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How Great Thou Art [late intermediate]
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You've selected:
How Great Thou Art [late intermediate]
Sheetmusic to print
35 sheet music found
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1
26
How Great Thou Art
How Great Thou Art
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Piano solo
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EASY
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Sacred music
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English translation Stuart K
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arr
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How Great Thou Art
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Sherry Frush
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.902402 Composed by English translation Stuart K. Hine, Swedish Traditional Melody, and poem written by Ca...
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Piano Solo - Level 2 - Digital Download SKU: A0.902402 Composed by English translation Stuart K. Hine, Swedish Traditional Melody, and poem written by Carl Boberg. Arranged by arr. Sherry Frush, NCTM. Christian,Sacred. Score. 2 pages. Sherry Frush #6287975. Published by Sherry Frush (A0.902402). A simple, yet lovely styling of a hymn favorite for the late elementary or early intermediate student. Also great for adult beginners! .
$3.99 ≈
3.59€
How Great Thou Art (easy jazz up in key of Bb and C)
How Great Thou Art (easy jazz up in key of Bb and C)
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Piano solo
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EASY
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John B
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Virtuoso Music
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How Great Thou Art
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Virtuoso Music
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1402941 Composed by John B. Dykes (1861). Arranged by Virtuoso Music. 19th Century,Folk,Jazz,Ragtime,Reli...
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Piano Solo - Level 2 - Digital Download SKU: A0.1402941 Composed by John B. Dykes (1861). Arranged by Virtuoso Music. 19th Century,Folk,Jazz,Ragtime,Religious. Score. 5 pages. Virtuoso Music #986160. Published by Virtuoso Music (A0.1402941). The class Swedish folk song is now rearranged for easy intermediate jazz piano solo.Started in the key of Bb and modulate to C.
$1.99 ≈
1.79€
How Great Thou Art
How Great Thou Art
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Traditional
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Ben Dockery
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How Great Thou Art
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Ben Dockery
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.693027 Composed by Traditional. Arranged by Ben Dockery. Christian,Gospel,Sacred. Score. 4 pages. Ben Doc...
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Piano Solo - Level 4 - Digital Download SKU: A0.693027 Composed by Traditional. Arranged by Ben Dockery. Christian,Gospel,Sacred. Score. 4 pages. Ben Dockery #4783651. Published by Ben Dockery (A0.693027). This classic hymn has been reharmonized with jazz and contemporary stylings. The late-intermediate level arrangement serves equally well as a prelude, offertory, or recital piece. (3:30 duration).
$3.99 ≈
3.59€
Holocene - String Quartet
Holocene - String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Bon Iver
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Kyle Pudenz
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Holocene - String Quartet
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ViolinVagabond Music
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SheetMusicPlus
String Quartet - Advanced Intermediate - Digital Download By Bon Iver. Arranged by Kyle Pudenz. Score, Set of Parts. 19 pages. Published by ViolinVagabond ...
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String Quartet - Advanced Intermediate - Digital Download By Bon Iver. Arranged by Kyle Pudenz. Score, Set of Parts. 19 pages. Published by ViolinVagabond Music
This instrumental setting of Bon Iver's "Holocene" will be an excellent addition to your quartet's gig book. The first violin gracefully drifts in and out of Justin Vernon's haunting melodies, while role of the acoustic guitar ostinato from the album version is filled by a 2-part pizzicato figure between Violin 2 and Viola, enabling your string quartet to perform this chart without the need for any additional musicians or tracks.
Extended techniques including chopping and artificial harmonics are used to emulate the unique production style of Bon Iver's recording. While not the flashiest or most technically dazzling chart in my catalog, this tune will give your ensemble a great opportunity to vibe out, settle into the groove, and provide pleasant ambience to events such as:
-Weddings
-Wedding showers
-Wedding conventions
-Wedding advertisement videos
-Funerals
-Chamber music shows
-Coffee shops
-Retirement parties
-Yoga studios
-Meditation sessions
-Did I mention weddings? (...yes, I wrote this chart for a wedding gig)
Performance time - approximately 5:30 for the full chart, but can be tailored to your gig's requirements by skipping or vamping the repeat at m74
$14.99 ≈
13.50€
How Great Thou Art [late intermediate] by Jennifer Eklund - Piano Solo
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Piano solo
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Jennifer Eklund
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How Great Thou Art [late inter
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Musicnotes
Performed by: Jennifer Eklund: How Great Thou Art [late intermediate] - (with a splash of Largo from Symphony No. 9 "From the New World") Digital Shee...
