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You've selected:
Fifth House
Sheetmusic to print
30 sheet music found
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1
26
DIS-CRIMINE HOUSE (DISCRIMINE HOUSE) 4-5 CELLOS
DIS-CRIMINE HOUSE (DISCRIMINE HOUSE) 4-5 CELLOS
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Andrea Rellini
#
DIS-CRIMINE HOUSE
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Andrea Rellini
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1094715 By Andrea Rellini. By Andrea Rellini. 20th Century,Contemporary,Disco. S...
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1094715 By Andrea Rellini. By Andrea Rellini. 20th Century,Contemporary,Disco. Score and parts. 29 pages. Andrea Rellini #698789. Published by Andrea Rellini (A0.1094715). An original piece, written for contemporary dance, full of rhythm, in equilibrium between counterpoint and house music. To be played with 4 cellos and a fifth one used as a percussion instrument, or 4 cellos and a percussion set. Taken from the album RESISTERE (dodicinote 2021). www.andrearellini.it.
$8.00 ≈
$10.81
Adrian Le Roy Fifth Book of Guitar Tablature For Low G Ukulele
Adrian Le Roy Fifth Book of Guitar Tablature For Low G Ukulele
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Ukulele
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EASY
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Michael P Walker
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Michael P Walker
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Adrian Le Roy Fifth Book of Gu
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Michael P Walker
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SheetMusicPlus
Ukulele - Level 2 - Digital Download SKU: A0.1137042 By Michael P Walker. By Adrian Le Roy. Arranged by Michael P Walker. Classical,Renaissance. Score. 4...
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Ukulele - Level 2 - Digital Download SKU: A0.1137042 By Michael P Walker. By Adrian Le Roy. Arranged by Michael P Walker. Classical,Renaissance. Score. 47 pages. Michael P Walker #737054. Published by Michael P Walker (A0.1137042). Adrian Le Roy and his cousin Robert Ballard founded the printing firm Le Roy & Ballard, and in August 1551 obtained a royal privilege from Henry II to print music. In February 1553, the company was awarded the title of imprimeur du Roi en musique. Over the following two decades, other rival companies dropped out of the market, and from the 1570s onwards Le Roy & Ballard enjoyed a virtual monopoly in music publishing. The publishing house lasted until the 19th century. While Robert Ballard looked after the business side, Le Roy was the artistic director. He achieved renown as a composer and arranger of songs and instrumentals, his published work includes at least six books of tablature for the lute, 5 volumes for the guitar, and arrangements for the cittern. These compositions are presented in the same order as they appeared in the original work published in Paris by Le Roy et Ballard. They were transcribed from a facsimile edition of the original manuscript and every effort has been made to transcribe the original tablature into modern, easy-to-play, tablature and notation.
$19.95 ≈
$26.96
Funhouse
Funhouse
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Choral SATB
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EASY
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Pink
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Eric Weber
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Funhouse
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Eric Weber
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Webe...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Weber. A Cappella,Pop. 6 pages. Eric Weber #1049714. Published by Eric Weber (A0.1472017). Funhouse is a song recorded by American singer Pink for her fifth studio album of the same name (2008). Lyrically, the song is about Pink's break-up with Carey Hart. Billboard gave Funhouse a positive review, stating: Pink once again shows her versatility on this complex number, which calls for blues, funk and rock vocal styles that few other pop stars have been able to pull off. Experience this up-tempo song in a rousing arrangement for four voices and fun body percussion. The arrangement starts with the VAMP, originally after the triplet halftime bridge, which isn't included. You can add a piano if you like and get creative with the spoken lyrics or the arrangement of the parts. Dive into P!nk - you'll love it!Funhouse ist ein Song, aus dem gleichnamigen fünften Studioalbum der amerikanischen Sängerin P!nk. Inhaltlich handelt der Song von Pinks Trennung von Carey Hart. Der Song wurde unter anderem mit den Worten Pink beweist einmal mehr ihre Vielseitigkeit in dieser komplexen Nummer, die Blues-, Funk- und Rock-Gesangsstile erfordert, die nur wenige andere Popstars zustande gebracht haben. gelobt. Erleben Sie diese Up-Tempo-Nummer in einem mitreißenden Arrangement für vier Stimmen und spaßige Bodypercussion. Das Arrangement beginnt mit dem VAMP, welcher ursprünglich nach der Triolen-Halftimefeel-Bridge kommt, welche hier nicht mit enthalten ist. Sie können ein Klavier hinzufügen, wenn Sie möchten, und mit dem gesprochenen Text oder der Anordnung der Teile kreativ werden. Tauchen Sie ein in die Welt von P!nk - Sie werden es lieben!
