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You've selected:
I Would I Were a Star
Sheetmusic to print
211 sheet music found
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I Would I Were a Star
I Would I Were a Star
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Choral SATB
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Stephen Glover
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I Would I Were a Star
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.2489 Composed by Stephen Glover. Portraits, Doves, Love, Symbols. Lester S. Levy Collec...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.2489 Composed by Stephen Glover. Portraits, Doves, Love, Symbols. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2489). Gathered Pearls of Favorite Songs and Ballads. I Would I Were a Star. Words by Miss C. Saunders. Music by Stephen Glover. Published [n.d.] by W.A. Evans & Bro., Publishers in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Doves, Love, Symbols. First line reads I would I were a star, to shine love over thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.43
O Would I Were a Boy Again. Ballad
O Would I Were a Boy Again. Ballad
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Piano, Voice
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F
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O Would I Were a Boy Again. Ba
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.768 Composed by F. Romer. Children misbehaving, Children playing, Dogs, Pets, Nostalgia, Time. Lester S. Levy ...
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Piano and voice - Digital Download SKU: LV.768 Composed by F. Romer. Children misbehaving, Children playing, Dogs, Pets, Nostalgia, Time. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.768). O Would I Were a Boy Again. Ballad. Music Composed by F. Romer. Published [n.d.] by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Children misbehaving, Children playing, Dogs, Pets, Nostalgia, Time. First line reads O would I were a boy again, when life seem'd form'd of sunny years.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.43
Would I Were With Thee. Song
Would I Were With Thee. Song
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Piano, Voice
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J
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Would I Were With Thee. Song
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.3330 Arranged by J.R. Blodgett. Love, Sadness, Grief, Comfort. Lester S. Levy Collection. 4 pages. Published b...
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Piano and voice - Digital Download SKU: LV.3330 Arranged by J.R. Blodgett. Love, Sadness, Grief, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3330). Would I Were With Thee. Song. Arranged for the Piano Forte by J.R. Blodgett. Published 1850 by John Sage & Son, 209 Main Street in Buffalo. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Love, Sadness, Grief, Comfort. First line reads Would I were with thee ev'ry day and hour.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.43
Would I Were With Thee. Ballad
Would I Were With Thee. Ballad
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Piano, Voice
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The Hon
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H
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Would I Were With Thee. Ballad
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.16933 Composed by H. Inkney. Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins ...
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Piano and voice - Digital Download SKU: LV.16933 Composed by H. Inkney. Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16933). Would I Were With Thee. Ballad. The Poetry By The Hon. Mrs. Norton. Music By H. inkney. Published 1850 by F.D. Benteen in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love. First line reads Would I were with thee! ev'ry day and hour.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
¥42.43
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
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Piano, Voice
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EASY
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Arthur Le Clerq
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Kim Kirkman
#
Nobody Loves a Fairy When She'
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Kim Kirkman
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Tr...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99 ≈
¥14.10
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
#
Kim Kirkman
#
Nobody Love a Fairy When She's
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Kim Kirkman
#
SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musi...
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
¥14.10
I Knew You Were Trouble
I Knew You Were Trouble
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Taylor Swift
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Levi Comstock
#
I Knew You Were Trouble
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Viola Fusion
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1494791 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1494791 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Levi Comstock. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. 20 pages. Viola Fusion #1071356. Published by Viola Fusion (A0.1494791). This dance-pop hit off of her 2012 album Red marked Taylor's first Faure into dubstep, and if you and your quartet feel like becoming international superstars, it could be yours too!Besides just being an all around banger, this song really resonates with anyone who has found themselves regretting a relationship they rushed into against their better judgement, and all because they thought it would be cool to date Harry Styles. You're not alone, we've all been there, and this arrangement is here to help.
$12.99 ≈
¥92.02
I Wish You Were Mine
I Wish You Were Mine
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Michael Drake
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Michael Drake
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I Wish You Were Mine
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Michael Gene Drake
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SheetMusicPlus
Rhythm Section Piano,Voice - Level 2 - Digital Download SKU: A0.1357516 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Film/TV,M...
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Rhythm Section Piano,Voice - Level 2 - Digital Download SKU: A0.1357516 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Film/TV,Musical/Show,Romantic Period,Singer/Songwriter,Wedding. 91 pages. Michael Gene Drake #942063. Published by Michael Gene Drake (A0.1357516). I Wish You Were Mine This version offers a full rhythm section accompaniment! From My CD “Savor the Momentâ€Â    I Wish You Were Mine     I wish you were mine, I wish you were mine, I wish you were mine, to keep to myself,to myself if you were mine.I wish you were mine, I’d love you always.The stars would shine every night, from my heart to you.Oh the glory, of loving you is within my reach.Oh the glory, of having you is all that I dream.I wish you were mine, I’ll wait till the last drop of dew.Then if not of this earth, then in heaven, you’re my fountain of youth.I wish you were mine, I’ll wait till the last sunset. A love that would follow the sun streams forever, with us floating away. Oh the glory, of loving you is within my reach. Oh the glory, of having you is all that I dream.I wish you were mine, I wish you were mine, I wish you were mine, I wish you were mine, I wish you were mine, I wish you were mine,  michaeldrakemusic@outlook.com  www.drakemusic.com.
