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Folkloric Music
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22 sheet music found
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1
Landscape II - Standard Guitar Edition
Landscape II - Standard Guitar Edition
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Pablo Emiliano Fedele
#
Landscape II - Standard Guitar
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99 ≈
4.49€
Landscape II - New Edition
Landscape II - New Edition
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Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Pablo Emiliano Fedele
#
Landscape II - New Edition
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
(+)
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape II is the second piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar edition F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of D Major. Following the path of Landscape I, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99 ≈
5.39€
Landscape III - Standard Guitar Edition
Landscape III - Standard Guitar Edition
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Pablo Emiliano Fedele
#
Landscape III - Standard Guita
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
(+)
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning C A D G B E. (Originally written for 10 strings classical guitar F G Bb C D A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99 ≈
4.49€
Landscape III - New Edition
Landscape III - New Edition
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Pablo Emiliano Fedele
#
Landscape III - New Edition
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
(+)
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 5 pages. Published by Pablo Fedele
Landscape III is the third piece of a series of short contemporary pieces for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar edition F G Bb C D A D G B E (Standard guitar edition with tuning C A D G B E, also available).
Written in a modern language, it's time signature is 3/4 in the Key of C Major. Following the path of Landscape I and Landscape II, the piece explores chords and textures, layers of sound and rhythmic complexity with a strong detail in the technical use of both hands.
Although not specifically detailed, some rhythm patterns of this piece are similar to those found in Argentinian folkloric music that influenced the composer.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$5.99 ≈
5.39€
Chaffee's Mandolin
Chaffee's Mandolin
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Violin and Piano
#
BEGINNER
#
Traditional Fiddle Tunes
#
Heather M Music
#
Chaffee's Mandolin
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Heather Mueller Music
#
SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1346363 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1346363 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 7 pages. Duration 48. Heather Mueller Music #7RLGQaKW7DwluSlgrhnHD3. Published by Heather Mueller Music (A0.1346363). Key: G major.Unlock the harmonious blend of Irish and USA folk traditions with Chaffee's Mandolin Medley. This unique collection is a harmonious celebration of two distinct musical heritages, tailored for fiddle players, violinists, and musicians seeking to explore the rich tapestry of folk music. The sheet music provided includes the enchanting melody, detailed chord progressions, chord symbols, and a foundational bassline. Key Features: Transcontinental Harmony: Immerse yourself in the seamless fusion of Irish and USA folk melodies. Chaffee's Mandolin Medley offers a musical bridge that connects two vibrant traditions, providing a rich and diverse experience for musicians. Interactive Exploration: Elevate your playing with the interactive score, allowing you to play along at varying speeds and explore different keys. Whether you're a beginner or an experienced musician, this feature ensures an adaptable and enjoyable learning experience. Cultural Tapestry: Delve into the heart of both Irish and USA folk cultures. Each note reflects the spirit and authenticity of these traditions, offering a comprehensive musical experience that resonates with the depth of cultural heritage. String Ensemble Adventure: Crafted for string instrument enthusiasts, the sheet music encourages collaboration with a mandolin, creating a dynamic ensemble experience. Perfect for musicians keen on exploring the synergy between different stringed instruments. Folkloric Medley: Chaffee's Mandolin Medley weaves together a captivating tapestry of folkloric melodies. From Irish jigs to USA folk tunes, this collection serves as a versatile addition to your repertoire, suitable for solo performances or ensemble playing. Embark on a musical adventure that transcends borders and genres, capturing the essence of both Irish and USA folk traditions with the unique charm of Chaffee's Mandolin Medley..
$2.99 ≈
2.69€
Hänsel und Gretel
Hänsel und Gretel
#
Vocal duet, Piano
#
INTERMEDIATE
#
the way, the ‘cock-a-doo
#
Engelbert Humperdinck
#
Hänsel und Gretel
#
Schott Music - Digital
#
SheetMusicPlus
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet...