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Performed by: Jennifer Eklund: How Great Thou Art [late intermediate] - (with a splash of Largo from Symphony No. 9 "From the New World") Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages -- Classical~~Religious~~Christian~~Solo Instrumental~~Hymn
$5.99 ≈
5.39€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.43€
Glorious Things of Thee Are Spoken
Glorious Things of Thee Are Spoken
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String Trio: 2 violins, cello
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INTERMEDIATE
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Joseph Hayden
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Sandy McIntire
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Glorious Things of Thee Are Sp
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Sandy McIntire
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1101142 Composed by Joseph Hayden. Arranged by Sandy McIntire. Chamber,Christian,Classical,...
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1101142 Composed by Joseph Hayden. Arranged by Sandy McIntire. Chamber,Christian,Classical,Instructional,Religious. 11 pages. Sandy McIntire #704577. Published by Sandy McIntire (A0.1101142). GLORIOUS THINGS OF THEE ARE SPOKEN is a hymn by John Newton, later set to the tune of Joseph Haydn's Gott erhalte Franz den Kaiser (referred to in hymnals as Austria). It makes a rousing processional, prelude or postlude for worship services and other gatherings. This arrangement is an INTERMEDIATE STRING TRIO (two violins and cello). Other similar arrangements for string ensemble include All My Heart Again Rejoices, Come, Ye Faithful, Raise the Strain, and O Store Gud (How Great Thou Art), all available at this web site.
$5.99 ≈
5.39€
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Sacred music
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume
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sandra dee zylstra
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SheetMusicPlus
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by s...
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00 ≈
15.31€
Bock's Best - Volume 1
Bock's Best - Volume 1
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Piano solo
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Fred Bock
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Bock's Best - Volume 1
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Fred Bock Music Company
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SheetMusicPlus
Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, S...
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Piano - SMP Level 7 (Late Intermediate) SKU: HL.8738352 Piano Solo. Composed by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, Sacred. 152 pages. Fred Bock Music Company #BG0557. Published by Fred Bock Music Company (HL.8738352). ISBN 9781934596159. UPC: 073999726527. 9.0x12.0x0.374 inches.This tremendous piano collection features 50 of Fred Bock's very best arrangements, including: I Am Loved * Jesus Loves Me (a classic arrangements based on Claude Debussy's Clair De Lune) * A Mighty Fortress Is Our God * My Tribute * Sweet, Sweet Spirit * and more. Spiral bound.This title has selections that range in difficulty from SMP Level 6-7. About SMP Level 7 (Late Intermediate) 4 to 5-note chords in both hands and scales in octaves in both hands.
Song List
: All for Jesus (Stainer-Crucifixion) He Lifted Me Great Is Thy Faithfulness Now I Belong To Jesus We Are One In The Bond Of Love Safe Am I Surely Goodness And Mercy The Bell Carol He Is The Way I Believe In Miracles I'll Tell The World One Solitary Life Open Up Your Heart And Let The Sun Shine In Tell All The World About Love To Be Free There Is A Balm In Gilead Because He Lives Christ Of Every Crisis God Gave The Song He's Everything To Me Ivory Palaces A Mighty Fortress Is Our God Precious Lord, Take My Hand (Take My Hand, Precious Lord) Teach Me, Lord, To Wait Jesus Loves Me In Times Like These My Faith Looks Up To Thee Ten Thousand Angels Sweet, Sweet Spirit My Tribute Thou Art Worthy Something Beautiful Room At The Cross For You There's Something About That Name Wondrous Love Revive Us Again Jesus Is Coming Again Even So, Lord Jesus, Come Mansion Over The Hilltop I Will Serve Thee Gentle Shepherd How Long Has It Been Redeeming Love I Just Feel Like Something Good Is About To Happen I Am Loved The Church Triumphant How Big Is God? Were You There? What A Friend We Have In Jesus Oh How He Loves You And Me
$29.95 ≈
26.97€
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great Bass R
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,In...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - Digital Download SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99 ≈
14.40€
Piano Duets: The Sacred Collection
Piano Duets: The Sacred Collection
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1 Piano, 4 hands
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INTERMEDIATE
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Sacred music
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Various
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Piano Duets: The Sacred Collec
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SheetMusicPlus
Piano Duet - Intermediate - Digital Download Composed by Various. Arranged by Anne Britt. Christian, Sacred, Praise and Worship, Latter-Day Saints, General ...
