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Ike Piccolo, Piano
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You've selected:
Ike Piccolo, Piano
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78 sheet music found
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Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
Bach-Gounod: Ave Maria, Schwencke version for Piccolo and Piano
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Piccolo, Piano
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EASY
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Classical
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christm...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.550931 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888397. Published by jmsgu3 (A0.550931). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st and 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ??s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ??s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ??s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
29.53€
Sullivan: The Lost Chord for Piccolo & Piano
Sullivan: The Lost Chord for Piccolo & Piano
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Piccolo, Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
#
Sullivan: The Lost Chord for P
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP....
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Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.549453 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497211. Published by jmsgu3 (A0.549453). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25.Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
24.15€
ARIOSO, by J. S. Bach (sinfonia) - for Piccolo and accompaniment
ARIOSO, by J. S. Bach (sinfonia) - for Piccolo and accompaniment
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Piccolo, Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque...
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Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6320311. Published by Leyandder Trustworthy (A0.964366). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Piccolo along with a piano accompaniment that comes with the product.
$1.99 ≈
1.78€
Polka Russe-Czerny-Piccolo Solo
Polka Russe-Czerny-Piccolo Solo
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Piccolo
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INTERMEDIATE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Piccolo Sol
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Phil Beaman
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SheetMusicPlus
Instrumental Solo,Piccolo - Level 3 - Digital Download SKU: A0.844579 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. ...
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Instrumental Solo,Piccolo - Level 3 - Digital Download SKU: A0.844579 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925289. Published by Phil Beaman (A0.844579). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.58€
La Curruca Feliz (The Happy Warbler) for flute (piccolo) and piano
La Curruca Feliz (The Happy Warbler) for flute (piccolo) and piano
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Flute and Piano
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Hans-Andre Stamm
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La Curruca Feliz
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Hans-Andre Stamm
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SheetMusicPlus
Flute,Piano - Digital Download SKU: A0.853194 Composed by Hans-Andre Stamm. 20th Century,Concert. Score and part. 11 pages. Hans-Andre Stamm #5869639. Pu...
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Flute,Piano - Digital Download SKU: A0.853194 Composed by Hans-Andre Stamm. 20th Century,Concert. Score and part. 11 pages. Hans-Andre Stamm #5869639. Published by Hans-Andre Stamm (A0.853194). An uplifting piece in a dance-like 12/8 triple metre with romantic melody lines and birdcall motives Duration: 3 min
$4.99 ≈
4.47€
The Joyful Birdie for flute and piano
The Joyful Birdie for flute and piano
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Hans-Andre Stamm
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The Joyful Birdie for flute an
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - Digital Download SKU: A0.853198 Composed by Hans-Andre Stamm. 20th Century,Concert,World. S...
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Instrumental Duet Instrumental Duet,Piano,Piccolo - Level 4 - Digital Download SKU: A0.853198 Composed by Hans-Andre Stamm. 20th Century,Concert,World. Score and parts. 14 pages. Hans-Andre Stamm #5869677. Published by Hans-Andre Stamm (A0.853198). Written in the 7/8 metre and with rondo-like repetitions of the main theme this piece features birdcalls and catchy melody lines. Duration: 3.30 min.
$5.99 ≈
5.37€
Bach-Gounod: Ave Maria for Piccolo & Piano
Bach-Gounod: Ave Maria for Piccolo & Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Pic
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Conte...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490121. Published by jmsgu3 (A0.549362). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
29.53€
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroq...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
29.53€
The Brass Piccolo-piccolo/piano
The Brass Piccolo-piccolo/piano
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Phil Beaman
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The Brass Piccolo-piccolo/pian
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Phil Beaman
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.844894 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and individ...
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Instrumental Solo,Piano,Piccolo - Level 4 - Digital Download SKU: A0.844894 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and individual part. 10 pages. Phil Beaman #5987455. Published by Phil Beaman (A0.844894). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99 ≈
6.26€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.50€
Gershwin by George!: Piccolo
Gershwin by George!: Piccolo
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Concert band
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George Gershwin
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Jerry Brubaker
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Masterwork Arrangement
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Gershwin by George!: Piccolo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016800_P1 Piccolo. Composed by George Gershwin. Arranged by Jerry Brubaker. Classic Pop; Masterwork...
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Concert Band - Digital Download SKU: AX.00-PC-0016800_P1 Piccolo. Composed by George Gershwin. Arranged by Jerry Brubaker. Classic Pop; Masterwork Arrangement; Standard. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016800_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016800_P1). UPC: 038081501055.The name George Gershwin is legendary in the world of American music and has spanned both popular and classical genres. This medley includes I Got Rhythm, Embraceable You, some symphonic works such as An American in Paris, Rhapsody in Blue, Summertime from the opera Porgy and Bess, and the seldom heard Piano Prelude No. 2. Hey leader, Strike Up the Band! (6:15).
