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Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
¥171.40
Fiesta Tropicale: 2nd Percussion
Fiesta Tropicale: 2nd Percussion
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Percussion (band part)
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Instructional
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Victor Lopez
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Fiesta Tropicale: 2nd Percussi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015715_PC2 2nd Percussion. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music -...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015715_PC2 2nd Percussion. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015715_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015715_PC2). UPC: 038081324005.If you are looking for high energy Latin sounds for your orchestra, this sizzling arrangement will do the trick. Feel the rhythm with this new rendition of El Juego Chirimbolo, Quando, Quando, Quando, Beautiful Maria of My Soul and La Bamba. This arrangement integrates the salsa sounds of Latin rock, meringue and bolero. An excellent opportunity to introduce your students to authentic Latin rhythms with strings alone or any combination of winds. (5:00).
$3.00 ≈
¥21.43
Fiesta Tropicale: 1st Percussion
Fiesta Tropicale: 1st Percussion
#
Percussion (band part)
#
Instructional
#
Victor Lopez
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Fiesta Tropicale: 1st Percussi
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0015715_PC1 1st Percussion. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music -...
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Full Orchestra - Digital Download SKU: AX.00-PC-0015715_PC1 1st Percussion. Arranged by Victor Lopez. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015715_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015715_PC1). UPC: 038081324005.If you are looking for high energy Latin sounds for your orchestra, this sizzling arrangement will do the trick. Feel the rhythm with this new rendition of El Juego Chirimbolo, Quando, Quando, Quando, Beautiful Maria of My Soul and La Bamba. This arrangement integrates the salsa sounds of Latin rock, meringue and bolero. An excellent opportunity to introduce your students to authentic Latin rhythms with strings alone or any combination of winds. (5:00).
$3.00 ≈
¥21.43
When I Survey the Wondrous Cross
When I Survey the Wondrous Cross
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Choral SATB
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INTERMEDIATE
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Sacred music
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50 ≈
¥17.86
Danzas Cubanas: 1st Percussion
Danzas Cubanas: 1st Percussion
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Percussion (band part)
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Instructional
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Robert Sheldon
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Concert/Contest
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Danzas Cubanas: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014484_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014484_PC1). UPC: 038081378688.Celebrate the joy and energy of Afro-Cuban music! Feel the beat, beginning with the opening conga, followed by a gentle and alluring son-salsa, and closing with a fast-paced mambo. An intense experience for players and audience featuring solos for piano, trombone, flute, and trumpet!Closer; Concert/Contest; Festival.
$3.00 ≈
¥21.43
Danzas Cubanas: 2nd Percussion
Danzas Cubanas: 2nd Percussion
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Percussion (band part)
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Instructional
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Robert Sheldon
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Concert/Contest
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Danzas Cubanas: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC2 2nd Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC2 2nd Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014484_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014484_PC2). UPC: 038081378688.Celebrate the joy and energy of Afro-Cuban music! Feel the beat, beginning with the opening conga, followed by a gentle and alluring son-salsa, and closing with a fast-paced mambo. An intense experience for players and audience featuring solos for piano, trombone, flute, and trumpet!Closer; Concert/Contest; Festival.
$3.00 ≈
¥21.43
Life is Beautiful
Life is Beautiful
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Easy Piano
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BEGINNER
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Latin/World Music
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creativ...
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3
Louis Landon
2016 / Landon Creative, Inc.
63 minutes
Review by Kathy Parsons
Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.
It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.
Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!
I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!
November 4, 2016
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
“While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.
Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.
Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25 ≈
¥37.51
El Cid: 1st Percussion
El Cid: 1st Percussion
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Percussion (band part)
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Instructional
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Scott Watson
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El Cid: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016404_PC1 1st Percussion. Composed by Scott Watson. Instructional. Part. 2 pages. Alfred Music - D...
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Concert Band - Digital Download SKU: AX.00-PC-0016404_PC1 1st Percussion. Composed by Scott Watson. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016404_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016404_PC1). UPC: 038081481777.El Cid musically portrays the thrilling adventures and conquests of Rodrigo DAaz de Vivar, a nobleman and military leader in medieval Spain. This rewarding work uses an infectious Spanish rhythmic ostinato (3+3, 2+2+2 in 3/4 time) that undergirds the main theme, driving the piece as it builds. Ample percussion, including an important tambourine part, contributes to the Spanish feel. (2:55) This title is available in SmartMusic.Concert/Contest.
