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You've selected:
Hymn Sacred Gregorian
Sheetmusic to print
53 sheet music found
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1
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51
Gregorian Impressions
Gregorian Impressions
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Organ
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Richard J Clark
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Gregorian Impressions
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Sacred Music Press
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SheetMusicPlus
Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-2155S Plainchant Settings for Organ. Arranged by Richard J Clark. Sacred, Genera...
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Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-2155S Plainchant Settings for Organ. Arranged by Richard J Clark. Sacred, General, Communion. Organ. 32 pages. Sacred Music Press #e70/2155S. Published by Sacred Music Press (LX.70-2155S). ISBN 9780787763558.Richard J. Clark has chosen some of his favorite plainchant melodies and created approachable organ settings of varied character. These melodies are among the most well-known plainchants, and they appear in hymnals of many denominations. These pieces will provide service-playing material for several seasons of the church year and Communion or a suite for recital use.
$21.00 ≈
£15.68
Gregorian Impressions
Gregorian Impressions
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Organ
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Richard J
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Gregorian Impressions
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Sacred Music Press
#
SheetMusicPlus
Organ: 3-staff - Moderately Advanced SKU: LO.70-2155S Composed by Richard J. Clark. Sacred, General, Holy Communion. Sacred Music Press #70/2155S. Publis...
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Organ: 3-staff - Moderately Advanced SKU: LO.70-2155S Composed by Richard J. Clark. Sacred, General, Holy Communion. Sacred Music Press #70/2155S. Published by Sacred Music Press (LO.70-2155S). ISBN 9780787763558.Richard J. Clark has chosen some of his favorite plainchant melodies and created approachable organ settings of varied character. These melodies are among the most well-known plainchants, and they appear in hymnals of many denominations. These pieces will provide service-playing material for several seasons of the church year and Communion or a suite for recital use.
$25.00 ≈
£18.67
Salve Regina (Gregorian Chant with contemporary chord progression)
Salve Regina (Gregorian Chant with contemporary chord progression)
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Choral SATB
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EASY
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Traditional Gregorian Chant
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Bonnie Wong
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Salve Regina
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Maranatha Contemplative Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.798466 Composed by Traditional Gregorian Chant. Arranged by Bonnie Wong. Christian,Sacred,Spiri...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.798466 Composed by Traditional Gregorian Chant. Arranged by Bonnie Wong. Christian,Sacred,Spiritual. Octavo. 1 pages. Maranatha Contemplative Music #6065563. Published by Maranatha Contemplative Music (A0.798466). Salve Regina, a Marian Hymn based on traditional a Gregorian Chant tune. Traditional sung at Compline, or as the final prayer of the Rosary. This music sheet provides re-arrangement of contemporary chord progression, and here is my YouTube to illustrate how it can be nicely arranged with Clair de Lune: https://youtu.be/pcKvdNYuGB8.
$4.99 ≈
£3.73
Jesus' Prayer--hymn style
Jesus' Prayer--hymn style
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Piano, Voice
#
EASY
#
Words: Lyndell Leatherman / Tu
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Lyndell Leatherman
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Jesus' Prayer--hymn style
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Leatherman Music Services
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1444244 Composed by Words: Lyndell Leatherman / Tune: RIPLEY. Arranged by Lyndell Leatherman. Chri...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1444244 Composed by Words: Lyndell Leatherman / Tune: RIPLEY. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #1024176. Published by Leatherman Music Services (A0.1444244). This is a relatively new text on the subject of Christian unity based on Jesus' prayer for his disciples found in John 17. Set to the uplifting RIPLEY tune (which was adapted from Gregorian chant by Lowell Mason), this arrangement is 4-part hymn style (a genre which ArrangeMe doesn't include in their pull-down menu). The PDF contains two versions: key of C and key of D. As far as I am concerned, you may reproduce the PDF gratis in your worship bulletin and/or for distribution to your choir. All I would ask is that you report any congregational use to CCLI if used during your reporting period. Thanks, and God bless! Lyndell Leatherman.
$3.99 ≈
£2.98
Christe, Redemptor omnium - Christmas hymn for SATB a cappella
Christe, Redemptor omnium - Christmas hymn for SATB a cappella
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Choral SATB
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INTERMEDIATE
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Christmas
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Santino Cara
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Christe, Redemptor omnium - Ch
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Santino Cara
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.516702 Composed by Santino Cara. A Cappella,Christmas,Sacred. Octavo. 3 pages. Santino Cara #524...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.516702 Composed by Santino Cara. A Cappella,Christmas,Sacred. Octavo. 3 pages. Santino Cara #524107. Published by Santino Cara (A0.516702). Christmas hymn for SATB a cappella composed in Rome in 2004 by Santino Cara on text from the verses 1,2,3 of the Gregorian Chant.
