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Europe High voice, Piano
SheetMusicPlus
Sheetmusic to print
104 sheet music found
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101
The Tide Is High (Get The Feeling)
The Tide Is High (Get The Feeling)
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Piano, Vocal and Guitar
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Pop music
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Atomic Kitten
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The Tide Is High
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Hal Leonard Europe
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SheetMusicPlus
Piano, voice and guitar (chords only) - Digital Download SKU: HX.117510 By Atomic Kitten. By Bill Padley, Howard Barrett, Jem Godfrey, John Holt, and Tyr...
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Piano, voice and guitar (chords only) - Digital Download SKU: HX.117510 By Atomic Kitten. By Bill Padley, Howard Barrett, Jem Godfrey, John Holt, and Tyrone Evans. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 6 pages. Published by Hal Leonard Europe (HX.117510).
$4.99 ≈
£3.73
The Place Of Understanding (for High Voice and Organ)
The Place Of Understanding (for High Voice and Organ)
High voice, Organ
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Classical
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Nico Muhly
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The Place Of Understanding
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Hal Leonard Europe
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SheetMusicPlus
By Nico Muhly. Classical. Piano Vocal. 22 pages. Published by Hal Leonard Europe...
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By Nico Muhly. Classical. Piano Vocal. 22 pages. Published by Hal Leonard Europe
$9.99 ≈
£7.46
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
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Contemporary
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Lior Navok
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"The Sea of Sunset" - for Sopr
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score...
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Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719307. Published by Lior Navok Music (A0.976037). THE SEA OF SUNSETfor Soprano, Trombone, Double Bass and Piano (1997) DURATION: 8 Minutes POEM BY: Emily Dickinson PROGRAM NOTES: The composer writes about his work: The poems of Emily Dickinson are very unique work of art. Most of her poems are full with detailed descriptions, transferring the poems to a medium of picture, carefully painted and calculated. Yet, it is quiet amazing that these poems came from the hand of a woman who lived secluded life, in her hometown Amherst, Massachusetts. A clue may be finds in one of Dickinson's saying: To shut our eyes is to travel. As I approached Dickinson's poems (which are close to 2000), I found that most of them, even the short ones, are built into a large space. Each poem needs its development time and cannot be rushed or squeezed to a regular song form. In The Sea of Sunset, I have let the words, the nature description, and the lazy mood of the poem take me to the picture medium. Adding the murmur of the sea, and the whisper of the wind, I tried to get as close as possible to the picture I saw through the poem. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: Folio (Europe) / Legal (USA) Remarks: All performers read from score.
$18.00 ≈
£13.44
Danny Boy (Funeral Version) (for Medium High Vocal Solo)
Danny Boy (Funeral Version) (for Medium High Vocal Solo)
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Piano, Voice
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EASY
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Sacred music
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Frederic Weatherly, Franz Sc
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Stephen DeCesare
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Danny Boy
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Exultet Music
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SheetMusicPlus
Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Christian, Sacred, European, Celtic, Funeral. Sheet Music Single. 7 page...
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Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Christian, Sacred, European, Celtic, Funeral. Sheet Music Single. 7 pages. Published by Exultet Music
$4.99 ≈
£3.73
Map Of The World
Map Of The World
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High voice
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Classical
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Nico Muhly
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Map Of The World
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Hal Leonard Europe
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SheetMusicPlus
By Nico Muhly. Classical. Piano Vocal. 4 pages. Published by Hal Leonard Europe...
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By Nico Muhly. Classical. Piano Vocal. 4 pages. Published by Hal Leonard Europe
$4.99 ≈
£3.73
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
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(High Voice) - Digital Download By Nico Muhly. Classical. Piano Vocal. 5 pages. Published by Hal Leonard Europe...
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(High Voice) - Digital Download By Nico Muhly. Classical. Piano Vocal. 5 pages. Published by Hal Leonard Europe
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Little Red Riding Hood (Piano Accompaniment/Rehearsal Track)
Little Red Riding Hood (Piano Accompaniment/Rehearsal Track)
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Carol Troutman Wiggins
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Little Red Riding Hood
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano,Voice - Digital Download SKU: A0.1065470 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 152. C...
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Choir,Piano,Voice - Digital Download SKU: A0.1065470 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 152. Carol Troutman Wiggins #3392347. Published by Carol Troutman Wiggins (A0.1065470). ITTLE RED RIDING HOOD (Piano Accompaniment/Rehearsal Track)SA/2-Part Mixed VoicesLittle Red Riding Hood also known as Little Red Cap or just Red Riding Hood, is an European fairy tale about a young girl, her Granny, and a Big Bad Wolf written by Charles Perrault in the 17th century.Excellent for advanced upper elementary, middle school or younger high school choirsMinor keyChords included for additional instruments
$5.99 ≈
£4.47
(your Love Has Lifted Me) Higher And Higher
(your Love Has Lifted Me) Higher And Higher
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Rock
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Jackie Wilson
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Jim Farley www
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(your Love Has Lifted Me) High
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Jim Farley arrangementsone.com
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drum Set,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - Digital Download SKU: A0.765409...
