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I Would Like To Tell A Story
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You've selected:
I Would Like To Tell A Story
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48 sheet music found
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1
26
I Would Like To Tell A Story
I Would Like To Tell A Story
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Joseph Pugh
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I Would Like To Tell A Story
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Joseph Pugh
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1121387 By Joseph Pugh. By Joseph Pugh. Christian,Contemporary,Singer/Songwriter. 8 pages...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1121387 By Joseph Pugh. By Joseph Pugh. Christian,Contemporary,Singer/Songwriter. 8 pages. Joseph Pugh #722561. Published by Joseph Pugh (A0.1121387). This is a Brass Quintet arrangement of an original tune by Joseph Pugh. (Lyrics by Sandy Chinn) Download today at a reduced price.
$7.99 ≈
7.24€
I Would Like To Tell A Story
I Would Like To Tell A Story
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Choral Unison
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INTERMEDIATE
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Sacred music
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Sandra Chinn Joseph Pugh
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I Would Like To Tell A Story
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.854868 Composed by Sandra Chinn Joseph Pugh. Sacred. Octavo. 19 pages. Joseph Pugh #5214211. P...
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.854868 Composed by Sandra Chinn Joseph Pugh. Sacred. Octavo. 19 pages. Joseph Pugh #5214211. Published by Joseph Pugh (A0.854868). This Band and Unison Choir arrangement of an original tune written in 1979, with co-writer Sandy Chinn, has been around the world and translated into Japanese by K. Kobayashi.
$2.99 ≈
2.71€
I Would Like To Tell A Story
I Would Like To Tell A Story
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Choral Unison
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INTERMEDIATE
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Joseph Pugh/Sandra Smith Chinn
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I Would Like To Tell A Story
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.854995 Composed by Joseph Pugh/Sandra Smith Chinn Hutchenson. Christian,Jazz,Pop,Praise & Wors...
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.854995 Composed by Joseph Pugh/Sandra Smith Chinn Hutchenson. Christian,Jazz,Pop,Praise & Worship. Octavo. 20 pages. Joseph Pugh #5870013. Published by Joseph Pugh (A0.854995). This is an arrangement of an original by Joseph and Sandy who were writing partners in the 70's.
$2.99 ≈
2.71€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.61€
EVERYTHING LIKE BEFORE
EVERYTHING LIKE BEFORE
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Piano solo
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Contemporary
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1...
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Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00 ≈
4.53€
I Don’t Want to Play in Your Yard: Trumpet Feature
I Don’t Want to Play in Your Yard: Trumpet Feature
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Brass Quartet
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INTERMEDIATE/ADVANCED
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H
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F
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I Don’t Want to Play in Your
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comed...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95 ≈
7.20€
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.20€
I Wouldn't Like to Tell. Song and Chorus
I Wouldn't Like to Tell. Song and Chorus
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Piano, Voice
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Charles E
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I Wouldn't Like to Tell. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.13780 Composed by Charles E. Pratt. National Emblems, Minstrel shows, Courtship & love. Lester S. Levy Collect...
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Piano and voice - Digital Download SKU: LV.13780 Composed by Charles E. Pratt. National Emblems, Minstrel shows, Courtship & love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13780). I Wouldn't Like to Tell. Song and Chorus. Written by George Cooper. Comosed by Charles E. Pratt. Published [n.d.] by Hopwood & Crew, 42 New Bond St. W. in London. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include National Emblems, Minstrel shows, Courtship & love. First line reads My heart is caught in Cupid's net And never can go free.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.42€
Lullaby and Fugue (Score and Parts)
Lullaby and Fugue (Score and Parts)
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Aris Antoniades
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Lullaby and Fugue
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Aris Antoniades
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.942945 Composed by Aris Antoniades. Contemporary,World. Score and parts. 26 pages. Aris A...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.942945 Composed by Aris Antoniades. Contemporary,World. Score and parts. 26 pages. Aris Antoniades #3914539. Published by Aris Antoniades (A0.942945). Lullaby & Fugue, composed by Aris Antoniades.This piece was commissioned by the Sforzando Composers' Collective for the New Asia Chamber Music Society of New York, and was premiered on August 4th, 2017 at the Riverside Church in NYC.When I was presented with the challenge of composing a work combining traditional Chinese instruments with conventional Western instruments, I was quite intrigued: merging different sound-worlds has always been a strong compositional interest of mine. I am fascinated by folk music and, being born and raised on the Mediterranean island of Cyprus, much of my music is greatly influenced by my Greek cultural heritage. This piece is no different: I’ve attempted to use the enchanting sound of the Chinese Dulcimer in a way that reminds me of my own home.Lullaby and Fugue is a work inspired by the magical art of story telling. I still remember many of the bedtime stories my grandparents used to tell me when I was young. Their stories were not just entertaining, but also didactic: I follow many of their teachings to this very day, and I believe that these stories have played a vital role in shaping my character. The Lullaby portrays the soothing aspect of a bedtime story, whilst the Fugue represents the hidden, ‘cerebral’ aspect. I would like to thank my friends at the Sforzando Composers Collective for this great opportunity and all of the performers for their time and dedication. Additionally, I would like to thank my mentor, Dr. J. Mark Stambaugh for helping me discover the true magic of counterpoint, back in college. Finally, I would like to dedicate this piece to the greatest storytellers in the world: my grandparents George, Panayiota, Anthis and Persoulla.Estimated performance time: ca. 4' 45''Instrumentation:Chinese DulcimerPianoViolinVioloncelloContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$25.00 ≈
22.64€
CASSANDRA'S VISION
CASSANDRA'S VISION
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Violin and Piano
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Contemporary
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Mo...
