A0.1268814). This is a instrumental duo based on a song that I composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991.Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style...The original words are:Woke up Sunday mornin' and notes went spinnin' round. (rpt)What can I sing for the New Troubadours - Troubadours?Woke up wake up woke up wake up.What can I sing for the New Troubadours?Oh! I just godda sing the Blues the New Troubadour Blues'cos there's nothing they like better than the Blues.I got those New Troubadour Blues.'cos there's not a single chord these Blues refuse;not a single note I cannot choose.Then it was Monday evenin' with no more words in mind;notes they still kept spinnin'but no cause could they find.What can I sing for the New Troubadours?So, here's a sad Blues with a walkin' bass.it'll walk all over you,leavin' muddy footprintsSo here's a sad Blues, Blues, BluesSo here is a walkin' bass.oh! why am I walkin'with a muddy walkin' basswaitin' for words to come?Blues Blues Blues Blues Blues Blueswaitin' for words to comeOh those sad BluesI got those New Troubadour Blues.New Troubadour Blues 'cos there's not a single chord these Blues refuse!It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
$6.50 ≈
5.99€
O Come All Ye Faithful for Oboe & Piano
O Come All Ye Faithful for Oboe & Piano
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Oboe, Piano (duet)
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Obo
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 page...
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Oboe,Piano - Level 1 - Digital Download SKU: A0.548513 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388123. Published by jmsgu3 (A0.548513). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.97€
Sunday Best
Sunday Best
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2 Saxophones (duet)
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BEGINNER
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Contemporary
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Surfaces
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Matt Luff
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Sunday Best
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Matt Luff
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 1 - Digital Download SKU: A0.902857 By Surfaces. By Colin Padalecki and For...
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Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet - Level 1 - Digital Download SKU: A0.902857 By Surfaces. By Colin Padalecki and Forrest Frank. Arranged by Matt Luff. Contemporary. Score and parts. 2 pages. Matt Luff #6286165. Published by Matt Luff (A0.902857). An exciting arrangement of Surface's 'Sunday Best' for Alto Saxophone! It lines up perfectly with the original track, making for a fun rendition of this hit!Song Credits: Forrest Frank, Colin Padalecki.
$4.99 ≈
4.59€
BACH: Wachet Auf BWV 140 for Violin & Harp
BACH: Wachet Auf BWV 140 for Violin & Harp
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Harp, Violin (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for V
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthr...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265607. Published by jmsgu3 (A0.552205). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$32.95 ≈
30.34€
BACH: Wachet Auf BWV 140 for Flute & Harp
BACH: Wachet Auf BWV 140 for Flute & Harp
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Harp, Flute (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for F
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jmsgu3
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthri...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552206 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265633. Published by jmsgu3 (A0.552206). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
22.97€
BACH: Wachet Auf BWV 140 for Clarinet & Harp
BACH: Wachet Auf BWV 140 for Clarinet & Harp
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Clarinet, Harp (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for C
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552207 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Concert,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265915. Published by jmsgu3 (A0.552207). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$24.95 ≈
22.97€
Forgive Them, O My Father (Duet for Tenor and Bass Solo)
Forgive Them, O My Father (Duet for Tenor and Bass Solo)
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Vocal duet
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EASY
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Sacred music
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Stephen DeCesare
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Forgive Them, O My Father
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Exultet Music
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SheetMusicPlus
Voice Duet Voice - Level 2 - Digital Download SKU: A0.625621 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. 5 pages. Exultet Mus...
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.625621 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. 5 pages. Exultet Music #5034261. Published by Exultet Music (A0.625621). This tender piece with heart-wrenching words by Cecil Alexander which is appropriate for Palm Sunday, Good Friday or any Tenebrae service is scored as a duet for a Tenor and Bass Solo with Piano accompaniment. Accessible for any church setting.
$4.99 ≈
4.59€
Forgive Them, O My Father (Duet for Soprano and Alto Solo)
Forgive Them, O My Father (Duet for Soprano and Alto Solo)
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Vocal duet, Piano
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EASY
#
Sacred music
#
Stephen DeCesare
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Forgive Them, O My Father
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.625617 Composed by Stephen DeCesare. Christian,Easter,Praise & Worsh...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.625617 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. 5 pages. Exultet Music #5034253. Published by Exultet Music (A0.625617). This tender piece with heart-wrenching words by Cecil Alexander which is appropriate for Palm Sunday, Good Friday or any Tenebrae service is scored as a duet for a Soprano and an Alto Solo with Piano accompaniment. Accessible for any church setting.
