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I Saw The Light Cello
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You've selected:
I Saw The Light Cello
Sheetmusic to print
24 sheet music found
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1
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
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Christmas
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - Digital Download SKU: A0.1317838 Composed by Connie Bo...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - Digital Download SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
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Christmas
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. C...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
I Saw The Light
I Saw The Light
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String Quartet: 2 violins, viola, cello
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EASY
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Country
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Hank Williams
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Jeff Tincher
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I Saw The Light
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.583959 By Hank Williams. By Hank Williams. Arranged by Jeff Tincher...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.583959 By Hank Williams. By Hank Williams. Arranged by Jeff Tincher. Country. Score and parts. 14 pages. Jeff Tincher #5205519. Published by Jeff Tincher (A0.583959). Here is one of the songs that is a favorite at the church I worship lead at. In the original key from The Legendary Recordings CD, this song you can definitely get your country on. Duration = 2:53. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
My Baby (A Mother's Lullaby) - cello and violin duet and piano
My Baby (A Mother's Lullaby) - cello and violin duet and piano
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. ...
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
I saw three ships come sailing in
I saw three ships come sailing in
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Christmas
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Tradition English tune
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Nicholas Palmer
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I saw three ships come sailing
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Nicholas D Palmer
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1323361 Composed by Tradition English tune. Arranged by Nicholas Pa...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1323361 Composed by Tradition English tune. Arranged by Nicholas Palmer. Christmas,Classical,Holiday,Traditional. 22 pages. Nicholas D Palmer #911589. Published by Nicholas D Palmer (A0.1323361). The English carol is here arranged for advanced string quartet as a set of lively variations. All parts are active. Other carols are similarly arranged in the eight-tune collection Celebrate Christmas, by Nicholas Palmer, and individual titles on this site. These arrangements give players something fun to do and audiences something delightful to enjoy.
$10.00
Pachelbel Canon with optional Christmas Medley lyrics violin and cello duet and piano
Pachelbel Canon with optional Christmas Medley lyrics violin and cello duet and piano
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Classical
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Johann Pachelbel
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Connie Boss
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Pachelbel Canon with optional
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323427 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christi...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323427 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Holiday,Religious. 13 pages. Connie Boss #911650. Published by Connie Boss (A0.1323427). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a violin and cello duet and piano. Parts are included with purchaseThis can also be played for Pachelbel Canon in D only - it plays the same.  email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$6.99
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
Christmas Duets for Clarinet and Bassoon or Clarinet & Cello - Complete Set - Music for Two
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Clarinet, Bassoon (duet)
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INTERMEDIATE/ADVANCED
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Christmas
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Various, Tschaikovsky, Hande
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Daniel Kelley
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Christmas Duets for Clarinet a
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SheetMusicPlus
Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Ke...
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Clarinet, Bassoon, Cello - Advanced Intermediate - Digital Download Composed by Various, Tschaikovsky, Handel, Corelli, Mozart. Arranged by Daniel Kelley. Classical Period, Baroque Period, Sacred, Christmas, Hanukkah. Score. 130 pages. Published by Last Resort Music Publishing
This complete set of Music for Two Clarinets, Christmas features 61 selections, including favorites like Jingle Bells, music from the Nutcracker, and more! Includes Sets 1 through 6 all together Each duet book is published in score form (both parts on the same page) so that the players can play from the same part.