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Piano Duet - Intermediate - Digital Download Composed by Various. Arranged by Anne Britt. Christian, Sacred, Praise and Worship, Latter-Day Saints, General Worship. 62 pages. Published by Anne Britt
This collection includes six hymn arrangements for piano duet (one piano, four hands). From the peaceful assurance of ?It Is Well with My Soul? to the rousing commitment of ?Called to Serve Medley,? each of these pieces is arranged beautifully to provide a memorable musical offering suitable for church services and other special occasions. Primo and secondo parts are fairly well balanced in difficulty and involvement, and for the most part are accessible to the intermediate pianist. ?Come, Thou Fount of Every Blessing? is classified as late intermediate because it offers some more advanced rhythmic challenges and creative meter changes. 59 pages.
1. How Great Thou Art
2. The Spirit of God
3. A Poor Wayfaring Man of Grief
4. Called to Serve Medley (includes ?Called to Serve,? ?I?ll Go Where You Want Me to Go,? and ?How Gentle God?s Commands?)
5. It Is Well with My Soul
6. Come, Thou Fount of Every Blessing
YouTube playlist of all six duets: https://www.youtube.com/watch?v=X3jGsH0nl7oandlist=PLNCfNIIU9pLRdDBLm1kz8esyHQGxZxj0U
$14.99 ≈
13.50€
Come, Come Ye Saints
Come, Come Ye Saints
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Harp
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INTERMEDIATE/ADVANCED
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Sacred music
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Ray Pool
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Come, Come Ye Saints
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Saints, General Worship. 80 pages. Published by Afghan Press Music for...
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Harp - Advanced Intermediate - Digital Download Arranged by Ray Pool. Latter- Day Saints, General Worship. 80 pages. Published by Afghan Press Music for the Harp
A collection of fifty hymns of The Church Jesus Christ of Latter-Day Saints (Mormon faith) in lead sheet or fake book format, taken directly from the collection printed in 1985 with the simple title “Hymns.” It includes a broad selection of these hymns to print with melody line, chord symbols, editings for harmonic adjustment on either lever or pedal harp, simultaneously, and the first verse of lyrics. Three separate “Table of Contents” listings organize the entries according to first line of text, level of difficulty, and key signature.If you already play from a fake book, this will be a resource of immediate use to you. If you want to learn to play from a fake book, this is a great place to start.
Titles: Abide with Me, Angels We Have Heard on High, Christ the Lord is Risen Today, Come Unto Jesus, Come, Come Ye Saints, Come, Listen to a Prophet's Voice, Come, O Thou King of Kings, Come, Ye Children of the Lord, Come, Ye Disconsolate, Did You Think to Pray?, Far, Far Away on Judea's Plains, Father in Heaven, For the Beauty of the Earth, For the Strength of the Hills, God Be With You Till We Meet Again, God of Our Fathers, Whose Almighty Hand, God, Our Father, Hear Us Pray, He Is Risen!, High on the Mountaintop, How Firm a Foundation, How Gentle God's Command, How Great the Wisdom and Love, I Know that my Redeemer Lives, I Need Thee Every Hour, I Stand All Amazed, I'll Go Where You Want Me to Go, In Humility, Our Savior, In Hymns of Praise, Israel, Israel, God is Calling, Jesus, Once of Humble Birth, Jesus, Savior, Pilot Me, Jesus, The Very Thought of Thee, Joseph Smith's First Prayer, Joy to the World, Let Us All Press On, Lead, Kindly Light, Oh, Come, All Ye Faithful, Now Let Us Rejoice, O My Father, Praise God, from Whom All Blessings Flow, Put Your Shoulder to the Wheel, Redeemer of Israel, Rejoice, the Lord is King, Silent Night, Sweet is the Work, The Lord Is My Shepherd, The Spirit of God, There is a Green Hill Far Away, We Ever Pray for Thee, Zion Stands with Hills Surrounded.
