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For All That You Are Acoustic Bass
Sheetmusic to print
139 sheet music found
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For All That You Are - Acoustic Bass
For All That You Are - Acoustic Bass
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Double Bass
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James Koerts
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Sacred
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For All That You Are - Acousti
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By James Koerts. Instrumental Parts. Concert; Sacred. EPak. 2 pages. Duration 2:48. Published by Hal Leonard - Digital Sheet Music ...
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By James Koerts. Instrumental Parts. Concert; Sacred. EPak. 2 pages. Duration 2:48. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.27€
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitar notes and tablatures
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BEGINNER
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95 ≈
4.43€
You Can't Tell a Newfie a Thing He Should Do
You Can't Tell a Newfie a Thing He Should Do
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Bass guitar
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INTERMEDIATE
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David Kai
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David Kai
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You Can't Tell a Newfie a Thin
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - Digital Download SKU: A0.1105293 By David Kai. By David Kai. Arranged by Davi...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar - Level 3 - Digital Download SKU: A0.1105293 By David Kai. By David Kai. Arranged by David Kai. Celtic,Comedy,Country,Folk,Irish. Full Performance. Duration 190. David Kai #708538. Published by David Kai (A0.1105293). A song about a famous symbol of Newfoundland - the Newfoundland dog. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. You Can’t Tell a Newfie words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared By the Newfoundland dog, who’s like a lifeguard with hair. But you can’t tell a Newfie a thing he should do To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh It will bear all your burdens, not tiring all day It can carry a line from a boat to the land To rescue the perishing, saving all hands But you can’t tell a Newfie a thing it should do To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.
$1.99 ≈
1.78€
You Can Close Your Eyes
You Can Close Your Eyes
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Guitar notes and tablatures
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EASY
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Mur...
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Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99 ≈
5.37€
Flowers for Dorothy
Flowers for Dorothy
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Piano solo
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INTERMEDIATE/ADVANCED
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Pub...
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99 ≈
3.57€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Cello
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ADVANCED
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 5 - Digital Download SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual pa...
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Cello Solo - Level 5 - Digital Download SKU: A0.1453379 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #1032612. Published by Sarah Cellobat Chaffee (A0.1453379). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This Cellobat version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :)Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99 ≈
7.16€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Violin
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ADVANCED
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.526286 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 2 pages. Sara...
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Violin Solo - Level 5 - Digital Download SKU: A0.526286 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 2 pages. Sarah Cellobat Chaffee #6371025. Published by Sarah Cellobat Chaffee (A0.526286). One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This version for solo violin was originally written for a wedding ceremony, but it will also be perfect for receptions, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the catchy lyrical melody, funky rhythmic grooves, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart is rated advanced; there are some syncopated rhythms, triplets, and accidentals that might require running through before performing. Overall it will be learnable for more advanced students and sightreadable for professionals. Have fun and swing those 8th notes! :) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99 ≈
7.16€
Note Reading Studies for Bass
Note Reading Studies for Bass
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Bass guitar
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EASY
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Instructional
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Arnold Evans Schnitzer
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Note Reading Studies for Bass
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Arnold Evans Schnitzer. For Electric Bass Guitar. All Styles. 80 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Arnold Evans Schnitzer. For Electric Bass Guitar. All Styles. 80 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740252. This book was written for bassists who wish to learn to read music as well as for those who wish to sharpen their music reading skills. The studies in the book progress from beginning to professional levels and represent an variety of styles that modern bassists are likely to encounter in real-world musical situations. For those conversant in music's universal language, a whole world of musical styles, ideas, and sounds is always available. This book aims to sharpen the skills of serious student bass players so that they may partake of this endless stream of ideas, information, and inspiration. Standard notation only. None of the exercises in this book contain fingering indications. This omission was made in order to make these exercises useful to players of all types of bass instruments, both electric and acoustic. The author strongly recommends that students work through this book with the supervision of a qualified teacher. If you are a professional musician the author hopes this book will help you stay in top sight-reading form, giving you an edge in a highly competitive market. If you are a novice bassist, this book will help you hone your skills in becoming a skilled professional.
