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L Soprano voice, Orchestra
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You've selected:
L Soprano voice, Orchestra
SheetMusicPlus
Sheetmusic to print
16 sheet music found
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1
Le temps l'horloge
Le temps l'horloge
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Soprano voice, Orchestra
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ADVANCED
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Contemporary
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Henri Dutilleux
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Le temps l'horloge
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Schott Music - Digital
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SheetMusicPlus
Five episodes for soprano and orchestra. Composed by Henri Dutilleux (1916-). This edition: study score. Music Of Our Time. Downloadable, study score....
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Five episodes for soprano and orchestra. Composed by Henri Dutilleux (1916-). This edition: study score. Music Of Our Time. Downloadable, study score. Duration 14 minutes. Schott Music - Digital #Q20994. Published by Schott Music - Digital
$25.99 ≈
¥184.10
L'Après-midi d'un faun (2021) for soprano and string quartet
L'Après-midi d'un faun (2021) for soprano and string quartet
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas Oboe Lee
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L'Après-midi d'un faun
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas O...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867). Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title. Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. I divided the poem into five parts. 1. Ces nymphes, je les veux perpétuer ... 2. O bords siciliens d'un marécage ... 3. Tâche donc, instrument des fuites ... 4. O nymphes, regonflons des Souvenirs divers ... 5. Tant pis! vers le bonheur d'autres m'entraîneront ...
$9.99 ≈
¥70.77
L'amour est un oiseau rebelle
L'amour est un oiseau rebelle
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String Orchestra
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INTERMEDIATE/ADVANCED
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G
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Maurizio Chiavaroli
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L'amour est un oiseau rebelle
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Maurizio Chiavaroli
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.790536 Composed by G.Bizet. Arranged by Maurizio Chiavaroli. 20th Century,Film/TV,Standards,World. ...
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String Orchestra - Level 4 - Digital Download SKU: A0.790536 Composed by G.Bizet. Arranged by Maurizio Chiavaroli. 20th Century,Film/TV,Standards,World. Score and parts. 16 pages. Maurizio Chiavaroli #4366162. Published by Maurizio Chiavaroli (A0.790536). Arrangiamento per mezzo soprano, flauto e quintetto d'archiArrangement for mezzo soprano voice, flute and string quintet.
$8.99 ≈
¥63.68
E l'uccellino
E l'uccellino
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Choral 3-part
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INTERMEDIATE
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Renato Fucini, Giacomo Puccini
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Maurizio Chiavaroli
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E l'uccellino
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Maurizio Chiavaroli
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.790502 Composed by Renato Fucini, Giacomo Puccini. Arranged by Maurizio Chiavaroli. 20th Century,...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.790502 Composed by Renato Fucini, Giacomo Puccini. Arranged by Maurizio Chiavaroli. 20th Century,Concert,Standards,World. Octavo. 5 pages. Maurizio Chiavaroli #4356593. Published by Maurizio Chiavaroli (A0.790502). Arrangiamento per 2 soprani e contralto dell'aria da camera E l'uccellino di Giacomo Puccini su testo di Renato Fucini disponibile anche nella versione per orchestra d'archiArrangement for 2 soprano voice and alto voice of the lied E l'uccellino by Giacomo Puccini on the lyrics by Renato Fucini also available in the version for strings orchestra.
$4.50 ≈
¥31.88
Le temps l'horloge
Le temps l'horloge
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Henri Dutilleux
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Le temps l'horloge
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Schott Music - Digital
#
SheetMusicPlus
Picc. · 2 · 2 · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 3 · 3 · 3 · 1 - P. S. (Vibr. · Marimba · 2 hg. Beck. · 2 Tamt. ·...
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Picc. · 2 · 2 · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 3 · 3 · 3 · 1 - P. S. (Vibr. · Marimba · 2 hg. Beck. · 2 Tamt. · kl. Tr.) (2 Spieler) - Hfe. · Cel. · Cemb. · Akk. - Str. soprano voice and orchestra - difficult - Digital Download SKU: S9.Q11788 Five episodes for soprano and orchestra. Composed by Henri Dutilleux. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 14 minutes. Schott Music - Digital #Q11788. Published by Schott Music - Digital (S9.Q11788). French.