TABLE OF CONTENTS
A Caroling We Go (Johnny Marks)
A Holly Jolly Christmas (Johnny Marks)
A La Nanita Nana (Spanish Traditional)
Angels From The Realm Of Glory (J. Montgomery and H. Smart)
Angels We Have Heard on High (Traditional)
Away in a Manger (Traditional)
The Boar's Head Carol (English Traditional)
Break Forth, O Beauteous, Heavenly Light from the Christmas Oratorio (J.S. Bach)
Bring Your Torch, Jeanette Isabella (French Traditional)
Christ-Child is Born, The Der Heiland is Geboren (German Traditional)
Third Movement from Christmas Concerto (Corelli)
Fourth Movement from Christmas Concerto (Corelli)
Christmas Day in the Morning (Old English Carol)
Coventry Carol (Traditional)
Deck the Halls (Welsh Traditional)
Ding Dong Merrily on High (Traditional)
The First Noel (Traditional)
Fum, Fum, Fum (Catalan Carol)
Gesu Bambino (Pietro A. Yon)
God Rest Ye, Merry Gentlemen (Traditional)
Good Christian Men, Rejoice (Traditional)
Good King Wenceslas (Piae Cantiones)
Greensleeves (Traditional)
Hanukkah Medley Hanukkah, S'Vivon, My Dreidel, Rock of Ages (Traditional Jewish)
Hark! The Herald Angels Sing (Mendelssohn)
He Is Born, The Divine Christ Child Il est ne, Le Divin Enfant (French Traditional)
The Holly and the Ivy (Traditional)
I Heard the Bells on Christmas Day (John Calkin & Longfellow)
I Saw Three Ships (Traditional)
It Came Upon a Midnight Clear (Richard S. Willis)
Jingle Bells (J. Pierpont)
Jolly Old Saint Nicholas (Traditional)
Joy To The World (Handel)
Lo, How a Rose E'er Bloooming (Traditional)
The For Unto Us a Child Is Born from The Messiah (Handel)
The Hallejah Chorus from The Messiah (Handel)
He Shall Feed His Flock Like A Shepherd from The Messiah (Handel)
The Pastoral Symphony "Pifa" from The Messiah (Handel)
The Chinese Dance from The Nutcracker (Tschaikovsky)
The Dance of the Reed Flutes from The Nutcracker (Tschaikovsky)
The Dance of the Sugar-Plum Fairy from The Nutcracker(Tschaikovsky)
The Overture from The Nutcracker (Tschaikovsky)
The Trepak from The Nutcracker (Tschaikovsky)
O Christmas Tree (Traditional)
O Come, All Ye Faithful Adeste Fideles (Traditional)
O Come, O Come, Emmanuel (Traditional)
O Holy Night Cantique de Noel (Adolphe Adam)
O Little Town of Bethlehem (Lewis H. Redner)
Pat-a-Pan (Traditional)
Rockin' Around The Christmas Tree (Johnny Marks)
Rudolph The Red-Nosed Reindeer (Johnny Marks)
Silent Night (Franz Gruber and Rev. Joseph Mohr)
Sing We Now of Christmas Noel Nouvelet (French Traditional)
Sleigh Ride from German Dance, K. 605 # 3 (Mozart)
The Twelve Days of Christmas (Traditional)
Up On The Housetop (Traditional)
Wassail Song (Traditional)
We Three Kings of Orient Are (John Henry Hopkins)
We Wish You a Merry Christmas (Traditional)
Wexford Carol (Irish Traditional)
While Shepherds Watched Their Flocks By Night (Handel).
$54.00
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
Drifting Clouds for String Quartet by W. Brent Sawyer
Drifting Clouds for String Quartet by W. Brent Sawyer
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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New Age
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Contemporary
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W
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Drifting Clouds for String Qua
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Diamond S Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1086056 Composed by W. Brent Sawyer. 20th Century,Contemporary,New ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1086056 Composed by W. Brent Sawyer. 20th Century,Contemporary,New Age. Score and parts. 25 pages. Diamond S Music #655247. Published by Diamond S Music (A0.1086056). I wanted to write something that was fairly simplistic and calm - In harmony, chords, textures and ideas. The beginning is just a rocking back and forth between an E flat major chord to a C major chord although neither are in root position. Above this chordal ostinato the Solo Violin soars on several different modes and has an interesting quintuplet rhythm against the accompaniment. In the second part the upper voices rock back and forth to mostly major triads above a pizzicato cello. The fourth section introduces a compound meter feel (triplets) and melodic fragments that is volleyed from part to part. The fifth section has the upper strings on a glassy harmonic that mirrors the opening rocking chords. This time a Solo cello takes the melody in a high tessitura. The next section echos the second section but is transposed a third lower. The transition expires a rocking back and between the E flat major and E flat minor obstinato before settling in on a bookend of the opening with a ever so slightly extended ending. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940.
$9.99
I Saw My Lady Weeping for voice, guitar and cello
I Saw My Lady Weeping for voice, guitar and cello
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Renaissance
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Thomas Morley
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Simon James
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I Saw My Lady Weeping for voic
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DML
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 4 - Digital Download SKU: A0.928276 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and ...
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Small Ensemble Cello,Guitar,Voice - Level 4 - Digital Download SKU: A0.928276 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and parts. 15 pages. DML #6866075. Published by DML (A0.928276). No 5 - I Saw My Lady WeepingTaken from Thomas Morley's First Book Of Ayres. This is the first verse of a well known Elizabethan poem (anon) which was also set by John Dowland with the slightly different title of I Saw My Lady Weep. Dowland set all three verses whereas Morley only the first, I have given the other two in the notes within the score for information. The song is through composed with the last two lines repeated, not uncommon at that time, and has quite an elaborate texture making it more challenging to play. Morley’s description of the publication was: Little short songs to sing and play to the lute with the base viole. I have substituted guitar for lute and cello for bass viole, chords have been re-voiced in places to better suit the guitar but no alteration has been made to the harmony. .
