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Just an Illusion
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You've selected:
Just an Illusion
SheetMusicPlus
Sheetmusic to print
15 sheet music found
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1
Just An Illusion
Just An Illusion
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C Instruments
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INTERMEDIATE
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Rick Moose
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Richard Mousseau
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Just An Illusion
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Moose Hide Music Publishing
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1238035 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Country,Folk,Pop...
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C Instrument - Level 3 - Digital Download SKU: A0.1238035 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Country,Folk,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Moose Hide Music Publishing #833504. Published by Moose Hide Music Publishing (A0.1238035). Classic Country. New release by Canadian Songwriter. Full score available from publisher. MP3. down load available on sheetmusicplus. Song available on major streaming services.
$3.00 ≈
¥21.06
Love Is A Losing Game
Love Is A Losing Game
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Jazz Ensemble
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EASY
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Amy Winehouse
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Johan Verhey
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Love Is A Losing Game
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/So...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1118481 By Amy Winehouse. By Amy Winehouse. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 70 pages. DaimlerMusic #720003. Published by DaimlerMusic (A0.1118481). Love Is A Losing Game is the story of a woman who is disillusioned with love. She has fallen head over heels for the man of her dreams. But what seemed like a beautiful promise turned out to be just an illusion. Outwardly self-confident and convinced of himself, but inwardly not up to the challenges of a relationship, he cowardly flees out of fear. Leaving her in loneliness and pain. This arrangement is for music fans and inspired Big Bands interested in telling an incredible story with authentic instrumentation. Johan Verhey is a professional musician and composer, as well as arranger. He knows how it feels to play a piece “in the pocket†with the intention of the original composer always in mind. His arrangements honour the Artist who wrote the original piece to express their soul. Each measure is created with precise attention to the intention of the lyrics. The instrumentation carries forward the story with dynamic harmonies. Johan Verhey understands the nuances of this piece and creates a dynamic and engaging arrangement. He also understands the power of the moment when the musician feels equally inspired and free to soar within the structure. The ability to play this arrangement does not require a specific skill level; only the heart , soul and intention is mandatory.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00 ≈
¥421.11
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
Op. 1, No. 8: Illusions perdues from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 8: Illusions perdue
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-32E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-32E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
¥21.06
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 page...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95 ≈
¥111.95
The True Stars to Follow NAS. 10 for the left hand
The True Stars to Follow NAS. 10 for the left hand
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Piano solo
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INTERMEDIATE
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Contemporary
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Adam Carlsen
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The True Stars to Follow NAS.
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1208965 By Adam Carlsen. By Adam Carlsen. Classical,Contemporary. Score. 9 pages. Adam Walter Carlsen #80...
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Piano Solo - Level 3 - Digital Download SKU: A0.1208965 By Adam Carlsen. By Adam Carlsen. Classical,Contemporary. Score. 9 pages. Adam Walter Carlsen #807072. Published by Adam Walter Carlsen (A0.1208965). I wrote this left hand piece based on a short narrative I made that has a question/observation followed by an answer. Here is the narrative below.                                     The True Stars to FollowI observed that stars from above may glow just as brilliantly in the sea as the ones above. So how can we fathom which stars show its true radiance?The only stars that have reliable radiance are the ones in the sky. All other stars are illusions meant to mimic the ones above. But we cannot let them deceive us. If you follow the stars in the sea, you will sink like the rocks. Down you will go into the abyss chasing an illusion you believed were the real stars. If you dig deeper until you are covered in mud, your eyes will become used to the abyss until you forget what you were even chasing. And if you look up at the stars above, you would quickly shy away from them as it causes affliction in your eyes. You would come to loathe the stars you thought you were pursuing.Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99 ≈
¥13.97
The Sundials
The Sundials
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Contemporary
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott ...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00 ≈
¥49.13
"DREAM OF LOVE"
"DREAM OF LOVE"
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Cello, Piano
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ADVANCED
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Classical
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Franz Liszt
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VICTORIA FOUST
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"DREAM OF LOVE"
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SalutConcert
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SheetMusicPlus
Cello,Piano - Level 5 - Digital Download SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. ...
