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You've selected:
John Oeth
Sheetmusic to print
11 sheet music found
<
1
26 Ricercari
26 Ricercari
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Guitar
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ADVANCED
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Vincenzo Galilei
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John Oeth
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26 Ricercari
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SheetMusicPlus
Composed by Vincenzo Galilei. Arranged by John Oeth. Score. 33 pages. Les Productions d'OZ - Digital #DZ 3418. Published by Les Productions d'OZ - Digital...
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Composed by Vincenzo Galilei. Arranged by John Oeth. Score. 33 pages. Les Productions d'OZ - Digital #DZ 3418. Published by Les Productions d'OZ - Digital
$11.95 ≈
11.03€
(1) A Wandering Gipsey; (2) The Angler
(1) A Wandering Gipsey; (2) The Angler
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Piano, Voice
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I
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(2) The Angler
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(1) A Wandering Gipsey;
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.15505 Composed by I. Percy. Money, Peddlers, Peasants, Supernatural beings, Courtship & love, Drowning, Mermai...
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Piano and voice - Digital Download SKU: LV.15505 Composed by I. Percy. Money, Peddlers, Peasants, Supernatural beings, Courtship & love, Drowning, Mermaids. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15505). (1) A Wandering Gipsey [sic]; (2) The Angler. Series Title No. 17 of the Musical Journal for the Piano Forte. Vocal Section. (1) Composed by I. Percy. Words by P. Pindar.; (2) from the German of Goethe. Composed by Reichardt. Published [n.d.] by J. Carr in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Money, Peddlers, Peasants, Supernatural beings, Courtship & love, Drowning, Mermaids. First line reads (1) A wand'ring Gipsey Sir am I from Norwood; (2) In gurgling eddies roll'd the tide the wily angler sat.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.53€
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95 ≈
60.87€
So Let Us Live - Really Live! for baritone and piano
So Let Us Live - Really Live! for baritone and piano
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Robert M
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So Let Us Live - Really Live!
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Robert M. Greenberg
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Rober...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00 ≈
25.84€
The Sorcerer's Apprentice
The Sorcerer's Apprentice
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Concert band
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ADVANCED
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Walt Disney
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far the most performed and rec
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Paul Dukas
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John Ivor Holland
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The Sorcerer's Apprentice
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1284643 Composed by Paul Dukas. Arranged by John Ivor Holland. 19th Century,Classical,Film/TV,Halloween...
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Concert Band - Level 5 - Digital Download SKU: A0.1284643 Composed by Paul Dukas. Arranged by John Ivor Holland. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Score and Parts. 293 pages. John Ivor Holland #875818. Published by John Ivor Holland (A0.1284643). The Sorcerer's Apprentice is a symphonic poem by the French composer Paul Dukas, completed in 1897. The piece was based on Johann Wolfgang von Goethe's 1797 poem of the same name. By far the most performed and recorded of Dukas' works, its notable appearance in the Walt Disney 1940 animated film Fantasia (and its sequel 'Fantasia 2000'), with images of Mickey Mouse and hundreds of marching broomsticks, has led to the piece becoming widely known to audiences outside the classical concert hall. Its first performance was given in Paris on May 18, 1897, conducted by Dukas himself. Arranged for symphonic band, retaining the original key and important solos.
$99.99 ≈
92.28€
They'll Remember You - Score Only
They'll Remember You - Score Only
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Orchestra
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INTERMEDIATE
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Film/TV
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John Ottman
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Chris Siddall
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They'll Remember You - Score O
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.871667 Composed by John Ottman. Arranged by Chris Siddall. Film/TV. Score and parts. 15 pages. Chris ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.871667 Composed by John Ottman. Arranged by Chris Siddall. Film/TV. Score and parts. 15 pages. Chris Siddall Music Publishing #475759. Published by Chris Siddall Music Publishing (A0.871667). Based on the true events, Valkyrie tells the story of Operation Valkyrie, a 1943 plot by Colonel Claus von Stauffenberg and other Nazi officers to remove Hitler from power and contain the S.S., thus saving Germany from its inevitable annihilation. John Ottman once again joins his regular collaborator, director Bryan Singer, in the role of composer and editor. A highlight of the score, “They’ll Remember You†is a beautiful setting of Goethe’s Wandrers Nachtlied II, a poem widely regarded as one of the most perfect lyrics in the German language. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
9.22€
Night Hawks
Night Hawks
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Contemporary
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Fredrik Schwenk
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Night Hawks
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Fredrik Schwenk
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Digital Download SKU: A0.1022030 Composed by Fredrik Schwenk. Contemporary. Score and parts. 17 pages. Fredrik Schw...