$6.20 ≈
£4.63
Lorenzo Perosi - Hymnus In Festo SS Cordis Jesu - Ad Vesperas (Auctor Beatae saeculi)
Lorenzo Perosi - Hymnus In Festo SS Cordis Jesu - Ad Vesperas (Auctor Beatae saeculi)
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Lorenzo Perosi
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Guido Menestrina
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Lorenzo Perosi - Hymnus In Fes
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Guido Menestrina
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Voice - Digital Download SKU: A0.828729 Composed by Lorenzo Perosi. Arranged by Guido Menestrina. 20th Century,...
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Instrumental Duet Instrumental Duet,Organ,Voice - Digital Download SKU: A0.828729 Composed by Lorenzo Perosi. Arranged by Guido Menestrina. 20th Century,Sacred. Score and parts. 2 pages. Guido Menestrina #1921089. Published by Guido Menestrina (A0.828729). An unpublished score I found handwritten in Florence National Library. Organ and 2 voices. Probably meant to be sung in alternata with gregorian.
$3.99 ≈
£2.98
Thee We Adore
Thee We Adore
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Organ
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Christopher J
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Thee We Adore
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Sacred Music Press - Digital
#
SheetMusicPlus
Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-2456S Organ Settings of Chant-Based Hymns. Composed by Christopher J. Hoh. Sacre...
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Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-2456S Organ Settings of Chant-Based Hymns. Composed by Christopher J. Hoh. Sacred, Concert, General. Organ. 36 pages. Sacred Music Press - Digital #e70/2456S. Published by Sacred Music Press - Digital (LX.70-2456S). Featuring eight organ pieces, these compositions draw upon hymn tunes rooted in Gregorian chant, the ancient song of the Christian church. Each piece preserves the established melody, often with words derived from the original chant, and spans the church year from Advent to Pentecost. Christopher J. Hoh's unique and creative style breathes fresh life into these timeless melodies.
$21.00 ≈
£15.68
WHEN I SURVEY THE WONDROUS CROSS (Horn Quartet #33)
WHEN I SURVEY THE WONDROUS CROSS (Horn Quartet #33)
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Brass ensemble
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INTERMEDIATE
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Gregprian Chant/Mason
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James K
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WHEN I SURVEY THE WONDROUS CRO
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James K. Taylor
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.872471 Composed by Gregprian Chant/Mason. Arranged by James K. Taylor. Christian,Sacred,Traditional,W...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.872471 Composed by Gregprian Chant/Mason. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 8 pages. James K. Taylor #2037133. Published by James K. Taylor (A0.872471). The hymn WHEN I SURVERY THE WONDROUS CROSS began as Gregorian Chant and was eventually harmonized by Mason. This is one of the most beautiful hymns in the hymnbook but it only uses five notes for the melody. That is hard for me to believe. I hope you get to play this horn quartet.
$20.00 ≈
£14.94
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
#
Matthew Alan Edwards
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19 ≈
£1.64
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Choral TTBB
#
INTERMEDIATE/ADVANCED
#
Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
#
Matthew Alan Edwards
#
SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19 ≈
£1.64
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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Organ
#
INTERMEDIATE
#
Matthew Alan Edwards
#
Matthew Alan Edwards
#
Op. 7 Canzona alla terza "Verb
#
Matthew Alan Edwards
#
SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissan...