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00 ≈
4.53€
ADDICTION
ADDICTION
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Piano solo
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Contemporary
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Moni Bergo
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ADDICTION
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012700 Composed by Moni Bergo. Contemporary. Score. 8 pages. Moni Bergo #5742813. Published by Moni Bergo (A0.1012...
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Piano Solo - Digital Download SKU: A0.1012700 Composed by Moni Bergo. Contemporary. Score. 8 pages. Moni Bergo #5742813. Published by Moni Bergo (A0.1012700). Music and song composed by me♫ *'¨` * • .¸¸. ♫ ♫ * Addiction'¨` * • .¸¸. ♫ I seem you Free Instead I’m chained …. He approaches smiling I dislike him already there are few people on the subway but he sits right here. I ugly, a bit 'rickety conscious of my limitations I’m lost in the clouds and I do my own business He looks at me and is insistent but to me what he will wants? It 'a handsome man and elegant maybe he's short-sighted, who knows? From his piercing gaze I feel pierce and I'm already tired and in the face I want to shout Do you look like free but I’m in love Give me a piano, a guitar and I spend all day I become hysterical when they bring me on vacation because the seventh and turned just do not know do not chronically ill and I’m hopeless But I do not want drugs for this my addiction .. You should come and bursts into the veins with your chains hold me more I feel the boundless energy flows between the fingers and only you can and you ease my sorrows You are my mate in the darkest moments You will protect me by my excesses in this fake world spark you will be At the end decide his self and apostrophizes me so You're my new neighbor, my house is right there, and at evening you enchanted me and would listen to you for hours while you playing the piano with you I can fly and I know that maybe it's late But I would like to try I know that to children you give lesson and also I want to learn But that smart man! I like him already I tell him the story of the slap that he risked a little while ago He tells me he has a mate who loves him sweetly I'd take kicks diffident damn !! We free fly on our agreements in dissonance forgetting every problem, big trouble or task chronically ill of my own addiction which infects, spreads and enters into his life only souls and I bare his essence while listening him solmizate enters heaven in this room .. . Monica Bergo
$5.00 ≈
4.53€
50 Favorite Hymns Piano Accompaniment Tracks
50 Favorite Hymns Piano Accompaniment Tracks
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Piano solo
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Sacred music
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Gospel/Spiritual
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Chris Cooke
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50 Favorite Hymns Piano Accomp
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Chris Cooke
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SheetMusicPlus
Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #30...
