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You've selected:
Interval Suite
Sheetmusic to print
185 sheet music found
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176
Interval Suite
Interval Suite
#
Tuba and Piano
#
INTERMEDIATE
#
Karen Gourlay
#
Interval Suite
#
Forton Music - Digital
#
SheetMusicPlus
Tuba and Piano - Intermediate - Digital Download SKU: F2.FM259 Composed by Karen Gourlay. Score and Parts. 33 pages. Forton Music - Digital #FM259. Publi...
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Tuba and Piano - Intermediate - Digital Download SKU: F2.FM259 Composed by Karen Gourlay. Score and Parts. 33 pages. Forton Music - Digital #FM259. Published by Forton Music - Digital (F2.FM259). ISBN 9790570481583.Tuba and Piano. A suite of pieces for solo tuba and piano, each movement based on a different interval. Imaginative titles (Seconds Out!, Two Thirds, Forth Bridge, Flat 5, Six Of One..., Seventh Day and Pieces Of Eight) add to the charm and appeal of this piece, and each movement is superbly crafted with an individual character and feeling exploring a different aspect of the tuba's personality. Aimed at players of about grade 5 standard and upwards.
$12.95 ≈
11.95€
Interval Suite
Interval Suite
#
Piano solo
#
Beatrice A
#
Interval Suite
#
The FJH Music Company - Digital
#
SheetMusicPlus
Piano Solo - early intermediate - Digital Download SKU: F0.S4054 Composed by Beatrice A. Miller. Sheet Music. Spotlight Solo Sheets. Includes: Dreamy Thi...
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Piano Solo - early intermediate - Digital Download SKU: F0.S4054 Composed by Beatrice A. Miller. Sheet Music. Spotlight Solo Sheets. Includes: Dreamy Thirds, Indian Sunset in Fourths, and Dancing Fifths. Solo Sheet. 5 pages. The FJH Music Company - Digital #S4054. Published by The FJH Music Company - Digital (F0.S4054). UPC: 674398206179.A delightful suite in three movements, including Dreamy Thirds, Indian Sunset in Fourths, and Dancing Fifths. About FJH Spotlight Solo SheetsMotivating piano solos written for study and performance.
$2.95 ≈
2.72€
String Quartet Suite No. 4
String Quartet Suite No. 4
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 4
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317363 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317363 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 79 pages. John Michael Pekowski #906024. Published by John Michael Pekowski (A0.1317363). String Quartet Suite No. 4 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 2
String Quartet Suite No. 2
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 2
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317357 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317357 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 152 pages. John Michael Pekowski #906017. Published by John Michael Pekowski (A0.1317357). String Quartet Suite No. 2 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 3
String Quartet Suite No. 3
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 3
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317361 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317361 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 95 pages. John Michael Pekowski #906022. Published by John Michael Pekowski (A0.1317361). String Quartet Suite No. 3 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 5
String Quartet Suite No. 5
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 5
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317370 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317370 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 105 pages. John Michael Pekowski #906031. Published by John Michael Pekowski (A0.1317370). String Quartet Suite No. 5 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 7
String Quartet Suite No. 7
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 7
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317377 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317377 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 105 pages. John Michael Pekowski #906039. Published by John Michael Pekowski (A0.1317377). String Quartet Suite No. 7 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 1
String Quartet Suite No. 1
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 1
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317354 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317354 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 148 pages. John Michael Pekowski #906003. Published by John Michael Pekowski (A0.1317354). String Quartet Suite No. 1 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 9
String Quartet Suite No. 9
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 9
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317381 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317381 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 214 pages. John Michael Pekowski #906046. Published by John Michael Pekowski (A0.1317381). String Quartet Suite No. 9 (2022) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 8
String Quartet Suite No. 8
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 8
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317379 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317379 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 118 pages. John Michael Pekowski #906042. Published by John Michael Pekowski (A0.1317379). String Quartet Suite No. 8 (2022) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
String Quartet Suite No. 6
String Quartet Suite No. 6
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
John Michael Pekowski
#
String Quartet Suite No. 6
#
John Michael Pekowski
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317374 Composed by John Michael Pekowski. 21st Century,Chamber,Cla...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1317374 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 103 pages. John Michael Pekowski #906035. Published by John Michael Pekowski (A0.1317374). String Quartet Suite No. 6 (2021) is based upon the String Quartet Sketches (2019), which were charted in painstaking detail in preparation for subsequent orchestration. The background harmony for each movement employs quasi-symmetry and numerical coherence within pitch-interval space. The suite is divided into separate four-movement compositions and performers may elect to reorder the movements as they see fit.