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Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99 ≈
£4.47
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
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Trombone and Piano
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INTERMEDIATE
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Traditional plainchant melody
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Todd Marchand
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Humbly I Adore Thee
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacr...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and part. 7 pages. Con Spirito Music #702001. Published by Con Spirito Music (A0.1098129). “Humbly I Adore Thee†is a eucharistic, or communion, hymn with text by St. Thomas Aquinas (1225-1274).The origin of the melody, “Adoro te Devote,†is unclear. In some places it is simply described as a Gregorian chant; in others as a 13th-century Benedictine plainsong; in others as a French church melody published in the Paris Processionale (hymnal or liturgical manual) of 1697. Regardless, it is a lovely, flowing tune well-suited for the legato “singing†capabilities of the trombone, euphonium, or cello.In this arrangement, the soloist plays the tune through on the first verse in D major, adds a descant over the melody played by keyboard in the second verse and, following a short modulation, recapitulates the tune in the concluding key of G major.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
£4.48
When I Survey the Wondrous Cross
When I Survey the Wondrous Cross
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Choral SATB
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INTERMEDIATE
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Isaac Watts
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Justin M
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When I Survey the Wondrous Cro
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Justin M. Ryan
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886923 Composed by Isaac Watts. Arranged by Justin M. Ryan. Baroque,Contemporary,Easter,Sacred. Octavo. 8 pages. Justin M. Ryan #3049153. Published by Justin M. Ryan (A0.886923). The hymn, When I Survey the Wondrous Cross, was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first two lines of the second verse do paraphrase St Paul at Galatians 6:14. The poetry of When I survey... may be seen as English literary baroque.[1] The hymn's fourth verse (His dying crimson...) is commonly omitted in printed versions, a practice that began with George Whitefield in 1757.[2]This arrangement is for SATB Choir and is performed at a Moderate tempo. It is broken up into 4 verses plus please watch verse 3. The Soprano melody has been slightly adjusted but still follows the same harmonic movement as in Vs. 1 and 2. Enjoy this wonderful Lenten Classic.Tune Information Composer: Lowell Mason (1824) Meter: 8.8.8.8 Incipit: 11232 34323 33343 Key: F Major or modal Source: Adapted from a Gregorian Chant
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£2.23
Meditation on "Veni, Emmanuel" — trombone and piano or organ
Meditation on "Veni, Emmanuel" — trombone and piano or organ
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Trombone and Piano
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INTERMEDIATE
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Plainchant melody
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Todd Marchand
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Meditation on "Veni, Emmanuel"
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and p...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel†are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,†with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,†verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
£4.48
Veni, veni Emmanuel (for Voice and Piano Accompaniment)
Veni, veni Emmanuel (for Voice and Piano Accompaniment)
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Piano, Voice
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INTERMEDIATE
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Flavio Regis Cunha - Tradition
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Flavio Regis Cunha
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Veni, veni Emmanuel
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Reg...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Regis Cunha. Christmas,Classical,Film/TV,Instructional,Sacred. Score. 16 pages. Flavio Regis Cunha #6656831. Published by Flavio Regis Cunha (A0.597585). Beautiful, exotic and inspiring arrangement for the well-known Gregorian chant. The arrangement proposes a cathedral atmosphere, with the piano pedal often mixing sounds and chords to provide the reverberation of a cathedral. The text of the first stanza was placed in Latin to evoke the Gregorian ambience of the first centuries of sacred vocal music. You will love playing and singing this arrangement. It will really feel like a cathedral. Your audience will love to hear it. O Come, O Come, Emmanuel, is a song for the Advent period, that is, the four sunday period before the day of Christmas. It's a period of expectation, of wait for the coming of the Messiah. the anthem has a centuries-old and curious history: text and music came from countries different and from different periods of the story! The text already existed in the eighth century! and it was very sung! But the first publication that his if you know it is from the year 1710, coming from the city of Cologne, Germany. The melody we know today, was associated for the first time to the text in 1851, in a English hymnal of that year. But the origin of melody remained obscure. the mystery was solved in 1966, only when Marry Berry, English musicologist, discovered in the National Library of France, a manuscript from the 15th century that brought the melody score, but associated with another text, Bone Jesu dulcis. So, both melody and texts are, in fact, centenarians, but they were not born together: they were joined very late! But this union has become eternal: impossible imagine O Come, O come Emmanuel sung with another melody, just like the melody, our acquaintance, associated with another text! Album link: https://open.spotify.com/album/0PTAmxvGwRXw5788nIDaSU?si=RLRuFSKzQHSqzMx4OYaEZw Intermediate level Format: Concert, 9 x 12 inches 16 pages.
$4.99 ≈
£3.73
Prelude on Ubi Caritas
Prelude on Ubi Caritas
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Organ
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INTERMEDIATE/ADVANCED
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Nancy DeVries
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Nancy DeVries
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Prelude on Ubi Caritas
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Nancy DeVries
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.1404145 Composed by Nancy DeVries. Arranged by Nancy DeVries. Christian,Easter,Lent,Religious,Sacred. Score. 3...
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Organ - Level 4 - Digital Download SKU: A0.1404145 Composed by Nancy DeVries. Arranged by Nancy DeVries. Christian,Easter,Lent,Religious,Sacred. Score. 3 pages. Nancy DeVries #987320. Published by Nancy DeVries (A0.1404145). Prelude on Ubi Caritas is a short organ piece based on a Gregorian chant hymn tune, Ubi Caritas et Amor. The hymn is associated with the foot washing ceremony of Holy Thursday, which highlights the command of Christ to love one another as I have loved you. This organ work suggests the hymn tune and attempts to musically evoke the Divine mysteries of Holy Thursday including the Institution of the Holy Eucharist. This evocative work is suitable for all Sundays of the Church Year, and especially suitable for Holy Thursday, the Easter Triduum, Confirmation, Pentecost and weddings.
