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Hymns from the Heart Low Voice
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You've selected:
Hymns from the Heart Low Voice
Sheetmusic to print
13 sheet music found
<
1
Hymns from the Heart - Low Voice
Hymns from the Heart - Low Voice
#
Dale Wood
#
Hymns from the Heart - Low Voi
#
Sacred Music Press
#
SheetMusicPlus
Low voice solo - Moderately Easy SKU: LO.30-1347S Treasured Melodies for Solo Voice. Composed by Dale Wood. Sacred Vocal. Vocal score. Sacred Musi...
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Low voice solo - Moderately Easy SKU: LO.30-1347S Treasured Melodies for Solo Voice. Composed by Dale Wood. Sacred Vocal. Vocal score. Sacred Music Press #30/1347S. Published by Sacred Music Press (LO.30-1347S). UPC: 000308043310.In new settings that are as fresh as a morning breeze, these captivating vocal solos are all based on cherished hymn tunes. The accompaniments are filled with refreshing new harmonies, and the hymn melodies are directly stated with only occasional alterations to add variety.
Song List
: My Faith Looks Up To Thee He Leadeth Me: O Blessed Thought! What a Friend We Have in Jesus Come Ye Disconsolate Savior Like A Shepherd Lead Us Softly And Tenderly
$19.95 ≈
18.00€
Hymns from Childhood - Set 9 (solo)
Hymns from Childhood - Set 9 (solo)
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Voice solo
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BEGINNER
#
Sacred music
#
Various
#
Curtis Hanson
#
Hymns from Childhood - Set 9
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Curtis Hanson
#
SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719769 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069395. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719769 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069395. Published by Curtis Hanson (A0.719769). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Spirit of God, Descend upon My Heart, Just As I Am, and Savior, Again to Thy Dear Name. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99 ≈
5.41€
Hymns from the Heart - Low Voice
Hymns from the Heart - Low Voice
#
Low voice
#
Sacred music
#
Dale Wood
#
Hymns from the Heart - Low Voi
#
Sacred Music Press
#
SheetMusicPlus
Treasured Melodies for Solo Voice. Composed by Dale Wood. Sacred. 40 pages. Sacred Music Press #30/1347S. Published by Sacred Music Press (LX.30-1347S). ...
(+)
Treasured Melodies for Solo Voice. Composed by Dale Wood. Sacred. 40 pages. Sacred Music Press #30/1347S. Published by Sacred Music Press (LX.30-1347S). - - Sacred - Sacred Music Press
$14.00 ≈
12.63€
Alto Sax - "And Can It Be?" Theme and Variations
Alto Sax - "And Can It Be?" Theme and Variations
#
Alto Saxophone and Piano
#
INTERMEDIATE
#
Sacred music
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Alto Sax - "And Can It Be?" Th
#
Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00 ≈
6.32€
Cello - "And Can It Be?" Theme and Variations
Cello - "And Can It Be?" Theme and Variations
#
Cello, Piano
#
INTERMEDIATE
#
Sacred music
#
Gospel/Spiritual
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Cello - "And Can It Be?" Theme
#
Dan Cutchen Music
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. A...