$1.99 ≈
$2.69
Fifth House
Fifth House
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Tenor Saxophone
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Jazz
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John Coltrane
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Masaya Yamaguchi
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Fifth House
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.457081 By John Coltrane. Arranged by Masaya Yamaguchi. Jazz. Tenor Sax Transcription. 4 pages. Published by Hal Leonard - Digita...
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Digital Download SKU: HX.457081 By John Coltrane. Arranged by Masaya Yamaguchi. Jazz. Tenor Sax Transcription. 4 pages. Published by Hal Leonard - Digital (HX.457081).
$3.99 ≈
$5.39
Fifth House
Fifth House
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C Instruments
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Jazz
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John Coltrane
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Fifth House
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument - Digital Download SKU: HX.1039717 By John Coltrane. This edition: scorch. Jazz. Real Book - Melody/Chords. 2 pages. Hal Leonard - Digital #...
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C Instrument - Digital Download SKU: HX.1039717 By John Coltrane. This edition: scorch. Jazz. Real Book - Melody/Chords. 2 pages. Hal Leonard - Digital #248100. Published by Hal Leonard - Digital (HX.1039717).
$1.99 ≈
$2.69
Could I Have This Dance
Could I Have This Dance
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Piano solo
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INTERMEDIATE/ADVANCED
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Anne Murray
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Timothy Stapay
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Could I Have This Dance
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,P...
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Piano Solo - Level 4 - Digital Download SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #836965. Published by Timothy Stapay (A0.1241593). A traditionl Country-Style arrangement of Could I Have This Dance; from the movie Urban Cowboy. Could I Have This Dance is a song recorded by the Canadian country music artist Anne Murray. It was used in the 1980 film Urban Cowboy and appeared on both the Urban Cowboy soundtrack album for that film, as well as on the Anne Murray's Greatest Hits compilation album, issued in late 1980. Later on, it also appeared on Murray's 2007 album Anne Murray Duets: Friends & Legends, performed as a duet with Amy Grant.As a single, it was released in August 1980 and became Murray's fifth number one country hit as a solo artist. It went to number one for one week and spent a total of ten weeks on the country chart. Could I Have This Dance was also Murray's tenth Top 40 on the U.S. pop singles chart, peaking at number 33. The song was written by Wayland Holyfield and Bob House.Lyrics:I'll always remember the song they were playin'The first time we danced and I knewAs we swayed to the music and held to each otherI fell in love with youCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?I'll always remember that magic momentWhen I held you close to meAs we moved together, I knew foreverYou're all I'll ever needCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?Could I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?