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Large Ensemble Alto Saxophone,Bass Guitar,Drum Set,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - Digital Download SKU: A0.765409 By Jackie Wilson. By Carl Smith, Gary Jackson, and Raynard Miner. Arranged by Jim Farley www.arrangementsone.com. Pop,Rock. Score and parts. 54 pages. Jim Farley arrangementsone.com #6270157. Published by Jim Farley arrangementsone.com (A0.765409). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$39.99 ≈
£29.87
God Bless' The Child
God Bless' The Child
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Billie Holiday
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Jim Farley
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God Bless' The Child
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Jim Farley arrangementsone.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.765224 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Jim Farley. Jazz,Po...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.765224 By Billie Holiday. By Arthur Herzog Jr. and Billie Holiday. Arranged by Jim Farley. Jazz,Pop,Rock,Standards. Score. 7 pages. Jim Farley arrangementsone.com #5303685. Published by Jim Farley arrangementsone.com (A0.765224). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, college and high school pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S., Canada and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact Jim at:jfarley@arrangementsone.com and visit his website at Arrangements On E!
$4.99 ≈
£3.73
Workin' My Way Back To You
Workin' My Way Back To You
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Piano, Vocal and Guitar
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EASY
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Spinners
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Jim Farley
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Workin' My Way Back To You
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1457941 By Spinners. By Denny Randell and Sandy Linzer. Arranged by Jim Farley. Broadway,Mu...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1457941 By Spinners. By Denny Randell and Sandy Linzer. Arranged by Jim Farley. Broadway,Musical/Show,Pop,Rock. Score. 9 pages. Jim Farley arrangementsone.com #1036936. Published by Jim Farley arrangementsone.com (A0.1457941). Piano AccompanimentTo hear the whole arrangement, click here.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Community Bands and Orchestras, Las Vegas and Cruise Ship performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia. If you need any arranging, please contact Jim at: jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$4.99 ≈
£3.73
Say Say Say
Say Say Say
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Piano, Vocal and Guitar
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EASY
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Paul McCartney & Michael Jacks
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Jim Farley
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Say Say Say
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1438259 By Paul McCartney & Michael Jackson. By Michael Jackson and Paul McCartney. Arrange...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1438259 By Paul McCartney & Michael Jackson. By Michael Jackson and Paul McCartney. Arranged by Jim Farley. Pop,Rock,Singer/Songwriter. Score. 10 pages. Jim Farley arrangementsone.com #1018310. Published by Jim Farley arrangementsone.com (A0.1438259). The piano is accompaniment. You can hear the full recording of the arrangement here...ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, Community, College and High School Orchestras,. Pep Bands and Show Choirs, Las Vegas and Cruise performers, as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia... If you have any additional arranging needs, please contact Jim at: jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$4.99 ≈
£3.73
You Haven't Done Nothin'
You Haven't Done Nothin'
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Piano, Vocal and Guitar
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INTERMEDIATE
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Stevie Wonder
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Jim Farley
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You Haven't Done Nothin'
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1237305 By Stevie Wonder. By Stevie Wonder. Arranged by Jim Farley. Hip-Hop,Pop,R & B,Rock....
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1237305 By Stevie Wonder. By Stevie Wonder. Arranged by Jim Farley. Hip-Hop,Pop,R & B,Rock. Score. 12 pages. Jim Farley arrangementsone.com #832820. Published by Jim Farley arrangementsone.com (A0.1237305). Clavichord is the main keyboard used, but piano is fine as well... ABOUT THE ARRANGER: Jim Farley has been a prefessional music arranger, composer, transcriptionist and copyist since the mid 1970's, and has thousands of works, spanning various genres in his catalogue: Musical Theater, College and High School pep bands, orchestras & show choirs, Cruise Ship performers as well as arranging for dozens of classic rock horn bands accross the U.S., Canada and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. If you have any questions or needs, feel free to contact Jim at jfarley@arrangementsone.com and visit his website at Arrangements On E!
$6.99 ≈
£5.22
Heard It In A Love Song
Heard It In A Love Song
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Piano, Vocal and Guitar
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INTERMEDIATE
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Marshall Tucker Band
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Jim Farley
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Heard It In A Love Song
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230984 By Marshall Tucker Band. By Toy Caldwell. Arranged by Jim Farley. Country,Pop,Rock....
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230984 By Marshall Tucker Band. By Toy Caldwell. Arranged by Jim Farley. Country,Pop,Rock. Score. 13 pages. Jim Farley arrangementsone.com #826667. Published by Jim Farley arrangementsone.com (A0.1230984). Arrangement includes piano leads written out... ABOUT THE ARRANGER: Jim Farley has been a professional arranger, composer, transcriptionist and copyist since the mid 1970's and has thousands of works, spanning various genres in his catalogue: Musical Theater, College & High School pep band, orcehestra and show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands throughout the U.S., Canada & Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For more information feel free to contact Jim at jfarley@arrangementsone.com and visit his website at Arrangements On E!