$65.00 ≈
59.99€
Unaccompanied Tuba Suite #1 in B-flat Major
Unaccompanied Tuba Suite #1 in B-flat Major
#
Tuba
#
INTERMEDIATE
#
Jason Allie
#
Unaccompanied Tuba Suite #1 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99 ≈
9.22€
Unaccompanied Tuba Suite #2 in B-flat Major
Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMEDIATE/ADVANCED
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages...
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99 ≈
14.76€
Romanze from Children's Suite Op. 65
Romanze from Children's Suite Op. 65
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String Trio: violin, viola, cello
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INTERMEDIATE
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Arensky, Anton
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Nick Lacanski
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Romanze from Children's Suite
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theupperstaff
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.647564 Composed by Arensky, Anton. Arranged by Nick Lacanski. Concert...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.647564 Composed by Arensky, Anton. Arranged by Nick Lacanski. Concert,Romantic Period. Score and parts. 6 pages. Theupperstaff #2063831. Published by theupperstaff (A0.647564). This melody is performed in canon between the violin and viola. The canon is in the interval of a sixth. The cello provides a quasi arpeggio accompaniment.
$4.99 ≈
4.61€
Scherzino from Children's Suite Op. 65
Scherzino from Children's Suite Op. 65
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String Trio: violin, viola, cello
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INTERMEDIATE
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Classical
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Arensky, Anton
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Nick Lacanski
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Scherzino from Children's Suit
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theupperstaff
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.647559 Composed by Arensky, Anton. Arranged by Nick Lacanski. Romanti...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.647559 Composed by Arensky, Anton. Arranged by Nick Lacanski. Romantic Period. Score and parts. 10 pages. Theupperstaff #2063581. Published by theupperstaff (A0.647559). In reality this is really a two voiced conversation in the interval of a third. Appealing musically and theoretically.
$5.99 ≈
5.53€
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
Jean Daniel Braun: 5 Unaccompanied Suites for Solo Cello
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Cello
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ADVANCED
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Classical
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Jean Daniel Braun
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Adam Riggs
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Jean Daniel Braun: 5 Unaccompa
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AR Publications
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SheetMusicPlus
Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications...
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Composed by Jean Daniel Braun. Arranged by Adam Riggs. Baroque. Individual part. 84 pages. AR Publications #4595589. Published by AR Publications
Jean Daniel Braun is not a composer whose works are widely performed, nor is there much information about his life and compositions. The date and location of his birth are not well documented, but it is thought that he was born in Alsace, the eastern-most region of France. His death was recorded as occurring on April 2, 1738, making his birth likely in the late 17thcentury. In his autobiography, Johann Joachim Quantz mentions meeting Jean Daniel Braun and his brother, Jean Frédéric Braun, during his six-month visit to Paris between August 1726 and March 1727, which is really the only affirmative mention about Braun and his activities during his lifetime. In addition to being active as a flutist and composer, Jean Daniel Braun was also a music publisher in Paris, the result of his receiving a ten-year royal privilege to print several of his own works. This royal privilege, which served as an early form of copyright, allowed him to publish his first collection; a set of Sonatas for Flute with Basso Continuo in 1728. He went on to publish ten more collections of his own compositions, the majority of which were for flute and continuo, with some notable exceptions, including a set of 6 sonatas for two bassoons or other bass instruments. Jean Daniel did not personally publish the last volume of his works, Sonata a flûte traversière et basse suivie de differentes pièces sans basse[1]it is thought that Jean Frédéric Braun discovered the manuscript, assumed them to be composed by his brother, and saw them to publication under his brother’s name.[2]
These suites, while not originally written for cello, sound well-suited to the instrument and present some unique technical challenges that do not normally present themselves in the cello repertoire, including multiple rapid shifts in quick succession and rapid large interval leaps. In the 18th century, it was very common for works to be transcribed for and performed on other instruments. Braun's novel use of a treble clef in one key and a bass clef in another at the beginning line of each of the 5 suites (the 2nd Suite excepted, however, it does have a note for bass instruments to transpose to the appropriate key at the beginning), is proof that Braun did not have a single instrument in mind for these suite. It is therefore fitting that these suites should and can be performed on the cello.