$6.99 ≈
$9.45
Visiting Hours
Visiting Hours
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Choral SATB
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INTERMEDIATE
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Pop music
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Ed Sheeran
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Chris Lawry
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Visiting Hours
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Moonhouse Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.750007 By Ed Sheeran. By Amy Victoria Wadge, Amy Wadge, Anthony Clemons Jr., Ed Sheeran, Johnny ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.750007 By Ed Sheeran. By Amy Victoria Wadge, Amy Wadge, Anthony Clemons Jr., Ed Sheeran, Johnny McDaid, Kim Lang Smith, Michael Pollack, Scott Carter, Scott Macfarland Carter, and Uforo Ebong. Arranged by Chris Lawry. Pop. Octavo. 11 pages. Moonhouse Music #6533263. Published by Moonhouse Music (A0.750007). Visiting Hours is a song by English singer-songwriter Ed Sheeran. It was released on 19 August 2021 as the first promotional single from his upcoming fifth studio album, =, the same day he announced the album. On 2 March 2021, Australian music promoter Michael Gudinski passed away in his sleep at the age of 68. Sheeran first performed Visiting Hours at Gudinski's funeral on 24 March 2021 as a tribute to him in Australia, delivering an emotional performance.[2] Gudinski's close friends and fellow musicians, Kylie Minogue and Jimmy Barnes, also provide backing vocals on the song. This arrangement is in the original key, transcribed from the original recording and arranged for SATB choir with piano accompaniment and would make a wonderful piece for concert use or other occasions such as church services etc. There is a piano and vocal version available separately. For more information about the arranger please visit: www.chrislawry.com
$1.99 ≈
$2.69
Wildest Dreams
Wildest Dreams
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Taylor Swift
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Sarah Cellobat Chaffee
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Wildest Dreams
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1472520 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1472520 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 22 pages. Sarah Cellobat Chaffee #1050167. Published by Sarah Cellobat Chaffee (A0.1472520). Written for Taylor Swift's fifth studio album in 2014, Wildest Dreams is a beautiful atmospheric song describing the desire to be remembered fondly by your significant other, even after the end of the relationship. Critical and popular reception for Wildest Dreams was overwhelmingly positive, winning the song multi-platinum certification and reaching the top of the charts in a number of countries -- so you really can't go wrong having this one in your gig books! This beautiful Cellobat arrangement for your string quartet maintains the soaring melodies, lush harmonies, beautiful countermelodies, and ethereal vibe of the original for a chart that's sure to pull at your audience's heartstrings. Originally written for a wedding ceremony, this will also be perfect for receptions, cocktails, proposals, solo & ensemble contest, and more! Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99 ≈
$22.96
Wildest Dreams
Wildest Dreams
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Taylor Swift
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Sarah Cellobat Chaffee
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Wildest Dreams
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1468403 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1468403 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 22 pages. Sarah Cellobat Chaffee #1046718. Published by Sarah Cellobat Chaffee (A0.1468403). Written for Taylor Swift's fifth studio album in 2014, Wildest Dreams is a beautiful atmospheric song describing the desire to be remembered fondly by your significant other, even after the end of the relationship. Critical and popular reception for Wildest Dreams was overwhelmingly positive, winning the song multi-platinum certification and reaching the top of the charts in a number of countries -- so you really can't go wrong having this one in your gig books! This beautiful Cellobat arrangement for your string quartet maintains the soaring melodies, lush harmonies, beautiful countermelodies, and ethereal vibe of the original for a chart that's sure to pull at your audience's heartstrings. Originally written for a wedding ceremony, this will also be perfect for receptions, cocktails, proposals, solo & ensemble contest, and more! Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99 ≈
$22.96
Intentions
Intentions
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Justin Bieber Feat
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Sarah Cellobat Chaffee
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Intentions
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1419791 By Justin Bieber Feat. Quavo. By Dominic J. Jordan, Jason B...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1419791 By Justin Bieber Feat. Quavo. By Dominic J. Jordan, Jason Boyd, Jimmy Giannos, Justin Bieber, and Quavious Keyate Marshall. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 28 pages. Sarah Cellobat Chaffee #1001214. Published by Sarah Cellobat Chaffee (A0.1419791). Intentions was released in February 2020 as the second single from Justin Bieber's fifth studio album Changes. Featuring American rapper Quavo for one of the verses, this joyful and uplifting song is a love song dedicated to the artists' fiancées, describing them as being perfect just the way they are. The song also reminds the listener that setting intentions can have a meaningful impact on the future (and presumably the couples' relationships together). Originally written for a wedding ceremony, this Cellobat arrangement for your string quartet will be perfect not just for weddings, but for receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to lift your audience's spirits! Full of catchy melodies, beautiful harmonies, interesting synth lines, and of course the violin version of Quavo's autotuned rap section, this arrangement is just as much fun to play to as it is to listen to. Rated advanced-intermediate for some tricky rhythms in the violin parts that go by rather quickly; the viola and cello parts are more of an intermediate level. This chart will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99 ≈
$22.96
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classica...