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99 ≈
21.58€
Little Suite
Little Suite
#
Istvan Szelenyi
#
Little Suite
#
Schott Music - Digital
#
SheetMusicPlus
4-part violin ensemble or 4 violins solo - easy to intermediate - Digital Download SKU: S9.Q24255 Composed by Istvan Szelenyi. This edition: set of parts...
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4-part violin ensemble or 4 violins solo - easy to intermediate - Digital Download SKU: S9.Q24255 Composed by Istvan Szelenyi. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Duration 9 minutes. Schott Music - Digital #Q24255. Published by Schott Music - Digital (S9.Q24255). Because of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suits, in particular, the needs of young players.
$17.99 ≈
16.18€
Little Suite
Little Suite
#
Istvan Szelenyi
#
Little Suite
#
Schott Music - Digital
#
SheetMusicPlus
4-part violin ensemble or 4 violins solo - easy to intermediate - Digital Download SKU: S9.Q1150 Composed by Istvan Szelenyi. This edition: score. Concer...
(+)
4-part violin ensemble or 4 violins solo - easy to intermediate - Digital Download SKU: S9.Q1150 Composed by Istvan Szelenyi. This edition: score. Concertino. Downloadable, Score. Duration 9 minutes. Schott Music - Digital #Q1150. Published by Schott Music - Digital (S9.Q1150). Because of its scoring, this uncomplicated little six-movement suite in a folkloric style is, above all, suitable for the first ensemble playing in violin lessons. As vigorous effective music, it suits, in particular, the needs of young players.
$15.99 ≈
14.38€
Choreando
Choreando
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Arthur Barbosa
#
Arthur Barbosa
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Choreando
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ARTHUR BARBOSA NETO
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1047156 By Arthur Barbosa. By Arthur Barbosa. Arranged by Arthur Barbosa. Contemporary,Latin,Multic...
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String Orchestra - Level 4 - Digital Download SKU: A0.1047156 By Arthur Barbosa. By Arthur Barbosa. Arranged by Arthur Barbosa. Contemporary,Latin,Multicultural,World. Score and parts. 34 pages. ARTHUR BARBOSA NETO #651686. Published by ARTHUR BARBOSA NETO (A0.1047156). Collection of chorinhos based on Brazilian popular and folkloric music Youtube link : https://www.youtube.com/watch?v=39HPR6IwZuY&ab_channel=ArthurBarbosaComposer-Conductor.
$25.00 ≈
22.49€
Munamiktia - Score Only
Munamiktia - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Juan Guerra González
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Munamiktia - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gon...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1208333 Composed by Juan Guerra González. Classical,Contemporary. 30 pages. Juan Carlos Guerra Gonzalez #806440. Published by Juan Carlos Guerra Gonzalez (A0.1208333). “Munamiktia†(To marry) is based on the six sones from “Los Chapetones†(a folkloric dance from Panchimalco, El Salvador). “Los Chapetones†is a satiric dance portraying the social constructs of the Colonial time. It represents a wedding between Doña Lucrecia de Castilla and Don Tomás Rainer with the intention of making an alliance between Turkey and Spain. The investigation of this dance and its original music was made possible thanks to Aracely Sánchez (cultural researcher), Marcial Gudiel (folkloric dance researcher), and Concepción Clará de Guevara (anthropologist) for the creation of the work “Panchimalco†in 1982 work that was commissioned by the National Dance School of El Salvador “Morena Celariéâ€. The editors of the “Diccionario de la Música Española e Hispanoamericana†(Dictionary of Spanish and Hispanic Music) found this dance was unique in its genre in America and the Caribbean making “Los Chapetones†something exclusive from El Salvador. For this work, a part of each one of the sones is transformed in its rhythm or intervals to put them in melodies or in lines for the bass that have been harmonized in a different way while interacting with themes created especially for this work. The title, which in Nahuat means to marry, also serves as a reference to the union between the traditional themes used and the composer’s own musical language. Munamiktia (To marry) was written for the Salvadoran Composers Competition organized by the Pan American Symphony Orchestra (PASO) in Washington, DC. Given its originality, the Jury decided, after a long deliberation, to award it second place. The World Premiere will take place during their 21/22 season after PASO resumes activities due to COVID.* The actual World Premiere took place on March 25th, 2023 in Washington D.C. With the Pan American Symphony Orchestra (PASO) conducted by the composer.For parts please visit www.juancarlosguerra.com/munamiktia
$99.99 ≈
89.94€
Klezmer Dance # 1 for String Quartet: "A Wedding a Vatra-Dornei, Bukovina"
