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You've selected:
From: Louis Hector Berlioz
Sheetmusic to print
4 sheet music found
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1
Symphonie Fantastique
Symphonie Fantastique
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Hector Berlioz and Louis-Hecto
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Nelson Ramos
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Symphonie Fantastique
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Published / Arranged by Nelson Ramos
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Cla...
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Concert Band - Level 4 - Digital Download SKU: A0.1141642 Composed by Hector Berlioz and Louis-Hector Berlioz. Arranged by Nelson Ramos. 19th Century,Classical,Romantic Period. 266 pages. Published / Arranged by Nelson Ramos #741982. Published by Published / Arranged by Nelson Ramos (A0.1141642). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, that takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I decided to arrange the last movement of the Symphonie Fantastique, by Louis-Hector Berlioz, because I deem of paramount importance that Band Directors start making the concert band repertoire more varied, so as to avoid what usually happens: concert/wind bands keep playing the same pieces over and over again, usually Tchaikovsky overtures, or Wagnerian overtures.
$50.00 ≈
$69.27
The American Polka
The American Polka
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Concert band
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ADVANCED
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Classical
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Louis Jullien
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John M
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The American Polka
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zephyrwindmusic.com
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1007976 Composed by Louis Jullien. Arranged by John M. Laverty. Romantic Period. Score and parts. 154 p...
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Concert Band - Level 5 - Digital Download SKU: A0.1007976 Composed by Louis Jullien. Arranged by John M. Laverty. Romantic Period. Score and parts. 154 pages. Zephyrwindmusic.com #4347645. Published by zephyrwindmusic.com (A0.1007976). The American Polka is a typical early Victorian era composition written for military band. It was originally published in London as part of the Jullien Band Journal in 1849 and uses music from America as thematic material in a manner in which Louis Jullien (1812-1860) did with his other polkas and quadrilles written to showcase music from different countries. French-born Louis Jullien was an international superstar conductor, composer and music publisher. Among other things in his career, he led his Jullien Orchestra on a tour of America in 1853 and founded the concert series in London known as the Proms Concerts. He also employed some of the biggest names in the music world at one time or another including Hector Berlioz, Jean-Baptiste Arban, and Theodore Thomas (founder of the Chicago Symphony Orchestra).
$40.00 ≈
$55.42
Plaisir d'amour
Plaisir d'amour
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Brass ensemble
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INTERMEDIATE
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Jean-Paul-Égide Martini
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F
#
#
Plaisir d'amour
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Class...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686). This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog. Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii. This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F. The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3. This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.95 ≈
$9.63
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
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Flute and Piano
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Classical
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Eugene Walckiers
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Fantaisie sur de motifs de l
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Schott Music - Digital
#
SheetMusicPlus
Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and El...
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Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell†was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.
$4.99 ≈
$6.91
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1
From: Louis Hector Berlioz
