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Flute solo Hautbois, Basson et Piano
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Flute solo Hautbois, Basson et Piano
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1
Saint-Saëns: Le Carnaval des Animaux II. Poules et Coqs (Hens and Roosters) - wind quintet
Saint-Saëns: Le Carnaval des Animaux II. Poules et Coqs (Hens and Roosters) - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Camille Saint-Saens
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Ray Thompson
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Saint-Saëns: Le Carnaval des
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553835 Composed by Camille Saint-Saens. Arranged...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553835 Composed by Camille Saint-Saens. Arranged by Ray Thompson. Contemporary,Romantic Period,Standards. 7 pages. RayThompsonMusic #4897833. Published by RayThompsonMusic (A0.553835). The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and lasts around 25 minutes.This is my arrangement for wind quintet of mvt 2 Poules et Coqs (hens and Roosters, or cocks and hens)The original version has Strings without cello and double bass, two pianos, with clarinet: this movement is centered around a pecking theme played in the pianos and strings, which is quite reminiscent of chickens pecking at grain. The clarinet plays a small solo above the strings. The piano plays a very fast theme based on the crowing of a rooster's Cock-a-Doodle-Doo.It is quite short - about 1 min 5 secs
$5.95 ≈
5.50€
Tambours et Clarions
Tambours et Clarions
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Melanie
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James Haynor
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Tambours et Clarions
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.782176 Composed by Melanie (Mel) Bonis. Arranged by James Haynor. Ro...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.782176 Composed by Melanie (Mel) Bonis. Arranged by James Haynor. Romantic Period. Score and parts. 20 pages. James Haynor #3109515. Published by James Haynor (A0.782176). Mel Bonis (1858 - 1937) was a prolific French classical composer. She wrote more than 300 compositions, including works for piano solo and four hands, organ pieces, chamber music, mélodies, choral music, a mass, and works for orchestra. Because she felt women were not respected as composers in the era, she shortened her given name - Melanie. This lively piece has the feel of a gallop, fanfare and show piece all in one. It’s a headlong musical frolic from the opening to the big finish and it’s downhill all the way. The piece practically plays itself! A great finale or encore piece that will leave your audiences smiling. ( Duration 2:22 )
$15.00 ≈
13.86€
Klar/Obskur
Klar/Obskur
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Oboe, Bassoon and Piano
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ADVANCED
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Benjamin Schweitzer
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Klar/Obskur
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Schott Music - Digital
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SheetMusicPlus
Oboe, bassoon and piano - difficult - Digital Download SKU: S9.Q6474 Composed by Benjamin Schweitzer. This edition: score (also performance score). Downl...
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Oboe, bassoon and piano - difficult - Digital Download SKU: S9.Q6474 Composed by Benjamin Schweitzer. This edition: score (also performance score). Downloadable, score (also performance score). Duration 10 minutes. Schott Music - Digital #Q6474. Published by Schott Music - Digital (S9.Q6474). The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of „twilight: air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds. The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this „motto-like opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning. The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, ‚arcane‘ bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the „elastic character of the middle section. Benjamin Schweitzer.
$29.99 ≈
27.71€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.66€
Satie: Je Te Veux - wind quintet
Satie: Je Te Veux - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Je Te Veux - wind quint
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1288613 Composed by Erik Satie. Arranged by Ray ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1288613 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Wedding. 16 pages. RayThompsonMusic #879570. Published by RayThompsonMusic (A0.1288613). Je te veux (I Want You) is a sung waltz, or valse chantée, by Erik Satie to erotic lyrics by Henry Pacory. Its two verses and repeated chorus were written for Paulette Darty, whose accompanist Satie had been and who first sang it in 1903 at La Scala, a cabaret in Paris.Satie composed various versions: for piano and voice, as published in 1903; for an orchestra of brass instruments; for full orchestra, with a trio section added between the chorus and the second verse; and at some point for solo piano including this added trio section.My Arrangment for standard wind quintet is of the solo piano version, so it includes the additional trio section.The melody is shared amongst the 4 top instruments, and the quintet do NOT play tutti all the way through.Chcek out my other Satie arrangements3 Gymnopédies and 3 Gnossiennes. ( sold separately and as collections).Also: Rag-Time du Pacquebot (Ragtime of the Steampacket), Sonatina Bureaucratique and selections from Sports et Divertissements.
$14.99 ≈
13.85€
Les Trois Valses Distinguées du Précieux Dégoûté (Three Distinguished Waltzes of a Jaded Dandy)
Les Trois Valses Distinguées du Précieux Dégoûté (Three Distinguished Waltzes of a Jaded Dandy)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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this time in his career Satie
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Erik Satie
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Steven Paxton
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Les Trois Valses Distinguées
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Creative Spirit
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1392483 Composed by Erik Satie. Arranged by Stev...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1392483 Composed by Erik Satie. Arranged by Steven Paxton. 20th Century,Chamber,Classical. 32 pages. Creative Spirit #976004. Published by Creative Spirit (A0.1392483). Transcription for woodwind quintet of the work originally composed by Erik Satie in 1914 for solo piano. By this time in his career Satie was filling his scores with non-standard performance instructions, satiric barbs and modernist prose, scattered about on a carefully, expertly fashioned musical structure of experimental harmonies, strangely static rhythms, and radically miniaturized forms. In the case of Les Trois Valses Distinguées du Précieux Dégoûté, Maurice Ravel was undoubtedly the target of Satie’s satire. Ravel was the Précieux Dégoûté (a revolting or jaded dandy, a fop), and Satie’s Trois Valses subtly derided Ravel’s popular Valses nobles et sentimentales, composed four years earlier. (Another set, Avant-Dernièrniers Penseés, is also published by Creative Spirit in a transcription for woodwind quintet.)TOTAL DURATION: about 3–1/2 minutes.
$20.00 ≈
18.48€
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