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You've selected:
Entr'acte to act II from
Sheetmusic to print
18 sheet music found
<
1
Entr'Acte (to Act II) from 'Carmen'
Entr'Acte (to Act II) from 'Carmen'
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Contemporary
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Georges Bizet
#
Kenneth D
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Entr'Acte
#
KFS Publishing
#
SheetMusicPlus
Brass Ensemble Tuba - Level 4 - Digital Download SKU: A0.699445 Composed by Georges Bizet. Arranged by Kenneth D. Friedrich. 20th Century. Score and part...
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Brass Ensemble Tuba - Level 4 - Digital Download SKU: A0.699445 Composed by Georges Bizet. Arranged by Kenneth D. Friedrich. 20th Century. Score and parts. 17 pages. KFS Publishing #3003199. Published by KFS Publishing (A0.699445). Opera music from Bizet arranged for tuba quartet.
$12.99 ≈
11.72€
Seguedille & Les Dragons d'Alcala from "Carmen Suite" for Saxophone Quartet
Seguedille & Les Dragons d'Alcala from "Carmen Suite" for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Georges Bizet
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Diego Marani
#
Seguedille & Les Dragons d'Alc
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Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.527684 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.527684 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. 24 pages. Diego Marani #3092151. Published by Diego Marani (A0.527684). The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.This arrangement includes: 1) Séguedille: Act I, Seguidilla (Carmen): Près des remparts de Séville - 2) Les Dragons d'Alcala: Interlude (Entr'acte) before Act IIThe instrumentation of sax quartet is: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
$9.99 ≈
9.01€
Les Dragons d'Alcala from "Carmen Suite" for Brass Quintet
Les Dragons d'Alcala from "Carmen Suite" for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Classical
#
Georges Bizet
#
Diego Marani
#
Les Dragons d'Alcala from "Car
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Diego Marani
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527706 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Inst...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527706 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. Score and parts. 16 pages. Diego Marani #3115043. Published by Diego Marani (A0.527706). The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.This arrangement includes: Les Dragons d'Alcala: Interlude (Entr'acte) before Act IIThe instrumentation of brass quintet is: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$9.90 ≈
8.93€
Meditation from Thaïs
Meditation from Thaïs
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Opera
#
Classical
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Jules Massenet
#
James Pybus
#
Meditation from Thaïs
#
James Pybus
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764647 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.764647 Composed by Jules Massenet. Arranged by James Pybus. Opera,Romantic Period. 15 pages. James Pybus #35403. Published by James Pybus (A0.764647). Jules Émile Frédéric Massenet (May 12, 1842 – August 13, 1912) was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Thaïs is a three-act opera with a French libretto by Louis Gallet based on the novel Thaïs by Anatole France. Its famous Méditation, the entr'acte for violin and orchestra played between the scenes of Act II, is an oft-performed concert music piece; it has been arranged for many different instruments. In the present arrangement written in 2012, the original key of D major has been changed to Db to make it more suitable for the saxophone range. The soprano saxophone is the featured voice. Duration 4:44 contact me at james.pybus56@gmail.com.
$15.00 ≈
13.53€
Prelude & Aragonaise from "Carmen Suite" for String Quartet
Prelude & Aragonaise from "Carmen Suite" for String Quartet
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String Quartet: 2 violins, viola, cello
#
INTERMEDIATE/ADVANCED
#
Classical
#
Georges Bizet
#
Diego Marani
#
Prelude & Aragonaise from "Car
#
Diego Marani
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.527692 Composed by Georges Bizet. Arranged by Diego Marani. Concert...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.527692 Composed by Georges Bizet. Arranged by Diego Marani. Concert,Instructional,Opera,Romantic Period,Standards. Score and parts. 22 pages. Diego Marani #3096265. Published by Diego Marani (A0.527692). The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.This arrangement includes Prelude to act 1 (Fate motive) and Aragonaise (Interlude (Entr'acte) before Act IV).The instrumentation of string quartet is: Violin I, Violin II, Viola, Cello.
