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You've selected:
Jazz Guitar Structures
Sheetmusic to print
11 sheet music found
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1
Jazz Guitar Structures
Jazz Guitar Structures
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Guitar
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EASY
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Jazz
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Andrew Green
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Jazz Guitar Structures
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Boosting Your Solo Power. Composed by Andrew Green. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #0970057601MEB. Published b...
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Boosting Your Solo Power. Composed by Andrew Green. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #0970057601MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117273.
For guitarists, the technical learning curve for improvisation is fairly steep. For this reason, it is important to find multiple uses for the musical structures that you learn to execute. This approach decreases the learning curve considerably. This book and accompanying audio show you how to expand your improvisational vocabulary by combining small, easily identifiable melodic ideas (structures) into longer, more complex lines. The material is written in standard notation. Includes access to online audio.
$19.99 ≈
18.00€
Jazz Blues Lesson Plan with Score and Parts
Jazz Blues Lesson Plan with Score and Parts
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Piano, Vocal and Guitar
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INTERMEDIATE
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Christopher Burnett
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Jazz Blues Lesson Plan with Sc
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BurnettPublishing.COM
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.954018 Composed by Christopher Burnett. Blues,Instructional,Jazz. Score. 36 pages. BurnettP...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.954018 Composed by Christopher Burnett. Blues,Instructional,Jazz. Score. 36 pages. BurnettPublishing.COM #3680511. Published by BurnettPublishing.COM (A0.954018). Lesson PlanThree Jazz Blues StructuresSummarySubject(s): Simple Blues, Jazz Blues, Bird BluesTopic or Unit of Study: Common Song Forms for Jazz ImprovisationGrade/Level: 9th Grade Jazz Band Student and aboveObjective: a.) The construction of chords includes the same notes as scales except rather than proceeding stepwise, chords proceed by intervals of thirds (line note to line note, space note to space note). b.) Using the notes of each chord in time with the music will produce a coherent improvisation. c.) Using the notes of each chord in combination with the notes of the implied scale in time will produce a coherent improvisation. d.) Recognizing what chord symbols represent the 1, 4, and 5 chords of a Blues Key. e.) Recognizing what scales is implied by the ii7-V7 progressions in the progression. f.) Reinforce that proficiency in the performance of major scales is essential to coherent improvisation skills and understanding of Song Form structures used in Jazz music.Time Allotment: 1-hour or more of class period time to introduce and practice the lesson during the clinic. Multiple practice sessions to mastery of the material toward useful performance and compositional applications by students.Christopher Burnett Conn-Selmer Artist and ClinicianAPPLIED JAZZ CLINIC
$10.00 ≈
9.01€
Thompson's Structured Guide: Scales, Modes & Associated Chords by Key - for GUITAR
Thompson's Structured Guide: Scales, Modes & Associated Chords by Key - for GUITAR
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Guitar notes and tablatures
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INTERMEDIATE
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Alan R Thompson
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Alan R Thompson
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Thompson's Structured Guide: S
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Alan R Thompson
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1155573 By Alan R Thompson. By Alan R Thompson. Arranged by Alan R Thompson. Blues,Classical,Jazz,Pop,Rock. G...
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Guitar - Level 3 - Digital Download SKU: A0.1155573 By Alan R Thompson. By Alan R Thompson. Arranged by Alan R Thompson. Blues,Classical,Jazz,Pop,Rock. Guitar Tab. 936 pages. Alan R Thompson #755871. Published by Alan R Thompson (A0.1155573). Guitar Tablature and sheet music version of Thompson's Structured Guide by key / relative modes. This book represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This “STRUCTURED GUIDE†will provide building blocks for the creation of original music, be useful in increasing technical proficiency in your instrument of choice, improve your sight-reading skills and help you develop a better ear for music. This book lists in standard sheet music notation over 75 scales (and their Relative Modes) and over 75+ associated chords organized in each of the 12 Key Signatures (or enharmonic equivalent keys) found in Western Music. Note that the sheet music in this book is organized by Key Signature (Relative Modes) and not by Tonic/Tonal Center (Parallel Modes) as in separate book. This organization helps promote a more fluid approach for improvising without need for excessive mental calculations to transpose keys as you're playing. Each Key Signature Section is 76 pages of sheet music, which could take several hours to play depending on how familiar you are with the material and how much you improvise thereon. Scales and Modes listed include the Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Lydian Diminished/Lydian b3, Whole Tone, Octatonic/Diminished and Chromatic Scales. Also, numerous Bebop and Pentatonic Scales (traditional & exotic), Augmented, Double Harmonic Scales and numerous unique non-standard Scales are referenced, etc. Chords from triads up to 13ths are presented in arpeggiated & as well as block format with inversions, along with SCALE SUGGESTIONS for these chords. Author Contact: alanrt63@gmail.com [Will provide free updated PDF to purchasers making suggestions incorporated in later edition.].