Klezmer Dance # 1 for String Quartet: "A Wedding a Vatra-Dornei, Bukovina"
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Klezmer
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Moshe S
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Klezmer Dance # 1 for String Q
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ArtsAhimsa
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.950851 Composed by Moshe S. Knoll. Contemporary,Jewish. Score and parts. 39 pages. Art...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.950851 Composed by Moshe S. Knoll. Contemporary,Jewish. Score and parts. 39 pages. ArtsAhimsa #4410845. Published by ArtsAhimsa (A0.950851). This is a concert piece for String Quartet, exploring some aspects of the Klezmer musical idiom, while also synthesizingthat folkloric tradition with Classical concepts of form and development. The music is abstract and speaks for itself, as in the Classical tradition.
$20.00 ≈
17.99€
Coletâneas
Coletâneas
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Jazz Ensemble
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ADVANCED
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Jonas Hocherman
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Jonas Hocherman
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Coletâneas
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Jonas Hocherman
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1044324 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. Contemporar...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1044324 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. Contemporary,Jazz,Multicultural,World. Score and parts. 92 pages. Jonas Hocherman #649080. Published by Jonas Hocherman (A0.1044324). Coletâneas is a modern Brazilian music that looks like a puzzle that proposes assembled or disassembled in many ways. The contrast of the initial compound compass with the almost folkloric melody sung by the choir of musicians reveals the unique part or movement of the puzzle.
$50.00 ≈
44.98€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.15€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
89.95€
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
Top 5 Beautiful Classical Themes for Woodwind Quintet - 1st Version
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Woods Only
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Swan Lake
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Top 5 Beautiful Classical Them
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World....
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.956916 Arranged by Woods Only. Classical,Concert,Romantic Period,Standards,World. 81 pages. Woods Only, Arrangements #6571929. Published by Woods Only, Arrangements (A0.956916). This collection is the first version of the 5 most beautiful songs ever released for woodwind quintet, containing songs of the most varied and periods, from beginner to professional level. It can be performed in various occasions and places such as concert halls and academic stages. You can find the complete score on this site: https://bit.ly/WoodOnly And also expensive music in the description below.I. Swan Lake by Pyotr TchaikovskyBeautiful melody eternalized by his entrance on the oboe; Swan Lake. In a version for wood quintet where it preserves the original beauty and maintains the subtlety of the original orchestration. It can be performed by music beginners and presented in professional or academic recitals and concerts.II. Adagio from Piano Sonata No. 2 in F major by Amadeus MozartOut of the ordinary, a sad, melancholy and gentle Adagio written by Mozart in his sonata in F for piano. It can be performed by beginners and professionals alike, and is suitable for academic recitals and concerts where the music of the classical period is praised.III. Second Movement from Sonata No. 8 Pathétique by BeethovenThe second movement represents one of the most beautiful pages ever written in music. The soft melody, accompanied by harmonies that could only have come from Beethoven's pen, create an atmosphere of tranquility and impressive calm. For beginning students it is a great piece to develop the notion of the cantabile, and can be performed in academic recitals or concerts.IV. Czardas (Csárdás) by Vittorio MontiFun and celebrated original music for violin in a version that maintains the subtlety and joy contained in the original work, even though it is also folkloric, this does not prevent it from occupying its space on the great stages of concert halls and conservatories, it is not suitable to be played by beginners, but can be performed in academic recitals or concerts.V. Clair de lune from Suite Bergamasque by Claude DebussyThis arrangement for woodwind quintet was made thinking of the symbolism and beauty of the original work, keeping the essence of the original work and can be performed by intermediate students and presented in recitals and concerts.