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Instrumental Duet Instrumental Duet - Digital Download SKU: A0.1022030 Composed by Fredrik Schwenk. Contemporary. Score and parts. 17 pages. Fredrik Schwenk #6303827. Published by Fredrik Schwenk (A0.1022030). This edition contains the Duo for Bohlen-Pierce clarinet and clarinet in A. The Bohlen-Pierce scale is based on the division of the duodecime into thirteen steps, which was discovered and further developed by Heinz Bohlen, Kees van Prooijen, and John R. Pierce beginning in 1972. The work was written as part of a series of new compositions for this instrument and was premiered at a performance concert on March 20, 2008 at the Forum of the Hochschule für Musik und Theater. Anna Christina Bardelli and Nora-Luise Müller performed. The American premiere took place at the first Bohlen-Pierce Symposium in Boston MA from March 7-9, 2010. It was co-sponsored by the Goethe-Institut Boston, Berklee College of Music, Northeastern University, and the New England Conservatory of Music.
$12.00 ≈
11.08€
[Becker] Monodrama 1
[Becker] Monodrama 1
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Voice solo
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John Becker
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[Becker] Monodrama 1
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American Composers Alliance Inc.
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.952136 Composed by John Becker. 20th Century,Opera. 22 pages. American Composers Alliance Inc. #4410973. Publ...
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Vocal Solo,Voice - Digital Download SKU: A0.952136 Composed by John Becker. 20th Century,Opera. 22 pages. American Composers Alliance Inc. #4410973. Published by American Composers Alliance Inc. (A0.952136). Mondrama for tenor and piano on selections from Faust by Johann Wolfgang von Goethe.
$12.95 ≈
11.95€
To Poetry
To Poetry
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Piano, Voice
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Matyas Seiber
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To Poetry
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Schott Music - Digital
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SheetMusicPlus
Voice and piano - Digital Download SKU: S9.Q5874 Song Cycle. Composed by Matyas Seiber. This edition: Sheet music. Downloadable. Duration 15 minut...
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Voice and piano - Digital Download SKU: S9.Q5874 Song Cycle. Composed by Matyas Seiber. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q5874. Published by Schott Music - Digital (S9.Q5874). English.This substantial cycle was written for the tenor Peter Pears, and first performed by him in 1953 at the Royal Festival Hall, London, with the distinguished pianist Noel Mewton-Wood. It follws the example of Britten's Serenade in setting a variety of poets, and the set is framed by settings of the same words by Goethe in translation by Louis MacNeice, the unifying factor being presumably the quality of the poetry. The angry setting of Timor Mortis, using the well-known Dies Irae tune is the emotional hear of the cycle. John Turner 2010.
$29.99 ≈
27.68€
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
46.10€
Widmung
Widmung
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Choral 3-part
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INTERMEDIATE
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Robert Schumann
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Widmung
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1346346 Composed by Robert Schumann. Arranged by D. Jason Bishop. 19th Century,Classical,I...
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.1346346 Composed by Robert Schumann. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period,Wedding. 9 pages. Tully Road Music #931169. Published by Tully Road Music (A0.1346346). Robert Schumann’s song cycle Myrthen was a wedding present to his wife Clara Wieck. Myrthen, or “myrtles,†were the flowers traditionally associated with a marriage celebration. Schumann completed the Myrthen cycle in 1840, totaling 26 Lieder (songs for solo voice and piano), with texts by prominent 19th-century German poets such as Heinrich Heine, Johann Wolfgang von Goethe, and others. “Widmung,†which means “Dedication,†is the first song in the cycle, based on a love poem by Friedrich Rückert (1788-1866). The frequent repetition of the word “you†in the text, along with the soaring melody and undulating arpeggios that comprise the music, all serve to convey the composer’s state of blissful fulfillment as he contemplates marrying his beloved. This arrangement preserves Schumann’s original piano part as well as places the melody prominently in the top soprano voice. The lower voices provide supporting harmonies informed by the accompaniment, moving largely in parallel motion, but with their own counter-melodic value. It was premiered in 2013 by the University of Michigan Women’s Glee Club under the direction of conductor Jaclyn Johnson. The arrangement is also available in a version for TTB voices.
$2.00 ≈
1.85€
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John Oeth