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Cello,Piano - Level 5 - Digital Download SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love. Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia · www.victoriafoust.com· https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ· Facebook: https://www.facebook.com/victoria.foust.581· Instagram: https://www.instagram.com/pianistvictoriafoust· Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/· Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com
$18.00 ≈
¥126.33
Serenade in b minor
Serenade in b minor
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Piano solo
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ADVANCED
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Moshe S
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Serenade in b minor
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ArtsAhimsa
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.950868 Composed by Moshe S. Knoll. 20th Century,Contemporary,Instructional,Standards. Score. 13 pages. Ar...
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Piano Solo - Level 5 - Digital Download SKU: A0.950868 Composed by Moshe S. Knoll. 20th Century,Contemporary,Instructional,Standards. Score. 13 pages. ArtsAhimsa #6196169. Published by ArtsAhimsa (A0.950868). This is a contemporary Classical solo for Piano, an abstract piece of music that evokes a nostalgic mood tinged with regret.The wistful, melancholy melody co-exists with a flowing rhythmical Ostinato, which alternates between 3/4 and 6/8.The composer hopes to create a vivid dreamscape, an illusion of beauty contradicted by emotional turmoil just beneath the surface. All disturbing elements seem to be relegated to the harmonic background, as the melody persists in reiterating itself again and again. Serenade in b minor is ideal for solo recitals, and also for private musical gatherings.Originally composed and published in 2018, it is being presented here in a revised version.
$7.00 ≈
¥49.13
Psalm 23 (theme From The Vicar Of Dibley)
Psalm 23 (theme From The Vicar Of Dibley)
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Sacred music
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Howard Goodall
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Derek Hasted
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Psalm 23
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797815 Composed by Howard Goodall. Arranged by Derek Hasted. Contemporary,Film/TV. Score and ...
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797815 Composed by Howard Goodall. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 16 pages. Derek Hasted #6332169. Published by Derek Hasted (A0.797815). THE VICAR OF DIBLEY (Howard Goodall) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This delightful setting of the 23rd Psalm (The Lord Is My Shepherd) by Howard Goodall is well-known in the UK and elsewhere as the Theme Tune to the gentle TV comedy The Vicar Of Dibley.This arrangement is in 4 easy-to-intermediate parts and contains all the material of the original. Although the tune has several verses, the orchestration here gradually grows to mimic the original. The guitar, of course, cannot mimic the endless sustain of the pipe organ, so I have made the setting a little more guitar-like with arpeggios and with extra movement in the harmony lines, so that there is an illusion of much more sustain. A listen to the sound-file alongside the music for sale should show that the result is restful and fun to play.Dynamics are suggested that mirror the original (with choir, organ and full orchestra) but the fingering are yours to choose - just make sure you make the performance yours...I hope you enjoy performing this!
$4.99 ≈
¥35.02
Up On The Housetop
Up On The Housetop
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin R
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F
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Up On The Housetop
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Sweetwater Brass Press
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SheetMusicPlus
Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0....
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Composed by Benjamin R. Hanby. Arranged by F. Leslie Smith. Christmas, Children's Music. Score, Set of Parts. 15 pages. Published by Sweetwater Brass Press (S0.89639). - Score,Set of Parts - Christmas,Children's Music - Sweetwater Brass Press
If you can afford only one ?Up On The Housetop? for your brass quintet, this is the one to get. It is a hoot! It starts with an introduction that is definitely in a hurry; Santa?s sleigh may even have a klaxon on board to blast loitering birds out of the way! The arrangement moves on at the same fast clip, having fun with the melody and never letting up. As it reaches the halfway point, the tempo seems to slow down, but this is just an illusion; tuba and horn keep it moving. Racing toward the end, the conclusion recalls the introduction and finishes with a great, upbeat wind-up. Click on the ?Listen? button, and get set for an exciting Christmas ride with Santa.Tempo is halfnote = 138 throughout. There are some high notes and jumps. Trumpet 1?s highest note is B-flat5 (high C); Trumpet 2, A-flat5 (B-flat above the staff); Horn, F5 (high C). Trombone?s highest jump is from B-flat2 to E-sharp4. Horn has several 6-note jumps. This arrangement was completed in 2012, and performance time runs about 1 minute, 41 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00 ≈
¥28.07
Just An Illusion
Just An Illusion
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Piano, Vocal and Guitar
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Pop music
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Imagination
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Just An Illusion
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Imagination. By Tony Swain, Steve Jolley, Ashley Ingram, and Leee John. For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar. 7 pages. Publishe...
