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Europe XYLOPHONE
Sheetmusic to print
19 sheet music found
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1
Silent Night - for xylophone or marimba and piano
Silent Night - for xylophone or marimba and piano
#
Marimba or Xylophone and Piano
#
Christmas
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Franz Gruber, Joseph Mohr
#
Samuel Stokes
#
Silent Night - for xylophone o
#
SamuelStokesMusic.com
#
SheetMusicPlus
Composed by Franz Gruber, Joseph Mohr. Arranged by Samuel Stokes. Christian, Sacred, General Worship, European, Christmas. 5 pages. Published by SamuelStokesMus...
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Composed by Franz Gruber, Joseph Mohr. Arranged by Samuel Stokes. Christian, Sacred, General Worship, European, Christmas. 5 pages. Published by SamuelStokesMusic.com (S0.135313). - - Christian,Sacred,General Worship,European,Christmas - SamuelStokesMusic.com
This is an arrangement of "Silent Night" for xylophone (or marimba) with piano accompaniment. It begins with a simple theme statement followed by a more florid variation. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$3.99 ≈
3.65€
Ukrainian Bell Carol/God Rest Ye Merry Gentlemen For Percussion Ensemble
Ukrainian Bell Carol/God Rest Ye Merry Gentlemen For Percussion Ensemble
Timpani,Drums,Marimba,Vibraphone,Xylophone,Hand Percussion,Percussion Ensemble
#
Contemporary
#
Mykola Leontovych, Unknown
#
Ryan Clare
#
Ukrainian Bell Carol/God Rest
#
SMP Press
#
SheetMusicPlus
Composed by Mykola Leontovych, Unknown. Arranged by Ryan Clare. 20th Century, Christian, European, Christmas, New Year's. Score, Set of Parts. 57 pages. Publish...
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Composed by Mykola Leontovych, Unknown. Arranged by Ryan Clare. 20th Century, Christian, European, Christmas, New Year's. Score, Set of Parts. 57 pages. Published by SMP Press (S0.171423). - Score,Set of Parts - 20th Century,Christian,European,Christmas,New Year's - SMP Press
$20.99 ≈
19.20€
Christmas Is Coming for 8-note Bells and Boomwhackers® (with Black and White Notes)
Christmas Is Coming for 8-note Bells and Boomwhackers® (with Black and White Notes)
Xylophone,Percussion Ensemble,Handbell,Orff instruments,1 octave Handbells and Boomwhackers
#
Christmas
#
Traditional English Carol
#
Sharon Wilson
#
Christmas Is Coming for 8-note
#
Sharon Wilson
#
SheetMusicPlus
Composed by Traditional English Carol. Arranged by Sharon Wilson. Repertoire, Folk, European, Christmas, Children's Music. Score, Set of Parts. 11 pages. Publis...
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Composed by Traditional English Carol. Arranged by Sharon Wilson. Repertoire, Folk, European, Christmas, Children's Music. Score, Set of Parts. 11 pages. Published by Sharon Wilson (S0.273491). - Score,Set of Parts - Repertoire,Folk,European,Christmas,Children's Music - Sharon Wilson
$5.99 ≈
5.48€
Ukrainian Bell Carol for 13-note Bells and Boomwhackers® (with Black and White Notes)
Ukrainian Bell Carol for 13-note Bells and Boomwhackers® (with Black and White Notes)
Xylophone,Percussion Ensemble,Handbell,Orff instruments,1 octave Handbells and Boomwhackers
#
Mykola Leontovich
#
Sharon Wilson
#
Ukrainian Bell Carol for 13-no
#
Sharon Wilson
#
SheetMusicPlus
Composed by Mykola Leontovich. Arranged by Sharon Wilson. Christian, Classroom, European, Christmas, Children's Music. Score, Set of Parts. 15 pages. Published ...
(+)
Composed by Mykola Leontovich. Arranged by Sharon Wilson. Christian, Classroom, European, Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sharon Wilson (S0.280783). - Score,Set of Parts - Christian,Classroom,European,Christmas,Children's Music - Sharon Wilson
$5.99 ≈
5.48€
Christmas Is Coming for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Christmas Is Coming for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Xylophone,Percussion Ensemble,Handbell,Orff instruments,1 octave Handbells and Boomwhackers
#
Christmas
#
Traditional English Carol
#
Sharon Wilson
#
Christmas Is Coming for 8-note
#
Sharon Wilson
#
SheetMusicPlus
Composed by Traditional English Carol. Arranged by Sharon Wilson. Classroom, Technique Training, Folk, European, Christmas. Score, Set of Parts. 11 pages. Publi...