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00 ≈
5.41€
Tuba solo - "And Can It Be?" Theme and Variations
Tuba solo - "And Can It Be?" Theme and Variations
#
Tuba
#
INTERMEDIATE
#
Sacred music
#
Lyrics: Charles Wesley, Music:
#
Dan Cutchen
#
Tuba solo - "And Can It Be?" T
#
Dan Cutchen Music
#
SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
(+)
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00 ≈
5.41€
Heart Of The Father
Heart Of The Father
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Mac Montgomery, Mitch Wong, an
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Barry McCormick
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Heart Of The Father
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father†This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
4.50€
Come, Thou Long-Expected Jesus — SATB voices, organ
Come, Thou Long-Expected Jesus — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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Todd Marchand
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Come, Thou Long-Expected Jesus
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1283376 Composed by Todd Marchand. Advent,Christian,Sacred. Octavo. 6 pages. Con Spirito Music #874560. Published by Con Spirito Music (A0.1283376). Charles Wesley’s (1707-1788) Advent hymn, “Come, Thou Long-Expected Jesus,†from Hymns for the Nativity of our Lord (1744), reflects the dual nature of Advent for Christians, in that it recalls the first coming and incarnation of the Messiah while also anticipating His return.Each stanza presents a different idea: Stanza 1, the longing for freedom from sin and fear; Stanza 2, attributes of or names for Christ; Stanza 3, the Messiah's birth, kingdom, and purpose; and Stanza 4, a prayer for Christ's rule in believers' hearts. Among the Scriptures referenced in the hymn are 2 Corinthians 4:14, Revelation 3:21, Isaiah 61:1-2, Luke 4:18-19, and Romans 6:22. In this setting of Wesley’s text to an original tune, a short introduction is followed by verse 1, presented by women’s voices (soprano, alto) and verse 2, presented by men’s voices (tenor, bass). Verse 3 is presented by SATB voices, unaccompanied; and following a short organ interlude and modulation from D minor to E minor, the concluding verse 4 is introduced by all voices in unison with organ, then expands both dynamically and in texture to SATB and ends on a glorious E major chord.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.80€
100 hymns lead sheets
100 hymns lead sheets
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C Instruments
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Sacred music
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Various
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Worship
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100 hymns lead sheets
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Brenda Kong
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SheetMusicPlus
Composed by Various. Arranged by Music Canaan Studio. Praise & Worship. Lead Sheet / Fake Book. 203 pages. Brenda Kong #682256. Published by Brenda ...
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Composed by Various. Arranged by Music Canaan Studio. Praise & Worship. Lead Sheet / Fake Book. 203 pages. Brenda Kong #682256. Published by Brenda Kong
100 hymn lead sheets -Melody and chords only -2 keys available for each hymn -Digital Download -Including 100 Hymns: 1. According to Thy Gracious Word 2. All Hail the Power of Jesus' Name 3. Amazing Grace 4. And Can It Be That I Should Gain 5. Art Thou Weary 6. At the Cross 7. Be True 8. Beneath the Cross of Jesus 9. Blessed Assurance Jesus is Mine 10. Break Thou the Bread of Life 11. Bring Them In 12. Bringing in the Sheaves 13. Christ Liveth In Me 14. Close to Thee 15. Come, Holy Spirit, Heavenly Dove 16. Come, Thou Fount 17. Come, Ye Disconsolate 18. Come to the Saviour 19. Crown Him with Many Crowns 20. Did You Think to Pray? 21. Friend of the Home 22. From Greenland's Icy Mountains 23. Give of Your Best to the Master 24. Glorious Freedom 25. Glory Be to God 26. Great is Thy Faithfulness 27. Hail to the Lord's Anointed 28. Hallelujah, What a Saviour! 