$25.00 ≈
¥177.09
The True Stars to Follow NAS. 10 for the left hand
The True Stars to Follow NAS. 10 for the left hand
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Piano solo
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INTERMEDIATE
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Contemporary
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Adam Carlsen
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The True Stars to Follow NAS.
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1208965 By Adam Carlsen. By Adam Carlsen. Classical,Contemporary. Score. 9 pages. Adam Walter Carlsen #80...
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Piano Solo - Level 3 - Digital Download SKU: A0.1208965 By Adam Carlsen. By Adam Carlsen. Classical,Contemporary. Score. 9 pages. Adam Walter Carlsen #807072. Published by Adam Walter Carlsen (A0.1208965). I wrote this left hand piece based on a short narrative I made that has a question/observation followed by an answer. Here is the narrative below.                                     The True Stars to FollowI observed that stars from above may glow just as brilliantly in the sea as the ones above. So how can we fathom which stars show its true radiance?The only stars that have reliable radiance are the ones in the sky. All other stars are illusions meant to mimic the ones above. But we cannot let them deceive us. If you follow the stars in the sea, you will sink like the rocks. Down you will go into the abyss chasing an illusion you believed were the real stars. If you dig deeper until you are covered in mud, your eyes will become used to the abyss until you forget what you were even chasing. And if you look up at the stars above, you would quickly shy away from them as it causes affliction in your eyes. You would come to loathe the stars you thought you were pursuing.Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99 ≈
¥14.10
I Wish You Were Mine
I Wish You Were Mine
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Piano, Voice
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EASY
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Michael Drake
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Michael Drake
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I Wish You Were Mine
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Michael Gene Drake
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1353473 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Contemporar...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1353473 By Michael Drake. By Michael Drake. Arranged by Michael Drake. Broadway,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. Score. 5 pages. Michael Gene Drake #938208. Published by Michael Gene Drake (A0.1353473). I WishYou Were MineFrom My CD Savor the Moment   I Wish You Were Mine     I wish you were mine, I wish you were mine, I wish you were mine to keep to myself, to myself if you were mine.I wish you were mine, I’d love you always,The stars would shine every night, From my heart to you.Oh the glory, of loving you is within my reach, Oh the glory, of having you is all that I dream.I wish you were mine, I’ll wait till the last drop of dew, Then if not of this earth, then in heaven, you’re my fountain of youth.I wish you were mine, I’ll wait till the last sunset, A love that would follow the sun streams forever,With us floating away. Oh the glory, of loving you is within my reach, Oh the glory, of having you is all that I dream. michaeldrakemusic@outlook.com  www.drakemusic.com.
$25.00 ≈
¥177.09
A Moon, A Minute
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew...
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50 ≈
¥17.71
El Condor Pasa (If I Could)
El Condor Pasa (If I Could)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Daniel Alomia Robles, Jorge Mi
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Alan Frazer (arranger) & Peet
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00 ≈
¥106.26
I Would Not Be Denied
I Would Not Be Denied
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Piano, Vocal and Guitar
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INTERMEDIATE
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Brian Haney
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Lyndell Leatherman
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some were not
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I Would Not Be Denied
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401186 By Brian Haney. By Words & Music: Charles P. Jones. Arranged by Lyndell Leatherman....
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401186 By Brian Haney. By Words & Music: Charles P. Jones. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #984374. Published by Leatherman Music Services (A0.1401186). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
¥28.26
I Would Be True
I Would Be True
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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Sofia Tsatalbasidis
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Lyndell Leatherman
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some were not
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I Would Be True
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1249456 By Sofia Tsatalbasidis. By Words: Howard A. Walter / Music: Joseph Y. Peek. Arrange...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1249456 By Sofia Tsatalbasidis. By Words: Howard A. Walter / Music: Joseph Y. Peek. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #843889. Published by Leatherman Music Services (A0.1249456). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
¥28.26
Stars and Stripes Forever
Stars and Stripes Forever
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Guitar
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INTERMEDIATE/ADVANCED
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Stars and Stripes Forever
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1080715 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contes...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1080715 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Patriotic,Traditional. Individual part. 6 pages. Geofonica Artistworks #684944. Published by Geofonica Artistworks (A0.1080715). The very popular official march of the United States, composed by John Philip Sousa, arranged for solo classical guitar (in standard notation) by Bradley Powell, aka The Candlelight Guitarist. It is an advanced intermediate to advanced level of finger-style classical guitar. NOTE: This same arrangement is also available in Standard Notation WITH TAB). ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs. COMMENTS FROM ESTABLISHED REVIEWERS... Dr. Beth - Amazon.com #1 Hall of Fame reviewer Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack. Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer The Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals. Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences. Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell. Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer. The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard. Bob McKillop, founder and publisher, MaineFolkMusic.com Brad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender. Grady Harp - HALL OF FAME TOP 100 REVIEWER music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$3.76 ≈
¥26.63
Stars and Stripes Forever
Stars and Stripes Forever
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Rock
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The Candlelight Guitarist
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Bradley Powell
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Stars and Stripes Forever
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1080713 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Fes...
