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Here In Your Presence Oboe
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You've selected:
Here In Your Presence Oboe
Sheetmusic to print
10 sheet music found
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1
Oh Shenandoah (for oboe and piano)
Oh Shenandoah (for oboe and piano)
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Oboe, Piano (duet)
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EASY
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the mid-1800s versions of the
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.1311555 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Instructional,Multicultural...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.1311555 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Instructional,Multicultural,Patriotic,World. Score and part. 9 pages. Colin Kirkpatrick Publications #900562. Published by Colin Kirkpatrick Publications (A0.1311555). This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your oboe recital, or it would make an excellent encore piece. The lowest note is the C just under the treble staff and the highest note is the A just above the staff.  The duration is 03:55. As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origin among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the American clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your oboe repertoire today!
$5.99 ≈
5.50€
The LORD is in His Holy Temple with I Surrender All
The LORD is in His Holy Temple with I Surrender All
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Violin and Piano
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple and Jim Ja
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Stephen R
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The LORD is in His Holy Temple
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Juds...
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Judson W VanDeVenter. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #6212881. Published by Stephen R Dalrymple (A0.818339). The LORD is in His Holy Temple with I Surrender All arranged for violin and piano by Stephen R Dalrymple performed by Jim Jansen and Stephen R Dalrympletranscribed for flute, clarinet, trumpet, emphonium/trombone and cello  The Lord is in His Holy Temple by George F. Root 1872 tune – QUAM DILECTA based on Habakkuk 2:19-20  I Surrender All lyrics - Judson W. VanDeVenter 1896 melody - Winfield S. Weeden 1896     The context of the song The LORD is in His Holy Temple is often overlooked in singing this song. Worship in the OT is a rather noisy affair with instruments, singing, shouting, dancing, and public praise. In the Old Testament, quiet in the Temple of God is an ominous, frightening thing, because God’s judgment is to be pronounced! I Surrender All is paired here with The LORD is in His Holy Temple thinking back to Isaiah 6 where Isaiah’s reaction to encountering the presence of God is surrender to Him. Yielding to God is, not only the prerequisite for avoiding God’s judgment, it is the path to peace and joy.     Without the doublestops of the violin part, the wind parts may not seem very challenging at first sight, but to play a beautiful legato with a full tone at piano and pianissimo (slowly, too) is much harder than it sounds. The phrasing and the intensity of the music is critical to the message of the piece. It will take considerable attention between the soloist and the pianist to communicate the moody rubato basic to the best performance of the arrangement.     This .pdf includes 14 score choices ♫ Full Score for violin and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for violin and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50 ≈
4.13€
Here In Your Presence - Oboe
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Oboe (band part)
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Sacred music
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Jon Egan
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J
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Here In Your Presence - Oboe
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Jon Egan. Arranged by J. Daniel Smith. Concert, Praise & Worship, Sacred. Choral Instrumental Pak. 2 pages. Duration 316. Published by Hal Leonard -...
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Composed by Jon Egan. Arranged by J. Daniel Smith. Concert, Praise & Worship, Sacred. Choral Instrumental Pak. 2 pages. Duration 316. Published by Hal Leonard - Digital Sheet Music (HX.92591). - Choral Instrumental Pak - Concert,Praise & Worship,Sacred - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.43€
Rock of Ages with Hiding in Thee
Rock of Ages with Hiding in Thee
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Rock of Ages with Hiding in Th
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, Will...