$12.99 ≈
11.72€
Carmen Suite No. 1 (Part Two) for Saxophone Ensemble
Carmen Suite No. 1 (Part Two) for Saxophone Ensemble
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Saxophone ensemble
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INTERMEDIATE/ADVANCED
#
Classical
#
Georges Bizet
#
Diego Marani
#
Carmen Suite No. 1
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.527702 Composed by Georges Biz...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.527702 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. 100 pages. Diego Marani #3104479. Published by Diego Marani (A0.527702). The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.This arrangement includes: 4) Séguedille: Act I, Seguidilla (Carmen): Près des remparts de Séville - 5) Les Dragons d'Alcala: Interlude (Entr'acte) before Act II - 6) Les Toréadors: Theme from Prelude to Act I and Procession of the Toreadors from Act IV: Les voici! voici la quadrille des Toreros!The instrumentation of the sax choir is: Eb Sopranino, Bb Soprano 1-2, Eb Alto 1-2-3, Bb Tenor 1-2-3, Eb Baritone 1-2, Bb Bass.
$19.90 ≈
17.95€
Entr'acte to act II from "Carmen"
Entr'acte to act II from "Carmen"
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Saxophone
#
INTERMEDIATE
#
Classical
#
G
#
A
#
Entr'acte to act II from "Carm
#
A.Buriakov
#
SheetMusicPlus
By G.Biaet. Arranged by A.Buriakov. For Saxophone. Opera, Romantic Period. Intermediate. Set of Parts, Score. Published by A.Buriakov ...
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By G.Biaet. Arranged by A.Buriakov. For Saxophone. Opera, Romantic Period. Intermediate. Set of Parts, Score. Published by A.Buriakov
$2.49 ≈
2.25€
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
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Cello, Piano
#
INTERMEDIATE
#
Classical
#
Jules Massenet
#
Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period,...
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.40€
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
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Violin and Piano
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INTERMEDIATE
#
Classical
#
Jules Massenet
#
Flavio Regis Cunha
#
MÉDITATION - From the Opera T
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period...
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.40€
Seguedille and Les Dragons d'Alcala from Carmen Suite for Clarinet Quartet
Seguedille and Les Dragons d'Alcala from Carmen Suite for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
#
INTERMEDIATE
#
Classical
#
Georges Bizet
#
Diego Marani
#
Seguedille and Les Dragons d'A
#
Diego Marani
#
SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom. Score, Set of Parts. 29 pages....
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Composed by Georges Bizet (1838-1875). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom. Score, Set of Parts. 29 pages. Published by Diego Marani (S0.229451). - Score,Set of Parts - Romantic Period,Classical Period,Opera,Repertoire,Classroom - Diego Marani
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. This arrangement includes: Séguedille: Act I, Seguidilla (Carmen): Près des remparts de Séville - Les Dragons d'Alcala: Interlude (Entr'acte) before Act II The instrumentation of clarinet quartet is: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.99 ≈
9.01€
Carmen Suite No. 1 for Brass Quintet
Carmen Suite No. 1 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Georges Bizet
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Diego Marani
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Carmen Suite No. 1 for Brass Q
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Diego Marani
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SheetMusicPlus
Composed by Georges Bizet (1838-1875). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom. Score, Set of Parts. 94 pages....
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Composed by Georges Bizet (1838-1875). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom. Score, Set of Parts. 94 pages. Published by Diego Marani (S0.243261). - Score,Set of Parts - Romantic Period,Classical Period,Opera,Repertoire,Classroom - Diego Marani
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. This arrangement includes: 1) Prélude: Act I, Prélude: "Fate" motive - 2) Aragonaise: Interlude (Entr'acte) before Act I - 3) Intermezzo: Interlude (Entr'acte) before Act III - 4) Séguedille: Act I, Seguidilla (Carmen): Près des remparts de Séville - 5) Les Dragons d'Alcala: Interlude (Entr'acte) before Act II - 6) Les Toréadors: Theme from Prelude to Act I and Procession of the Toreadors from Act IV: Les voici! voici la quadrille des Toreros!
$24.90 ≈
22.46€
Carmen Suite No. 1 for Clarinet Quartet
Carmen Suite No. 1 for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Classical
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Georges Bizet
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Diego Marani
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Carmen Suite No. 1 for Clarine
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Diego Marani
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SheetMusicPlus
Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Composed by Georges Bizet (1838-1875). Arranged by Diego Marani. Romantic Perio...
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Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Composed by Georges Bizet (1838-1875). Arranged by Diego Marani. Romantic Period, Classical Period, Opera, Repertoire, Classroom. Score, Set of Parts. 86 pages. Published by Diego Marani
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.
