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You've selected:
I'm Coming Out Score Only
Sheetmusic to print
17 sheet music found
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1
I'm Coming Out - Score Only
I'm Coming Out - Score Only
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Bernard Edwards and Nile Rodge
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Dico
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I'm Coming Out - Score Only
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Dico
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486114 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B....
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486114 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B. 37 pages. Dico #1063172. Published by Dico (A0.1486114). I'M COMING OUT (PARTS) - for voices and jazz band (reduced)INSTRUMENTATION: Voices / Asax 1, 2 / Tsax / Bsax / Tpt 1, 2 / Tbn 1, 2 / DrSet / Gtr / Bass / Pno.
$25.00
I'm Coming Out - Score Only
I'm Coming Out - Score Only
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Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Bernard Edwards and Nile Rodge
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Dico
#
I'm Coming Out - Score Only
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Dico Ferreira
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486115 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B....
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486115 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B. 37 pages. Dico Ferreira #1063173. Published by Dico Ferreira (A0.1486115). I'M COMING OUT (PARTS) - for voices and jazz band (reduced)INSTRUMENTATION: Voices / Asax 1, 2 / Tsax / Bsax / Tpt 1, 2 / Tbn 1, 2 / DrSet / Gtr / Bass / Pno.
$25.00
I'm Coming Out - Score Only
I'm Coming Out - Score Only
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Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Bernard Edwards and Nile Rodge
#
Dico
#
I'm Coming Out - Score Only
#
Dico
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486112 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B....
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486112 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B. 16 pages. Dico #1063170. Published by Dico (A0.1486112). IMPORTANT: parts are available in another publication (identify as score only too - for price reasons) due to the difference in the orientation of the pages (the score is in landscape mode).INSTRUMENTATION: Voices / Asax 1, 2 / Tsax / Bsax / Tpt 1, 2 / Tbn 1, 2 / DrSet / Gtr / Bass / Pno.
$22.00
I'm Coming Out - Score Only
I'm Coming Out - Score Only
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Bernard Edwards and Nile Rodge
#
Dico
#
I'm Coming Out - Score Only
#
Dico Ferreira
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486113 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B....
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1486113 Composed by Bernard Edwards and Nile Rodgers. Arranged by Dico. Disco,Pop,R & B. 16 pages. Dico Ferreira #1063171. Published by Dico Ferreira (A0.1486113). IMPORTANT: parts are available in another publication (identify as score only too - for price reasons) due to the difference in the orientation of the pages (the score is in landscape mode).INSTRUMENTATION: Voices / Asax 1, 2 / Tsax / Bsax / Tpt 1, 2 / Tbn 1, 2 / DrSet / Gtr / Bass / Pno.
$22.00
Mama, I'm Coming Home - Score Only
Mama, I'm Coming Home - Score Only
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Rock
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Ozzy Osbourne
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Barbara Anderson-Jones
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Mama, I'm Coming Home - Score
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Barbara Anderson-Jones
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1188036 By Ozzy Osbourne. By Ozzy Osbourne and Zakk Wylde. Arranged by Barbara Ander...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1188036 By Ozzy Osbourne. By Ozzy Osbourne and Zakk Wylde. Arranged by Barbara Anderson-Jones. Rock. 7 pages. Barbara Anderson-Jones #787651. Published by Barbara Anderson-Jones (A0.1188036). This is an abridged version of this song and is arranged as a woodwind trio. If you like this arrangements check out my other work at www.sheetmusicplus.com/publishers/Barbara-Anderson-Jones/4070.
$12.99
I'm Coming Out
I'm Coming Out
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Bernard Edwards and Nile Rodge
#
David Maddux
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I'm Coming Out
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David Maddux
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SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - Digital Download SKU: A0.586500 Composed by Bernard Edwards an...
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Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - Digital Download SKU: A0.586500 Composed by Bernard Edwards and Nile Rodgers. Arranged by David Maddux. Contemporary,Pop. Score and parts. 53 pages. David Maddux #195795. Published by David Maddux (A0.586500). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart ...
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin Duet with Piano)
Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin Duet with Piano)
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2 Violins, Piano
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EASY
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Sharon Wilson
#
Sharon Wilson
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Praise Him with Stringed Instr
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Sharon Wilson
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1362828 By Sharon Wilson. By Charles H. Gabriel, Charles Wesl...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1362828 By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Daniel B. Towner, Folk Song, James McGranahan, Oscar Ahnfelt, Thomas Campbell, Thomas J. Williams, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Folk,Sacred. 160 pages. Sharon Wilson #947208. Published by Sharon Wilson (A0.1362828). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments. . . (KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for two VIOLINS with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  All notes for both VIOLIN parts are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN 1, VIOLIN 2, and PIANO) plus separate 1-staff scores for each VIOLIN part as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   And Can It BeDay by DayI Will Sing of My RedeemerLord, I’m Coming HomeMarvelous GraceMy Savior’s LoveO the Deep, Deep Love of JesusPraise Him! Praise Him!Redeemed!There Is a FountainVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$24.99
Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano)
Praise Him with Stringed Instruments, Book 4 (Collection of 10 Hymns for Violin, Cello, and Piano)
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Piano Trio: piano, violin, cello
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EASY
#
Sharon Wilson
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Sharon Wilson
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Praise Him with Stringed Instr
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Sharon Wilson
#
SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1363656 By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Dan...