$29.99 ≈
¥212.44
Voices of Spring Waltz op. 410 by J. Strauss II
Voices of Spring Waltz op. 410 by J. Strauss II
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
#
Classical
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Johann Strauss Jr
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Alessandro Macrì
#
1881)
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Voices of Spring Waltz op. 410
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Music Macri Editions
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Chr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.931268 Composed by Johann Strauss Jr. Arranged by Alessandro Macrì. Christmas,Concert,Film/TV,Holiday,Romantic Period. Score and parts. 38 pages. Music Macri Editions #5871333. Published by Music Macri Editions (A0.931268). Voices of Spring (Voci di Primavera) op. 410, è un valzer di Johann Strauss (figlio).Nell'inverno del 1882-83 il compositore fu invitato a comporre un valzer vocale per il celebre soprano austriaco Bianca Bianchi (il cui vero nome era Bertha Schwarz), al tempo un acclamato membro del Wiener Hopfoperntheater (Teatro dell'opera reale di Vienna).Il valzer fu eseguito per la prima volta al Theater an der Wien il 1º marzo 1883 ad un concerto di beneficenza per la fondazione degli indigenti dell'Impero austro-ungarico fondata dall'imperatore Francesco Giuseppe e dall'imperatrice Elisabetta.Strauss, dopo il successo che aveva ottenuto con i suoi valzer corali, fu felice di scrivere un brano per sola voce e il librettista Richard Genée, che aveva già collaborato con il compositore nell'operetta Eine Nacht in Venedig (Una notte a Venezia) del 1883, scrisse anche il testo per il nuovo valzer.L'autunno del 1882 vide Strauss impegnato a Budapest per curare la prima rappresentazione dell'operetta Der lustige Krieg (L'allegra Guerra; 1881). Durante lo svolgimento di una delle serate in onore della visita del musicista viennese, fu Strauss stesso ad esibirsi al pianoforte con un altro degli illustri ospiti della serata: Franz Liszt. I due compositori si conoscevano già molto bene da almeno 30 anni (Strauss aveva dedicato il suo valzer Abschieds-Rufe op. 179 a Liszt nel gennaio del 1856) e si incontrarono in numerose altre occasioni. Fu questa visita che fornì l'ispirazione per la scrittura del valzer Frühlingsstimmen.Successivamente il valzer venne arrangiato da Johann in versione solamente orchestrale e fu eseguito in questa forma, oggi celeberrima, da Eduard Strauss durante uno dei suoi concerti al Musikverein nel 1883.Nel 1934 il valzer fu riutilizzato per l'operetta postuma (con musiche di Strauss jr.) Die Tänzerin Fanny Elßler.Durante il Concerto di Capodanno del 1987, Herbert von Karajan, inserì nel programma il valzer Frühlingsstimmen eseguendolo nella versione vocale originale con il soprano Kathleen Battle.
$15.00 ≈
¥106.26
L'aria della Regina della Notte
L'aria della Regina della Notte
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Clarinet, Bassoon, Piano (trio)
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INTERMEDIATE
#
Classical
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Wolfgang Amadeus Mozart
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Sara Caliandro
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L'aria della Regina della Nott
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Caliandro Sara
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.946148 Composed by Wolfgang Amadeus Mozart. Arrange...
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Instrumental Duet,Piano Bassoon,Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.946148 Composed by Wolfgang Amadeus Mozart. Arranged by Sara Caliandro. Classical. Score and parts. 16 pages. Caliandro Sara #6683009. Published by Caliandro Sara (A0.946148). Der Hölle Rache is the most famous aria of Die Zauberflote opera written by W.A. Mozart and sung by soprano voice.It is located in the second act of the opera and it describes the Queen's rage. During the opera, the Queen gives her daughter a knife with which she has to kill Sarastro, a queen's enemy.This arrangment is for two B-flat clarinets, Basson and Piano and it is faithful of the original aria. Both of clarinets reproduce voice's theme while the piano and Basson reproduce the orchestra. There is also a bass clarinet score to substitute Basson.
