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You've selected:
Ite Missa Est for orchestra
Sheetmusic to print
11 sheet music found
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1
Ite Missa Est for orchestra (Score and Parts)
Ite Missa Est for orchestra (Score and Parts)
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
David Warin Solomons
#
Ite Missa Est for orchestra
#
David Warin Solomons
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.576916 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 48 pages. David War...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.576916 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 48 pages. David Warin Solomons #519345. Published by David Warin Solomons (A0.576916). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts. The score on its own is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$15.00 ≈
13.53€
Ite Missa Est for orchestra (Score only)
Ite Missa Est for orchestra (Score only)
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
David Warin Solomons
#
Ite Missa Est for orchestra
#
David Warin Solomons
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.576915 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 17 pages. David War...
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.576915 Composed by David Warin Solomons. Christian,Contemporary. Score and parts. 17 pages. David Warin Solomons #519341. Published by David Warin Solomons (A0.576915). This is based on the Organ Voluntary that was originally written for the mass for men's voices and organ. It is intended as an optional finale for the Mass for choir and orchestra (also available on this site), but it can also be performed as a separate item. The themes of the choral setting of the mass are taken up by the orchestra, leading to a musical mix reminiscent in some places of film soundtracks. The congregation is blessed by the priest and leave the church in exuberant mood with the music of the Mass ringing in their ears in this orchestral extravaganza. The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The Mass for choir and orchestra itself, and also the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$7.00 ≈
6.31€
Mass for choir and orchestra (Score and parts)
Mass for choir and orchestra (Score and parts)
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
David Warin Solomons
#
Mass for choir and orchestra
#
David Warin Solomons
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts....
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.576914 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 70 pages. David Warin Solomons #519335. Published by David Warin Solomons (A0.576914). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains score and parts (with the Choir part as a complete SATB score). The score on its own is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$25.00 ≈
22.55€
Mass for choir and orchestra (Score only)
Mass for choir and orchestra (Score only)
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
David Warin Solomons
#
Mass for choir and orchestra
#
David Warin Solomons
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts....
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.576913 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Score and parts. 20 pages. David Warin Solomons #519333. Published by David Warin Solomons (A0.576913). Setting of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei for SATB choir and full orchestra based on my mass for men's voices and organ (which can be found on: http://www.dwsolo.com/serif/massformensvoices.html ) The style is lyrical and neo-classical with a few hints of oriental modes (full of Eastern promise as a member of the congregation said when the original version was performed in Manchester). The sound sample is an electronic preview but a professional live recording is expected soon. The pdf file contains just the score. The score with parts is also available on this site. The optional orchestral finale Ite Missa Est and the original versions for men's voices and organ and for sopranos, altos, men's voices and organ are also available on this site.
$10.00 ≈
9.02€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00 ≈
90.20€
Missa Brevis in D K.194
Missa Brevis in D K.194
#
Choral SATB
#
Classical
#
Wolfgang Amadeus Mozart
#
Missa Brevis in D K.194
#
Oxford University Press Digital
#
SheetMusicPlus
SATB choir, solo voices, bassoon, 3 trombones, 2 violins, double bass, and continuo (organo and organo ripieno). - Digital Download SKU: OX.9780193702219...
(+)
SATB choir, solo voices, bassoon, 3 trombones, 2 violins, double bass, and continuo (organo and organo ripieno). - Digital Download SKU: OX.9780193702219 Composed by Wolfgang Amadeus Mozart. Edited by Richard Maunder. Classic Choral Works. Vocal score. 39 pages. Oxford University Press Digital #9780193702219. Published by Oxford University Press Digital (OX.9780193702219). ISBN 9780193702219.The piece is divided into six short movements corresponding to the standard sections of the Mass. This feature, coupled with the compactness of the work and its modest scoring makes it ideal for performance in a liturgical context as well as in the concert hall. This edition is not only authoritative and scholarly but also is clear and practical for performers - the vocal score is free of clutter and easy to read. The full score contains full scholarly apparatus including a detailed preface and critical commentary. Orchestral material is available on hire. About Classic Choral WorksThese truly versatile and user-friendly editions offer a practical approach for performers, informed by the very highest standard of scholarship. - Fresh editions by the very best scholars in their field - Clean and clear page layout - Compositions spanning the fourteenth to nineteenth centuries - Choral works with a wide range of scorings, from small chamber group to full orchestra - Informative prefaces included in most of the vocal scores - Playable keyboard reductions for rehearsal
$15.25 ≈
13.75€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
#
Choral SATB
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27
#
Adrian Gagiu
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adr...
