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Fantasy in Three Parts, No. 1
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You've selected:
Fantasy in Three Parts, No. 1
SheetMusicPlus
Sheetmusic to print
3 sheet music found
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1
Fantasy in Three Parts, No. 1
Fantasy in Three Parts, No. 1
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3 Saxophones (trio)
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INTERMEDIATE
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Orlando Gibbons
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Robert Stevens
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Fantasy in Three Parts, No. 1
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SAXpress.com
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SheetMusicPlus
Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1392...
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Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1392782 Composed by Orlando Gibbons. Arranged by Robert Stevens. Baroque,Classical,Early Music,Renaissance. 36 pages. SAXpress.com #976304. Published by SAXpress.com (A0.1392782). Introduce your saxophone trio to the world of early music with Fantasy in Three Parts by Orlando Gibbons, arranged for Saxophone Trio, Flexible ensemble. In Tudor or Jacobean music, a fantasy, sometimes spelled fantasie or even fancy is a musical piece for several voices that trade and repeat melodies and phrases. It is an early form of counterpoint. This Fantasy, the first of a set of nine was written in 1620. The original version was for three viols. This arrangement for three saxophones is in the original key of F major. It includes the following parts: Full saxophone trio score Part 1 for soprano sax Part 1 for alto sax Part 2 for alto sax Part 2 for tenor sax Part 3 for baritone sax Part 3 for tenor sax. This part could be played by bass sax as well. Performance time is about 3 minutes. Parts are very independent. The piece is rhthmically straightforward with a few syncopations, moderate tempo, and a convenient key signature. The Part 1 alto sax range is extensive. Moderate difficulty.
$16.95 ≈
£13.00
Fantasy Waltzes: No. 8
Fantasy Waltzes: No. 8
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Piano solo
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INTERMEDIATE
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William Alwyn
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Zellev
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Fantasy Waltzes: No. 8
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,M...
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Piano Solo - Level 3 - Digital Download SKU: A0.1474978 Composed by William Alwyn. Arranged by Zellev. 20th Century,Barbershop,Broadway,Children,Comedy,Musical/Show. Score. 3 pages. Zellev Music #1052569. Published by Zellev Music (A0.1474978). Key Signature: G majorTime Signature: 3/4Tempo: Vivace, ma ritmico (vivace, considerably, 148bpm)Difficulty: IntermediateWilliam Alwyn (1905-1985) Fantasy Waltzes: No. 8 in G Major The Fantasy Waltzes is a suite of eleven piano pieces composed in London between June 1954 and April 1955 and is arguably one of Alwyn’s finest works for piano solo. Alwyn uses the basic three-four waltz rhythm with a great variety of style, and much of the music has that of a romantic approach, although here and there are nods to the composer’s earlier neo-classical style. The idea for the Fantasy Waltzes originated while Alwyn was on holiday in Norway after a visit to Grieg’s lakeside home. Although conceived as a continuous cycle, the suite does divide into two parts, Nos. 1-6 and Nos. 7-11, which encompass many moods from happy to sad, to mysterious and solemn, with the eighth waltz being one of the most attractive of the set. The Fantasy Waltzes are dedicated to the New Zealand pianist Richard Farrell, who gave the first performance of the work in a BBC broadcast on 2nd June 1957. Less than a year later, Farrell’s promising career as a concert pianist was cut tragically short after being killed in a car accident. Alwyn admired Farrell’s playing greatly and dedicated the fifth of his Twelve Preludes for piano to Farrell’s memory.
$4.00 ≈
£3.07
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
£5.36
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1
Fantasy in Three Parts, No. 1
