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You've selected:
It Happened Today
Sheetmusic to print
22 sheet music found
<
1
It Happened In Monterey
It Happened In Monterey
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Big Note Piano
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BEGINNER
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Jazz
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Frank Sinatra
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It Happened In Monterey
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.447853 By Frank Sinatra. Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447853). ...
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Digital Download SKU: HX.447853 By Frank Sinatra. Jazz,Standards. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.447853). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.69€
Whatever Happened To Saturday Night?
Whatever Happened To Saturday Night?
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE
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Richard O'brien
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Sean Sullivan
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Whatever Happened To Saturday
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1313616 Comp...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1313616 Composed by Richard O'brien. Arranged by Sean Sullivan. 20th Century,Broadway,Musical/Show,Pop,Rock. 20 pages. Sean Sullivan #902349. Published by Sean Sullivan (A0.1313616). Make space for Whatever Happened to Saturday Night from Rocky Horror Picture Show, arranged for saxophone quintet by Richard O'Brien. This iconic song will take you on a journey back to the 70s with its upbeat tempo, energetic saxophone melodies, and catchy chorus. The arrangement for saxophone quintet adds a unique dimension to this timeless classic, elevating the musical experience with its fantastic layers of sound. Perfect for any occasion, whether it's a party or an intimate gathering, Whatever Happened to Saturday Night is bound to leave a lasting impression. Your quintet creates a rich and compelling sound that transports you into the world of Rocky Horror and leaves you wanting more. Add Whatever Happened to Saturday Night by Richard O'Brien arranged for saxophone quintet to your playlist today and let the good times roll!
$14.99 ≈
13.46€
It Happened Today
It Happened Today
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Piano, Vocal and Guitar
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EASY
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Curved Air
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G
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It Happened Today
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Inner Marshland
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.811869 By Curved Air. By Francis Monkman and Sonia Kristina Linwood. Arranged by G. Frankli...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.811869 By Curved Air. By Francis Monkman and Sonia Kristina Linwood. Arranged by G. Franklin. Contemporary,Rock. Score. 14 pages. Inner Marshland #5198049. Published by Inner Marshland (A0.811869). As heard on their Air Conditioning album. I've included the main guitar riff and the violin solo from the coda section.
$4.99 ≈
4.48€
Whatever Happened To Saturday Night?
Whatever Happened To Saturday Night?
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Flute Quintet : 5 flutes
#
INTERMEDIATE
#
Richard O'brien
#
Sean Sullivan
#
Whatever Happened To Saturday
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Sean Sullivan
#
SheetMusicPlus
Flute Quintet,Woodwind Ensemble Alto Flute,Piccolo - Level 3 - Digital Download SKU: A0.1312269 Composed by Richard O'brien. Arranged by Sean Sullivan. 2...
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Flute Quintet,Woodwind Ensemble Alto Flute,Piccolo - Level 3 - Digital Download SKU: A0.1312269 Composed by Richard O'brien. Arranged by Sean Sullivan. 20th Century,Broadway,Film/TV,Musical/Show,Rock. 20 pages. Sean Sullivan #901126. Published by Sean Sullivan (A0.1312269). Looking for a unique and festive addition to your flute quintet repertoire? Look no further than this arrangement of Richard O'Brien's Whatever Happen to Saturday Night! Filled with energy, nostalgia and toe-tapping fun, this exciting arrangement captures the infectious energy of the original and perfectly translates it for flute quintet. Whether you're looking for a standout piece for your next performance or simply want to add some pizzazz to your next rehearsal, Whatever Happen to Saturday Night! is the perfect choice. With its recognizable melody and catchy lyrics, this arrangement is guaranteed to be a hit with audiences of all ages. So why wait? Order your copy of Whatever Happen to Saturday Night! today and bring the excitement and fun of Richard O'Brien's memorable hit to your next performance!
$14.99 ≈
13.46€
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
#
ADVANCED
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.22€
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.22€
Think About That Day - a Christmas duet and piano - different bridge
Think About That Day - a Christmas duet and piano - different bridge
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Piano, Vocal and Guitar
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EASY
#
Christmas
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Connie Boss
#
Think About That Day - a Chris
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Connie Boss
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801548 Composed by Connie Boss. Christian,Christmas,Gospel,Sacred. Score. 4 pages. Connie B...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801548 Composed by Connie Boss. Christian,Christmas,Gospel,Sacred. Score. 4 pages. Connie Boss #6097477. Published by Connie Boss (A0.801548). This is version number 2 of this song. I decided to make an SATB version of the first one I did that was a duet. I decided to change the bridge. I decided I really liked it, so I condensed it somewhat into a duet with the new bridge. You can listen to both and decide which one you like better. I really love this song because when I wrote it, I thought back about how life would have been back in those days as apposed to life today. In some ways, life was much simpler, but at the same time a hard life. Today is similar but in a different way. Some things are easier but life is not as simple as it once was. I can't imagine an angel appearing before me and giving me a message from God as what happened to Mary and Joseph. cdboss@cvalley.net. Lyrics below.
$5.00 ≈
4.49€
Twitter, for Flute Choir
Twitter, for Flute Choir
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Flute ensemble
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INTERMEDIATE
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Contemporary
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00 ≈
35.92€
VALS FRÅN DREFVIKEN
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.79€
LÄTTA FINGRAR
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.79€
FORNUDDSVALSEN
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.79€
LOVELY THOUGHTS
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.79€
SNÖKÄNGAN
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99 ≈
1.79€
Who Will Bind Their Wounds?