$7.49 ≈
£5.59
Tequila Little Time
Tequila Little Time
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Piano, Vocal and Guitar
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EASY
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Country
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Jon Pardi
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Jim Farley
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Tequila Little Time
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449320 By Jon Pardi. By Jon Pardi, Jonathan Pardi, Luke Robert Laird, Rhett Akins, and Tho...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1449320 By Jon Pardi. By Jon Pardi, Jonathan Pardi, Luke Robert Laird, Rhett Akins, and Thomas Rhett Jr Akins. Arranged by Jim Farley. Country. Score. 10 pages. Jim Farley arrangementsone.com #1029091. Published by Jim Farley arrangementsone.com (A0.1449320). To hear the complete arrangement, click here.ABOUT THE ARRANGER: Jim Farley has been a musician, arranger and composer since the mid 1970's and has thousands of works in his catalogue: Musical Theater, College and High School Orchestra, Pep Band and Show Choir, Community Orchestra and Theater, Las Vegas and Cruise Line Performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia. If you are in need of any arrangements, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$4.99 ≈
£3.73
What A Fool Believes
What A Fool Believes
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Piano, Vocal and Guitar
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INTERMEDIATE
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The Doobie Brothers
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Jim Farley
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What A Fool Believes
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1423361 By The Doobie Brothers. By Kenny Loggins and Michael McDonald. Arranged by Jim Farl...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1423361 By The Doobie Brothers. By Kenny Loggins and Michael McDonald. Arranged by Jim Farley. Pop,Rock,Singer/Songwriter. Score. 11 pages. Jim Farley arrangementsone.com #1004675. Published by Jim Farley arrangementsone.com (A0.1423361). You can hear a full audio recording of the arrangement here.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia. If you need any additional arranging assistance... key changes, instrumentation... whatever... please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$6.99 ≈
£5.22
Fooled Around And Fell In Love
Fooled Around And Fell In Love
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Piano, Vocal and Guitar
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EASY
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Elvin Bishop
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Jim Farley
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Fooled Around And Fell In Love
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1421097 Composed by Elvin Bishop. Arranged by Jim Farley. Pop,Rock,Singer/Songwriter. Score...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1421097 Composed by Elvin Bishop. Arranged by Jim Farley. Pop,Rock,Singer/Songwriter. Score. 15 pages. Jim Farley arrangementsone.com #1002482. Published by Jim Farley arrangementsone.com (A0.1421097). You can hear the full arrangement here.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia.If you have any arranging needs, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$5.99 ≈
£4.47
Carry On Wayward Son
Carry On Wayward Son
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Piano, Vocal and Guitar
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INTERMEDIATE
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Kansas
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Jim Farley
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Carry On Wayward Son
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417417 By Kansas. By Kerry Livgren. Arranged by Jim Farley. Pop,Rock,Standards. Score. 16 ...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1417417 By Kansas. By Kerry Livgren. Arranged by Jim Farley. Pop,Rock,Standards. Score. 16 pages. Jim Farley arrangementsone.com #998955. Published by Jim Farley arrangementsone.com (A0.1417417). You can hear the full arrangement here.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship Performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Europe and Australia. If you are in need of additional arranging of any kind, please contact Jim at: jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$7.99 ≈
£5.97
You Really Got Me
You Really Got Me
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Piano, Vocal and Guitar
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EASY
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Rock
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The Kinks
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Jim Farley
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You Really Got Me
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1408350 By The Kinks. By Ray Davies. Arranged by Jim Farley. Pop,Rock. Score. 13 pages. Jim...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1408350 By The Kinks. By Ray Davies. Arranged by Jim Farley. Pop,Rock. Score. 13 pages. Jim Farley arrangementsone.com #990932. Published by Jim Farley arrangementsone.com (A0.1408350). You can hear the full arrangement here.ABOUT THE ARRANGER: Jim Farley has been a professional musicain, arranger & composer since the mid 1970's and has thousdands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship Performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Australia and Europe. If you are in need of any additional arranging, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$5.99 ≈
£4.47
She's Not There
She's Not There
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Piano, Vocal and Guitar
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EASY
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Rock
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The Zombies
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Jim Farley
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She's Not There
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Jim Farley arrangementsone.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1408834 By The Zombies. By Rod Argent. Arranged by Jim Farley. Pop,Rock. Score. 8 pages. Ji...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1408834 By The Zombies. By Rod Argent. Arranged by Jim Farley. Pop,Rock. Score. 8 pages. Jim Farley arrangementsone.com #991436. Published by Jim Farley arrangementsone.com (A0.1408834). You can hear the full arrangement here.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger and composer since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College and High School Pep Band, Orchestra and Show Choir, Las Vegas and Cruise Ship performers as well as dozens of classic rock horn bands throughout the U.S., Canada, Australia and Europe. If you are in need of any additional arranging, please contact Jim at jfarley@arrangementsone.com and visit his website at ARRANGEMENTS ON E!
$5.99 ≈
£4.47
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