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Hey, Hey, What Can I Do
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You've selected:
Hey, Hey, What Can I Do
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185 sheet music found
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176
Hey, Hey, What Can I Do
Hey, Hey, What Can I Do
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Piano, Vocal and Guitar
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Rock
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Hootie and The Blowfish
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Hey, Hey, What Can I Do
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Hal Leonard - Digital
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SheetMusicPlus
By Hootie and The Blowfish. This edition: Interactive Download. Pop, Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital...
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By Hootie and The Blowfish. This edition: Interactive Download. Pop, Rock. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99 ≈
£3.86
What Will I Do When I Am Grown Up?
What Will I Do When I Am Grown Up?
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Choral Unison
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EASY
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Glenn Calcote
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What Will I Do When I Am Grown
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Glenn Calcote
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.903666 Composed by Glenn Calcote. Children,Christian,Graduation,Instructional,Standards. Octav...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.903666 Composed by Glenn Calcote. Children,Christian,Graduation,Instructional,Standards. Octavo. 4 pages. Glenn Calcote #6450269. Published by Glenn Calcote (A0.903666). This song is from a Christian musical entitled Keep On Dreaming. The narration in the beginning is not included in the score but was part of the original recording. Performed as a solo but can be a unison choral piece. This song expresses a child's dream of what they can be when they are an adult. Appropriate for concert or programs emphasizing making good choices in life.
$3.99 ≈
£3.09
Four Canadian Sketches (Brass Band)
Four Canadian Sketches (Brass Band)
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00 ≈
£30.97
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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High voice
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ADVANCED
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James Nathaniel Holland
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Contemporary Soprano Aria, "Th
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95 ≈
£3.06
They Saw a Star Christmas Cantata for SATB optional instruments and piano
They Saw a Star Christmas Cantata for SATB optional instruments and piano
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Connie Boss
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Connie Boss
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They Saw a Star Christmas Cant
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1318802 Composed by Connie Boss. Ar...
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Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie Boss. Christmas,Holiday. 122 pages. Connie Boss #907356. Published by Connie Boss (A0.1318802). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star.  The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where   Jesus is born. This is where the star shines down for all to see.  This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an ST duet with SATB choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir.  I hope you enjoy singing and listening to this cantata—Connie Boss.
$10.00 ≈
£7.74
What A Wonderful World
What A Wonderful World
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Piano solo
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INTERMEDIATE/ADVANCED
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Louis Armstrong
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Timothy Stapay
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What A Wonderful World
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Timothy Stapay
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Fi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1438013 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1018085. Published by Timothy Stapay (A0.1438013). When it comes to timeless classics, few songs can compare to “What a Wonderful World” by Louis Armstrong’s Orchestra and Chorus. Released in 1967, this beautiful melody has transcended decades, touching the hearts of millions across the globe. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In a world often plagued by strife and uncertainty, the song serves as a gentle reminder to focus on the positive aspects of life. It urges us to look beyond our differences and embrace the beauty that surrounds us. It celebrates the wonders of nature, the innocence of children, and the power of love, instilling a renewed sense of appreciation for the world we live in.I see trees of green, red roses tooI see them bloom for me and youAnd I think to myself what a wonderful worldI see skies of blue and clouds of whiteThe bright blessed day, the dark sacred nightAnd I think to myself what a wonderful worldThe colors of the rainbow so pretty in the skyAre also on the faces of people going byI see friends shaking hands saying how do you doThey're really saying I love youI hear babies crying, I watch them growThey'll learn much more than I'll never knowAnd I think to myself what a wonderful worldYes I think to myself what a wonderful world.
$7.99 ≈
£6.19
Fain Would I Change That Note
Fain Would I Change That Note
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Choral SATB
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Healey Willan
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Fain Would I Change That Note
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Biretta Books
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.879607 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517993. Publis...