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Piano - Digital Download SKU: A0.1071369 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Accompaniment. Duration 7162. Chris Cooke #3004581. Published by Chris Cooke (A0.1071369). This is a recording of the printed piano accompaniment book. (Other Books also available are for flute, clarinet/trumpet, alto sax, French horn, and trombone.) These recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version contains only one verse with no introduction. Many hymns are in their original hymnal keys, but if not, they have been adjusted slightly for a better playing range.This is one large file, containing all 50 accompaniments, plus one bonus recording-a harpsichord version of the first piece. For this reason, the cue point is given which is the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 59-minute MP3. For instance, And Can It Be would be found at the 6-minute and 12-second time point. The full list of hymns, with their concert keys, cue points, and length of introduction, is below:All Things Bright and Beautiful (alternate tune, Monk), C,harpsichord; 4-measure introAll Things Bright and Beautiful, piano, cue point: 0:3:06; 4-measure introAnd Can It Be, F; cue point: 0:06:12; 4-measure introAre You Washed in the Blood, G; cue point: 0:09:33; 4-measure introAt Calvary, C; cue point: 0:11:25; 4-measure introBe Thou My Vision, E-flat; cue point: 0:13:44; 4-measure introBlessed Be the Name, A-flat; cue point: 0:15:29; 4-measure introBreathe on Me, Breath of God, F; cue point: 0:17:47; 4-measure introCome, Christians Join to Sing, E-flat; cue point: 0:19:16; 4-measure introFaith is the Victory, E-flat; cue point: 0:21:02; 4-measure introGlory to His Name, G; cue point: 0:23:21; 4-measure introHe Keeps Me Singing, A-flat; cue point: 0:25:40; 4-measure introHeavenly Sunlight, F; cue point: 0:27:58; 4-measure introI Know Whom I Have Believed, A-flat; cue point: 0:29:39; 4-measure introI Love to Tell The Story, A-flat; cue point: 0:32:06; 4-measure introImortal, Invisible, God Only Wise, A-flat; cue point: 0:34:52; 4-measure introIt Is Mine, B-flat; cue point: 0:36:27; 4-measure introJesus Saves, G; cue point: 0:38:22; 4-measure introJoy Unspeakable and Full of Glory, A-flat; cue point: 0:40:22; 4-measure introJust as I am , E-flat; cue point: 0:42:41; 6-measure introLeaning on the Everlasting Arms, A-flat; cue point: 0:46:36; 4-measure introLike a River Glorious F; cue point: 0:48:23; 4-measure introLove Lifted Me, B-flat; cue point: 0:50:32; 4-measure introMy Faith Looks Up to Thee, D; cue point: 0:53:19; 4-measure introNothing But the Blood, A-flat; cue point: 0:55:32; 4-measure introOh How I Love Jesus, A-flat; cue point: 0:57:51; 4-measure introOn Jordan’s Stormy Banks, E-flat; cue point: 0:59:37; 4-measure introPraise Him! Praise Him! F; cue point: 1:01:56; 4-measure introRedeemed, How I Love to Proclaim It, A-flat; cue point: 1:04:14; 4-measure introRejoice, The Lord Is King! C; cue point: 1:05:49; 4-measure introRevive Us Again, F; cue point: 1:07:52; 4-measure introRock of Ages, B-flat; cue point: 1:09:36; 4-measure introSend the Light, F; cue point: 1:10:54; 4-measure introSince I Have Been Redeemed, F; cue point: 1:13:34; 4-measure introSince Jesus Came Into My Heart, G; cue point: 1:16:02; 4-measure introSoftly and Tenderly, F; cue point: 1:18:30; 4-measure introStand Up, Stand Up for Jesus, G; cue point: 1:22:29; 4-measure introStanding on the Promises, B-flat; cue point: 1:24:48; 4-measure introSunshine in My Soul, F; cue point: 1:27:06; 2-measure introThe Old Rugged Cross, B-flat; cue point: 1:29:21; 4-measure in.
$9.97 ≈
9.03€
C'è una favola triste
C'è una favola triste
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Piano solo
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Children
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Monica Bergo
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C'è una favola triste
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Monica Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976...
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Piano Solo - Digital Download SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99 ≈
3.61€
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
5.42€
Yuki-Onna (piano 4-hands)
Yuki-Onna (piano 4-hands)
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1 Piano, 4 hands
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INTERMEDIATE/ADVANCED
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Sc...
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1127872 Composed by Philip Le Bas. Chamber,Classical,Contemporary,Multicultural,World. Score. 12 pages. Philip Le Bas #728481. Published by Philip Le Bas (A0.1127872). Incidental music composed for piano duet (4-hands) in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This piano duet developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
5.42€
The Song That Reached My Heart - Julian Jordan arr. GH Farnell (Brass Quartet)
The Song That Reached My Heart - Julian Jordan arr. GH Farnell (Brass Quartet)
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Brass Quartet: 2 trumpets, horn, trombone
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EASY
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Contemporary
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Julian Jordan
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Geo H Farnell & Peet du Toit
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Co., a publisher in
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The Song That Reached My Heart
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.802635 Composed by Julian Jordan. Arranged by Geo H Farnell & Peet du Toit. Con...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.802635 Composed by Julian Jordan. Arranged by Geo H Farnell & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6072419. Published by Peet du Toit (A0.802635). Julian Jordan (November 10, 1850 – October 13, 1929) was an American composer, vocal instructor and singer. He worked with Willis Woodward & Co., a publisher in New York City's Tin Pan Alley. In 1887, he wrote his most successful composition, The Song That Reached My Heart.The Song That Reached My HeartMr. Jordan tells the following story of how he came to write The Song that Reached My Heart. Mr. Sayres, manager of the minstrel company, chanced to hear at one of the New York theaters a song entitled The Song for Me, which introduced Home! Sweet Home! as a finish. The following day Mr. Sayres and I met. He spoke of the song he had heard and said that he would like to have me get it for use in this minstrel company. Naturally I objected to taking the composition of another man, being a song writer myself, and so I told Mr. Sayres that if he was desirous of having a song which would introducethe melody of Home, Sweet Home I believed that I could compose one which would be as effective as theone he wished me to obtain. The idea was favorable to him, and Mr. Sayres at once suggested as a title for the song that I was to compose, The Song That Reached My Heart. Take that for a title and go home and see what you can make of it are the words Mr. Sayres used. I went home and the possessors of 100,000 copies of the song today know what I made of it. Willis Woodward, the song'spublisher, regarded the piece to be one of the most lasting and profitable hits in his long career.[Julian's twin brother, Jules Jordan, was also a composer and singer.Here's my contribution with a transcription of this beautiful composition for a brass quartet.