$17.99 ≈
16.12€
Every Breath You Take
Every Breath You Take
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Guitar
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EASY
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Rock
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The Police
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Pablo Alcázar
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual pa...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99 ≈
4.47€
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius) for Wind Instruments
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Ballets - Dances 268 and 2
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3912497. Published by Colin Kirkpatrick Publications (A0.522159). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Two Ballets are well-known and elegant dances and sure to add some sparkle to any concert event. They would make excellent partners for other dances in this series. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99 ≈
10.74€
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
8.95€
Prelude 1 & Fugue 22 From 'The Well-Tempered Clavier Book 2' For Wind Quartet (Flt, Ob, Clt, Bsn)
Prelude 1 & Fugue 22 From 'The Well-Tempered Clavier Book 2' For Wind Quartet (Flt, Ob, Clt, Bsn)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Stephen Davies
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Prelude 1 & Fugue 22 From 'The
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891942 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Sta...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.891942 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 33 pages. Stephen Davies #5720039. Published by Stephen Davies (A0.891942). From The Well-Tempered Clavier Book 2 BWV 870-893In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! The Wind Quartet is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2, namely the Prelude No.1 and the Fugue No.22. The Prelude Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end Good to play as well!! The Fugue Of course this Fugue should be in the key of Bb Minor, but to avoid all those nasty Fb's and E#'s etc the key has been altered just to make the music flow a little better in this instrumental combination (imho!), coupled with the time signature of 3/2, this Fugue should prove interesting in rehearsal! The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic.Also available here in Clarinet Quartet and Saxophone Quartet flavours!!
$14.99 ≈
13.43€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
26.88€
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
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String Orchestra
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EASY
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Christmas
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 2
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. S...
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
8.95€
Schiarazula Marazula & Ballo Anglese (1583)
Schiarazula Marazula & Ballo Anglese (1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Schiarazula Marazula & Ballo A
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Colin Kirkpatrick Publications
#
SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.05€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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String Trio: 2 violins, cello
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INTERMEDIATE
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Queen
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Sarah Cellobat Chaffee
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Crazy Little Thing Called Love
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Sarah Cellobat Chaffee
#
SheetMusicPlus
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1094910 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding....
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1094910 By Queen. By Freddie Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #698979. Published by Sarah Cellobat Chaffee (A0.1094910). *INSTRUMENTATION: TWO VIOLINS AND CELLO* One of Queen's most beloved classic songs, Crazy Little Thing Called Love was written in 1979 as a tribute to Elvis Presley -- and the song's rockabilly groove, doo-wop feel, and blues-inspired bass definitely make that clear! This version for your two-violin and cello string trio was originally written for a wedding reception, and it will also be perfect for ceremonies, vow renewals, cocktail parties, solo & ensemble contests or any other occasion you need to get your audience dancing! Featuring the beautiful layered harmonies, rhythmic interest, back-and-forth dialogue between the instruments, and even the guitar solo of the original, this arrangement is just as much fun to play as it is to listen to. There are a handful of somewhat tricky rhythms, but overall this chart will be playable for intermediate-level students and easily sightreadable for professionals. Have fun and swing those 8th notes! :) Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99 ≈
13.43€
Three Gavottes from Terpsichore (Praetorius) for Wind Instruments
Three Gavottes from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Pierre-Francisque Caroubel
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Three Gavottes from Terpsichor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - Digital Download SKU: A0.522158 Composed by Pierre-Francisque Caroubel (1556-1611). Arranged by Colin Kirkpatrick. Renaissance...