$30.00 ≈
¥212.51
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Vocal duet, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Jacques Leguerney
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Jacques Leguerney: De L'Abîme
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. ...
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95 ≈
¥91.73
Gezi Park 3
Gezi Park 3
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Mezzo-Soprano voice, Piano
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Fazil Say
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Gezi Park 3
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Schott Music - Digital
#
SheetMusicPlus
Mezzo-soprano voice and piano - Digital Download SKU: S9.Q48184 Ballad - Version for mezzo-soprano and piano. Composed by Fazil Say. This edition:...
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Mezzo-soprano voice and piano - Digital Download SKU: S9.Q48184 Ballad - Version for mezzo-soprano and piano. Composed by Fazil Say. This edition: single sheet. Activists - riot - brutality - demonstration - Gezi Park - Hope - Istanbul - politics - police violence - protest - Recep Tayyip Erdoğan - state violence - state criticism - Turkey - riots - Resistance. Der Zyklus Gezi Park erinnert an die Unruhen in Istanbul von 2013. Gezi Park 3 ist eine wortlos klagende Meditation über die Eskalation der Gewalt. Die Fassung für Mezzosopran und Klavier ist allein oder nach der Klaviersonate Gezi Park 2 aufführbar. Downloadable, Separate edition. Op. 54b. Duration 15 minutes. Schott Music - Digital #Q48184. Published by Schott Music - Digital (S9.Q48184). Vocalises.Fazıl Say, to whom the International Beethoven Prize for Human Rights was awarded in 2016, reflects on the events in Istanbul in May / June 2013 in his cycle Gezi Park. Gezi Park 3, first composed as a ballad for soprano, piano and string orchestra, is a wordless plaintive meditation on the escalation of violence caused by the severe police response. This version for mezzo-soprano and piano, which appeared on the CD Secrets, was written for recitals with Marianne Crebassa. It can also be performed directly after the piano sonata Gezi Park 2.
$22.99 ≈
¥162.85
Berceuse (Le Sommeil De L'enfant), Op. 35
Berceuse (Le Sommeil De L'enfant), Op. 35
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Concert band
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INTERMEDIATE
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Teresa Carreno
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John Ivor Holland
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Berceuse
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1371307 Composed by Teresa Carreno. Arranged by John Ivor Holland. 19th Century,Classical,Multicultural...
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Concert Band - Level 3 - Digital Download SKU: A0.1371307 Composed by Teresa Carreno. Arranged by John Ivor Holland. 19th Century,Classical,Multicultural,World. 50 pages. John Ivor Holland #955517. Published by John Ivor Holland (A0.1371307). MarÃa Teresa Gertrudis de Jesús Carreño GarcÃa (December 22, 1853 – June 12, 1917) was a Venezuelan pianist, soprano, composer, and conductor. Over the course of her 54-year concert career, she became an internationally renowned virtuoso pianist and was often referred to as the Valkyrie of the Piano. Carreño was an early adopter of the works of one of her students, American composer and pianist Edward MacDowell (1860–1908) and premiered several of his compositions across the globe. She also frequently performed the works of Norwegian composer and pianist Edvard Grieg (1843–1907). Carreño composed approximately 75 works for solo piano, voice and piano, choir and orchestra, and instrumental ensemble. Several composers dedicated their compositions to Carreño, including Amy Beach (Piano Concerto in C-sharp minor) and Edward MacDowell (Piano Concerto No. 2). This lovely lullaby ('The Sleeping Child') dates from 1872 and was originally for solo piano but arranged for concert band as part of an ongoing project to bring more works into the repertoire by women composers. #arrangemegoals2023.
$49.99 ≈
¥354.11
"Or sai chi l’onore" - "Don Giovanni" (Mozart) - arr. for Flute, Violin, Cello, Piano and vocals (
"Or sai chi l’onore" - "Don Giovanni" (Mozart) - arr. for Flute, Violin, Cello, Piano and vocals (
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Or sai chi l’onore" - "Don
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.988202 Composed by Wolfgang Amadeus Mozart. Arrange...
