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It's Happening With You
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You've selected:
It's Happening With You
Sheetmusic to print
33 sheet music found
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1
26
Can You Believe It's Happening?
Can You Believe It's Happening?
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Andrew McDonald
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Andrew McDonald
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Can You Believe It's Happening
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1280017 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1280017 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score. 7 pages. Andrew Mc Donald (Macka Records) #871437. Published by Andrew Mc Donald (Macka Records) (A0.1280017). Can You Believe It's Happening is a song about attending a rally and finding salvation. Finding myself in a big crowd and with loud music and a preacher man giving his testimony I walk up to the stage and give my heart to Jesus. Can you believe it's happening? Jesus is doing something! I am getting saved! This is a pop song for piano and female vocals.
$4.99 ≈
4.59€
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporary
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. ...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95 ≈
7.32€
Paisley's Sonata
Paisley's Sonata
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Piano solo
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INTERMEDIATE/ADVANCED
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #40...
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Piano Solo - Level 4 - Digital Download SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
4.59€
Yesterday's Future
Yesterday's Future
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Piano solo
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EASY
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New Age
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Contemporary
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Damien Gauci
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Yesterday's Future
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Damien Gauci
#
SheetMusicPlus
Piano - Level 2 - Digital Download SKU: A0.1408122 By Damien Gauci. By Damien Gaucio. Contemporary,New Age. Full Performance. Duration 184. Damien Gauci ...
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Piano - Level 2 - Digital Download SKU: A0.1408122 By Damien Gauci. By Damien Gaucio. Contemporary,New Age. Full Performance. Duration 184. Damien Gauci #990692. Published by Damien Gauci (A0.1408122). This is my second piece that I have wrote for piano and in general. The reason I chose the name Yesterday's Future is basically because I wanted to write a piece where it portrays moving on from something happening in you life. If I were to write it again, I would probably change up the melody a bit halfway through to make it more interesting, but nonetheless, I am pretty happy with it.As the theme continues throughout the whole the piece, changing very subtly, it resembles something you need to let go of. At the end of the piece with the held right hand and moving left hand, I wanted to make that part sound like it is moving on with the dynamics changing to resemble anger and relief. Anyway, thanks again for listening, hope you enjoyed it and there is much more to come!
$1.99 ≈
1.83€
Yesterday's Future
Yesterday's Future
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Piano solo
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Contemporary
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Damien Gauci
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Yesterday's Future
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Damien Gauci
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1014879 Composed by Damien Gauci. Contemporary. Score. 4 pages. Damien Gauci #4641457. Published by Damien Gauci (A...
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Piano Solo - Digital Download SKU: A0.1014879 Composed by Damien Gauci. Contemporary. Score. 4 pages. Damien Gauci #4641457. Published by Damien Gauci (A0.1014879). This is my second piece that I have wrote for piano and in general. The reason I chose the name Yesterday's Future is basically because I wanted to write a piece where it portrays moving on from something happening in you life. If I were to write it again, I would probably change up the melody a bit halfway through to make it more interesting, but nonetheless, I am pretty happy with it. As the theme continues throughout the whole the piece, changing very subtly, it resembles something you need to let go of. At the end of the piece with the held right hand and moving left hand, I wanted to make that part sound like it is moving on with the dynamics changing to resemble anger and relief. Anyway, thanks again for listening, hope you enjoyed it and there is much more to come!
$2.00 ≈
1.84€
"Song of India / ПеÑÐ½Ñ Ð¸Ð½Ð´Ð¸Ð¹Ñкого гоÑÑ‚Ñ" - guitar arrangement with TAB and chord symbols
"Song of India / ПеÑÐ½Ñ Ð¸Ð½Ð´Ð¸Ð¹Ñкого гоÑÑ‚Ñ" - guitar arrangement with TAB and chord symbols
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Andre Maaker
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"Song of India / ПеÑ
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SheetMusicHub
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.597709 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Andre Maaker. 20th Century,Romantic Perio...
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Guitar - Level 3 - Digital Download SKU: A0.597709 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Andre Maaker. 20th Century,Romantic Period. Guitar Tab. 6 pages. SheetMusicHub #5711975. Published by SheetMusicHub (A0.597709). Guitar arrangement of this beautiful melody from Rimsky-Korsakov's opera Sadko. I changed the key from G to A. I also added lead sheet style chord symbols, so you get full idea what's happening on the harmony side!The file includes standard notation sheets (2 pages) and notation with TAB (3 pages).Let me know how it feels and please contact me for any comments, questions etc.!http://www.andremaaker.com
$8.00 ≈
7.37€
It's Happening With You by k.d. lang - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Country
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k.d. lang
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It's Happening With You
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Musicnotes
Performed by: k.d. lang: It's Happening With You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet mu...