$3.00 ≈
¥21.43
Storm the Gate
Storm the Gate
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Percussion Ensemble
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BEGINNER
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Tsoof Baras
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Storm the Gate
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Tsoof Baras
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SheetMusicPlus
Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013927 Composed by Tsoof Baras. Contemporary,Instructional,Standards,World. Score and parts. 15...
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.1013927 Composed by Tsoof Baras. Contemporary,Instructional,Standards,World. Score and parts. 15 pages. Tsoof Baras #6663539. Published by Tsoof Baras (A0.1013927). Players - 4Instrumentation - Snare drum, Concert toms, Kick drum.I wrote this piece for one of my school percussion ensembles trying to fill a gap in percussion ensemble drumming pieces. In my search for great pieces, some were too hard, others too easy. So, I decided to write my own.The piece also draws inspiration from funk and Taiko drumming. It also pays homage to the great percussion composer Kevin Tuck and his piece Summon the Spirits, who has created drumming pieces that are the staple of percussion music all around the world.As always, the aim is that the ensemble has fun and enjoys the groove. Coming from a long background of Latin and African drumming styles, my compositions place a heavy emphasis on feeling the rhythm and hearing all the parts lock in, rather than being accurate.
$45.00 ≈
¥321.51
When The River Meets The Sea
When The River Meets The Sea
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Andrew Charles Naylor and Roma
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Jilly Cooke
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When The River Meets The Sea
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Jilly Paige Cooke
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Cont...
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
$24.99 ≈
¥178.55
The Emotional Lives of Colors (for trumpet, piano, and percussion)
The Emotional Lives of Colors (for trumpet, piano, and percussion)
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Brandon Nelson
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The Emotional Lives of Colors
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Brandon Nelson
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SheetMusicPlus
B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Cont...
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B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
$29.99 ≈
¥214.27
The COVID Awakening
The COVID Awakening
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B....
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00 ≈
¥178.62
Uprising: 2nd Percussion
Uprising: 2nd Percussion
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Percussion (band part)
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Instructional
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Matthew Bellamy
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Steve Hodges
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Uprising: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0015130_PC2 2nd Percussion. Composed by Matthew Bellamy. Arranged by Steve Hodges. Instructional. Pa...
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Concert Band - Digital Download SKU: AX.00-PC-0015130_PC2 2nd Percussion. Composed by Matthew Bellamy. Arranged by Steve Hodges. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015130_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015130_PC2). UPC: 038081411613.This exciting arrangement of Uprising is the big hit by the group Muse. Featuring strong rhythms and haunting melodies, this piece builds effectively into a modulation that repeats the powerful chorus, leading to a stirring conclusion. Rhythmic handclaps and shouts also add to the dramatic feel of the arrangement.
$3.00 ≈
¥21.43
The Man Who Laughs
The Man Who Laughs
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Percussion Ensemble
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ADVANCED
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the end of this section, the a
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Jehad Choate
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The Man Who Laughs
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Jehad Choate
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1025413 Composed by Jehad Choate. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Jehad Choate #4781401. Published by Jehad Choate (A0.1025413). The Man Who Laughs is a musical portrait of Batman’s greatest adversary, the Joker (Detective Comics). This piece draws inspiration from both comic book sources and live-action performances on film and television. It features five continuous sections:One Bad Day: (Page 1) A prelude showcasing a lush melodic theme that ascribes the derangement of a normal man to the dramatic events of one bad day.How I Got These Scars: (Page 10) Introduces additional thematic material at a frantically energized pace to contrive an identity from a mind fragmented by hitting rock bottom.Why So Serious: (Page 17) Punctuates the Joker’s aggressive resolutions with a reoccurring two note motif.A Dance with the Devil: (Page 33) A fleshed-out unity of previous materials in a romantic waltz-like style.Giggling in a Corner and Bleeding: (Page 47) A dynamic and provocative bout of hysteria that challenges the speed and dexterity of a player in the same way the Joker challenges the ideological resolve of Batman. By the end of this section, the audience might feel like they have been attacked by the Joker, influenced by him, or may have actually been the Joker all along.
$10.00 ≈
¥71.45
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 2nd Percussion
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 2nd Percussion
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Percussion (band part)
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Film/TV
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Daniel Pemberton
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Victor Lopez
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The Man from U.N.C.L.E.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017412_PC2 2nd Percussion. Composed by Daniel Pemberton. Arranged by Victor Lopez. Movie. Part. 2 p...