$29.99 ≈
26.98€
Fantasy for trombone solo, harp and string orchestra
Fantasy for trombone solo, harp and string orchestra
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String Orchestra
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ADVANCED
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William Pagan-Perez
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Fantasy for trombone solo, har
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William Pagan-Perez
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 113 pages. William...
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String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 113 pages. William Pagan-Perez #4303367. Published by William Pagan-Perez (A0.933824). Fantasy is a single-movement piece for trombone solo, harp, and string orchestra (violin 1, violin 2, viola, cello, double bass). This piece has some folkloric elements of the Plena (a music genre developed in the town of Ponce, Puerto Rico). Instead of a cadenza, the piece has some bars to play improvisations as it happens in folklore.This edition also includes a Piano part as a substitute for the Harp, just in case the harpist is not available or the music is too difficult. Midi: https://youtu.be/fTm8JD6a4nY.
$39.95 ≈
35.94€
Jarabe tapatío Score and parts
Jarabe tapatío Score and parts
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Orchestra
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Latin/World Music
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Oliver Payan
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Jarabe tapatío Score and part
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Introito Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.774626 Arranged by Oliver Payan. Latin. Score and parts. 53 pages. Introito Music #5330551. Published by Introi...
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Full Orchestra - Digital Download SKU: A0.774626 Arranged by Oliver Payan. Latin. Score and parts. 53 pages. Introito Music #5330551. Published by Introito Music (A0.774626). One of the msot folkloric tunes of the Mariachi repertoire now for Classic Orchestra without losing its taste!Full Score and parts.
$40.00 ≈
35.98€
Maria
Maria
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Jose Róguez
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Maria
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Jose Róguez
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1379650 Composed by Jose Róguez. 20th Century,Celtic,Chamber,Fil...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1379650 Composed by Jose Róguez. 20th Century,Celtic,Chamber,Film/TV,Folk,Irish. 9 pages. Jose Róguez #964351. Published by Jose Róguez (A0.1379650). Chamber music composition for string quartet.Work with modern and folkloric touches, ideal for medium-level groups and to be played at concerts and celebrations.
$1.99 ≈
1.79€
Songo For Mia Trumpet Duet
Songo For Mia Trumpet Duet
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2 Trumpets (duet)
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INTERMEDIATE/ADVANCED
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Jazz
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Steve Waterman
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Songo For Mia Trumpet Duet
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Steve Waterman
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SheetMusicPlus
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.984991 Composed by Steve Waterman. Jazz,Standards. Score. 13 pages. Steve Waterman #4846481. Pu...
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Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.984991 Composed by Steve Waterman. Jazz,Standards. Score. 13 pages. Steve Waterman #4846481. Published by Steve Waterman (A0.984991). Songo For Mia is a duet for 2 trumpets containing some improvisation on both parts.Songo is a genre of Cuban music incorporating elements of folkloric rumba.
$4.99 ≈
4.49€
Songo For Mia Clarinet Duet
Songo For Mia Clarinet Duet
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2 Clarinets (duet)
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INTERMEDIATE/ADVANCED
#
Steve Waterman
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Songo For Mia Clarinet Duet
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Steve Waterman
#
SheetMusicPlus
Clarinet Duet Clarinet - Level 4 - Digital Download SKU: A0.984993 Composed by Steve Waterman. Jazz,Latin,World. 2 scores. 13 pages. Steve Waterman #4994...
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Clarinet Duet Clarinet - Level 4 - Digital Download SKU: A0.984993 Composed by Steve Waterman. Jazz,Latin,World. 2 scores. 13 pages. Steve Waterman #4994163. Published by Steve Waterman (A0.984993). Songo For Mia is a duet for 2 clarinets containing some improvisation on both parts.Songo is a genre of Cuban music incorporating elements of folkloric rumba.
$4.99 ≈
4.49€
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1
Folkloric Music