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Small Ensemble Cello,Flute,High Voice,Piano Accompaniment,Violin - Level 5 - Digital Download SKU: A0.988202 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 19 pages. Wolfgang Voelkl #6341535. Published by Wolfgang Voelkl (A0.988202). Nr. 10a, Aria, from Mozart’s opera Don Giovanni, unabridged (without the rezitativo). The vocal part (Donna Anna (Soprano)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may be substituted with a second violin.
$10.99 ≈
¥77.85
La partenza
La partenza
Piano Accompaniment,Soprano Voice,String Orchestra
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Classical
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L
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Maurizio Chiavaroli
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La partenza
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Maurizio Chiavaroli
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SheetMusicPlus
Composed by L.V. Beethoven?. Arranged by Maurizio Chiavaroli. Romantic Period, Repertoire, World. Score, Set of Parts. 10 pages. Published by Maurizio Chiavarol...
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Composed by L.V. Beethoven?. Arranged by Maurizio Chiavaroli. Romantic Period, Repertoire, World. Score, Set of Parts. 10 pages. Published by Maurizio Chiavaroli (S0.334031). - Score,Set of Parts - Romantic Period,Repertoire,World - Maurizio Chiavaroli
$8.99 ≈
¥63.68
L'ho perduta me meschina
L'ho perduta me meschina
Piano Accompaniment,Soprano Voice,String Orchestra
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Classical
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Wolfgang Amadeus Mozart
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Maurizio Chiavaroli
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L'ho perduta me meschina
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Maurizio Chiavaroli
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Maurizio Chiavaroli. Classical Period, Opera, Repertoire. 11 pages. Published by Maurizio Chiavarol...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Maurizio Chiavaroli. Classical Period, Opera, Repertoire. 11 pages. Published by Maurizio Chiavaroli (S0.333651). - - Classical Period,Opera,Repertoire - Maurizio Chiavaroli
$7.99 ≈
¥56.60
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menes...
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99 ≈
¥92.02
"Là ci darem la mano" - "Don Giovanni", Mozart - arr. for flute, violin, cello, piano and vocals (s
"Là ci darem la mano" - "Don Giovanni", Mozart - arr. for flute, violin, cello, piano and vocals (s
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Wolfgang Völkl
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"Là ci darem la mano" - "Don
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Wolfgang Voelkl
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Low Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988201 Composed by Wolfgang Amadeus Mozar...
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Small Ensemble Cello,Flute,High Voice,Low Voice,Piano Accompaniment,Violin - Level 4 - Digital Download SKU: A0.988201 Composed by Wolfgang Amadeus Mozart. Arranged by Wolfgang Völkl. Classical,Opera. Score and parts. 11 pages. Wolfgang Voelkl #6330413. Published by Wolfgang Voelkl (A0.988201). Nr. 7, Duet, from Mozart’s opera Don Giovanni, unabridged. The vocal parts (Zerlina (soprano), Don Giovanni (bass)) are unchanged; the orchestra part has been arranged for Flute, Violin, Cello and Piano. The flute may be substituted with a second violin.
$9.99 ≈
¥70.77
On This Day, Earth Shall Ring [SATB madrigal]
On This Day, Earth Shall Ring [SATB madrigal]
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Choral SATB
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INTERMEDIATE/ADVANCED
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Personent Hodie, anonymous 16t
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Edward L
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On This Day, Earth Shall Ring
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Patrick Sheehan
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.748130 Composed by Personent Hodie, anonymous 16th Century. Arranged by Edward L. Stauff, edited...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.748130 Composed by Personent Hodie, anonymous 16th Century. Arranged by Edward L. Stauff, edited by Patrick Sheehan. Christmas,Concert,Renaissance. Octavo. 1 pages. Patrick Sheehan #5888775. Published by Patrick Sheehan (A0.748130). This setting is written for a Madrigal group of SATB voices.INSTRUMENTATION: Soprano, Alto, Tenor, Bass ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$2.00 ≈
¥14.17
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