There are two versions of the suites in this edition. The first is as it appears in the edition at the Bibliotheque Nationale de France (Paris). The bowed version provides the editors suggested bowings that are more suited to performance on cello.
[1]David A Wells, liner notes from Twenty Four Solos by Jean-Daniel Braun, Nadina Makie Jackson, 2011
[2]Jean Daniel Braun, Sonata a flûte trabersière et basse suivie de differentes pièces sans basse. Paris 1740
Foreword by Marcello Castellani, tr. Elsa and Amedeo Stolfi, and Aaron Haas
Archivum Musicum: L’Art de la flûte traversièreVol. 23 Florence: Studio Per Edizioni Scelte, 1982
$25.00 ≈
23.07€
Elements Suite for Violin and Piano 1st Mvnt: Earth
Elements Suite for Violin and Piano 1st Mvnt: Earth
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Michael Bomier
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Elements Suite for Violin and
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Michael Butkus-Bomier
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 4 - Digital Download SKU: A0.862516 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and in...
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Instrumental Solo,Piano,Violin - Level 4 - Digital Download SKU: A0.862516 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and individual part. 5 pages. Michael Butkus-Bomier #2032635. Published by Michael Butkus-Bomier (A0.862516). Contemporary music MUST use elements that are either different in substance or in context from the Old Common Practise: otherwise, the music is not contemporary. Yet, Earth, Air, Fire and Water, these elements have not changed since the dawn of, well, Everything! So, our Suite for Violin and Piano is named after these unchanging aspects of our world, while using musical elements and contexts that are NOT from the past. Asymmetrical or odd-numbered phrases, major 7th, tritones, and half-steps instead of diatonic scales, wide melodic intervals, pointillisms, non-tonal harmony in the accompaniments, etc. This first movement is Adagio, slow and solid. The audio clip, along with the score, will show you more than can be described in words. Playable, listenable, accessible, and yet novel. Contemporary music that retains just enough of an older sound and feeling is the best way to get players and audiences to perform and listen to what it has to offer. Each selection in the suite runs just over 2 mins. They are all posted here as individual titles, and can certainly be played as such. Audio clips of each movement are available through this method. The entire 4-movement suite is advantageously priced. parts and a score for each. MBB.
$4.99 ≈
4.61€
Suite for First Position String Orchestra in Three Movements
Suite for First Position String Orchestra in Three Movements
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String Orchestra
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INTERMEDIATE
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Michael Bomier
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Suite for First Position Strin
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Michael Butkus-Bomier
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and parts. 53 pages....
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String Orchestra - Level 3 - Digital Download SKU: A0.862523 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score and parts. 53 pages. Michael Butkus-Bomier #2032829. Published by Michael Butkus-Bomier (A0.862523). The GateWay Editions First Position String Orchestra Series presents this three-movement suite. A Moderato of about 4 mins duration, an Andante, the featured portion of the suite, running about 7 mins, and a final Allegro, all clocking in at just under 14 mins. ALL notes are playable in first position for ALL sections, of course! The basses sometimes shift to 1 1/2 position, as is the usual pedagogy for their instrument. No fast notes across strings or trills. A minimum of accidentals. These three pieces use tightly controlled rhythms, intervals, and melodic fragments, to create a maximum of symphonic euphony through the combination of just a few musical elements. The audio clip is the complete suite. This work can be the centerpiece of a concert for a youth orchestra, a community group, or a high school ensemble. The phrases are not longer than 4 notes, many are two-note groups, making the choices for bowings much easier than longer strings of notes. Each part has the first movement on page one, the second movement on two facing pages, and the third one the last page, making for easy organization of music onstage and in rehearsal. Score is 33 pgs. MBB.