$4.99 ≈
£3.73
Adoro Te Devote
Adoro Te Devote
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Piano solo
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INTERMEDIATE/ADVANCED
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Nancy DeVries
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St Raphael's Psaltery
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Adoro Te Devote
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Nancy DeVries
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.964555 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Sacred. Score. 3 p...
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Piano Solo - Level 4 - Digital Download SKU: A0.964555 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Sacred. Score. 3 pages. Nancy DeVries #6424373. Published by Nancy DeVries (A0.964555). Adoro Te Devote (Thee We Adore) is a piano arrangement of the familiar Gregorian chant hymn tune of the same name. The text for this Eucharistic hymn was written by St. Thomas Aquinas during the 13th century. As the hymn is in honor of the Most Blessed Sacrament, it is especially appropriate for Church use at Corpus Christi, Eucharistic Adoration or devotions. This meditative piece may also be appreciated for home devotional use, or for performance at programs or recitals. Advanced Intermediate level. Not overly difficult, but some minor challenges re: changes in meter, accidentals and octave work. This piece may be an enjoyable and rewarding work to play for those at this level.
$3.99 ≈
£2.98
Veni Creator Spiritus
Veni Creator Spiritus
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Piano solo
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INTERMEDIATE
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Sacred music
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Nancy DeVries
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St Raphael's Psaltery
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Veni Creator Spiritus
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Nancy DeVries
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.964554 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Sacred. Score. 2 pages. Na...
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Piano Solo - Level 3 - Digital Download SKU: A0.964554 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Sacred. Score. 2 pages. Nancy DeVries #6409203. Published by Nancy DeVries (A0.964554). Veni Creator Spiritus (Come Holy Ghost) is a piano arrangement of the familiar Gregorian chant hymn tune of the same name. The hymn is a prayer to the Holy Spirit especially appropriate for Church use at Pentecost, Confirmation, or Ordinations. This meditative piece may also be appreciated for home devotional use or for performance at programs or recitals. Intermediate level - fairly straightforward with some slight rhythmic challenges. Suitable for pianists of all ages at this level.
$3.99 ≈
£2.98
When I survey the wonderous cross/Fourfold Amen (For Violin Duet)
When I survey the wonderous cross/Fourfold Amen (For Violin Duet)
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Sacred music
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Gregorian/J
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Han-Ki Kim
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When I survey the wonderous cr
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Han-Ki Kim
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SheetMusicPlus
String Ensemble - Level 4 - Digital Download SKU: A0.511753 Composed by Gregorian/J.Stainer. Arranged by Han-Ki Kim. Christian,Easter,Sacred,Standards. S...
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String Ensemble - Level 4 - Digital Download SKU: A0.511753 Composed by Gregorian/J.Stainer. Arranged by Han-Ki Kim. Christian,Easter,Sacred,Standards. Score and parts. 2 pages. Han-Ki Kim #5776021. Published by Han-Ki Kim (A0.511753). When I survey the wonderous cross and Fourfold Amen is an arrangement for Violin Duet of a popular old hymn tune. Double stopping is applied for this hymn. It works great for offertories, special music for a worship service. Arranger- also as a Violinist- is very experienced(with I Musici - world famous chamber group of Italy), and his works are very loved world widely. And, especially, Shown Bowing sign will be very helpful to player. Attached Musicfile is When I survey the wonderous cross, just for a referrence.
$1.99 ≈
£1.49
Te Deum
Te Deum
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Choral SATB
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Duarte Domingues
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Te Deum
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S. Caeciliae Publisher
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1467817 Composed by Duarte Domingues. Classical,Contemporary,Latin,Religious,Sacred. 56...
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Choral Choir,Choral,SATB Chorus divisi - Digital Download SKU: A0.1467817 Composed by Duarte Domingues. Classical,Contemporary,Latin,Religious,Sacred. 56 pages. S. Caeciliae Publisher #1046117. Published by S. Caeciliae Publisher (A0.1467817). The Te Deum is a thanksgiving hymn of the IV/V century, attributed to Saint Ambrose and Saint Augustine. The text has a distinctly trinitarian structure, developing around the praise to the Most Holy Trinity.With inspirations of O. Messiæn, A. Pärt, J. Langlais, M. Duruflé and G. Finzi, composers who dwelled on the sacred music in their time, and based on the gregorian tonus solemnis of the Te Deum, this work aims to be an echo of the western sacred music of the XX century. It adopts a classic configuration for organ and choir, with solo parts in both voice and organ. It is explored, above all, the illustration of the text and the liturgy with the several musical resources that these composers utilized in their writing.I. Te Deum laudamusII. Tibi omnes AngeliIII. Te gloriosusIV. Te per orbemV. Tu Rex gloriæVI. Tu devictoVII. Te ergo quæsumusIncludes General and Choir Score.
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Hymn Sacred Gregorian