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Piano Trio Cello,Piano,Violin - Level 2 - Digital Download SKU: A0.1363656 By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Daniel B. Towner, Fanny J. Crosby, Folk Song, James McGranahan, Oscar Ahnfelt, Thomas Campbell, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Christian,Easter,Folk,Lent,Sacred. 158 pages. Sharon Wilson #948050. Published by Sharon Wilson (A0.1363656). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments . . . (KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for VIOLIN and CELLO duet with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  All notes for both the VIOLIN and CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   And Can It BeDay by DayI Will Sing of My RedeemerLord, I'm Coming HomeMarvelous GraceMy Savior's LoveO the Deep, Deep Love of JesusPraise Him! Praise Him!Redeemed!There Is a FountainVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com, used by permission.
$24.99
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
That's Christmas To Me
That's Christmas To Me
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Pentatonix
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Daniel Roberts
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That's Christmas To Me
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Daniel P Roberts
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1139744 By Pentatonix. By Kevin Olusola and Scot...
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Instrumental Duet Acoustic Guitar,Electric Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1139744 By Pentatonix. By Kevin Olusola and Scott Hoying. Arranged by Daniel Roberts. A Cappella,Christmas,Holiday. Score and parts. 10 pages. Daniel P Roberts #740017. Published by Daniel P Roberts (A0.1139744). Arranged for 2 guitars with TAB. The fireplace is burning bright, shining all on me I see the presents underneath the good old Christmas tree And I wait all night 'til Santa comes to wake me from my dreams Oh, why? 'Cause that's Christmas to me I see the children play outside, like angels in the snow While mom and daddy share a kiss under the mistletoe And we'll cherish all these simple things wherever we may be Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart (song in my heart) I've got the candles glowing in the dark (oh) I'm hanging all the stockings by the Christmas tree Oh, why? 'Cause that's Christmas to me Oh, why? 'Cause that's Christmas to me I listen for the thud of reindeer walking on the roof As I fall asleep to lullabies, the morning's coming soon The only gift I'll ever need is the joy of family Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart (song in my heart) I've got the candles glowing in the dark (oh) I'm hanging all the stockings by the Christmas tree Oh, why? 'Cause that's Christmas to me Oh, why? 'Cause that's Christmas to me Oh, the joy that fills our hearts and makes us see Oh, why? 'Cause that's Christmas to me I've got this Christmas song in my heart I've got the candles glowing in the dark And then for years to come we'll always know one thing That's the love that Christmas can bring Oh, why? 'Cause that's Christmas to me.
$4.99
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone and Organ
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ADVANCED
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Contemporary
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
We Shall Overcome
We Shall Overcome
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Patriotic
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Zilphia Horton
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Spike Maiden Müller
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We Shall Overcome
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Spike Maiden Mueller
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.850756 Composed by Zilphia Horton. Arranged by Spike Maiden...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.850756 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Patriotic. Score and parts. 5 pages. Spike Maiden Mueller #6087481. Published by Spike Maiden Mueller (A0.850756). A gospel song which became a protest song and the signal anthem of the civil rights movement, We Shall Overcome is commonly believed to be lyrically descended from I'll Overcome Some Day, a hymn by Charles Albert Tindley. The modern version was first contributed to the People's Songs Bulletin by Zilphia Horton, who said she had learned it from tobacco workers organizer Lucille Simmons in 1945. It became associated with the civil rights movement in 1959 when Guy Carawan and Pete Seeger began using their version at the Highlander Folk School in Tennessee. Within a year, it had spread across the south, becoming the unofficial anthem of the civil rights movement.
$8.99
We Shall Overcome
We Shall Overcome
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Clarinet and Piano
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EASY
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Zilphia Horton
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Spike Maiden Müller
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We Shall Overcome
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Spike Maiden Mueller
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SheetMusicPlus
Clarinet,Piano - Level 2 - Digital Download SKU: A0.850760 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Folk,Instructional,Patriotic,S...