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Performed by: k.d. lang: It's Happening With You Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Piano;Voice;Guitar; 4 pages -- Country~~Pop
$5.50 ≈
5.06€
See You In September
See You In September
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Piano, Voice
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INTERMEDIATE
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Contemporary
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The Happenings
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Dave Gingras, John E
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See You In September
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794082 By The Happenings. By Sherman Edwards. Arranged by Dave Gingras, John E. Dosher. Contempora...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794082 By The Happenings. By Sherman Edwards. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 3 pages. DAVID LEE GINGRAS #6119425. Published by DAVID LEE GINGRAS (A0.794082). This song is traditionally performed with an up-tempo or Beguine baseline but John and I thought we try something a little different this time and arranged this great tune from the 50's as a 100 bpm slow ballad. It makes use of a root-based chord-blocking technique we have used in nearly all of our arrangements and we added a few left-hand fills to make it more interesting. As with all of our arrangements, it's fun to ply, not too difficult and easily adaptable to other baselines - the melody and chords are there for you to have your way with - enjoy!
$4.99 ≈
4.59€
Children's Graded Fiddle Solos Volume 1
Children's Graded Fiddle Solos Volume 1
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Country
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Carol Ann Wheeler
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Children's Graded Fiddle Solos
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle - Beginning-Intermediate - Digital Download SKU: M0.97803MEB Composed by Carol Ann Wheeler. Country. Children's. E-book and online audio. Mel Bay ...
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Fiddle - Beginning-Intermediate - Digital Download SKU: M0.97803MEB Composed by Carol Ann Wheeler. Country. Children's. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97803MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97803MEB). ISBN 9781610656375. 8.75x11.75 inches.This book of fiddle solos is a companion to Children's Fiddling Method Volume 1. The tunes, presented first in their simplest form followed by progressively more difficult arrangements, utilize the skills and techniques introduced in the method book. While created for children, this music will also be enjoyed by adults who wish to gain an understanding of how to fiddle a tune. Teachers will find it a great teaching aid, as they can play the more difficult arrangements while the student chooses which ever arrangement suits their current playing ability. Fiddlers can grow into the tunes as they progress to higher skill levels and while this is happening, they will absorb the concepts and techniques of how to fiddle, which can be used in all fiddle tunes they play. All readers will delight in the eye-friendly layout carefully created so as help the student with ease of reading and to eliminate the intimidation that frequently occurs when less experienced players read tunes with lots of notes. Includes access to online audio.  .
$17.99 ≈
16.57€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Easy Piano
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BEGINNER
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Classical
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmüller
Ballade, Op. 100, No. 15 Friedrich Burgmüller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vélocité, Op. 109, No. 10 Friedrich Burgmüller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.67€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitar
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EASY
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.83€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,C...
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.83€
Gnossienne No. 3 (Tablature + Sheet Music)
Gnossienne No. 3 (Tablature +)
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Guitar notes and tablatures
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EASY
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Classical
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Contemporary
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Erik Satie
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Brian Streckfus
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Gnossienne No. 3
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar T...
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Guitar - Level 2 - Digital Download SKU: A0.1156458 Composed by Erik Satie. Arranged by Brian Streckfus. 20th Century,Classical,Romantic Period. Guitar Tab. 7 pages. Brian Streckfus #756776. Published by Brian Streckfus (A0.1156458). IMPORTANT NOTE: You get both tablature version and sheet music version in one 7 page PDF! Hopefully this makes these arrangements all-inclusive for different purposes and skill levels. Also the tab version is meant for Drop D tuning and the sheet music is for standard tuning! Just be careful with your printer settings if you don't want two versions!1. Impressionism French minimalist piece arranged for guitar in Drop D Tuning.2. The composer indications in text are not my recommendations, but the original composer's. 2. Guitar tablature added with circles for half notes and whole notes.3. Measures and time signatures removed to reflect the ethos of the original composer. 4. Engraved to fit on four pages. Many of the lines themselves represent a musical phrase, making my arrangement that much easier to perform musically.  5. Courtesy accidentals added but they just look like regular accidentals. I did this especially because the piece is one gigantic measure and accidental etiquette is hard to follow under those circumstances. 6. Some overly contrived ties removed.This one is a real challenge to engrave because the original composer didn't have bar lines or time signatures. Cool idea but that can cause even the best sheet music programs to glitch out a bit when you have 16/4 hidden time signatures! This especially causes problems with accidentals, and it also causes rhythm problems when multiple voices are happening. As always, I like to try to have notes with upward stems represent the main voice, and downward stems to represent background voices, even though this leads to a bit of messiness with stem collisions. Normally the sheet music shows the rhythm the best, but dare I say the tab actually keeps track of time pretty well since all the voices are condensed into one rhythm line.