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
79.36€
Missa Ad Placitum - Agnus Dei II for Woodwind Septet
Missa Ad Placitum - Agnus Dei II for Woodwind Septet
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Chamber Orchestra
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EASY
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Claude Le jeune
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Cristiano Vecchi
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Missa Ad Placitum - Agnus Dei
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Cristiano Vecchi
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SheetMusicPlus
Chamber Orchestra - Level 2 - Digital Download SKU: A0.963562 Composed by Claude Le jeune. Arranged by Cristiano Vecchi. Instructional,Renaissance,Sacred...
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.963562 Composed by Claude Le jeune. Arranged by Cristiano Vecchi. Instructional,Renaissance,Sacred. Score and parts. 63 pages. Cristiano Vecchi #6491553. Published by Cristiano Vecchi (A0.963562). A mystical fugue in seven voices, with fascinating harmonical nuances, published in 1607.In his mature work Claude Le Jeune applied classical prosody to obtain a greater intelligibility of the lyrics; in this arrangement phrasing and accents, not present in the original, have been added to mantain this peculiar prosody; also have been added dynamic indications to enhance expression and formal architecture. The score has been written for: Flute, Oboe, En. Horn, Clar. in Bb, Bass Clar., Fr. Horn, Bassoon (Woodwind Quintet + Bass Clar. + En. Horn), anyway 52 extra parts are included to cover a large number of combinations (Woodwinds with Saxophones, Brass, Strings), very useful for classroom exercitations or for recitals where is required a more symphonic sound with doubling. Duration: 2'30.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists
$4.99 ≈
4.50€
Missa in Tempore Belli (Mass in Time of War/Paukenmesse)
Missa in Tempore Belli (Mass in Time of War/Paukenmesse)
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Franz Joseph Haydn
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Missa in Tempore Belli
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Oxford University Press Digital
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SheetMusicPlus
Mixed chorus and orchestra - Digital Download SKU: OX.9780193701922 Composed by Franz Joseph Haydn. Edited by David Russell Hulme. Classic Choral Works. ...
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Mixed chorus and orchestra - Digital Download SKU: OX.9780193701922 Composed by Franz Joseph Haydn. Edited by David Russell Hulme. Classic Choral Works. Vocal score. 83 pages. Oxford University Press Digital #9780193701922. Published by Oxford University Press Digital (OX.9780193701922). ISBN 9780193701922.This is one of the finest of the six great Haydn masses in an edition prepared from Haydn's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire.
$19.50 ≈
17.59€
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flute and Piano
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ADVANCED
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Contemporary
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081....
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Flute,Piano - Level 5 - Digital Download SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00 ≈
31.57€
Requiem
Requiem
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Soli, Mixted choir and accompaniment
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Sacred music
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John Rutter
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Requiem
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Oxford University Press Digital
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SheetMusicPlus
Composed by John Rutter (1945-). Score. 64 pages. Oxford University Press Digital #9780193702615. Published by Oxford University Press Digital...
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Composed by John Rutter (1945-). Score. 64 pages. Oxford University Press Digital #9780193702615. Published by Oxford University Press Digital
ISBN 9780193702615.
For soprano soloist, mixed choir, and orchestra or ensemble (with organ). This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity, psalms, personal prayers to Christ, and in the central Sanctus an affirmation of divine glory. The full scores have been edited and engraved by the composer himself and are. presented in handsome, cloth-bound editions. Vocal and orchestral material is available on hire.
$16.50 ≈
14.88€
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Ite Missa Est for orchestra