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.850760 Composed by Zilphia Horton. Arranged by Spike Maiden Müller. Folk,Instructional,Patriotic,Standards. Score and part. 6 pages. Spike Maiden Mueller #6328089. Published by Spike Maiden Mueller (A0.850760). A gospel song which became a protest song and the signal anthem of the civil rights movement, We Shall Overcome is commonly believed to be lyrically descended from I'll Overcome Some Day, a hymn by Charles Albert Tindley. The modern version was first contributed to the People's Songs Bulletin by Zilphia Horton, who said she had learned it from tobacco workers organizer Lucille Simmons in 1945. It became associated with the civil rights movement in 1959 when Guy Carawan and Pete Seeger began using their version at the Highlander Folk School in Tennessee. Within a year, it had spread across the south, becoming the unofficial anthem of the civil rights movement.This simple solemn version for two clarinets and piano is offered for contemporary use. The first clarinet part is well within reach of second or third year students while the second clarinet stays below the break at all times, making it accessible by good first year players.This arrangement is copyright 2021 by Spike Maiden Müller. All rights reserved. You may contact Spike at his web site at www.derspike.comAdditional search terms: Maiden-Mueller, Maiden Miller, Maiden-Müller, Maiden Müller, Maiden Muller
$11.95
Polish Christmas Carols Sheet Music Collection - 28 Songs [VERY EASY]
Polish Christmas Carols Collection - 28 Songs [VERY EASY]
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Easy Piano
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BEGINNER
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Christmas
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Polish Christmas Carol and Pol
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Darek
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Polish Christmas Carols Collec
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Darek
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1359874 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christ...
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Easy Piano - Level 1 - Digital Download SKU: A0.1359874 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christmas Songs. Arranged by Darek. Christian,Christmas,Multicultural,Religious,Traditional,World. Score. 42 pages. Darek #944358. Published by Darek (A0.1359874). Polish Christmas Carols Sheet Music Collection - 28 Songs [VERY EASY]A Collection of 28 Sheet Music for Polish Christmas Carols for Piano and Keyboard in Very Easy Arrangement for Beginner. Each note has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of Sheet Music is simple arrangements for beginners for instruments such as piano, grand piano, keyboard or even accordion or bells! Very Easy Version - this is a version only for the right hand in the form of Letter Notes - additionally, chords, text and fingering are added. Very Easy notes are suitable for complete beginners who are just playing their first notes on the piano or keyboard. A Collection of 28 Polish Christmas Carols Sheet Music contains the most important and most popular Polish Carols and Polish Christmas Songs. Do you want to better feel the atmosphere of the upcoming holidays? Nothing is better for this than singing Christmas carols together at the piano. Enchant your family and friends by accompanying them in singing the most popular Christmas carols and songs. The songs in the collection have been collected in such a way as to collect in one product the melodies closest to your hearts.Each piece has fingering, i.e. information written next to the notes on which fingers to play given sounds. The songs have signed lyrics under the notes, making it easier to accompany them on the piano while singing.This Collection of Sheet Music also includes some tips on, among others: rhythmic values and rests, rules for numbering fingers for playing, divisions of rhythmic values, names of sounds on the piano/keyboard, ways to remember the names of sounds, and types of chords that will make it easier for beginners to learn how to play the piano and keyboard.Included: Letter Notes, Lyrics, Chords, Fingering and simple YouTube video tutorial (Click to open the Playlist).Song list:1.    Ach, ubogi w żłobie2.    Anioł Pasterzom mówił3.    Bóg się rodzi (eng. The God is Born)4.    Bracia, patrzcie jeno5.    Cicha noc (eng. Silent Night)6.    Do szopy hej pasterze7.    Dzisiaj w Betlejem8.    Gdy się Chrystus rodzi9.    Gdy śliczna Panna10.  Gore gwiazda Jezusowi11.  Hej, w dzień narodzenia12.  Jam jest dudka13.  Jezus malusieńki14.  Jingle bells15.  Lulajże Jezuniu16.  Mędrcy świata17.  Mizerna Cicha18.  Oj Maluśki, Maluśki19.  Pójdźmy wszyscy do stajenki20.  Przybieżeli do Betlejem21.  Skrzypi wóz22.  Triumfy Króla Niebieskiego23.  W dzień Bożego Narodzenia24.  W żłobie leży (eng. Infant holy, Infant lowly)25.  We wish you a merry Christmas26.  Wesołą nowinę27.  Wśród nocnej ciszy28.  Z narodzenia PanaPiano | Keyboard | Polish Christmas Song | Polish Carols | Religious Songs | Polish Church Music | Polish Pastorals Songs | Digital Sheet Music | Very Easy Arrangement | Very Easy Version for Pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners | Grand Piano | Very Easy Piano Arrangement | Simple Arrangement For Beginners | Sheet Music Christmas Collection | Sheet Music Carols Collection | Various Church Polish Songs| Various Christmas Polish Songs | Very Easy Sheet Music Collection | Polskie Piosenki Świąteczne | Polskie Kolędy | Polskie pastorałki | Zbiór Nut Kolędy.
$9.00
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I'm Coming Out Score Only
