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Jump in the Line Oboe
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You've selected:
Jump in the Line Oboe
Sheetmusic to print
11 sheet music found
<
1
The Tulip Ch'Boogie for Oboe Duet
The Tulip Ch'Boogie for Oboe Duet
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2 Oboes (duet)
#
INTERMEDIATE
#
David McKeown
#
The Tulip Ch'Boogie for Oboe D
#
David McKeown
#
SheetMusicPlus
Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.591350 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6292189...
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Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.591350 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6292189. Published by David McKeown (A0.591350). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for two Oboes. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
The Tulip Ch'Boogie for Oboe and Bassoon Duet
The Tulip Ch'Boogie for Oboe and Bassoon Duet
#
Oboe, Bassoon (duet)
#
INTERMEDIATE
#
David McKeown
#
The Tulip Ch'Boogie for Oboe a
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591347 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Scor...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591347 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292183. Published by David McKeown (A0.591347). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Oboe and one Bassoon. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
The Tulip Ch'Boogie for Flute and Oboe Duet
The Tulip Ch'Boogie for Flute and Oboe Duet
#
Oboe, Flute
#
INTERMEDIATE
#
David McKeown
#
The Tulip Ch'Boogie for Flute
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591340 Composed by David McKeown. Blues,Easter,Hip-Hop,Pop,R & B,Rock...
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Instrumental Duet Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591340 Composed by David McKeown. Blues,Easter,Hip-Hop,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292165. Published by David McKeown (A0.591340). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Flute and one Oboe. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
The Tulip Ch'Boogie for Oboe and Clarinet Duet
The Tulip Ch'Boogie for Oboe and Clarinet Duet
#
Oboe, Clarinet (duet)
#
INTERMEDIATE
#
David McKeown
#
The Tulip Ch'Boogie for Oboe a
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591346 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Sco...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591346 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292179. Published by David McKeown (A0.591346). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Oboe and one Clarinet. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
The Tulip Ch'Boogie for Oboe and Cor Anglais (or English Horn) Duet
The Tulip Ch'Boogie for Oboe and Cor Anglais (or English Horn) Duet
#
David McKeown
#
The Tulip Ch'Boogie for Oboe a
#
David McKeown
#
SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591348 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock....
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591348 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292185. Published by David McKeown (A0.591348). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
The Tulip Ch'Boogie for Oboe and Violin Duet
The Tulip Ch'Boogie for Oboe and Violin Duet
#
David McKeown
#
The Tulip Ch'Boogie for Oboe a
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.591349 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.591349 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292187. Published by David McKeown (A0.591349). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Oboe and one Violin. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.76€
Jump in the Line - Oboe
Jump in the Line - Oboe
#
Concert band
#
INTERMEDIATE
#
Harry Belafonte and Raymond Be
#
Michael Brown
#
Jump in the Line - Oboe
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 3 - Digital Download SKU: HX.337142 By Harry Belafonte and Raymond Bell. Arranged by Michael Brown. This edition: scorch. Calypso,Pop. 1 pages. Hal...
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Level 3 - Digital Download SKU: HX.337142 By Harry Belafonte and Raymond Bell. Arranged by Michael Brown. This edition: scorch. Calypso,Pop. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337142).
$6.00 ≈
5.54€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
Bach Fuga BWV 539 For Woodwind
#
Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.10€
The Tortoise and the Hare
The Tortoise and the Hare
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Allan Herbie Jones
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The Tortoise and the Hare
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Forton Music - Digital
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SheetMusicPlus
Ob. Pft. - Intermediate - Digital Download SKU: F2.FM465 Composed by Allan Herbie Jones. Oboe and Piano. Score and part. 11 pages. Forton Music - Digital...