$45.00 ≈
41.53€
Small Suite
Small Suite
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Piano solo
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INTERMEDIATE/ADVANCED
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Robert Chamberlin
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Bitonal Excursions.
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Small Suite
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Robert Chamberlin
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.917285 Composed by Robert Chamberlin. 20th Century,Contemporary,Instructional. Score. 10 pages. Robert Ch...
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Piano Solo - Level 4 - Digital Download SKU: A0.917285 Composed by Robert Chamberlin. 20th Century,Contemporary,Instructional. Score. 10 pages. Robert Chamberlin #4887923. Published by Robert Chamberlin (A0.917285). Small Suite was composed in 1970. It is a set of three etudes exploring different musical innovations introduced at the beginning of the 20th Century. The three etudes are composed for piano students at an intermediate or intermediate/advanced level. The first etude explores Bitonality or music written in two keys simultaneously. The second etude emphasizes open fifths (Quintal Harmony) along with a melody that moves in parallel 9ths. The third etude demonstrates parallel intervals...parallel fifths and parallel fourths predominantly. Mixed meter, or changing meters, is an aspect of both the first and the third etudes. The audio clip is the first movement of the suite: Bitonal Excursions.
$5.00 ≈
4.61€
AMADEUS suite - 3. Romanza K. 466 from PIANO CONCERTO in D minor
AMADEUS suite - 3. Romanza K. 466 from PIANO CONCERTO in D minor
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Alessandro Macrì
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AMADEUS suite - 3. Romanza K.
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931210 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro MacrÃÂ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931210 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Concert,Graduation. Score and parts. 20 pages. Music Macri Editions #3640387. Published by Music Macri Editions (A0.931210). Il concerto per pianoforte e orchestra n. 20, KV 466, è una composizione di Wolfgang Amadeus Mozart, completata il 10 febbraio1785 a Vienna.Wolfgang Amadeus Mozart finì di comporre il Concerto per pianoforte e orchestra n. 20 in re minore K 466 il 10 febbraio 1785. Il giorno successivo lo eseguì come solista a Vienna in uno dei suoi concerti per abbonamento che, a quel tempo, avevano molto richiamo. Narra la leggenda che Mozart distribuì agli orchestrali le copie appena trascritte dell'ultimo movimento, al momento stesso di andare in scena. Il concerto si svolse nella sala Mehlgrube e vi parteciparono anche il padre Leopold, appositamente venuto da Salisburgo.L'Andante del secondo tempo è una romanza in 2/2 in forma ABACA. Come fa spesso, qui Mozart gioca di contrasti, espliciti e mascherati. Il primo contrasto è con il carattere del movimento che lo ha preceduto. Nell'inizio del secondo movimento il tema è sereno, apparentemente idilliaco e la tonalitàsolare (Si bemolle maggiore) lo conferma. È il tempo scelto (2/2) che ci fornisce il primo indizio sulle intenzioni dell'autore. A differenza di altri pezzi di grande lirismo il tempo non è un morbido ternario (3/4, 6/8), né un 4/4 con il suo respiro ampio ed il suo alternarsi di battere forti e smussati, ma un marziale 2/2. Il tema principale viene esposto dal solista, ripreso poco dopo dall'orchestra, passa dall'una all'altro con la solita maestria orchestrale mozartiana. Il secondo tema si presenta immediatamente con un salto di ottava ed intervalli ampi si ritrovano in tutto il suo svolgimento. È questo espediente più volte iterato che Mozart usa per costruire tensioni armoniche in crescendo che portano al minore e ad atmosfere giàdistanti dal primo tema. Con grazia sorprendente Mozart torna quindi sul primo tema per la seconda sezione. La terza sezione tematica precipita in minore, e questa volta con una serie di scale forsennate che richiamano alcuni passaggi dello sviluppo del primo movimento. Gli accordi verticali in forte (bisogneràaspettare Beethoven per i primi fortissimo) marcano di brusche fermate e riprese il rincorrersi delle scale. Un arpeggio rallentato e un arabesco riportano al tema principale che chiude questa pagina in un finto clima di riconciliazione, aprendo al frenetico finale.
$9.00 ≈
8.31€
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