$3.00 ≈
2.69€
Alte Kameraden
Alte Kameraden
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Piccolo, Piano
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Carl Teike
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Colette Mourey
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Alte Kameraden
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Editions Marc Reift - Digital
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SheetMusicPlus
Piccolo & Piano - Grade 3 - Digital Download SKU: R0.37278 Vieux Camarades / Old Comrades. Composed by Carl Teike. Arranged by Colette Mourey. Pic...
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Piccolo & Piano - Grade 3 - Digital Download SKU: R0.37278 Vieux Camarades / Old Comrades. Composed by Carl Teike. Arranged by Colette Mourey. Piccolo & Piano. Score and parts. 10 pages. Duration 6'00. Editions Marc Reift - Digital #37278. Published by Editions Marc Reift - Digital (R0.37278).
$8.95 ≈
8.02€
Cherry Blossom for piccolo (flute), English horn (cello, viola) and piano
Cherry Blossom for piccolo (flute), English horn (cello, viola) and piano
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Hans-Andre Stamm
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Cherry Blossom for piccolo
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Hans-Andre Stamm
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SheetMusicPlus
Small Ensemble Cello,English Horn,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.853102 Composed by Hans-Andre Stamm. Folk,Latin,World. Score and...
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Small Ensemble Cello,English Horn,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.853102 Composed by Hans-Andre Stamm. Folk,Latin,World. Score and parts. 14 pages. Hans-Andre Stamm #3481821. Published by Hans-Andre Stamm (A0.853102). A dance-like piece based on a latin rhythm with syncopations and catchy melody lines, pentatonic lines remind of Chinese music. The English horn part can also be played with Cello or Viola.Listen the version with piccolo solo and organ on youtube: www.youtube.com/watch?v=jdqq0VApJng
$6.95 ≈
6.23€
Cherry Blossom for piccolo (flute) and piano
Cherry Blossom for piccolo (flute) and piano
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Flute, Organ (duet)
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INTERMEDIATE
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Hans-Andre Stamm
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Cherry Blossom for piccolo
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.853103 Composed by Hans-Andre Stamm. 20th Century,Latin,World. Score...
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Instrumental Duet Flute,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.853103 Composed by Hans-Andre Stamm. 20th Century,Latin,World. Score and parts. 10 pages. Hans-Andre Stamm #3481823. Published by Hans-Andre Stamm (A0.853103). A dance-like piece based on a latin rhythm with syncopation s and catchy melody lines, pentatonic lines remind of Chinese music.Listen the version with piccolo and organ on youtube: www.youtube.com/watch?v=jdqq0VApJng
$4.95 ≈
4.44€
Back to Fairyland for flute (piccolo) and piano (organ)
Back to Fairyland for flute (piccolo) and piano (organ)
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Celtic/Irish
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Hans-Andre Stamm
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Back to Fairyland for flute
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Organ,Piano - Digital Download SKU: A0.853258 Composed by Hans-Andre Stamm. 20th Century,Celtic,Folk,Iris...
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Instrumental Duet,Piano Flute,Instrumental Duet,Organ,Piano - Digital Download SKU: A0.853258 Composed by Hans-Andre Stamm. 20th Century,Celtic,Folk,Irish. Score and parts. 15 pages. Hans-Andre Stamm #6473153. Published by Hans-Andre Stamm (A0.853258). Starting with a lyrical and melodic section this piece influenced by Irish folk music leads to dance-like figurations like in a reel with a sort polka accompaniment
$9.95 ≈
8.92€
Girls Like You
Girls Like You
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Maroon 5
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Amphibia Cultural Legacy
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Girls Like You
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Amphibia Cultural Legacy
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SheetMusicPlus
Strings Bass Voice,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Harp,Horn,Medium Voice,Organ,Percussion,Piano and Keyboa...
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Strings Bass Voice,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electronic Keyboard,Harp,Horn,Medium Voice,Organ,Percussion,Piano and Keyboard,Piccolo,Synthesizer,Tuba - Digital Download SKU: A0.1202781 By Maroon 5. By Adam Levine, Brittany Hazzard, Gian Stone, Henry Walter, and Jason Evigan. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Comedy,Multicultural,Musical/Show,Spiritual,World. 9 pages. Amphibia Cultural Legacy #801545. Published by Amphibia Cultural Legacy (A0.1202781). Girls Like You is a song that has captured the hearts of millions across the globe. Originally written by Maroon 5, this pop hit has now been remixed with an orchestra by Amphibia Cultural Legacy, based on Sanjay C's version. The new version is an inspiring and unique take on a beloved classic. Using an orchestra in Girls Like You adds depth and dimension to the already catchy tune. This remix creates a grander soundscape, allowing for more emotional depth and complexity, with each instrument adding flair to the song. Combining strings and other classical instruments with modern pop creates a powerful fusion that will leave listeners in awe.Moreover, Amphibia Cultural Legacy's remix inspires young musicians to explore their creativity beyond traditional genres. It showcases how different styles can be fused to create something new and beautiful.