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Choral Choir (SATB) - Digital Download SKU: A0.879607 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3517993. Published by Biretta Books (A0.879607). Fain Would I Change That Note. Music by Healey Willan. Words by Captain Tobias Hume:Fain would I change that noteTo which fond Love hath charm'd meLong, long to sing by rote,Fancying that that harm'd me:Yet when this thought doth come'Love is the perfect sumOf all delight!'I have no other choiceEither for pen or voiceTo sing or write.O Love! they wrong thee muchThat say thy fruit is bitter,When thy rich fruit is suchAs nothing can be sweeter.Fair house of joy and bliss,Where truest pleasure is,I do adore thee:I know thee what thou art,I serve thee with my heart,And fall before thee.Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.SATB a capella (with piano reduction provided for rehearsal purposes)
$2.95 ≈
£2.28
Can't Buy Me Love
Can't Buy Me Love
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C Instruments
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INTERMEDIATE/ADVANCED
#
Rock
#
The Beatles
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John Fries
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Can't Buy Me Love
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1191999 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Film/TV...
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C Instrument - Level 4 - Digital Download SKU: A0.1191999 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #791503. Published by John Fries (A0.1191999). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden. In the UK, it was the fourth highest selling single of the 1960s. The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material. When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line. He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want. However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.
$3.99 ≈
£3.09
I'll Never Fall In Love Again
I'll Never Fall In Love Again
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C Instruments
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INTERMEDIATE/ADVANCED
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Dionne Warwick
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John Fries
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I'll Never Fall In Love Again
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,St...
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C Instrument - Level 4 - Digital Download SKU: A0.1403900 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #987069. Published by John Fries (A0.1403900). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. In the fall of 1968, Bacharach and David were in Boston for previews of Promises, Promises, the new musical for which producer David Merrick had asked if they would write the score, and Merrick realized, We're missing a song in the middle of the second act, and what we need is something the audience can whistle on their way out of the theater. But around this time, Bacharach was hospitalized with pneumonia and wasn't able to sit at a piano to write the music until after he was released. By that time Hal had already come up with the lyrics to 'I'll Never Fall in Love Again,' and my hospital stay had inspired him to write, 'What do you get when you kiss a girl? You get enough germs to catch pneumonia. After you do, she'll never phone you.' When he finally sat with the lyrics in front of him, he recalls, I wrote the melody for 'I'll Never Fall in Love Again' faster than I had ever written any song in my life..
$3.99 ≈
£3.09
All I Really Want is Peace on Earth - Violin or Flute part w/vocal Lead Sheet
All I Really Want is Peace on Earth - Violin or Flute part w/vocal Lead Sheet
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C Instruments
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EASY
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1449537 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Chri...
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C Instrument - Level 2 - Digital Download SKU: A0.1449537 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 3 pages. Lytingale Music #1029293. Published by Lytingale Music (A0.1449537). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for optional Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22 ≈
£1.72
All I Really Want is Peace on Earth - Solo Lead Sheet
All I Really Want is Peace on Earth - Solo Lead Sheet
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C Instruments
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EASY
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Lytingale
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1449523 By Lytingale. By Lois J Henrickson (Lytingale). Christmas,Folk,Praise & Worship,Singer/Songwrit...
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C Instrument - Level 2 - Digital Download SKU: A0.1449523 By Lytingale. By Lois J Henrickson (Lytingale). Christmas,Folk,Praise & Worship,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 2 pages. Lytingale Music #1029274. Published by Lytingale Music (A0.1449523). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33 ≈
£2.58
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporary
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pag...
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
£4.64
I See You
I See You
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Choral SATB
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INTERMEDIATE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49 ≈
£1.93
I Won't Last A Day Without You
I Won't Last A Day Without You
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C Instruments
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INTERMEDIATE/ADVANCED
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The Carpenters
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John Fries
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I Won't Last A Day Without You
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1149231 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Pop...
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C Instrument - Level 4 - Digital Download SKU: A0.1149231 By The Carpenters. By Paul Williams and Roger Nichols. Arranged by John Fries. 20th Century,Pop,Standards. Lead Sheet / Fake Book. 3 pages. John Fries #749368. Published by John Fries (A0.1149231). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This song was the fifth and final single from the album A Song for You by the Carpenters. It was originally only an album track; 2 years passed before it was released as a single. During 1973-74, the Carpenters found themselves with a busy touring schedule, which kept them from working on new material. As a result, they had no album issued for the year. They decided to choose this song for single release. It works well as a piano solo. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.
