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Fall into Harmony: Two Part Harmony
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You've selected:
Fall into Harmony: Two Part Harmony
Sheetmusic to print
15 sheet music found
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1
Fall into Harmony: Two Part Harmony
Fall into Harmony: Two Part Harmony
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Choral 2-part
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BEGINNER
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Kathryn Carpenter
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Kathryn Carpenter
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Fall into Harmony: Two Part Ha
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Kathryn Carpenter
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SheetMusicPlus
Choral Choir,Choral,SA Chorus - Level 1 - Digital Download SKU: A0.1486258 By Kathryn Carpenter. By Kathryn Carpenter. Arranged by Kathryn Carpenter. A C...
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Choral Choir,Choral,SA Chorus - Level 1 - Digital Download SKU: A0.1486258 By Kathryn Carpenter. By Kathryn Carpenter. Arranged by Kathryn Carpenter. A Cappella,Classical,Instructional,Traditional. 1 pages. Kathryn Carpenter #1063318. Published by Kathryn Carpenter (A0.1486258). Fall into Harmony: Two Part Harmony Exercise* Two part vocal harmony exercise* Choir or vocalists* www.kathrynleecarpenter.com* Artwork in Canva.
$2.99
Harmonic Spaces (four-hands piano)
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Musi...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
O Holy Child of Bethlehem Split Track MP3
O Holy Child of Bethlehem Split Track MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Spli
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.841129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #841129. Published by Cele...
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SATB, Organ - Digital Download SKU: C6.841129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #841129. Published by Celebrating Grace - Digital (C6.841129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$14.99
O Holy Child of Bethlehem Accompaniment MP3
O Holy Child of Bethlehem Accompaniment MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Acco
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.846129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #846129. Published by Cele...
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SATB, Organ - Digital Download SKU: C6.846129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #846129. Published by Celebrating Grace - Digital (C6.846129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$14.99
O Holy Child of Bethlehem Demonstration MP3
O Holy Child of Bethlehem Demonstration MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Demo
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.836129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #836129. Published by Cele...
(+)
SATB, Organ - Digital Download SKU: C6.836129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #836129. Published by Celebrating Grace - Digital (C6.836129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$1.99
O Holy Child of Bethlehem Bass Rehearsal MP3
O Holy Child of Bethlehem Bass Rehearsal MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Bass
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.834129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #834129. Published by Cele...
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SATB, Organ - Digital Download SKU: C6.834129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #834129. Published by Celebrating Grace - Digital (C6.834129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$2.99
O Holy Child of Bethlehem Tenor Rehearsal MP3
O Holy Child of Bethlehem Tenor Rehearsal MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Teno
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.833129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #833129. Published by Cele...
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SATB, Organ - Digital Download SKU: C6.833129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #833129. Published by Celebrating Grace - Digital (C6.833129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$2.99
O Holy Child of Bethlehem Soprano Rehearsal MP3
O Holy Child of Bethlehem Soprano Rehearsal MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Sopr
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.831129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #831129. Published by Cele...
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SATB, Organ - Digital Download SKU: C6.831129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #831129. Published by Celebrating Grace - Digital (C6.831129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$2.99
O Holy Child of Bethlehem Alto Rehearsal MP3
O Holy Child of Bethlehem Alto Rehearsal MP3
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Choral SATB
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Benjamin Harlan
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O Holy Child of Bethlehem Alto
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, Organ - Digital Download SKU: C6.832129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #832129. Published by Cele...
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SATB, Organ - Digital Download SKU: C6.832129 Composed by Benjamin Harlan. Advent, Christmas. MP3. Celebrating Grace - Digital #832129. Published by Celebrating Grace - Digital (C6.832129). A familiar text is set to a new tune by Benjamin Harlan in this piece for SATB voices and organ. The melody rises and falls in beautiful, spinning lines. Women sing stanza one and men sing stanza two, with both sections using lovely descending thirds. An expressive, a cappella middle section opens into four-part harmony. The last stanza broadens with men on the melody and ladies on the descant before extending into four parts. This is sure to be a new favorite tune of this well-known text.