$14.99 ≈
13.50€
Bohemian Rhapsody
Bohemian Rhapsody
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Rock
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Queen
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Michael Bomier
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Bohemian Rhapsody
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. R...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. Rock. Score and parts. 68 pages. Michael Butkus-Bomier #3926193. Published by Michael Butkus-Bomier (A0.862693). Bohemian Rhapsody, the Song of the Moment, the Film of the year, and the piece everyone wants to try and play! Here is a setting for a standard jazz ensemble with ONE main Idea: Let's NOT make this a guitar piece, but a Horn Piece. So, we have all the same structures as the original recording, right down to the time changes, and the shift from slow to fast and back again. The saxes are given the solo vocal line harmonized as a typical sax soli. The brass take Queen's vocal overdubs and operatic elements, and are given a jazz rather than a pop harmonic setting, with some extended and altered harmony, rather than just the triads and 7th chords of the Queen vocal. Sax ranges go to the top of the horn for lead alto, and go to a concert Ab just above the staff for the lead trpt. Trombone goes to a high Bb in the lead solo. First ending should appear at ms. 29 to the repeat. 2nd ending at ms. 35The guitar solos are given to either the piano, in octaves, or the brass, so that a guitar player is an option here, not a necessity. Revised version here, with ending placement errors all fixed up! This is NOT a jazz chart in the improvisational sense: it is a pop song set for a jazz ensemble. Our audio clip shows the opening trombone solo with the piano accomp, into the main vocal line harmonized with saxes. The score precedes the parts in the PDF file, with coverpage and a blank page, so print double-sided until pg. 27. Parts begin at pg. 28 and should be printed single-sided. MBB
$34.95 ≈
31.48€
Jazz Structures for the New Millennium
Jazz Structures for the New Millennium
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Guitar notes and tablatures
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INTERMEDIATE
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Jazz
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Joe Diorio
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Jazz Structures for the New Mi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Joe Diorio. For Guitar (Flatpicking). Jazz. Intermediate. E-book. 40 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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Composed by Joe Diorio. For Guitar (Flatpicking). Jazz. Intermediate. E-book. 40 pages. Published by Mel Bay Publications - Digital Sheet Music
$14.99 ≈
13.50€
New Tango No. 5: Audaciousness
New Tango No. 5: Audaciousness
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Jazz Ensemble
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Tango
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Roger Aldridge
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New Tango No. 5: Audaciousness
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.979635 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432165. P...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.979635 Composed by Roger Aldridge. Jazz,World. Score and parts. 1 pages. Roger Aldridge #432165. Published by Roger Aldridge (A0.979635). This piece is part of a series of tango-jazz compositions. Each one explores a particular quality of the tango. Number 5 is about laying aside feelings of hesitation and being bold (or audacious) in the spirit of tango. Structurally, the piece has a 24-bar form: The A section is 14 bars and the B section is 10 bars. There is quite a bit of shifting time in this piece. Time becomes elastic. Phrases expand and contract. This gives a fluid movement to the music. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ YEAR OF RELEASE: 2012 PERFORMANCE: Besides violin and jazz combo, this piece can be performed on solo guitar as heard on the demo recording.
$3.00 ≈
2.70€
At the Trocadero
At the Trocadero
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Jazz combo
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Jazz
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Doug Talley, John Armato, Lisa
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Paul Roberts
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At the Trocadero
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John Armato Enterprises
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SheetMusicPlus
Jazz Combo - Digital Download SKU: A0.481436 By Doug Talley, John Armato, Lisa Henry, and Wayne Hawkins. By Lyrics by John Armato (ASCAP) and Music by Wa...
