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You've selected:
Guthrie: The Trumpet, Euphonium
Sheetmusic to print
8 sheet music found
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1
Sullivan: The Lost Chord for Euphonium & Piano
Sullivan: The Lost Chord for Euphonium & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE/ADVANCED
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for E
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
24.87€
Guthrie: The Trumpet, Euphonium & Tuba Christmas Trio Book - Advanced Edition
Guthrie: The Trumpet, Euphonium & Tuba Christmas Trio Book - Advanced Edition
#
Traditional
#
James M
#
Guthrie: The Trumpet, Euphoniu
#
jmsgu3
#
SheetMusicPlus
Euphonium,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1388888 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Hol...
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Euphonium,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1388888 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 117 pages. Jmsgu3 #972390. Published by jmsgu3 (A0.1388888). O Come, O Come, Emmanuel (Veni, veni Emmanuel)HelmsleyJoy to the World (Antioch)It Came Upon a Midnight Clear (Carol) Lo, How a Rose E’er Blooming (Es ist ein Ros)Angels We Have Heard on High (Gloria) God Rests Ye Merry, Gentlemen (God Rest You Merry)What Child is This? (Greensleeves)In Dulci JubiloHark! the Herald Angels Sing (Mendelssohn) Personet hodie The First Noel SalzburgWe Three Kings (Three Kings of Orient)O Come, All Ye Faithful (Adeste Fidelis)O Little Town of Bethlehem (St. Louis)Away in a MangerSilent Night (Stille Nacht) Auld Lang Syne We Wish You a Merry Christmas.
$38.95 ≈
35.95€
The Trumpet, Euphonium & Tuba Christmas Trio Book
The Trumpet, Euphonium & Tuba Christmas Trio Book
#
Brass ensemble
#
EASY
#
Christmas
#
Traditional
#
James M
#
Tuba
#
The Trumpet, Euphonium & Tuba
#
jmsgu3
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.550825 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Holiday,Inst...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.550825 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Holiday,Instructional,Standards. Score and parts. 61 pages. Jmsgu3 #4833767. Published by jmsgu3 (A0.550825). 20 of the most popular Traditional Christmas songs arranged for Trumpet, Euphonium & Tuba. Each song is arranged in three versions where each instrument has the melody in turn. Score: 60 pages, Duration: 40 min. Players read from the score.Contents Veni, veni Emannuel 1 Helmsley 4 Antioch 7 Carol 10 Es ist ein Ros 13 Gloria 16 God Rest You Merry 19 Greensleeves 22 In Dulci Jubilo 25 Mendelssohn 28 Personet hodie 31 The First Noel 34 Salzburg 37 Three Kings of Orient &nb.
$39.95 ≈
36.87€
CPE Bach: Duetto Wq. 140 for Trumpet & Euphonium
CPE Bach: Duetto Wq. 140 for Trumpet & Euphonium
#
Classical
#
Carl Philipp Emanuel Bach
#
James M
#
CPE Bach: Duetto Wq. 140 for T
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.551151 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. G...
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.551151 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #4999873. Published by jmsgu3 (A0.551151). Duration ca. 7:00Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95 ≈
23.03€
Sullivan: The Lost Chord for Baritone Horn & Piano
Sullivan: The Lost Chord for Baritone Horn & Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for B
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP...
(+)
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
24.87€
Four Traditional 13th Century Christmas Carols for Trumpet, Euphonium & Tuba
Four Traditional 13th Century Christmas Carols for Trumpet, Euphonium & Tuba
#
Christmas
#
Traditional
#
James M
#
Four Traditional 13th Century
#
jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Euphonium,Tuba - Level 2 - Digital Download SKU: A0.550974 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Classic...
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B-Flat Trumpet,Euphonium,Tuba - Level 2 - Digital Download SKU: A0.550974 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Classical,Standards. 42 pages. Jmsgu3 #4896869. Published by jmsgu3 (A0.550974). Score: 14 pages. Duration 7:40Players read from the score.1. Angelus Ad Virginum2. Qui creavit celum3. Verbum caro factum est4. Verbum Patris umanatur
$28.95 ≈
26.72€
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.25€
Mussorgsky: Night on Bald Mountain for Concert Band
Mussorgsky: Night on Bald Mountain for Concert Band
#
Concert band
#
INTERMEDIATE
#
Classical
#
Modest Petrovich Mussorgsky
#
James M
#
Mussorgsky: Night on Bald Moun
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549957 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Halloween,Instructional,R...
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Concert Band - Level 3 - Digital Download SKU: A0.549957 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. Halloween,Instructional,Romantic Period,Standards. 234 pages. Jmsgu3 #4348907. Published by jmsgu3 (A0.549957). Scored with optional parts to accommodate most concert bands. 1 Piccolo, 2 Flutes, 2 Oboes, 2 Bb Clarinets, 2 Bass Clarinets, 2 Eb Alto Saxes, 2 Bb Tenor Saxes, 2 Eb Baritone Saxes, 2 Bb Trumpets, 2 F Horns, Trombone/Euphonium/Bassoon 1 & 2 part, 2 Tubas, Mallets: (marimba), Chimes, Percussion 1: snare drum, crash cymbals, suspended cymbal, gong & triangle, Percussion 2: Bass Drum, crash cymbals, gong, Can be performed by a small band with one on a part, no percussion, no piccolo.Mussorgsky's Night on Bald Mountain is significant for several reasons. Composed in 1867, it is a tone poem inspired by the Russian legend of nocturnal revels on St. John's Night, involving a witches' Sabbath on Bald Mountain near Kiev. The piece is known for its high drama, dark textures, and bold harmonies, which Mussorgsky's colleagues considered excitingly expressive and raw. The work was unpublished and unrevised at the time of the composer's death, and his colleagues, including Rimsky-Korsakov, later revised it. The composition remains a powerful representation of Russian folk tradition. It is associated with the pagan festivities of the midsummer Slavic holiday, making it a significant piece in the history of Russian classical music.The legend of the nocturnal revels on St. John's Night in June on a hill called Lysa Hora near Kiev is a prominent Slavic tale that inspired Modest Mussorgsky's Night on Bald Mountain. The legend tells of a demon, Chernobog, who leads the revels until a far-off church bell sounds disperse the Spirits of Darkness. This tale is associated with the pagan festivities of the midsummer Slavic holiday and is a significant part of Russian folklore and culture. Lysa Hora, meaning Bald Mountain or Barren Mountain, is a large wooded hill in the Ukrainian capital Kyiv, near the confluence of the Dnipro and Lybid' rivers, and is the traditional site of the witch gatherings in Slavic folklore. The legend's themes of darkness, supernatural gatherings, and the triumph of light have made it a compelling source of inspiration for various artistic works, including Mussorgsky's musical composition.
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Guthrie: The Trumpet, Euphonium 