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By Imagination. By Tony Swain, Steve Jolley, Ashley Ingram, and Leee John. For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
¥35.02
Gravity for Septet
Gravity for Septet
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Percussion Ensemble
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ADVANCED
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Contemporary
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. ...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99 ≈
¥119.24
Take The Long Way Home
Take The Long Way Home
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Rock
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Supertramp
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Derek Hasted
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Take The Long Way Home
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. S...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. 24 pages. Derek Hasted #6345113. Published by Derek Hasted (A0.797818). TAKE THE LONG WAY HOME (Supertramp) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement for 4 guitars (or a large ensemble) of Supertramp’s 'Take The Long Way Home'.The original is nothing less than spectacular, running for a full 5 minutes with verse, chorus and instrumental breaks, and utilising rich orchestration and texture. I’ve captured all of the material in my arrangement, changing the key just slightly so that the shapes and melody are comfortable, and simplifying one or two non-guitar-friendly progressions in the breaks. The bass-line and harmony are close to the original. Guitar 4 could be played an octave lower on a contra guitar, although I’ve used subharmonics in the opening to give the illusion of a deeper bass than a guitar can manage.In order to make the piece music-stand-friendly, I’ve needed to use repeat marks meaning that the second verse has the same bass-line as the first, but a simple change in volume will provide a suitable feeling of building as the piece progresses. The opening section needs to imitate the indefinite sustain of high-pitched violins. By using harmonics across all four parts, and interleaving the repetitions, we can get a convincing sustain (or plucking at random times across the parts, or even a tremolo would also create the illusion of indefinite sustain). But if it doesn’t work in your ensemble, simply start the piece at A and omit all harmonics from that point onwards.My arrangement will suit an intermediate ensemble. Parts 3 and 4 are slightly easier, but skilled players on these lines can make magic happen by a confident use of articulation to shape the music’s texture.I hope you enjoy performing this!
$4.99 ≈
¥35.02
PIANO PUR
PIANO PUR
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Piano solo
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INTERMEDIATE
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Contemporary
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Rainer Fabich
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PIANO PUR
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Fajora Music
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century, Romantic Period, Contemporary Classical, Impressionistic, Post-...
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Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century, Romantic Period, Contemporary Classical, Impressionistic, Post-Romantic. Individual Part, Score. 80 pages. Published by Fajora Music
Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.
Piano solo, 80 pages.
About the music:
In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.
In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.
The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).
In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.
All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.
The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).
Szenen für Klavier / Scenes for piano
01 Opener 1:18 02 Visionen im Wasser – Water visions 2:33
03 Wellen – Waves 2:43
04 Fallen Angel 2:36
05 Gradus ad parnassum 2:09
06 Wiegenlied – Lullaby 2:41
07 Bulgarischer Tanz – Bulgarian dance 2:02
08 Hommage an Satie – Hommage to Satie 2:31
09 Just an affair 4:33
Vier Nocturnes / Four Nocturnes
10 Songes de la nuit – Night muses 2:18
11 Valse pour … – Waltz for … 2:37
12 Une illusion- An illusion 2:25
13 Promenade d’une dame – Promenade of a lady 3:38
Impresiónes latinas
14 Habanera 2:04
15 Canción triste – Melancholic song 1:28
16 Impresión brasiliana - Brasilian impression 2:23
Filmmusik “König der Nacht” / Filmmusic “Queen of the night”
17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06
18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00
Piano Pur
19 Piano reflections 3:16
$29.95 ≈
¥210.20
Dream Prayer - 4' anthem or song for acappella SSAATTBB
Dream Prayer - 4' anthem or song for acappella SSAATTBB
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Words & Music Michael Maxwell
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Dream Prayer - 4' anthem or so
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ColourMuse
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1008686 Composed by Words & Music Michael Maxwell Steer. 20th Century,A Cappella,Contempo...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1008686 Composed by Words & Music Michael Maxwell Steer. 20th Century,A Cappella,Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. ColourMuse #4966753. Published by ColourMuse (A0.1008686). Words In darkness is the light.In the unseen, the form of what is to be.Love blooms in a stony wasteland just as in a garden –So God fills every heart held hollow for hir.In fear, the gift to know your self.In pain, an infinite resource of power.Sorrow colours the night sky with a rainbow –For the dream-time world defines every waking action.O you, my helper in the light,draw me from the disharmony of illusionto the consonance of a reality thatempowers my own existence as it enables others.
$5.00 ≈
¥35.09
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Just an Illusion