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Small Ensemble - Level 2 - Digital Download SKU: A0.522158 Composed by Pierre-Francisque Caroubel (1556-1611). Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3907943. Published by Colin Kirkpatrick Publications (A0.522158). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Three Gavottes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. There are separate parts in various transpositions. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$11.99 ≈
10.74€
A Bar Song (Tipsy)
A Bar Song (Tipsy)
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Piano, Vocal and Guitar
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INTERMEDIATE
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Shaboozey
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Barry McCormick
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A Bar Song
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1475302 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, J...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1475302 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Score. 7 pages. B. McCormick #1052845. Published by B. McCormick (A0.1475302). “A Bar Song (Tipsy)” Piano/Vocal/Guitar Arrangement About the Song and Artist: “A Bar Song (Tipsy)” is a lively, feel-good track by Shaboozey. With its catchy melody and playful lyrics, it captures the carefree spirit of a night out with friends. Shaboozey’s blend of acoustic guitar, vocals, and infectious rhythm makes this song a crowd favorite. Key Features: Vocal Clarity and Chord Symbols: The vocal line is clearly notated, allowing singers to express the playful lyrics. Above, you’ll find simplified chord symbols for guitarists to strum along. Harmonic Simplicity: The song’s heart lies in its four recurring chords. We’ve captured that simplicity, making it accessible for beginners and seasoned players alike. Rhythmic Feel: The arrangement mirrors the guitar’s rhythmic vibe, emphasizing the left-hand bass part. Harmonic rhythm variations between sections add interest and progression. Violin/Fiddle Melody: The piano part weaves in the captivating violin/fiddle melody from the recording, elevating the overall experience. Difficulty Levels: Guitarists: Beginner-friendly, with the challenge of an F#m barre chord. Simplify further by using a regular E chord or employing a capo (we also have lead sheeat with a Guitar Chord Sheet you can also purchase). Vocalists: The melody’s modest range suits most voices. Transposition may be necessary for specific vocal registers. Pianists: Intermediate level—simple yet engaging accompaniment. Not recommended for absolute beginners. Who is this for? 1. Musicians and Singers: Solo Performers: Singer-songwriters, acoustic guitarists, and pianists looking for an engaging piece to perform. Small Ensembles: Duos or trios (vocals, guitar, and piano) seeking a fun addition to their repertoire. Educators and Students: Music Teachers: Ideal for teaching chord progressions, rhythm, and vocal expression. Classroom Settings: Suitable for music classes, workshops, or school performances. Content Creators: YouTube Channels: Musicians sharing covers or tutorials. Podcasts: Add a musical interlude or theme. Where you can use this: Open Mic Nights at Cafés or Bars: Perform “A Bar Song (Tipsy)” in an intimate setting, capturing the song’s laid-back vibe. Engage with the audience and encourage sing-alongs. Music Schools and Workshops: Use this arrangement as a teaching tool for chord transitions, strumming patterns, and vocal dynamics. Discuss the song’s structure and how it reflects the carefree spirit of a night out. House Concerts and Gatherings: Host a cozy gathering with friends and family. Invite a vocalist, guitarist, and pianist to collaborate on this arrangement. Online Platforms: Share a video performance on YouTube or social media. “Raise your glass to ‘A Bar Song (Tipsy)’! Explore our sheet music and bring this lively tune to life. Cheers!”
$4.99 ≈
4.47€
Spancil Hill Irish Folk Song Notes Tab Chords Lyrics For Guitar
Spancil Hill Irish Folk Song Notes Tab Chords Lyrics For Guitar
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Guitar notes and tablatures
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BEGINNER
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish Folk
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John Murphy C
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Spancil Hill Irish Folk Song N
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John Murphy
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.841183 Composed by Traditional Irish Folk. Arranged by John Murphy C.S.M.V. Celtic,Folk. Guitar Tab. 4 pages....
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Guitar - Level 1 - Digital Download SKU: A0.841183 Composed by Traditional Irish Folk. Arranged by John Murphy C.S.M.V. Celtic,Folk. Guitar Tab. 4 pages. John Murphy #5899771. Published by John Murphy (A0.841183). My guitar arrangement of Spancil Hill includes notes, tab, chords, lyrics as well as an intro and patterns that serve to accompany the song. Spancil Hill continues to be a very popular Irish ballad with listeners and guitar players. I have included the chords so that you can use them as an easy accompaniment for a singer or other instrument such as recorder, violin or flute that takes the treble clef melody part. Use the Intro of this arrangement as a basis for the R.H. fingerstyle pattern for song accompaniment . Also weave in and out of picking melody and bass patterns with the guitar fills I include in the score to add interest to the accompaniment . Check out 'The Dubliners' version on YouTube and if you want to play along you just need to place the capo at the 5th fret on your guitar and play the same chords as in this arrangement. I also recorded the audio clip with the capo on the guitar at the 5th fret. Listen to this intro to Spancil Hill and you will get a good idea how to accompany the song using a flat picking technique of plectrum picking out the bass notes interspersed with a Down Down Up Down strum plectrum rhythm. Enjoy!If you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Folk , Country, Acoustic Guitar, Easy
$2.99 ≈
2.68€
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For All That You Are Acoustic Bass