$50.00 ≈
44.81€
It's Beginning To Look Like Christmas (arr. Mark Hayes) - Full Score
It's Beginning To Look Like Christmas (arr. Mark Hayes) - Full Score
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Violin (band part)
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Christmas
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Meredith Willson
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Mark Hayes
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It's Beginning To Look Like Ch
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Hal Leonard - Digital
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SheetMusicPlus
Horn Ensemble 3,Bass Trombone,Bassoon 1,Bassoon 2,Cello,Choir,Choral,Clarinet 1,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Harp,Oboe 1,Percussion 1,...
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Horn Ensemble 3,Bass Trombone,Bassoon 1,Bassoon 2,Cello,Choir,Choral,Clarinet 1,Double Bass,Drums,Electric Bass Guitar,Electric Guitar,Harp,Oboe 1,Percussion 1,Percussion 2,Piano,Piccolo,Score,Timpani,Trombone 1,Trumpet 1,Trumpet 2,Tuba,Viola,Violin 1,Violin 2 - Digital Download SKU: HX.449587 Composed by Meredith Willson. Arranged by Mark Hayes. This edition: scorch. Christmas,Holiday,Winter. Choral Instrumental Pak. 14 pages. Duration 200. Hal Leonard - Digital #412700. Published by Hal Leonard - Digital (HX.449587).
$7.00 ≈
6.27€
Stellar Evolution (of Sun-Like Stars)
Stellar Evolution (of Sun-Like Stars)
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New Age
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Contemporary
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Danielle Anderson
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Stellar Evolution
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D. Anderson
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Clarinet,Baritone Saxophone,Bass Drum,Celesta,Cymbals,Euphonium,Glockenspiel,Horn,Oboe,Piano,Piccolo,Snare Drum,Tambourine,Tenor Saxo...
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Alto Saxophone,B-Flat Bass Clarinet,Baritone Saxophone,Bass Drum,Celesta,Cymbals,Euphonium,Glockenspiel,Horn,Oboe,Piano,Piccolo,Snare Drum,Tambourine,Tenor Saxophone,Timpani,Trombone,Trumpet,Xylophone - Level 4 - Digital Download SKU: A0.1272745 Composed by Danielle Anderson. 19th Century,Classical,Contemporary,New Age. Full Performance. Duration 500. D. Anderson #864934. Published by D. Anderson (A0.1272745). Stars about the mass of our Sun were not always the specks we see in the sky, but rather a clump of cool, dense clouds known as nebulae. Follow the complex and smoking-hot life as a star as it transitions from its birthplace in the nebulae, swirls and contracts into a protostar, sustains nuclear fusion, lives out its glory days on the main sequence, and after a few close-calls with a second main sequence phase, inevitably meets its end as a red giant. Once the red giant star sheds off its outer layers to form a planetary nebula, all that remains is a white dwarf, never to shine as bright as it once did. It's complex, it's full of surprises, it's one of the most fascinating phenomena in space: this is stellar evolution.
$5.99 ≈
5.37€
Piano Man
Piano Man
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Billy Joel
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David J
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Piano Man
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Sterling Music Editions
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1499080 By Billy Joel. By Billy Joel. Arrange...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1499080 By Billy Joel. By Billy Joel. Arranged by David J. Miller. 20th Century,Contemporary,Pop,Rock. 99 pages. Sterling Music Editions #1075127. Published by Sterling Music Editions (A0.1499080). Piano Man is the title track off of Billy Joel's 1973 album of the same name. In this arrangement for Solo Euphonium and Barclay Brass, this version will give your audience the chance to hear this iconic piece with fresh ears. Care has been taken to pass around the orchestration to different members of the ensemble, as well as providing rests for all musicians. This arrangement makes for a great opener, mid-point feature, closer, or even an encore! The lyrics of the original version have been included in the Solo Euphonium part, in case your soloist feels like singing. Hiram Diaz did just that, you can hear him sing at the end of our performance on YouTube below!For more brass arrangements by David J. Miller, visit the Barclay Brass YouTube Channel at https://www.youtube.com/@TheBarclayBrass/videos.
$125.00 ≈
112.03€
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Ike Piccolo, Piano