$20.00 ≈
18.01€
David Bowie: Life On Mars for Clarinet & Piano
David Bowie: Life On Mars for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Rock
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David Bowie
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James M
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David Bowie: Life On Mars for
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jmsgu3
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SheetMusicPlus
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Publ...
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.
"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:
Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]
In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]
The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".
Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.
The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).
Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95 ≈
44.99€
Unwritten
Unwritten
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Choral 3-part
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EASY
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Contemporary
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Natasha Bedingfield
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Hannah Wickham
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Unwritten
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Hannah Wickham
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.871488 By Natasha Bedingfield. By Danielle Brisebois, Natasha Bedingfield, and Wayne Rodrigues. A...
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.871488 By Natasha Bedingfield. By Danielle Brisebois, Natasha Bedingfield, and Wayne Rodrigues. Arranged by Hannah Wickham. Contemporary. Octavo. 6 pages. Hannah Wickham #6563285. Published by Hannah Wickham (A0.871488). A great throwback song with a powerful positive message. Not too tricky - the opening cross rhythms are the hardest part, although there are some simple chromatics later to work on too. Opportunity for some ad lib solos at the end if desired to showcase voices.Approx performance time: 4:00Difficulty: Early IntermediateClean?: YesRange: S1 F4-Eb5, S2 F4-C5, A1 G3-A5 A2 F3-A5
$2.99 ≈
2.69€
An American Story: George Gershwin. One act opera
An American Story: George Gershwin. One act opera
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Piano, Voice
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Misha Stefanuk
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An American Story: George Gers
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Misha Stefanuk
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SheetMusicPlus
Piano,Vocal,Voice - Advanced Intermediate - Digital Download SKU: A0.502406 Composed by Misha Stefanuk. Broadway,Contemporary,Folk,Musical/Show. Score. 1...
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Piano,Vocal,Voice - Advanced Intermediate - Digital Download SKU: A0.502406 Composed by Misha Stefanuk. Broadway,Contemporary,Folk,Musical/Show. Score. 123 pages. Published by Misha Stefanuk (A0.502406). An American Story: George Gershwin is a brief, jazz-infused opera in one act on the subject of George Gershwin, one of America's greatest and most influential composers. Although fictional, most of the opera's story is based upon biographical facts and direct quotes from George Gershwin's interviews and other sources.In this show, the audience is given a brief glimpse at the music and style of 1920s, when George and his brother, the champion lyricist, Ira Gershwin, were first starting to experience great success the world over. Their Broadway shows were in high demand, and many of them were made into lucrative Hollywood movies. Their shows are still often performed today.An American Story opens with a scene in which George and Ira are working through a piece they have written and are discussing their successes of the past year, including George's appearance on the cover of Time magazine. The operagoes on to introduce two female characters including Kay Swift, who was a significant composer at the time, as well and a strong influence upon George.Gertrude Lawrence, the British singer for whom George and Ira Gershwin wrote the musical Oh, Kay! also appears later in the opera, when she rehearses with George.An American Story: George Gershwin is The New Opera's second work dedicated to popularizing the life stories of historical and cultural figures, following Wolfy, an opera focusing on the life of Wolfgang Amadeus Mozart. This helps further The New Opera's mission to cultivate a growing interest in artistic and musical subjects for audiences of all ages and social levels and extend our enthusiasm for outstanding achievement in the arts.Complete You tube playlist can be found here https://www.youtube.com/playlist?list=PLUIlJVpmilpf_2ikBsnqhccqxAa4Gyy2x
$20.99 ≈
18.90€
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Joseph Alessi, Christian Lindb
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Aaron Hettinga
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Blue Bells of Scotland - Tromb