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.818333 By Stephen R Dalrymple. By Thomas Hastings, Augustus M Toplady, Ira D Sankey, William O Cushing. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 51 pages. Stephen R Dalrymple #6091833. Published by Stephen R Dalrymple (A0.818333). Rock of Ages hymn arrangement for flute and piano by Stephen R Dalrymple transcribed for solo clarinet, trumpet, euphonium/trombone, violin, and cello   Rock of Ages (text by Augustus M Toplady 1776, tune by Thomas Hastings 1830) Hiding in Thee (text by William O Cushing 1876, tune by Ira D. Sankey 1877)   To describe might, power, security, protection – the images we think of are exploding bombs, a nuclear arsenal, security systems. None of these existed in the ancient world. The image of a rock, its density, its hardness, its inability to be shaken, actually, that is a universal metaphor. And so we find it often in the Bible.   Moses struck the rock to produce water. Paul tells us that rock was Christ. [Ex 17, 1 Cor 10] Moses was hidden in the cleft of a rock to watch the presence and glory of God pass by. [Ex 33] David often alluded to the rock as a fortress in the Psalms. [Ps 18] And the picture of Christ as the cornerstone is another favorite theme. [Mt 21, I Pt 2] Several of our hymns use (and mix) these metaphors to speak of the Rock, a place of refuge, a place of safety, a place of redemption.   Suitable for preludes, offertories, concerts, personal meditation.   Includes pdf of 14 score choices ♫ Full Score for flute and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for flute and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50 ≈
4.13€
Three Laments of Heloise for Chamber Orchestra
Three Laments of Heloise for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00 ≈
91.83€
Arrogant won't last long
Arrogant won't last long
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Yu Chuen SHIU
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Yu Chuen SHIU
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Arrogant won't last long
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Shiu yu chuen
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SheetMusicPlus
Small Ensemble Alto Saxophone,Cello,Drum Set,Oboe,Piccolo,Soprano Saxophone,Timpani,Violin - Level 2 - Digital Download SKU: A0.1184329 Composed by Yu Ch...
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Small Ensemble Alto Saxophone,Cello,Drum Set,Oboe,Piccolo,Soprano Saxophone,Timpani,Violin - Level 2 - Digital Download SKU: A0.1184329 Composed by Yu Chuen SHIU. Arranged by Yu Chuen SHIU. Praise & Worship. Score and parts. 9 pages. Shiu yu chuen #784048. Published by Shiu yu chuen (A0.1184329). Therefore , the proud may not stand in Your presence, or You hate all who do evil.
$6.00 ≈
5.51€
This Love
This Love
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Oboe (band part)
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INTERMEDIATE
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Pop music
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Taylor Swift
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Rodrigo Faleiros
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This Love
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Rodrigo Faleiros
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.1356775 By Taylor Swift (taylor's Version). By Taylor Swift. Arranged by Rodrigo Faleiros. Pop,Singer/Song...
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Oboe Solo - Level 3 - Digital Download SKU: A0.1356775 By Taylor Swift (taylor's Version). By Taylor Swift. Arranged by Rodrigo Faleiros. Pop,Singer/Songwriter,Wedding. Individual part. 2 pages. Rodrigo Faleiros #941420. Published by Rodrigo Faleiros (A0.1356775). Immerse yourself in the emotive world of Taylor Swift's This Love with our enchanting oboe solo arrangement adorned with chords. Tailored for intermediate-level players, this arrangement allows you to captivate your audience with the tender and melodic nuances of Swift's heartfelt ballad.Key Features:Intermediate Level: Perfect for players with some experience, offering a delightful challenge without compromising the essence of This Love.Chord Symbols: Elevate your performance with the presence of a second player through a rich harmonic backdrop, adding a layer of emotional resonance to the arrangement.Instant Digital Download: Begin your expressive musical journey promptly with our easy-to-access PDF download.Check out every other arrangement I've made for this and numerous other songs clicking here.
$4.99 ≈
4.58€
The Light Shines [John 1:5] (Anthem) - Orchestration
The Light Shines [John 1:5] (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Christopher R
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The Light Shines [John 1:5]
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747254 Composed by Christopher R. Brown. Arranged by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 119 pages. Christopher Brown #4794241. Published by Christopher Brown (A0.747254). About the song: This anthem aims to focus on the great truth of John 1:5 - The Light shines in the darkness, and the darkness can never extinguish it. At the cross, where darkness seemed to have the upper hand, the Light shone as Christ declared His finished work. In the human heart, where darkness enslaves lost souls, the Light shines as Christ saves us from the power of sin and death. And in the midst of suffering and persecution, the Light will continue to shine as God's presence and everlasting love carries us and strengthens us to continue to live faithfully for Him.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the vocal score separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.Included in your Purchase:Full ScoreVocal Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1
$49.99 ≈
45.90€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
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Here In Your Presence Oboe