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
$9.39
Lady in the Meads
Lady in the Meads
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High voice
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INTERMEDIATE/ADVANCED
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Nicola Jane Buttigieg
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Lady in the Meads
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Nicola Jane Buttigieg
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #36263...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1004580 Composed by Nicola Jane Buttigieg. Contemporary. 3 pages. Nicola Jane Buttigieg #3626385. Published by Nicola Jane Buttigieg (A0.1004580). 'Lady in the Meads' is a setting from the poem 'La Belle Dame sans Merci' by English Romantic poet John Keats (1795-1821). With a theatrical flavour, it is the fifth piece to appear in Bright Star: A Song Cycle on Poems by John Keats, a cycle of seven contemporary art songs for soprano voice and piano, capturing the drama of a some of Keats' most famous and alluring poems. Suitable for solo soprano recital or showcase performance, it was first performed at Keats House next to London's Hampstead Heath in 2011. Composed by Nicola Jane Buttigieg www.nicolajanebuttigieg.com.
$1.99 ≈
$2.69
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
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Low voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,R...
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
$6.99 ≈
$9.45
Release
Release
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Alto voice, Piano
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INTERMEDIATE
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Bill Taylor music, Bill Taylor
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Bill Taylor
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Release
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William R Taylor
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. A...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010. Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010. This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show. We sung it as best we could with so little practice time and in a key way too high. This version is transposed down a fifth. Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here. If inspired, support your local elder and/or hospice organizations. I love my children to be happy. What’s new with you Mom? Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.
$2.99 ≈
$4.04
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,R...
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
$9.39
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99 ≈
$9.45
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95 ≈
$9.39
The Wandering Minstrel's Serenade
The Wandering Minstrel's Serenade
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Piano solo
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Joseph Floss
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The Wandering Minstrel's Seren
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.10056 Composed by Joseph Floss. Street musicians, Caricatures, Cats, Dogs, Light fixtures. Lester S. Levy Collection. 6 ...
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Piano - Digital Download SKU: LV.10056 Composed by Joseph Floss. Street musicians, Caricatures, Cats, Dogs, Light fixtures. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10056). The Wandering Minstrel's Serenade. Composed by Joseph Floss. Published [n.d.] by Kunkel Brothers, No. 19 N. Fifth St., Mammoth Music House in Saint Louis. Composition of sectional with piano instrumentation. Subject headings for this piece include Street musicians, Caricatures, Cats, Dogs, Light fixtures. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
$8.09
The Duality of Cats
The Duality of Cats
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Groc...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00 ≈
$6.76
Perpetuum mobile
Perpetuum mobile
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Violin and Piano
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ADVANCED
#
Franz Ries
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Perpetuum mobile
#
Schott Music - Digital
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SheetMusicPlus
Violin and piano - advanced - Digital Download SKU: S9.Q7069 Composed by Franz Ries. This edition: Sheet music. Violin Library. Wie ein Wirbelwind fegt d...
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Violin and piano - advanced - Digital Download SKU: S9.Q7069 Composed by Franz Ries. This edition: Sheet music. Violin Library. Wie ein Wirbelwind fegt das kleine Virtuosenstück vorüber, raubt aber hoffentlich nur dem Publikum, nicht den geigenden Interpreten den Atem! Downloadable. Op. 34/5. Schott Music - Digital #Q7069. Published by Schott Music - Digital (S9.Q7069). As a musician, Franz Ries (1846-1932) is almost forgotten today: the composer, violinist and 'Königl. Sächs. Hofmusikalienhändler' studied at the famous Paris Conservatoire to be a violinist. Then, the nephew of Beethoven's pupil and friend Ferdinand Ries started a glittering solo career which he had to end soon after for health reasons. From then on, he turned his whole attention to the music publishing business and occasionally even contributed little compositions, such as 'La Capricciosa' or the newly published 'Perpetuum mobile' Op. 34, to the programme of his publishing house. This is the fifth movement from his Suite No. 3 for violin and orchestra (or piano), created around 1870. The little virtuoso piece sweeps by like a whirlwind, hopefully taking only the listeners', not the violin playing performers' breath away!
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