$1.99 ≈
1.83€
Nights In White Satin
Nights In White Satin
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Folk/Rock
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Rock
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The Moody Blues
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Diane L
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issue(vol
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Nights In White Satin
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Diane L. Correa
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. ...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1071669 By The Moody Blues. By Justin Hayward. Arranged by Diane L. Correa. Folk,Pop,Rock. 13 pages. Diane L. Correa #675354. Published by Diane L. Correa (A0.1071669). #DianaFlutist Are you performing this piece? This is a Flute Ensemble arrangement of the of the Moody Blues classic. In the words of Justin Hayward, (Performing Songwriter Magazine; issue(vol.)13, “Nights in White Satin was about a very romantic set of white satin sheets, about Love, about the end of one big affair and the beginning of another. It was about real things that were happening in my life.†“It sort of had that double meaning, which was intentional, sort of medieval knights as well..†Justin Hayward (Performing Songwriter magazine: issue (vol.)13. This is a flute choir ensemble arrangement of the interpretation of a romantic set of white satin sheets, that has a strong thread of Love weaved in and out throughout the piece if you listen with extra care, wrapped up carefully in unrequited Love. Additional note: In the original album where Nights in White Satin first debuted is a concluding poem written by the group’s drummer Graeme Edge. The poem was called “Late Lament†which gave Nights in White Satin it’s carefully written ornamental completion. The original album was called Days of Future Passed, and the beginning lines of the poem Late Lament goes like this…â€Breathe deep the gathering gloom, Watch lights fade from every room,..please enjoy performing this flute choir ensemble arrangement of Nights in White Satin, it was arranged with Love.
$19.99 ≈
18.41€
An Indian Sea-Side
An Indian Sea-Side
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1 Piano, 4 hands
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BEGINNER
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Anita E Kohli
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An Indian Sea-Side
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Anita E Kohli
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1031503 Composed by Anita E Kohli. Children,Contemporary,Instructional,Sta...
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Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1031503 Composed by Anita E Kohli. Children,Contemporary,Instructional,Standards,World. Score and parts. 8 pages. Anita E Kohli #3433585. Published by Anita E Kohli (A0.1031503). ‘An Indian Sea-side’ is a Picture Piece, a piece with a story or an image. It is written for young late elementary level piano students, to be taught with a combination of rote and reading. Young students love using the sustain pedal and listen more carefully when they hear the resonance. Those who don’t have a pedal extension could stand and play this piece.The The first 3 sections of the piece are piano solos - The tide recedes, Crabs run around on the sand, A bird tries to catch a crab. The last is The walk of the elephants, a piano duet. More on this in 'About An Indian Sea-Side'.I hope this Picture Piece encourages young piano students to visualise when they play - seeing images, a movie or even telling a story of what’s happening. Students can improvise if their story needs more music, using notes from a 5 finger scale or playing a tune with any 2 white keys. Or using the black keys. It’s their imaginary story, so anything is possible!Anitaelise
$5.00 ≈
4.60€
Farewell Angelina
Farewell Angelina
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Rock
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Bob Dylan
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Melissa Dunphy
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Farewell Angelina
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Mormolyke Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Voice - Level 4 - Digital Download SKU: A0.922344 By Bob Dylan. By Bob Dylan. Arranged by Melissa Dunphy. Rock....
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Instrumental Duet Instrumental Duet,Viola,Voice - Level 4 - Digital Download SKU: A0.922344 By Bob Dylan. By Bob Dylan. Arranged by Melissa Dunphy. Rock. Score and parts. 7 pages. Mormolyke Press #4611325. Published by Mormolyke Press (A0.922344). Arranged for solo voice and violaCommissioned by Elise BrancheauFrom Elise BrancheauI adore folk music, particularly from the era of the 1960s and 1970s, and I love programming it alongside classical repertoire. You may be familiar with this Bob Dylan song, or perhaps the popular Joan Baez cover; it was Baez's version that I first heard, and I was immediately struck by the juxtaposition of the sweetly lilting vocal line (and gently strumming guitar accompaniment) with the apocalyptic text. The words, while strange and surreal, seemed to perfectly depict the sense of unrest and violence that fills our world today. The intimacy of the repeated farewells to a loved one while the world literally falls apart feels especially poignant; the almost absurd contrast between lines like I'll see you in a while and the sky is falling reminds me of the feeling of wanting to draw inward and deny the frightening things happening around us while also being unable to ignore them. I began imagining what the music would sound like if it reflected the sense of chaos and destruction of Dylan's poetry, and commissioned Melissa Dunphy to compose such an arrangement for voice and viola.
$4.99 ≈
4.59€
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It's Happening With You
