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It\\\\\\ Musette Easy
Sheetmusic to print
6 sheet music found
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1
Musette Musings
Musette Musings
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Piano solo
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BEGINNER
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Classical
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Johann Sebastian Bach
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Adriana Janse van Rensburg
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Musette Musings
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Adriana Janse van Rensburg
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.969628 Composed by Johann Sebastian Bach. Arranged by Adriana Janse van Rensburg. Baroque,Concert,Standar...
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Piano Solo - Level 1 - Digital Download SKU: A0.969628 Composed by Johann Sebastian Bach. Arranged by Adriana Janse van Rensburg. Baroque,Concert,Standards. Score. 2 pages. Adriana Janse van Rensburg #3366139. Published by Adriana Janse van Rensburg (A0.969628). Easy arrangement on the popular Musette by Bach. Suitable for early elementary, matches second level method books. Simple drone bass left hand, easy five-finger right hand position. Very popular for recitals as it's a well-known, catchy melody set as a longer piece. .
$1.99 ≈
$2.72
Musette for Strings from The GateWay Editions First Position String Orchestra Series
Musette for Strings from The GateWay Editions First Position String Orchestra Series
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String Orchestra
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INTERMEDIATE
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Michael Bomier
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Musette for Strings from The G
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Michael Butkus-Bomier
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.862513 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and ...
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String Orchestra - Level 3 - Digital Download SKU: A0.862513 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 21 pages. Michael Butkus-Bomier #2032331. Published by Michael Butkus-Bomier (A0.862513). A musette is a bassline that typically uses alternating low and high octaves to keep the underpinnings of a melody moving right along. Here we have that broken octave figure split into two voices, the cello and bass. Thus, no one section has to keep alternating up and down. The tune is a Shubertian sort of easy-going, elegant song. It is harmonized with as much color as the basic scalar melody can absorb, without getting too radical in its tonal range. The final section uses two dotted quarters in each measure instead of three plain quarter-notes. Bowings are by string pedagogue Lori Sandell Lacey. Running time at the suggested tempo is 3 mins. The piece CAN go faster should your group be up to that task! Remember, ALL notes are in 1st position for all sections, no trills or fast passages across strings, all standard up and down bowings, no pizzicato or divisi. Makes a nice opening piece, or the end of the first section of a two-part program. MBB.
$20.00 ≈
$27.36
Elise left? - Take it easy, Ludwig! - for Saxophone Quartet
Elise left? - Take it easy, Ludwig! - for Saxophone Quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Frank Raschke
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Elise left? - Take it easy, Lu
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Frank Raschke
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.931565 Composed by Frank Raschke. 20th Century,Jazz,World. 20 pages. Frank Raschk...
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.931565 Composed by Frank Raschke. 20th Century,Jazz,World. 20 pages. Frank Raschke #3557559. Published by Frank Raschke (A0.931565). A swinging jazzy-inspired Musette for Saxophone Quartet with Beethoven quote, suitable as an encore also for classical concerts with serious music.
$16.00 ≈
$21.89
Elise left? - Take it easy, Ludwig!
Elise left? - Take it easy, Ludwig!
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String Quartet: 2 violins, viola, cello
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ADVANCED
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published by Frank Raschke
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Elise left? - Take it easy, Lu
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Frank Raschke
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.931574 Composed by published by Frank Raschke. 20th Century,Concert...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.931574 Composed by published by Frank Raschke. 20th Century,Concert,Jazz,World. Score and parts. 18 pages. Frank Raschke #6020961. Published by Frank Raschke (A0.931574). A swinging kind of musette in a jazz-standard form AABA; the Bridge with a vibe of Parisienne. A short and funny piece with a story building quote from Beethoven. In a recital maybe nice as an encore.
$20.99 ≈
$28.72
10 tunes for FLUTE of Bach
10 tunes for FLUTE of Bach
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Flute
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EASY
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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10 tunes for FLUTE of Bach
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Leyandder Trustworthy
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SheetMusicPlus
Flute Solo - Level 2 - Digital Download SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructio...
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Flute Solo - Level 2 - Digital Download SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,World. Individual part. 8 pages. Leyandder Trustworthy #6219791. Published by Leyandder Trustworthy (A0.964349). The present collection was the result of research and dedication, in order to analyze and select well-known works of good execution, for this instrument (flute), unfortunately, it was necessary to leave some better known works out of the collection, such as: Toccata and Fuga in D minor; BWV 565 and the Brandemburgo Concerts, as soon as, these are not so favorable for execution on wind instruments, as well as they are of high difficulty. The purpose of this work is for beginners and interediate practitioners on wind instruments, and it can be used effectively by teachers and musical educators who need a material of easy accessibility, as well as good reading and interpretation quality. This material also has the aid of a cipher to be used in accompaniment of a harmonic instrument, because there is not always the availability of a professional pianist to accompany the student. In view of the above-mentioned considerations, I conclude by saying that the inspiration for the fabrication of this work is due to the reality observed in many music schools that are in a precarious state, not only of musical instruments or basic teaching materials, but also the lack of good quality musical editions accessible to educators and students, so that they have access to the great works making our musical future guaranteed of good musical quality and accessible to all.AIR ON THE G STRING; BWV 1068ARIOSO (Sinfonia); BWV 156GAVOTTE I; BWV 808FUGUE IN C MINOR; BWV 847bMINUET IN G MAJOR; BWV Ahn. 114MUSETTE IN D MAJOR; BWV Ahn. 126BOURRÉE; BWV 996PRELUDE; BWV 1007JESU, JOY OF MAN'S DESIRING; BWV 147BADINERIE; BWV 1067MINUET; BWV 825
$6.99 ≈
$9.56
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Easy Piano
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BEGINNER
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Classical
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmüller
Ballade, Op. 100, No. 15 Friedrich Burgmüller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vélocité, Op. 109, No. 10 Friedrich Burgmüller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
$5.46
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