(+)
Composed by Traditional English Carol. Arranged by Sharon Wilson. Classroom, Technique Training, Folk, European, Christmas. Score, Set of Parts. 11 pages. Published by Sharon Wilson (S0.273489). - Score,Set of Parts - Classroom,Technique Training,Folk,European,Christmas - Sharon Wilson
$5.99 ≈
5.48€
Children of the Heavenly Father for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Children of the Heavenly Father for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Xylophone,Handbell,Orff instruments,1 octave handbells,Boomwhackers
#
Sacred music
#
Swedish Folk Tune
#
Sharon Wilson
#
Children of the Heavenly Fathe
#
Sharon Wilson
#
SheetMusicPlus
Composed by Swedish Folk Tune. Arranged by Sharon Wilson. Christian, Sacred, Folk, European, Children's Music. Score, Set of Parts. 6 pages. Published by Sharon...
(+)
Composed by Swedish Folk Tune. Arranged by Sharon Wilson. Christian, Sacred, Folk, European, Children's Music. Score, Set of Parts. 6 pages. Published by Sharon Wilson (S0.227551). - Score,Set of Parts - Christian,Sacred,Folk,European,Children's Music - Sharon Wilson
$4.99 ≈
4.56€
Trepak-Russian Dance from The Nutcracker
Trepak-Russian Dance from The Nutcracker
Piano Accompaniment,Flute,Clarinet,Bassoon,Violin,Cello,Xylophone,Guitar,Harp,Full Orchestra,Orff instruments
#
Classical
#
P
#
Ester Alessandrini
#
Trepak-Russian Dance from The
#
ester
#
SheetMusicPlus
Composed by P.Tchaikowsky. Arranged by Ester Alessandrini. Romantic Period, General Instructional, European, Fairy Tales. Performance. Published by ester (S0.15...
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Composed by P.Tchaikowsky. Arranged by Ester Alessandrini. Romantic Period, General Instructional, European, Fairy Tales. Performance. Published by ester (S0.151357). - Performance - Romantic Period,General Instructional,European,Fairy Tales - ester
$2.50 ≈
2.29€
The Water Is Wide for 13-note Bells and Boomwhackers® (with Color Coded Notes)
The Water Is Wide for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Xylophone,Percussion Ensemble,Handbell,Orff instruments,Recorder,one octave Handbells and Boomwhackers
#
Traditional
#
Sharon Wilson
#
The Water Is Wide for 13-note
#
Sharon Wilson
#
SheetMusicPlus
Composed by Traditional. Arranged by Sharon Wilson. Classroom, General Instructional, Folk, European, Children's Music. Score, Set of Parts. 11 pages. Published...
(+)
Composed by Traditional. Arranged by Sharon Wilson. Classroom, General Instructional, Folk, European, Children's Music. Score, Set of Parts. 11 pages. Published by Sharon Wilson (S0.408585). - Score,Set of Parts - Classroom,General Instructional,Folk,European,Children's Music - Sharon Wilson
$5.99 ≈
5.48€
Trepak-Russian Dance from The Nutcraker
Trepak-Russian Dance from The Nutcraker
Piano Accompaniment,Flute,Clarinet,Bassoon,Violin,Cello,Xylophone,Guitar,Harp,Full Orchestra,Orff instruments
#
Classical
#
P
#
Ester Alessandrini
#
Trepak-Russian Dance from The
#
ester
#
SheetMusicPlus
Composed by P.Tchaikowsky. Arranged by Ester Alessandrini. Romantic Period, European, Christmas, Fairy Tales, Recital. Individual Part, Score. 11 pages. Publish...
(+)
Composed by P.Tchaikowsky. Arranged by Ester Alessandrini. Romantic Period, European, Christmas, Fairy Tales, Recital. Individual Part, Score. 11 pages. Published by ester (S0.150671). - Individual Part,Score - Romantic Period,European,Christmas,Fairy Tales,Recital - ester
$17.00 ≈
15.55€
Final Countdown
Final Countdown
#
Europe
#
David E
#
Final Countdown
#
David E. Clark
#
SheetMusicPlus
Percussion Ensemble Drum Set,Glockenspiel,Marimba,Snare Drum,Timpani,Tom Tom,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1365768 By Europe....