$4.99 ≈
4.59€
Forgive Them, O My Father (Duet for Soprano and Tenor Solo)
Forgive Them, O My Father (Duet for Soprano and Tenor Solo)
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Vocal duet
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EASY
#
Sacred music
#
Stephen DeCesare
#
Forgive Them, O My Father
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Exultet Music
#
SheetMusicPlus
Voice Duet Voice - Level 2 - Digital Download SKU: A0.625615 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. 5 pages. Exultet Mus...
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.625615 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. 5 pages. Exultet Music #5034235. Published by Exultet Music (A0.625615). This tender piece with heart-wrenching words by Cecil Alexander which is appropriate for Palm Sunday, Good Friday or any Tenebrae service is scored as a duet for a Soprano and Tenor Solo with Piano accompaniment. Accessible for any church setting.
$4.99 ≈
4.59€
Forgive The Wrong (Psalm 32) (Duet for Soprano and Alto solo)
Forgive The Wrong (Psalm 32) (Duet for Soprano and Alto solo)
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Vocal duet, Piano
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EASY
#
Sacred music
#
Stephen DeCesare
#
Forgive The Wrong
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1351870 By Stephen DeCesare. By Stephen DeCesare. Christian,Contempo...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1351870 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Lent,Sacred,Spiritual. 4 pages. Exultet Music #936703. Published by Exultet Music (A0.1351870). Passionate and moving setting of Psalm 32. Can be used during Lent, Palm Sunday, Good Friday or Tenebrae Service. Â Scored as a duet for a Soprano and an Alto solo with Piano accompaniment. Â An accompaniment track is also available.
$4.99 ≈
4.59€
Forgive The Wrong (Psalm 32) (Duet for Soprano and Tenor solo)
Forgive The Wrong (Psalm 32) (Duet for Soprano and Tenor solo)
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Vocal duet, Piano
#
EASY
#
Sacred music
#
Stephen DeCesare
#
Forgive The Wrong
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1351873 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemp...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1351873 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Lent,Sacred,Spiritual. 4 pages. Exultet Music #936706. Published by Exultet Music (A0.1351873). Passionate and moving setting of Psalm 32. Can be used during Lent, Palm Sunday, Good Friday or Tenebrae Service. Â Scored as a duet for a Soprano and Tenor solo with Piano accompaniment. Â An accompaniment track is also available.
$4.99 ≈
4.59€
Forgive The Wrong (Psalm 32) (Duet for Tenor and Bass solo)
Forgive The Wrong (Psalm 32) (Duet for Tenor and Bass solo)
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Vocal duet, Piano
#
EASY
#
Sacred music
#
Stephen DeCesare
#
Forgive The Wrong
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1351876 By Stephen DeCesare. By Stephen DeCesare. Christian,Contempora...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.1351876 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Lent,Sacred,Spiritual. 4 pages. Exultet Music #936709. Published by Exultet Music (A0.1351876). Passionate and moving setting of Psalm 32. Can be used during Lent, Palm Sunday, Good Friday or Tenebrae Service. Â Scored as a duet for a Tenor and Bass solo with Piano accompaniment. Â An accompaniment track is also available.
$4.99 ≈
4.59€
If Today You Hear His Voice (Duet for Soprano and Tenor solo)
If Today You Hear His Voice (Duet for Soprano and Tenor solo)
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Vocal duet, Piano
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EASY
#
Sacred music
#
Stephen DeCesare
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If Today You Hear His Voice
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1277409 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 2 - Digital Download SKU: A0.1277409 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Lent,Praise & Worship,Sacred. 4 pages. Exultet Music #869107. Published by Exultet Music (A0.1277409). Gentle and accessible arrangement of Psalm 95. Scored as a duet for a Soprano and Tenor solo with Piano accompaniment. Can be used for various times throughout the liturgical season but especially during Third Sunday of Lent and certain Sundays of Ordinary Time. Â An accompaniment track is also available.
$4.99 ≈
4.59€
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Duo for Sunday