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Concert Band - Digital Download SKU: AX.00-PC-0017412_PC2 2nd Percussion. Composed by Daniel Pemberton. Arranged by Victor Lopez. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017412_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017412_PC2). UPC: 038081515854.This exciting medley is guaranteed to make students and audiences feel as if they are in the middle of the chase to save the world. So get going and join the United Network Command of Law and Enforcement mission! Suitable for junior high and high school, three exciting tunes are joined to create this epic film score recreation that will provide an espionage adventure from beginning to end. (4:00).
$3.00 ≈
¥21.43
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st Percussion
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 1st Percussion
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Percussion (band part)
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Film/TV
#
Daniel Pemberton
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Victor Lopez
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The Man from U.N.C.L.E.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017412_PC1 1st Percussion. Composed by Daniel Pemberton. Arranged by Victor Lopez. Movie. Part. 2 p...
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Concert Band - Digital Download SKU: AX.00-PC-0017412_PC1 1st Percussion. Composed by Daniel Pemberton. Arranged by Victor Lopez. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017412_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017412_PC1). UPC: 038081515854.This exciting medley is guaranteed to make students and audiences feel as if they are in the middle of the chase to save the world. So get going and join the United Network Command of Law and Enforcement mission! Suitable for junior high and high school, three exciting tunes are joined to create this epic film score recreation that will provide an espionage adventure from beginning to end. (4:00).
$3.00 ≈
¥21.43
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 3rd Percussion
The Man from U.N.C.L.E. (from the Original Motion Picture Soundtrack): 3rd Percussion
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Percussion (band part)
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Film/TV
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Daniel Pemberton
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Victor Lopez
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The Man from U.N.C.L.E.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017412_PC3 3rd Percussion. Composed by Daniel Pemberton. Arranged by Victor Lopez. Movie. Part. 3 p...
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Concert Band - Digital Download SKU: AX.00-PC-0017412_PC3 3rd Percussion. Composed by Daniel Pemberton. Arranged by Victor Lopez. Movie. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017412_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017412_PC3). UPC: 038081515854.This exciting medley is guaranteed to make students and audiences feel as if they are in the middle of the chase to save the world. So get going and join the United Network Command of Law and Enforcement mission! Suitable for junior high and high school, three exciting tunes are joined to create this epic film score recreation that will provide an espionage adventure from beginning to end. (4:00).
$3.00 ≈
¥21.43
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
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Clarinet Ensemble
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Tito Abeleda
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Tears from My Eyes: Mourning i
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Visionary Quest Records
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SheetMusicPlus
Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Qu...
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Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. Digital Download PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99 ≈
¥21.36
Escape (from Guardians of the Galaxy): 2nd Percussion
Escape (from Guardians of the Galaxy): 2nd Percussion
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Percussion (band part)
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Rupert Holmes
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Michael Story
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Escape
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016746_PC2 2nd Percussion. Composed by Rupert Holmes. Arranged by Michael Story. Movie; Pop. Part. ...
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Concert Band - Digital Download SKU: AX.00-PC-0016746_PC2 2nd Percussion. Composed by Rupert Holmes. Arranged by Michael Story. Movie; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016746_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016746_PC2). UPC: 038081500492.Also known as The PiA+-a Colada Song this Rupert Holmes infectious theme has been included in a variety of film scores including Mars Attacks, Shrek, and, most recently, Guardians of the Galaxy. A timeless feel-good tune that features a solo alto sax or your whole section! (2:00).
$3.00 ≈
¥21.43
Escape (from Guardians of the Galaxy): 1st Percussion
Escape (from Guardians of the Galaxy): 1st Percussion
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Percussion (band part)
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Rupert Holmes
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Michael Story
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Escape
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016746_PC1 1st Percussion. Composed by Rupert Holmes. Arranged by Michael Story. Movie; Pop. Part. ...
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Concert Band - Digital Download SKU: AX.00-PC-0016746_PC1 1st Percussion. Composed by Rupert Holmes. Arranged by Michael Story. Movie; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016746_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016746_PC1). UPC: 038081500492.Also known as The PiA+-a Colada Song this Rupert Holmes infectious theme has been included in a variety of film scores including Mars Attacks, Shrek, and, most recently, Guardians of the Galaxy. A timeless feel-good tune that features a solo alto sax or your whole section! (2:00).
$3.00 ≈
¥21.43
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Feel the Music Percussion
