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You've selected:
Erik Spangler
Sheetmusic to print
5 sheet music found
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1
Diffusa est gratia - SATB choir
Diffusa est gratia - SATB choir
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Choral SATB
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ADVANCED
#
Sacred music
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Erik Spangler
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Diffusa est gratia - SATB choi
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00 ≈
¥43.63
Ex umbris - SATB choir
Ex umbris - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Ex umbris - SATB choir
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082621 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082621 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686828. Published by Erik Spangler (A0.1082621). A setting of the Latin epitaph of John Henry Newman: Ex umbris et imaginibus in veritatem. In English translation, “From shadows and images / symbols into truth.†Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD.
$6.00 ≈
¥43.63
Of the Father's love begotten - SATB choir
Of the Father's love begotten - SATB choir
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Erik Spangler
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Of the Father's love begotten
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1082623 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1082623 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 9 pages. Erik Spangler #686831. Published by Erik Spangler (A0.1082623). Vibrant and modern setting of a medieval hymn text for SATB choir. Commissioned by Andrew Johnson for the Mount Calvary Choir, Baltimore, MD.
$6.00 ≈
¥43.63
Mass - SATB choir
Mass - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Mass - SATB choir
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082302 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082302 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 26 pages. Erik Spangler #686452. Published by Erik Spangler (A0.1082302). Latin Mass composed during COVID-19 quarantine from late 2020 to early 2021. Written for and performed by the Mount Calvary Choir, under the direction of Andrew Johnson at Mount Calvary Catholic Church in Baltimore. Combining elements of plainchant and ancient styles of liturgical polyphony, together with a modern harmonic sense of the church modes. In the YouTube video below of the service for Trinity at Mount Calvary on June 12, 2022, the movements of the Mass are heard at: 16:50 - Kyrie, followed by 18:59 - Gloria 1:06:16 - Sanctus 1:20:17 - Agnus Dei.
$7.99 ≈
¥58.10
Veni Sancte Spiritus - SATB choir
Veni Sancte Spiritus - SATB choir
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Choral SATB
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ADVANCED
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Sacred music
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Erik Spangler
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Veni Sancte Spiritus - SATB ch
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Erik Spangler
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00 ≈
¥43.63
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Erik Spangler