$5.99
Peace on Earth - Christmas Song - SATB flute or violin or cello with piano and parts
Peace on Earth - Christmas Song - SATB flute or violin or cello with piano and parts
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Connie Boss
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cdboss@cvalley
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Peace on Earth - Christmas Son
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801644 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Conn...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801644 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6360795. Published by Connie Boss (A0.801644). DESCRIPTIONThis is a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all. Note: This shows going from verse 2 to bridge. You could repeat the refrain in between and/or add the refrain at the end of the piece. (You get all three instrument parts in individual parts each on one page for no page turning in this one purchase) cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace on EarthPeace on EarthPeace on EarthPeace one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$5.50
O Little Town of Bethlehem - Strings quartet and Piano
O Little Town of Bethlehem - Strings quartet and Piano
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Christmas
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem - S
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Ch...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Children,Christian,Holiday,Religious. 21 pages. Connie Boss #912700. Published by Connie Boss (A0.1324502). This version starts with just strings.  It is for Strings quartet and piano. Parts are included with this purchase. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. I have other arrangements of this song on sale here as well including choir pieces. This can be played without the piano accompaniment if desired.For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
I Saw The Light - Cello
I Saw The Light - Cello
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Cello (band part)
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Gospel/Spiritual
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Sacred music
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Hank Williams
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Camp Kirkland
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Gospel
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I Saw The Light - Cello
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Hank Williams. By Hank Williams. Arranged by Camp Kirkland. Orchestra. Concert; Gospel; Sacred. EPak. 3 pages. Duration 3:05. Published by Hal Leonard - Digi...
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By Hank Williams. By Hank Williams. Arranged by Camp Kirkland. Orchestra. Concert; Gospel; Sacred. EPak. 3 pages. Duration 3:05. Published by Hal Leonard - Digital Sheet Music
$7.00
Peace on Earth (Christmas song) violin solo with strings quintet
Peace on Earth (Christmas song) violin solo with strings quintet
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String Trio: violin, viola, cello
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INTERMEDIATE
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Christmas
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Connie Boss
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Peace on Earth
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Connie Boss
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SheetMusicPlus
Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1299579 Composed by Connie Boss. Christian,Christmas. Full Performance. Duration 165. Connie Boss...
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Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1299579 Composed by Connie Boss. Christian,Christmas. Full Performance. Duration 165. Connie Boss #889431. Published by Connie Boss (A0.1299579). This is an mp3 to a Christmas original I was inspired to write. The shepherds couldn't quite figure out why there was such a bright star and why the baby was so special. Once they arrived in Bethlehem, they realized he was born to bring Peace on earth to all.  It has 6 strings parts as violin 1 has a solo part. The rest play throughout the piece. So many moving parts. The refrain part is played throughout the verses while the solo plays the lead. Purchase the sheet music on here. cdboss@cvalley.netLyrics:Peace on EarthChristmas SongComposed by Connie Boss Intro and Refrain:Peace  on EarthPeace  on EarthPeace  on EarthPeace  one Earth Verse 1:And into the still of the nightThere was one star shining brightShepherds in their fields all aroundSaw it shine down on a town Refrain: Verse 2:It’s light beckoning all to comeTo see the new chosen oneSo they followed the bright starThey came from near and from farRefrain:BridgeFor some the journey took them daysArriving there they were amazedAll of this for a baby boy:Why were they all filled with joy?Christ was born on Christmas morn, to bring Peace on EarthPeace for allPeace for you and me. Refrain to end.
$1.99
Pachelbel Canon with optional Christmas Medley lyrics strings quartet and piano
Pachelbel Canon with optional Christmas Medley lyrics strings quartet and piano
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Classical
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Johann Pachelbel
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Connie Boss
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Pachelbel Canon with optional
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christi...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Holiday. 21 pages. Connie Boss #911661. Published by Connie Boss (A0.1323437). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a strings quartet - 3 violins and 1 cello and piano. Parts are included with purchaseThis can be played without the piano accompaniment if desired.This can also be played for Pachelbel Canon in D only - it plays the same.  email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$7.99
I Saw The Light - Bassoon (Cello Sub)
I Saw The Light - Bassoon (Cello Sub)
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Bassoon (band part)
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Gospel/Spiritual
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Sacred music
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Hank Williams
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Camp Kirkland
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Gospel
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I Saw The Light - Bassoon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Hank Williams. By Hank Williams. Arranged by Camp Kirkland. Orchestra. Concert; Gospel; Sacred. EPak. 3 pages. Duration 3:05. Published by Hal Leonard - Digi...
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By Hank Williams. By Hank Williams. Arranged by Camp Kirkland. Orchestra. Concert; Gospel; Sacred. EPak. 3 pages. Duration 3:05. Published by Hal Leonard - Digital Sheet Music
$7.00
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I Saw The Light Cello