$2.99
Songs of the Warrior
Songs of the Warrior
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Brass ensemble
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ADVANCED
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Contemporary
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Craig Wadley
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Songs of the Warrior
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Wadley Publications
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.983164 Composed by Craig Wadley. 20th Century,Concert,Contemporary. Score and parts. 52 pages. Wadley...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.983164 Composed by Craig Wadley. 20th Century,Concert,Contemporary. Score and parts. 52 pages. Wadley Publications #3043833. Published by Wadley Publications (A0.983164). This Brass Quintet won the 1996 Fine Arts Festival Music Award at Illinois State University, an international competition. Songs of the Warrior, a Brass Quintet in three movements, utilizes thematic material derived from a twelve-tone row, presented in three contrasting styles. While the piece stands on its own as absolute music following traditional formal structures, the titles of each movement do suggest a setting befitting the mood or atmosphere evoked by the music. I. The Cannon’s Mouth Following a slightly modified version of the classical sonata allegro form, this movement presents the thematic material in a freely atonal setting, Much use is made of variations of ancient two note war-horn calls, which would command soldiers to advance into direct combat with an enemy. II. Amidst the Fallen The second movement evokes images of the aftermath of battle and the horrors left on the field of war. Dynamic and rhythmic elements in the music produce a classic arch form. Melodic and harmonic structures are developed throughout the movement. III. Revelry A complete departure in style from the previous movements, Revelry features upbeat modal harmony and foot-tapping rhythms. Thematic material borrowed from the earlier movements is transformed to conform to the desired atmosphere. The form of the movement is best described as a hybrid rondo and variations. The light-hearted mood is perhaps a reflection of the joy found when a soldier returns to his home. This quintet presents three stylistically distinct movements, yet all are based on the same thematic sources. The first movement is somewhat cerebral and demands much virtuosity from the performers. The second is darker, with some almost lyrical melodic lines. The final movement is nothing if not bombastic. All-in-all, Songs of the Warrior provides a little something for everyone, from Berlioz to Schoenberg, with a little Bernstein on the side.
$29.99
Make You Feel My Love
Make You Feel My Love
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Pop music
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.749238 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. 25 pages. Helen Marple-Horvat #6141419. Published by Helen Marple-Horvat (A0.749238). https://www.youtube.com/watch?v=Pnga6ib32RgBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, as I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read. I have also included a ‘piano only’ score as it falls onto three pages, and is convenient for performing, as well as the two piano scores with each violin version.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Violin’ Part that younger players will enjoy, or perhaps the pupils of those who buy the professional level arrangement. It requires some simple shifts in the Chorus and Bridge section. However, there are some places where an open ‘A’ could slip by unobtrusively in quaver passages too. Feel free to take as many bows as you need and don’t feel bound by my bowing suggestions. I have changed my mind many times! Just do what feels comfortable and enjoy it. Some places I have left out bowing altogether eg Bar 27 where you can experiment or discuss with your teacher.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their bowing.My Youtube Channel has many of my arrangements for String Quartet, recorded by the Worcestershire, UK ‘Capriccio Quartet’, as well as many songs for instrument and piano. All but two are available as Sheet Music Plus products. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
Highland Girl
Highland Girl
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Piano, Vocal and Guitar
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INTERMEDIATE
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Nathan Evans
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Barry McCormick
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Highland Girl