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Percussion Ensemble Drum Set,Glockenspiel,Marimba,Snare Drum,Timpani,Tom Tom,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1365768 By Europe. By Joey Tempest. Arranged by David E. Clark. 20th Century,Pop,Rock. 35 pages. David E. Clark #950112. Published by David E. Clark (A0.1365768). The Final Countdown for Percussion EnsembleParts included:ScoreBass GuitarDrum SetConcert TomsFloor TomGlockenspielKeyboardMarimbaSnare DrumTubular BellsVibraphoneXylophone.
$15.00 ≈
13.72€
Africa
Africa
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Concert band
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INTERMEDIATE
#
Toto
#
David Paich & Jeff Porcaro
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Lorenzo Bocci
#
Jeff Porcaro
#
Africa
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1359319 By Toto. By David Paich and Jeff Porcaro. Arranged by Lorenzo Bocci. Funk,Pop,R & B,Rock,Soul. ...
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Concert Band - Level 3 - Digital Download SKU: A0.1359319 By Toto. By David Paich and Jeff Porcaro. Arranged by Lorenzo Bocci. Funk,Pop,R & B,Rock,Soul. 84 pages. Lorenzo Bocci #943778. Published by Lorenzo Bocci (A0.1359319). AFRICA Performed by Totofor Concert Band - Grade 3 - Digital Download Composed by David Paich & Jeff Porcaro. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'42''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Xylophone, Drum Set, Percussion 1 (Shaker, Cowbell), Percussion 2 (Congas, Agogo Bell), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Africa is a song by American rock band Toto, appearing as the tenth and final track on their fourth studio album Toto IV (1982). It was released as a single in the US through Columbia Records in October 1982, the album's third single overall and second in Europe. The song was written by band members David Paich and Jeff Porcaro, produced by the band, and mixed by Grammy-winning engineer Elliot Scheiner.Critics praised its composition and gentle production; the song continues to receive critical acclaim, and has been noted as one of the greatest songs of all time by Rolling Stone.Subscribe to my YouTube Channel to stay updated on new releases.
$98.00 ≈
89.63€
Minuet Moderne Novelty Ensemble
Minuet Moderne Novelty Ensemble
#
Edna J
#
Minuet Moderne Novelty Ensembl
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Bloom Musicnotes
#
SheetMusicPlus
Small Ensemble Marimba,Orff Instrument,Piano Accompaniment,Vibraphone,Xylophone - Level 1 - Digital Download SKU: A0.836217 Composed by Edna J. Bloom. Co...
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Small Ensemble Marimba,Orff Instrument,Piano Accompaniment,Vibraphone,Xylophone - Level 1 - Digital Download SKU: A0.836217 Composed by Edna J. Bloom. Concert,Contemporary,Instructional. Score and parts. 8 pages. Bloom Musicnotes #5030401. Published by Bloom Musicnotes (A0.836217). Learn about Europe's longstanding premier dance through this humorous novelty ensemble. Several centuries removed from the Classical Era, Minuet Moderne moves to the age of electricity with parts for electronic keyboard, mallet percussion, bowls, timer, and small kitchen appliances. Instrumentation is flexible, and the difficulty levels vary to work for a range of ability levels. From school to studio to activity center, there's fun for all in Minuet Moderne.Audio files are available for demonstration or play-along. (SO695719)See also Kitchenette Minuet (score SO695763 & audio SO695709)
$4.99 ≈
4.56€
Final Countdown
Final Countdown
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Rock
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Europe
#
Frits Renting
#
Final Countdown
#
Frits_Renting
#
SheetMusicPlus
Chimes,Drum Set,Marimba,Shaker,Timpani,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1139299 By Europe. By Joey Tempest. Arranged by Frits Re...
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Chimes,Drum Set,Marimba,Shaker,Timpani,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1139299 By Europe. By Joey Tempest. Arranged by Frits Renting. Pop,Rock. 32 pages. Frits_Renting #739583. Published by Frits_Renting (A0.1139299).