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Jazz Combo - Digital Download SKU: A0.481436 By Doug Talley, John Armato, Lisa Henry, and Wayne Hawkins. By Lyrics by John Armato (ASCAP) and Music by Wayne Hawkins (ASCAP). Arranged by Paul Roberts. Jazz. Score and parts. 51 pages. Published by John Armato Enterprises (A0.481436). “At the Trocadero†is an original ballad by John Armato and Wayne Hawkins that tells the story of the now-forgotten Trocadero Club in Kansas City. The form includes call-and-response between the vocalist and the tenor sax, which also functions as a character in the song itself. As a result, the tune offers a fresh diversion from standard-form ballads and allows the musicians plenty of room to express themselves. All music is provided in two keys (the original key of Gb plus the more “friendly†key of F), including: (1) Complete score, (2) Individual parts for piano, bass, guitar, drums, tenor sax, and vocal for full ensembles, (3) Lead sheets in Bb, Eb, and Ab for flexible instrumentation and less structured performance settings, (4) MP3 of the full album performance (Gb only), featuring Lisa Henry on vocals and Doug Talley on tenor, (4) Backstory document.
$15.99 ≈
14.40€
Serenade No. 1 For Piano, Op. 22
Serenade No. 1 For Piano, Op. 22
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Piano solo
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Tony Ferrizzi
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Serenade No. 1 For Piano, Op.
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Focus Publications
#
SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1029382 Composed by Tony Ferrizzi. 20th Century,Contemporary,Jazz. Score. 7 pages. Focus Publications #4845135. Pub...
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Piano Solo - Digital Download SKU: A0.1029382 Composed by Tony Ferrizzi. 20th Century,Contemporary,Jazz. Score. 7 pages. Focus Publications #4845135. Published by Focus Publications (A0.1029382). Recognized at a young age for his virtuosity and technical finesse as both a flatpicking and fingerpicking guitarist, Tony Ferrizzi-now 33-has matured into a musician capable of great feats in both jazz and classical arenas. Recognized nationally for his improvisational ability and adventurous graphical scores, Tony was the recent recipient of a generous private grant, which allowed him the opportunity to-for the first time-contribute composed, traditional scores to the art music idiom. Serenade No. 1 represents the efforts of a talented creative musician in a compositional space that many such musicians avoid. It is also Ferrizzi’s first piece for solo piano. The theoretical aim of this music has to do with a synthesis of impressionistic harmony and modern jazz musical structures. It is as indebted to 60s-era Miles Davis as it is to Ravel (and the implicit claim is that there is in the end quite a lot relating the fields that those composers worked in).
$7.99 ≈
7.20€
Time After Time
Time After Time
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jule Styne and Sammy Cahn
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Peet du Toit
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Time After Time
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.1394240 Composed by Jule Styne and Sammy Cahn. Arranged by Peet du Toit. Film/TV,Jazz. 8 pages. Peet d...
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Brass Quintet - Level 2 - Digital Download SKU: A0.1394240 Composed by Jule Styne and Sammy Cahn. Arranged by Peet du Toit. Film/TV,Jazz. 8 pages. Peet du Toit #977715. Published by Peet du Toit (A0.1394240). Time After Time is a jazz standard about nostalgia with lyrics written by Sammy Cahn and music by Jule Styne in 1946.The first recording was on November 19, 1946 for Musicra by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass.The song was written for Frank Sinatra in the 1947 film It Happened in Brooklyn. The pianist providing the music offstage was André Previn. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra.Here is a short and easy cover of this beautiful piece, without neglecting its magnificent chord structures.
$13.00 ≈
11.71€
Anticipation
Anticipation
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Piano solo
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INTERMEDIATE
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Milana Zilnik
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Anticipation
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Milana Zilnik
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.919078 Composed by Milana Zilnik. Instructional,Jazz. Score. 10 pages. Milana Zilnik #3043847. Published ...
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Piano Solo - Level 3 - Digital Download SKU: A0.919078 Composed by Milana Zilnik. Instructional,Jazz. Score. 10 pages. Milana Zilnik #3043847. Published by Milana Zilnik (A0.919078). Swinging jazz waltz with clear three parts. Middle section includes a structured improvisation on three main motifs. Engaging and driving, with a feel of anticipation and surprise. Perfect for practicing left hand ostinato rhythms, while the right hand leads the melody and its variations. Can be played as a duet, while a teacher takes on of the hands, letting the student to take another, learning to improvise together. The score includes specified chords for each bar, allowing other instruments (e.g. a guitar or a bass) to accompany. The melody is very clear and easy to sing along.
$4.99 ≈
4.49€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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