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Guitar - Level 4 - Digital Download SKU: A0.1080713 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Patriotic,Traditional. Guitar Tab. 9 pages. Geofonica Artistworks #684942. Published by Geofonica Artistworks (A0.1080713). The very popular official march of the United States, composed by John Philip Sousa, arranged for solo classical guitar (written here in both standard notation with TAB) by Bradley Powell, aka The Candlelight Guitarist. It is an advanced intermediate to advanced level of finger-style classical guitar. NOTE: This same arrangement is also available without the TAB (Standard Notation only). ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs. COMMENTS FROM ESTABLISHED REVIEWERS... Dr. Beth - Amazon.com #1 Hall of Fame reviewer Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack. Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer The Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals. Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences. Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell. Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer. The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard. Bob McKillop, founder and publisher, MaineFolkMusic.com Brad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender. Grady Harp - HALL OF FAME TOP 100 REVIEWER music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$3.76 ≈
¥26.63
Cornus - A Fantasy Ballade for Piano
Cornus - A Fantasy Ballade for Piano
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Piano solo
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ADVANCED
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Aris Antoniades
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Cornus - A Fantasy Ballade for
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Aris Antoniades
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Publ...
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Piano Solo - Level 5 - Digital Download SKU: A0.942946 Composed by Aris Antoniades. Concert,Contemporary. Score. 14 pages. Aris Antoniades #3914555. Published by Aris Antoniades (A0.942946). Cornus - A Fantasy Ballade for Piano, composed by Aris Antoniades.Cornus is the name of the forest that surrounds the Army Unit I was stationed at, during the first year of my military service back in my homeland, Cyprus. The magical sounds of nature and the myths surrounding this forest were what kept me company during many cold, endless nights of sentry guard duty. On such nights, I would often let my imagination soar, making up stories and music. It was during one of those moments of spontaneous inspiration that I came up with the opening motif for this piece.The piece tries to musically depict the different feelings a questing knight experiences when he sets off into the depths of the forest and back. Just like all typical chivalric romances, the hero discovers something remarkable while he travels - something that has the power to change him forever. Although by the end of the story the hero returns back to where he started, he is now a different person since the adventure forced him to undergo a catharsis.
$12.95 ≈
¥91.73
I Wonder on That Christmas Day, a sacred Christmas hymn
I Wonder on That Christmas Day, a sacred Christmas hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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I Wonder on That Christmas Day
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,S...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1125754 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #726494. Published by Kevin G. Pace (A0.1125754). A lovely, Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love He’d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Baby’s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew He’d grow to be God’s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 ≈
¥14.10
I Wonder on That Christmas Day, a sacred Christmas song for children
I Wonder on That Christmas Day, a sacred Christmas song for children
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Piano, Voice
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INTERMEDIATE
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Kevin G
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I Wonder on That Christmas Day
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126251 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Children,Christian,Christmas,Reli...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126251 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Children,Christian,Christmas,Religious,Sacred. Score. 3 pages. Kevin G. Pace #726952. Published by Kevin G. Pace (A0.1126251). A lovely, Christmas song for children. Music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: I wonder on that Christmas day, when Baby Jesus slept on hay, If He dreamed the world would sing sweet songs about the love He’d bring? I wonder when the star shone bright if sheep were startled by the light? Did the shepherds stop and pray to find where Baby Jesus lay? I wonder if the cattle stirred when cries from Jesus could be heard? Did his mother wrap him tight and sing to Him throughout the night? I wonder when the wisemen came, if they were told the Baby’s Name? Were the precious gifts they brought then used by Jesus as He taught? I wonder on that Christmas day, when Baby Jesus slept on hay, If He knew He’d grow to be God’s greatest gift for you and me? I wonder if dear Joseph stayed with Mary to give needed aid? Did he feed the donkey there, or give sweet Mary all his care?
$1.99 ≈
¥14.10
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/C...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
¥18.77
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