Who Will Bind Their Wounds?
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Vocal duet, Piano
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EASY
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Jennette Jay Booth
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Who Will Bind Their Wounds?
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Sound Booth
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.868044 Composed by Jennette Jay Booth. Christian,Sacred,Spiritual. 7 pages. Sound Booth...
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.868044 Composed by Jennette Jay Booth. Christian,Sacred,Spiritual. 7 pages. Sound Booth #6371945. Published by Sound Booth (A0.868044). As I have watched what the youth of today are up against, I couldn't help but think of the stripling warriors described in the Book of Mormon.It struck me that even though every warrior miraculously survived the two battles they fought in, every warrior was also badly injured, many to the point of fainting from the loss of blood.And what happened next?Every able soldier worked to bind up the wounds of the injured.THIS is part of the story of their miraculous survival!This is OUR part of the story as the parents/leaders of the youth today.Who Will Bind Their Wounds? is a call to the latter-day Army of Antipus to come fight for and rescue our beloved Youth Battallion.Will you hasten to the fight like Antipus of old?Will you march with all your might to defend the stripling fold?...All profits go toward preventing child sexual abuse at BodySafetySongs.org
$4.99 ≈
4.48€
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
Ungaresca & Almande Poussinghe (Recueil de Danseries, 1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Ungaresca & Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99 ≈
8.97€
Schiarazula Marazula & Ballo Anglese (1583)
Schiarazula Marazula & Ballo Anglese (1583)
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Renaissance
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Pierre Phalèse Jnr
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Colin Kirkpatrick
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Schiarazula Marazula & Ballo A
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and par...
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String Ensemble - Level 2 - Digital Download SKU: A0.1039005 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #644005. Published by Colin Kirkpatrick Publications (A0.1039005). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of danceâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Schiarazula Marazula appears towards the end of the collection and is rather a curious addition because it evokes the sound of street music rather than that of the court. However, it was an immensely popular dance during the 16th century and possibly written by Giorgio Mainerio, an Italian musician and composer. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, Schiarazula Marazula is paired with Ballo Anglese which appears near the beginning of the original publication. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99 ≈
8.07€
7 Variations in C on 'God Save the King', WoO78
7 Variations in C on 'God Save the King', WoO78
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Brass Quartet
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INTERMEDIATE
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Classical
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Jeff Tincher
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Jeff Tincher
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7 Variations in C on 'God Save
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Jeff Tincher
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SheetMusicPlus
Brass Quartet Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1286518 By Jeff Tincher. By Ludwig van Beethoven. Arranged by Jeff Tincher. Clas...
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Brass Quartet Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1286518 By Jeff Tincher. By Ludwig van Beethoven. Arranged by Jeff Tincher. Classical. 33 pages. Jeff Tincher #877576. Published by Jeff Tincher (A0.1286518). Here is a Classical piece that I happened to run across. This one is perfect for today, considering Prince Charles has been crowned King. It has several movements with some having counterrhythms that is intriguing. This arrangement was taken from the original piano score and divided into the four parts. Duration = 9:06. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.67€
7 Variations in C on 'God Save the King', WoO78
7 Variations in C on 'God Save the King', WoO78
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Jeff Tincher
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Jeff Tincher
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7 Variations in C on 'God Save
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1286514 By J...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1286514 By Jeff Tincher. By Ludwig van Beethoven. Arranged by Jeff Tincher. Classical. 34 pages. Jeff Tincher #877572. Published by Jeff Tincher (A0.1286514). Here is a Classical piece that I happened to run across. This one is perfect for today, considering Prince Charles has been crowned King. It has several movements with some having counterrhythms that is intriguing. This arrangement was taken from the original piano score and divided into the four parts. Duration = 9:06. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.67€
7 Variations in C on 'God Save the King', WoO78
7 Variations in C on 'God Save the King', WoO78
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Classical
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Jeff Tincher
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Jeff Tincher
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7 Variations in C on 'God Save
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1286516 By Jeff Tincher. By Ludwig van Beethoven. Arr...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1286516 By Jeff Tincher. By Ludwig van Beethoven. Arranged by Jeff Tincher. Classical. 34 pages. Jeff Tincher #877574. Published by Jeff Tincher (A0.1286516). Here is a Classical piece that I happened to run across. This one is perfect for today, considering Prince Charles has been crowned King. It has several movements with some having counterrhythms that is intriguing. This arrangement was taken from the original piano score and divided into the four parts. Duration = 9:06. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
11.67€
7 Variations in C on 'God Save the King', WoO78
7 Variations in C on 'God Save the King', WoO78
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Piano solo
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INTERMEDIATE
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Classical
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Jeff Tincher
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Jeff Tincher
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7 Variations in C on 'God Save
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Jeff Tincher
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1286509 By Jeff Tincher. By Ludwig van Beethoven. Arranged by Jeff Tincher. Classical. Score. 9 pages. Je...
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Piano Solo - Level 3 - Digital Download SKU: A0.1286509 By Jeff Tincher. By Ludwig van Beethoven. Arranged by Jeff Tincher. Classical. Score. 9 pages. Jeff Tincher #877566. Published by Jeff Tincher (A0.1286509). Here is a Classical piece that I happened to run across. This one is perfect for today, considering Prince Charles has been crowned King. It has several movements with some having counterrhythms that is intriguing. Duration = 9:06. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99 ≈
5.38€
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It Happened Today
