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Spohr: Minuet from String Quartet no. 13 for Clarinet Quartet
Spohr: Minuet from String Quartet no. 13 for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Louis Spohr
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Craig Buying
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Spohr: Minuet from String Quar
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No Squeak Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.914239 Composed by Louis Spohr (1784-1859). Arranged by Craig Buying. Cl...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.914239 Composed by Louis Spohr (1784-1859). Arranged by Craig Buying. Classical,Concert,Standards,Wedding,World. 18 pages. No Squeak Publishing #4359377. Published by No Squeak Publishing (A0.914239). This is the 3rd movement from Spohr's String Quartet no. 13. The piece has 2 main sections with a fun trio section. It has been adapted for clarinet quartet and some cuts have been made. performance time is about 3:15. A great work for a mature group to put together quickly for a reception, wedding, or recital. Also appropriate for younger musicians with some technical abilities. Bass clarinet has some optional low D notes but not required. A great way to introduce Spohr to audiences and musicians alike!
$4.99 ≈
4.49€
Abendruhe
Abendruhe
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Choral TTBB
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Moritz Hauptmann
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Abendruhe
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus a cappella - easy to intermediate - Digital Download SKU: S9.Q11263 Über den Hügel hin. Composed by Moritz Hauptmann. This editi...
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TTBB chorus a cappella - easy to intermediate - Digital Download SKU: S9.Q11263 Über den Hügel hin. Composed by Moritz Hauptmann. This edition: choral score. Schott Choral Music. Das ruhige Gegenstück als Ergänzung zu Hauptmanns Sommermorgen - harmonisch etwas anspruchsvoller, aber sehr lohnend, auch als Konzertstück. Downloadable, Choral score. Op. 55/4. Schott Music - Digital #Q11263. Published by Schott Music - Digital (S9.Q11263). Key: C major. German.Auch wenn Moritz Hauptmann (1792–1868) von Hause aus eigentlich Geiger war, komponierte der Schüler (und spätere Freund) von Louis Spohr hauptsächlich Vokalmusik. Auf Empfehlung Mendelssohn Bartholdys wurde der Dresdner 1842 Thomaskantor und Musikdirektor in Leipzig. Dessen Werk sollte auch stilistisches Vorbild für Moritz Hauptmann werden. Um 1865 schrieb er eine Sammlung von „6 Liedern für 4-stimmigen Männerchor“, op. 55 (nach Texten aus Friedrich Osers „Naturliedern“), die in einer zeitgenössischen Besprechung als „schöne Lieder, die doch einmal aus voller Brust erklingen und dem Männerchor natürlich und geistig entsprechen“ gelobt wurden. Sie leben von einer klassizistisch-romantischen Tonsprache, sind fasslich und sangbar gesetzt – ein Leckerbissen für jeden Männerchor. Die „Abendruhe“ steht an vierter Stelle des Zyklus. Es ist ein ruhiger und getragener Satz, stimmungsvoll und harmonisch reizvoll.
$2.99 ≈
2.69€
Violin Concerto, opus 129 (2009) for violin solo and orchestra
Violin Concerto, opus 129 (2009) for violin solo and orchestra
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Violin
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Violin Concerto, opus 129
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Thomas Oboe Lee
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pag...
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Violin Solo - Level 4 - Digital Download SKU: A0.869285 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. 148 pages. Thomas Oboe Lee #33805. Published by Thomas Oboe Lee (A0.869285). Instrumentation: violin solo & orchestra, 2222-4231-timp-hp-strings Program note. I first heard Irina Muresanu, maybe five years ago, with the Boston Trio in Jordan Hall at the New England Conservatory of Music in Boston, Massachusetts. I was impressed from the very first note she played on her violin. Subsequently I heard her in a chamber music duo recital with pianist Ya-fei Chuang at the Harvard-Epworth Church in Cambridge, Massachusetts. I remember saying to myself, Wow, she has a big, warm sound! One day I would love to write a violin concerto for her! Last year I heard her play the Brahms and the Tchaikovsky violin concerti on separate occasions with the Lexington Symphony and the Boston Classical Orchestra. It was that wow factor again … When I proposed to write a violin concerto for Max Hobart and the Boston Civic Symphony Orchestra, he asked me who I would like to feature as the soloist. I said Irina Muresanu. Max said it was a fabulous choice since he has been thinking of engaging Irina to play with the Civic for some time. Over the past summer I indulged myself in a buying spree of scores and CD recordings of violin concerti. Many composers’ works stood out: concerti by Brahms, Mendelssohn, Sibelius, Stravinsky, Elgar, Prokofiev, Shostakovich, Saint-Saëns, Dvorak, Paganini, Glazunov, Dohnanyi, Nielsen, Spohr, etc. And of course, I did not ignore the gems by Bach and Mozart! The listening to and research of all these concerti masterpieces were quite overwhelming, to say the least. So, by the time I was ready to begin work on my Concerto, I had to put all those scores and CDs aside and begin to find the music in my head. I must confess that it took a while. But eventually I found the seed that brought everything together. And within six weeks, between late September and early November, I completed the short score of the concerto. The orchestration took approximately ten days and the complete work was done on November 21st, 2009. My Violin Concerto, opus 129, is in two parts. Each part consists of a slow section that is followed by a fast one. Part I: Largo, Moderato, Allegro ma non troppo. Part II: Largo, Adagio, Prestissimo. Enjoy!! Audio link: https://thomasoboelee.bandcamp.com/album/violin-concerto-2009.
$9.99 ≈
8.98€
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