$45.00 ≈
41.16€
Suite: Tercer Mundo
Suite: Tercer Mundo
#
William Ortiz
#
Suite: Tercer Mundo
#
William Ortiz
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Hand Percussion,Multi-Percussion,Recorder,Xylophone - Level 5 - Digital Download SKU: A0.1008981 Composed by William Ortiz. 2...
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Small Ensemble Flute,Guitar,Hand Percussion,Multi-Percussion,Recorder,Xylophone - Level 5 - Digital Download SKU: A0.1008981 Composed by William Ortiz. 20th Century,Contemporary,World. Score and parts. 39 pages. William Ortiz #5731595. Published by William Ortiz (A0.1008981). Suite: Tercer Mundo is a work for Flute, Recorder, Xylophone, Congas, Güiro, Glass or Metal Windchimes, Cabeza, Tablas and two amplified Guitars. The instrumentation and concept of the piece reflects a sound world that inspires to reach a non-European musical realm. It explores and confronts the relationships between Third World identity and personal journeys within a complex social and musical canvas. It constitutes five individual movements that provides the framework for inner exploration through sounds without tempo or traditional musical structure.
$9.95 ≈
9.10€
Sandstorm
Sandstorm
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Pop music
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Darude
#
Kristof Lemiegre
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Sandstorm
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Kristof Lemiegre
#
SheetMusicPlus
Percussion Ensemble Bongos,Cymbals,Glockenspiel,Marimba,Snare Drum,Tambourine,Timpani,Tubular Bells,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0...
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Percussion Ensemble Bongos,Cymbals,Glockenspiel,Marimba,Snare Drum,Tambourine,Timpani,Tubular Bells,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1140519 By Darude. By Jaakko Sakari Salovaara and Ville Virtanen. Arranged by Kristof Lemiegre. Pop. Score and parts. 52 pages. Kristof Lemiegre #740749. Published by Kristof Lemiegre (A0.1140519). Arrangement for large percussion ensemble of the European 2000 dancehit Sandstorm by Darude.
$40.00 ≈
36.58€
Air of Joyous Christmas
Air of Joyous Christmas
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Christmas
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Shubhankar Das
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Shubhankar Das
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Air of Joyous Christmas
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Shubhankar Das
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SheetMusicPlus
Flute,Tenor Saxophone,Viola,Violin,Voice,Xylophone - Digital Download SKU: A0.1072440 Composed by Shubhankar Das. Arranged by Shubhankar Das. Christmas,C...
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Flute,Tenor Saxophone,Viola,Violin,Voice,Xylophone - Digital Download SKU: A0.1072440 Composed by Shubhankar Das. Arranged by Shubhankar Das. Christmas,Contemporary,Musical/Show,Spiritual. Full Performance. Duration 1155. Shubhankar Das #3004263. Published by Shubhankar Das (A0.1072440). This symphony is based on Indo-European classical music method . In the view of to enjoy happy Christmas it has been composed .
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4.12€
Ukrainian Bell Carol for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Ukrainian Bell Carol for 13-note Bells and Boomwhackers® (with Color Coded Notes)
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Handbells
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EASY
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Christmas
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Mykola Leontovich
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Sharon Wilson
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Ukrainian Bell Carol for 13-no
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SheetMusicPlus
Xylophone, Percussion Ensemble, Handbell, Orff instruments, one octave Handbells and Boomwhackers, Boomwhacker, handbell choir - Early Intermediate - ...
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Xylophone, Percussion Ensemble, Handbell, Orff instruments, one octave Handbells and Boomwhackers, Boomwhacker, handbell choir - Early Intermediate - Digital Download Composed by Mykola Leontovich. Arranged by Sharon Wilson. Sacred, Repertoire, European, Christmas, Recital. Score, Set of Parts. 15 pages. Published by Sharon Wilson
$5.99 ≈
5.48€
Entry of the Gladiators - xylophone cue for You Can't Take it With You Julius Fucik Xylophone Performance Broadway,European
Entry of the Gladiators - xylophone cue for You Can't Take it With You Julius Fucik Xylophone Performance Broadway,European
1.99
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Entry of the Gladiators - xylo
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SheetMusicPlus
- SamuelStokesMusic.com - -
- SamuelStokesMusic.com - -
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1.82€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.94€
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