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Ob. Pft. - Intermediate - Digital Download SKU: F2.FM465 Composed by Allan Herbie Jones. Oboe and Piano. Score and part. 11 pages. Forton Music - Digital #FM465. Published by Forton Music - Digital (F2.FM465). ISBN 9790570483648.When played with feeling and expertise, the Oboe can produce the articulate and artistic qualities of perfection. The opening melancholy melody depicts the laid back Tortoise going about his (or her) daily business, with not a care in the world and without any hurry. To me, - perfection. Along comes the up tempo Hare with his (or her), 'always on the go' attitude, jumping about like a 'kangaroo on a trampoline'. To me, - passed that stage in my life. Back to the Tortoise melody and a little 'chilled out' cadenza to finish. To me, again, - perfection. The piece should be played with plenty of feeling. The tempo markings are only a guideline and the phrasing and slur markings are there, only to suggest how I would like it played. Feel free to use as much rubato and improvisation. The cadenza has scope for as much ad lib as the soloist and accompanist want to give. The inspiration for the piece came from the menagerie of birds and animals that congregate in my back garden most of the year. I regularly sit and watch with great interest all the antics of these wonderful creatures.
$7.95 ≈
7.34€
Bach 15 Three Part Inventions (sinfonias) arr. for Treble Instrument and Piano
Bach 15 Three Part Inventions (sinfonias) arr. for Treble Instrument and Piano
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Classical
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Johann Sebastian Bach
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Steve Newman
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Bach 15 Three Part Inventions
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steve newman
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - Digital Download SKU: A0.91...
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Large Ensemble Alto Saxophone,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - Digital Download SKU: A0.916579 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Instructional,Standards. Score and parts. 71 pages. Steve newman #3379405. Published by steve newman (A0.916579). JS Bach, 15 Sinfonias (3 part Inventions) Originally for keyboard alone.This transcription separates the 3 voices, so that the bottom two can be played on a keyboard instrument while a treble instrument plays the top. The original has been transcribed for a piano to accompany a treble instrument like flute, violin, oboe, etc. The piano score has the second voice on treble and the third voice on the bass clef of the grand staff. The flute part is in a smaller size staff above the piano grand staff. A companion book for the flute, or other treble instrument, is also available. In addition, an audio cd has been made where the flute is in the right channel, and the piano accompaniment in the left channel. This cd is useful as a practice tool to let either player practice with a recording.. You can download the 16 tracks at https://app.box.com/s/wg2vyo7yg4imchnb7zaihk0e3fs1nqaw The user can use panning to either hear both parts, or only the other player’s part as he practices. All are in the original key. Violins and clarinets can play Sinfonia 15 in the original key of B minor, but the flute range doesn’t go low enough. So Sinfonia 15 has an additional version transposed to E minor so that a flute can play the low notes of the melody line without jumping octaves. Saxophones and other instruments can play the flute part without transposing if the accompanist has an electronic keyboard. to transpose the piano part. These pieces are a nice addition to the flute or violin literature as study, encore, or concert pieces. Steve Newman, Santa Cruz, Ca. newmans@cruzio.com
$5.99 ≈
5.53€
outside
outside
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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R
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outside
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R. Currier III
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SheetMusicPlus
Small Ensemble Cello,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.1016590 Composed by R. Currier III. 20th Century,Concert,Contemporary. ...
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Small Ensemble Cello,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.1016590 Composed by R. Currier III. 20th Century,Concert,Contemporary. Score and parts. 26 pages. R. Currier III #6183835. Published by R. Currier III (A0.1016590). A perfect piece to inject a note of solemnity into a contemporary program, this work was composed as part of a multi-arts initiative at the New Britain Museum of American Art designed to bring attention to the issue of homelessness. All five instruments - flute, oboe, violin, cello and piano - feature equally in this work, and all are integral to its success. The piece features frequent shifts in meter, rubato sections where the feel of pulse and barline disappear, and percussive finger tapping on instrument bodies.Thanks for stopping by to check out outside. For more original music in a variety of genres, please visit my website, www.raysoctopus.com, which includes some of my art photography, information about me, and a link to my SoundCloud account. Or, you can just jump on over to SoundCloud via this link: https://soundcloud.com/ray-currier.
$17.99 ≈
16.62€
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Jump in the Line Oboe