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron Hettinga. 20th Century,Classical,Contest,Festival,Patriotic,Traditional. Score and parts. 24 pages. Aaron Hettinga #698344. Published by Aaron Hettinga (A0.1094241). Arthur Pryor’s famous theme and variations on “The Blue Bells of Scotland†has been a showcase for trombonists with strong technique and agility for well over a century. While this work is most commonly performed as accompanied by a wind band or with piano, in this arrangement the soloist is supported by a standard brass quintet. The solo part is unchanged from Pryor’s original, though there are some minor tweaks to suggested slide positions and other notations throughout. While each of the accompanying quintet parts do feature some small technical requirements, they remain at an intermediate level where even less-experienced players should be able to pull them off. Performance suggestion: as an option, it’s recommended to utilize Cornets and Euphonium in place of the Trumpet and Trombone parts in the accompanying quintet to more faithfully emulate the sounds of the conical-bore instruments of the period and to better separate the tonality of the accompaniment from the soloist. This arrangement is a great vehicle to showcase a talented trombonist on this classic piece of standard trombone literature!
$29.99 ≈
27.01€
La Lisonjera - flute-piano
La Lisonjera - flute-piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Cecile Chaminade
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Phil Beaman
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La Lisonjera - flute-piano
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Phil Beaman
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part...
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Flute,Piano - Level 4 - Digital Download SKU: A0.1049312 Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312). Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.
$6.99 ≈
6.30€
Marshmello - Happier
Marshmello - Happier
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Piano, Voice
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INTERMEDIATE
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Pop music
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Marshmello & Bastille, M
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Mario Stallbaumer
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Bastille, Marshmello (Feat
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Marshmello - Happier
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello & Bastille, Marshmello (Feat. Bastille). Arranged by Mario Stall...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello & Bastille, Marshmello (Feat. Bastille). Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
Here's how to play "Happier" by Marshmello (feat. Bastille) on piano!
With this piano sheet music, you can play "Happier" on piano.
It's an accurate piano arrangement of the whole song which is not too hard to play, and sounds fantastic!
The whole melody is included in the piano part, so it sounds great when played as an instrumental version. However, you can also use these piano sheets to accompany singers, or sing along yourself!
This sheet music comes with a seperate system for the singer, and includes the song's full lyris.
"Happier" is a follow-up to Marshmello's super-hit "Friends" (feat. Anne-Marie), and it's a beautiful collaboration with British indie-band Bastille.
Here are the full lyrics to "Happier":
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
When the morning comes
When we see what we've become
In the cold light of day we're a flame in the wind
Not the fire that we've begun
Every argument, every word we can't take back
'Cause with the all that has happened
I think that we both know the way that the story ends
Then only for a minute
I want to change my mind
'Cause this just don't feel right to me
I want to raise your spirits
I want to see you smile but
Know that means I'll have to leave
Know that means I'll have to leave
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
When the evening falls
And I'm left there with my thoughts
And the image of you being with someone else
Well, that's eating me up inside
But we run our course, we pretend that we're okay
Now if we jump together at least we can swim
Far away from the wreck we made
Then only for a minute
I want to change my mind
'Cause this just don't feel right to me
I want to raise your spirits
I want to see you smile but
Know that means I'll have to leave
Know that means I'll have to leave
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
So I'll go, I'll go
I will go, go, go
So I'll go, I'll go
I will go, go, go
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
Even though I might not like this
I think that you'll be happier, I want you to be happier
Then only for a minute (only for a minute)
I want to change my mind
'Cause this just don't feel right to me
I want to raise your spirits
I want to see you smile but
Know that means I'll have to leave
Know that means I'll have to leave
Lately, I've been, I've been thinking
I want you to be happier, I want you to be happier
So I'll go, I'll go
I will go, go, go
$4.99 ≈
4.49€
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How Great Thou Art [late intermediate]