$3.99 ≈
£3.09
Hey Hey What Can I Do
Hey Hey What Can I Do
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Guitar notes and tablatures
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Pop music
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Led Zeppelin
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Hey Hey What Can I Do
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Led Zeppelin. Pop. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Led Zeppelin. Pop. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.86
Hey, Hey What Can I Do
Hey, Hey What Can I Do
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Guitar notes and tablatures
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Rock
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Led Zeppelin
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Rock
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Hey, Hey What Can I Do
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Led Zeppelin. Pop; Rock. Guitar TAB. 15 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Led Zeppelin. Pop; Rock. Guitar TAB. 15 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
£3.86
When I Look In The Mirror...
When I Look In The Mirror...
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Concert band
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INTERMEDIATE/ADVANCED
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Aaron Fonzi
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a loser and a failure
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When I Look In The Mirror...
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi ...
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Concert Band - Level 4 - Digital Download SKU: A0.998358 Composed by Aaron Fonzi. Contemporary,Holiday,Standards. Score and parts. 67 pages. Aaron Fonzi #3884831. Published by Aaron Fonzi (A0.998358). A breathtaking new addition to wind band literature, Aaron Fonzi has composed a piece that will take your audience on an incredible, emotional journey. Inspired by his grandmother, Jacquie, Mr. Fonzi recalls:I remember vividly the conversations I had with Grandma Jacquie as a boy. She had a kind, gentle way of showing her steadfast resilience and passion for that which is good and just in the world. She didn't think it good and just that I always felt the need to make myself my worst enemy. One day, she asked me who I see in the mirror. I told her I saw an ugly boy who couldn't do anything right; a loser and a failure. She told me that she saw a handsome young man who can do anything and become whatever he puts his mind to, and that everyday I ought to look in the mirror and find that person.It took me almost 20 years to fully understand what she meant. But it's true: we can only bring the light out of others once we've truly brought it out within ourselves. So, this is for all of us who look in the mirror and see a monster or a failure. You are not a failure and your are not a monster. Let this piece remind you that you can do anything you put your mind to if you put faith in the person looking back at you.Give your ensemble and your audience an experience they will remember with this powerful work, When I Look In The Mirror....
$30.00 ≈
£23.23
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
£3.09
Christmas Angels SSAA Cantata with optional instruments with parts and piano
Christmas Angels SSAA Cantata with optional instruments with parts and piano
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Christmas
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Connie Boss
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Christmas Angels SSAA Cantata
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1117453 Composed by Connie Boss. Christian,Christma...
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Small Ensemble Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1117453 Composed by Connie Boss. Christian,Christmas,Holiday. Score and parts. 138 pages. Connie Boss #718999. Published by Connie Boss (A0.1117453). This cantata is composed of 8 songs for SSAA choir optional accent instruments - flute/violin/cello with parts and piano. They include well known pd songs as well as original songs. All arrangements are by me. Some of the songs have different lyrics as the melody doesn't have copyright but the lyrics do. Angels are mentioned in every song in this cantata. There are lots of moving parts in each of the songs where the melody is traded around to the different parts. Harmonies, echoes, etc. are all throughout the song as well. You can purchase this on Sheet Music Plus in instant download I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you. 1. Ding Dong Merrily on High 2. Think About That Day - original by me 3. A Child Was Born - original by me 4. What Wondrous Love is this - Mary's Love 5. Christmas Angels - original by me 6. Hear the Angels Sing - medley of It came upon a midnight clear, Angels from the realms of glory, melody of infant holy 7. God Rest You Merry Gentlemen 8. Carol of the Bells - new lyrics For questions or requests email cdboss@cvalley.net.
$8.00 ≈
£6.19
Do You Hear What I Hear
Do You Hear What I Hear
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Violin, Cello (duet)
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EASY
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Rock
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Carrie Underwood
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Sherry Lewis
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Do You Hear What I Hear
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.521208 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewi...
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.521208 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis. Rock. 10 pages. Sherry Lewis Publishing #3926967. Published by Sherry Lewis Publishing (A0.521208). DO YOU HEAR WHAT I HEARString Duo, Intermediate Level for violin and celloScore: YesParts: 4 pagesTime: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
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