29. Happy the Home When God is There 30. He Is Lord 31. He Leadeth Me 32. He Lifted Me 33. Here Is Preached the Gladsome Tidings 34. Holy, Holy, Holy 35. How Beauteous Are Their Feet 36. How Sweet the Name of Jesus Sounds 37. I Will Praise Him 38. In Heavenly Love Abiding 39. In the Cross of Christ I Glory 40. It Pays to Serve Jesus 41. Jesus Loves Me! 42. Jesus Only 43. Jesus Shall Reign Where'er the Sun 44. Living for Jesus 45. Lord, I'm Coming Home 46. Make Me a Captive, Lord 47. More Love to Thee 48. My Hope Is Built on Nothing Less 49. My Jesus, I Love Thee 50. My Times Are in Thy Hand 51. Near the Cross 52. Now Thank We All Our God 53. O Breath of Life 54. O Come, O Come Emmanuel 55. O Could I Speak the Matchless Worth 56. O Happy Day! 57. O How I Love Jesus 58. O Perfect Love 59. O Sacred Head, Now Wounded 60. O Word of God Incarnate 61. Oil in My Lamp 62. On This Stone Now Laid with Prayer 63. Open Now Thy Gates of Beauty 64. Our Father Who in Heaven Art 65. Pass Me Not 66. Praise to the Father 67. Spirit of God, Descend upon My Heart 68.Take My Life, and Let It Be 69. Thanks to God 70. The Call for Reapers 71. The Church's one Foundation 72. The God of Abraham Praise 73. The Holy Spirit Given 74. The Lord Bless You and Keep You 75. The Old Rugged Cross 76. The Voice of God 77. There Is a Fountain Filled with Blood 78. Thine Is the Glory 79. This is My Father's World 80. This World Is Not My Home 81. Thou Thinkest, Lord, of Me 82. Thou Didst Leave Thy Throne 83. 'Tis Burning in My Soul 84. To God Be the Glory 85. Trusting Jesus 86. Turn Your Eyes upon Jesus 87. Under His Wings 88. We Come, O Christ, to Thee 89. We Plow the Fields and Scatter 90. We Three Kings of Orient Are 91. We've a Story To Tell to the Nations 92. What a Friend We Have in Jesus 93. When He Cometh, When He Cometh 94. When I Survey the Wondrous Cross 95. Where He Leads Me 96. Whispering Hope 97. Whosoever Will May Come 98. Wounded for Me 99. Ye Servants of God 100. Yesterday, Today, Forever.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.99 ≈
14.43€
Anim Zemiros
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00 ≈
2.71€
New Heart Hymns: 10 Familiar Hymns for Piano
New Heart Hymns: 10 Familiar Hymns for Piano
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Piano solo
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INTERMEDIATE
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Sacred music
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Jennie Rhodes
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Jennie Rhodes
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Worship, Sacred
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New Heart Hymns: 10 Familiar H
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Jennie Rhodes Music
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SheetMusicPlus
By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score. 26 pages. ...
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By Jennie Rhodes. By Jennie Rhodes. Arranged by Jennie Rhodes. Classical, Contemporary, Instructional, Praise & Worship, Sacred. Score. 26 pages. Jennie Rhodes Music #164842. Published by Jennie Rhodes Music
Collection of 10 beloved, multi-denominational hymns arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, viola, cello, flute, oboe, and clarinet.Listen to a playlist of the entire collection (as arranged for violin) on YouTube.Piano score: 21 pagesAll texts included.SONG LIST:Abide With MeCome, Come Ye Saints (All is Well)Come, Follow MeCome, Thou Fount of Every BlessingCount Your BlessingsHow Firm a FoundationI Know that My Redeemer LivesI Stand All AmazedLead, Kindly LightNearer, My God, to Theewww.jennierhodesmusic.com.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$19.95 ≈
18.00€
Lent and Easter Strings book 1 - Strings and Piano
Lent and Easter Strings book 1 - Strings and Piano
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Sacred music
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Connie Boss
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Lent and Easter Strings book 1
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801607 Composed by Connie Boss. Christian,Easter,Sacred...
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Small Ensemble Cello,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - Digital Download SKU: A0.801607 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 68 pages. Connie Boss #6259277. Published by Connie Boss (A0.801607). This book has Lent and Easter hymns in it for strings and piano that each have their own set of parts attached at the end of each song. Mostly violin and cello - there is one that includes the viola. Some of these songs are original and some are familiar songs that have been arranged in some way by me. Songs are suitable for Ash Wednesday, Lent, Holy Thursday - Last Supper - Washing of the Feet, Good Friday and Easter. cdboss@cvalley.net (you will be able to also purchase it in book form from Amazon if desired) See book content below: You can also find this book with vocals. There is also a strings book 2 available. You can hear Were You There in the video attached.Lent and Easter SongsTable of Contents Ash WednesdayMake a clean heart in me o GodLentLord who throughout these forty daysI heard the voice of Jesus sayHoly ThursdayPlease try to remember meGood FridayThe hammer and the nailWere you thereEasterIt was a Glorious DayJesus Christ was raised on highChrist arose
$8.00 ≈
7.22€
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Hymns from the Heart Low Voice