$13.00 ≈
11.77€
Wonderful Words of Life
Wonderful Words of Life
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Wonderful Words of Life
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SheetMusicPlus
Large Print Hymnal Large P...
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Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player
Song List
: A Child Of The King A Mighty Fortress Is Our God Abide with Me Amazing Grace At Calvary At the Cross Be Still, My Soul Beneath The Cross Of Jesus Beyond The Sunset Blessed Assurance Blest Be The Tie That Binds Break Thou The Bread Of Life Bringing In The Sheaves Christ Arose! Christ, the Lord, Is Risen Today Come, Thou Almighty King Come, Thou Fount Of Every Blessing Come, We That Love The Lord Come, Ye Thankful People, Come Count Your Blessings Crown Him with Many Crowns Day Is Dying In The West Face to Face with Christ My Savior Fairest Lord Jesus Faith of Our Fathers For The Beauty Of The Earth God Be With You God Of Our Fathers God Will Take Care of You Great Is Thy Faithfulness Guide Me, O Thou Great Jehovah Have Thine Own Way, Lord! He Leadeth Me He Lives He's Got The Whole World In His Hands Heavenly Sunlight Hiding In Thee His Eye Is On The Sparrow His Name Is Wonderful Holy, Holy, Holy How Firm A Foundation How Great Thou Art I Am His And He Is Mine I Am Thine, O Lord I Have Decided to Follow Jesus I Know Whom I Have Believed I Love To Tell The Story i need Thee Every hour In Christ There Is No East Or West In the Cross of Christ In the Garden It Came Upon the Midnight Clear It Is Well With My Soul Ivory Palaces Jesus Calls Us Jesus Is All The World To Me Jesus Loves Me! Jesus, Savior, Pilot Me Jesus, the Very Thought of Thee Joy To The World Just A Closer Walk With Thee Just As I Am, Without One Plea Lead Me To Calvary Leaning on the Everlasting Arms Let The Lower Lights Be Burning Love Divine, All Loves Excelling More About Jesus Would I Know More Love To Thee My Faith Looks Up To Thee My Hope Is Built On Nothing Less My Jesus, I Love Thee Near The Cross Near to the Heart of God Nearer, My God, to Thee No, Not One! Now Thank We All Our God O Come, All Ye Faithful O For A Heart To Praise My God O for a Thousand Tongues to Sing O God, Our Help In Ages Past O Happy Day Oh, How He Loves You and Me! Oh, How I Love Jesus O Little Town of Bethlehem O Love That Will Not Let Me Go O Master, Let Me Walk With Thee O Worship the King Only Trust Him Onward, Christian Soldiers Open My Eyes, That I May See Pass Me Not Rescue the Perishing Revive Us Again Rock Of Ages Safe In The Arms Of Jesus Saved By Grace Savior, Like a Shepherd Lead Us Shall We Gather at the River? Showers Of Blessing Silent Night! Holy Night! Stand Up, Stand Up for Jesus Standing On The Promises Sweet By And By Sweet Hour of Prayer Take My Life and Let It Be Take The Name Of Jesus With You Take Time To Be Holy Tell Me The Old, Old Story The Bond Of Love The Church In The Wildwood The Church's One Foundation The Light Of The World Is Jesus The Lord's My Shepherd, I'll Not Want The Old Rugged Cross This Is My Father's World 'Tis So Sweet to Trust in Jesus Trust and Obey Turn Your Eyes upon Jesus Were You There? What a Friends We Have in Jesus When I Survey the Wondrous Cross When Morning Gilds the Skies When The Roll Is Called Up Yonder Wonderful Words Of Life
$19.95 ≈
18.07€
Bach: Bist du bei mir BWV 508 for Trombone & Piano
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standa...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
29.84€
Bach: Bist du bei mir BWV 508 for Flute & Piano
Bach: Bist du bei mir BWV 508 for Flute & Piano
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Flute and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards...
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
29.84€
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I Would Like To Tell A Story