This arrangement includes: 1) Prélude: Act I, Prélude: "Fate" motive - 2) Aragonaise: Interlude (Entr'acte) before Act I - 3) Intermezzo: Interlude (Entr'acte) before Act III - 4) Séguedille: Act I, Seguidilla (Carmen): Près des remparts de Séville - 5) Les Dragons d'Alcala: Interlude (Entr'acte) before Act II - 6) Les Toréadors: Theme from Prelude to Act I and Procession of the Toreadors from Act IV: Les voici! voici la quadrille des Toreros!
The instrumentation of the clarinet quartet is: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$22.90 ≈
20.65€
String Quartet no. II
String Quartet no. II
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String Quartet: 2 violins, viola, cello
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Contemporary
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Martin Watt
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String Quartet no. II
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Martin Watt
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. ...
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String Quartet String Quartet - Digital Download SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Martin Watt (A0.1027526). The String Quartet no II comprises four movements: 1. Preludio, Passacaglia, Minuetto and Trio and Rondo. The first movement is fast and furious and cast in a modified sonata form - announcing two contrasting themes with a transitional section in between. The development section fulfills the role of various transformations and fragmental modifications of segmented thematic material, adding instabitily to the movement. The recapitulation is truncated, rather referential to the exposition and presented in reversed order. The second movement is a plaintive passacaglia, with a recurring eight-bar melody - in this case not traditional in nature as the bassline mostly carried the melody throughout, but nw distributed between all the string instuments. The theme is heard fourteen times. The use of textural contrast and canonic procedures add to the contrapuntal nature of the movement. The Minuetto and Tro movement is strikingly neo-tonal, and but sudden shifts of scalar centricities in the Minuetto add to suspension and elements of surprise. The Trio is more lyrical in character and fluttering fragments create dialogue between the members of the quartet. The last movement is cast in a modified Rondo form. The refrain parts are continuously presented in different textural and harmonic content. The alternating first episode draws material from the first movement and the second from the third movement, resulting in a cyclic structure of the work as a whole. The musical language is loosely based within extended tonality, with modal intersections and dissonant colours, making consonant sonoroties slightly ambiguous and unpredictable.2016 Chamber Music Contest Entry.
$9.99 ≈
9.01€
Tchaikovsky (arr. Lee): Pique Dame (The Queen of Spades) Suite, Op. 68, Set of Parts
Tchaikovsky (arr. Lee): Pique Dame (The Queen of Spades) Suite, Op. 68, Set of Parts
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Orchestra
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INTERMEDIATE
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Classical
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Classical
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Peter Ilyich Tchaikovsky
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Yoon Jae Lee
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Tchaikovsky
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Ondine Press
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.866099 Composed by Peter Ilyich Tchaikovsky. Arranged by Yoon Jae Lee. Opera,Romantic Period. Score a...
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Full Orchestra - Level 3 - Digital Download SKU: A0.866099 Composed by Peter Ilyich Tchaikovsky. Arranged by Yoon Jae Lee. Opera,Romantic Period. Score and parts. 103 pages. Ondine Press #18299. Published by Ondine Press (A0.866099). Instrumentation: 2+1. 2. 2. 2 - 4. 2. 0. 0 - tp - str This is a set of parts to three movements from Act II of compiled and arranged in the manner of an 18th century Italian sinfonia in D Major. Tchaikovsky adored Mozart's music and his influence can be greatly felt in the entire Act II of Pique Dame. The first movement is the No. 11 Entr'acte without the choral parts. The second movement is arrangement of Prilepa and Milovzortaken's duet with from No. 14, and the finale is taken from the Shepherds Chorus. View perusal score: http://issuu.com/ondinepress/docs/00_full_score.
$100.00 ≈
90.19€
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Choral TTBB
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INTERMEDIATE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Tr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.89€
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Choral TTBB
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INTERMEDIATE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from "
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Tr...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.89€
"Once Upon A Time In The West" for String Quartet
"Once Upon A Time In The West" for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Broadway
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Diego Marani
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"Once Upon A Time In The West"
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Diego Marani
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SheetMusicPlus
String Quartet - Intermediate - Digital Download Arranged by Diego Marani. Score, Set of Parts. 14 pages. Published by Diego Marani ...
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String Quartet - Intermediate - Digital Download Arranged by Diego Marani. Score, Set of Parts. 14 pages. Published by Diego Marani
Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide. The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.
This arrangement for string quartet (Violin I, Violin II, Viola, Cello) includes two different keys: A Major and G Major to meet all the executive possibilities of the musicians.
The composition is suitable for repertoire, classroom, recital and weddings.
"2018 Chamber Music Contest Entry"
$19.99 ≈
18.03€
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Entr'acte to act II from 