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1457309 By Nathan Evans. By Alan Jukes, Lewis Gardiner, Nathan Evans, Stephen Jukes, and St...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1457309 By Nathan Evans. By Alan Jukes, Lewis Gardiner, Nathan Evans, Stephen Jukes, and Stevie Jukes. Arranged by Barry McCormick. Celtic,Folk,Irish,Pop,Singer/Songwriter,Wedding. Score. 10 pages. B. McCormick #1036353. Published by B. McCormick (A0.1457309). Presenting the Piano/Vocal/Guitar Arrangement of Nathan Evans’ “Highland Girl” Dive into the captivating world of Nathan Evans’ hit song, “Highland Girl,” with our meticulously crafted Piano/Vocal/Guitar arrangement. This arrangement brings a new depth to the enchanting melodies of the song, allowing you to explore its nuances on a deeper level. Here are the key features of this arrangement: Piano Staff Notation: The arrangement is written on the piano staff, providing a clear and comprehensive guide for pianists. Bass Part: A bass part is included, to be played with the left hand, adding depth and richness to the music. Melody and Harmony: The melody is in the right hand with additional harmony notes added in a second voicing, offering a fuller sound and a more complex musical experience. Small Noteheads: Small noteheads are used to differentiate where the second verse melody differs from the first verse, making it easy to follow the structure of the song. Two Keys: The arrangement is provided in the original key of Ab, along with another copy in G, making it accessible for a wide range of skills. Nathan Evans, renowned for his distinct and powerful voice, has crafted a whirlwind romance in his song “Highland Girl”. The lyrics weave a tale of a single enchanting night filled with dancing, falling in love, and the yearning to meet the Highland girl again. Our Piano/Vocal/Guitar arrangement invites you to immerse yourself in this narrative and convey it through your personal rendition.Whether you’re a beginner looking to expand your repertoire, or an experienced musician seeking to explore new melodies, our Piano/Vocal/Guitar arrangement for “Highland Girl” is a perfect choice. Experience the joy of playing this beautiful song and share the magic of music with others. Order your copy today and embark on your musical journey with Nathan Evans’ “Highland Girl”.
$5.99
Make You Feel My Love
Make You Feel My Love
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Oboe, Piano (duet)
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INTERMEDIATE
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Pop music
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Bob Dylan
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HELEN MARPLE-HORVAT
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Make You Feel My Love
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Helen Marple-Horvat
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SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen ...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.749237 By Bob Dylan. By Bob Dylan. Arranged by HELEN MARPLE-HORVAT. Pop. Score and part. 25 pages. Helen Marple-Horvat #6139947. Published by Helen Marple-Horvat (A0.749237). Https://www.youtube.com/watch?v=JvQMUMBLDgUBritish singer-songwriter Adele recorded Make You Feel My Love for her debut studio album 19, in 2008. As it is such a popular hit I was surprised to find that the original was by Bob Dylan, from the album ‘Time out of Mind’ from 1997, and also that it has been covered many times by different artists.Why choose my arrangement?I have arranged the piano part to follow the original very closely, transposed into G Major, a great key for the oboe. It is the best I can do because I also want to be able to play it in gigs with my daughter who is a singer. As such I have made the piano part to lie under the fingers, making sure the clefs are easy to read.Some of the harmony is slightly changed, and I composed my own bridge passage with hints at the original. Also Adele sings a quite dissonant G in the melody, against the F sharps in some of the verses. Personally I love this, but it would need to be played subtly, and the clash is less obvious in the less dense sonority of a vocal part, so I have left this option open by notating the safer version, and suggesting the dissonance rather than the other way around. On the video is an example of both.I also include a bonus ‘Easy Oboe’ Part that younger players will enjoy, or perhaps pupils of those who buy the professional level arrangement. I have also enclosed a ‘piano only’ score as it falls onto three pages and is convenient for performing, as well as the two piano scores with each oboe version.Adele sings the original at 72 bpm but I think you could certainly go as high as 76 bpm without losing that mournful quality, and it will help young players with their breathing.My Youtube Channel has many arrangements for String Quartet, recorded by Capriccio Quartet, plus an arrangement of Downton Abbey for Oboe and Piano available from Sheet Music Plus. Please visit me there - Helen Marple-Horvat, Songwriter, Arranger, Composer
$10.00
Rustic Serenade
Rustic Serenade
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String Quartet: 2 violins, viola, cello
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Kenneth Piotrowski
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Rustic Serenade
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Imagine Music - Digital
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SheetMusicPlus
String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by...
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String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.
$28.00
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Fall into Harmony: Two Part Harmony
