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You've selected:
Last April C Instruments
Sheetmusic to print
7 sheet music found
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1
April In Paris
April In Paris
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C Instruments
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Jazz
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Modernaires
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Mark W
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April In Paris
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - Digital Download SKU: A0.808229 By Modernaires. By Vernon Duke. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 6 pages. Mark W...
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C Instrument - Digital Download SKU: A0.808229 By Modernaires. By Vernon Duke. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #3531821. Published by Mark Wayne Music, LLC (A0.808229). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.
$4.99 ≈
4.49€
Mamma Mia
Mamma Mia
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C Instruments
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EASY
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ABBA
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Leo Silva
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Mamma Mia
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MP Sheet Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1424691 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Leo Silva. Broadway,...
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C Instrument - Level 2 - Digital Download SKU: A0.1424691 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Leo Silva. Broadway,Musical/Show,Pop. Lead Sheet / Fake Book. 2 pages. MP Sheet Music #1005835. Published by MP Sheet Music (A0.1424691). Mamma Mia was written in the home of Agnetha Fältskog and Björn Ulvaeus, and was the last track recorded for the ABBA album.The lyrics talk about a woman who is constantly disappointed by her unfaithful partner, but who continues to forgive him anyway.Its recording took place on March 12, 1975 at Metronome studio and was included on the album as the number #1 track. Originally, ABBA did not plan to release the song as a single.Around this time, many artists were recording ABBA songs (such as Honey, Honey and Bang a Boomerang), which led the group to offer Mamma Mia to British band Brotherhood of Man, but it was turned down. However, a promotional video for the song had already been made in April 1975 and was broadcast in Australia. The video sparked interest in the group, and Mamma Mia spent 10 weeks at number one on the Australian charts, encouraging them to release the song as a single.
$3.99 ≈
3.59€
I Do I Do I Do I Do
I Do I Do I Do I Do
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C Instruments
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EASY
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Rock
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ABBA
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Leo Silva
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I Do I Do I Do I Do
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MP Sheet Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1417204 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Leo Silva. Pop,Rock....
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C Instrument - Level 2 - Digital Download SKU: A0.1417204 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Leo Silva. Pop,Rock. Lead Sheet / Fake Book. 3 pages. MP Sheet Music #998779. Published by MP Sheet Music (A0.1417204). I Do, I Do, I Do, I Do, I Do is a song by Swedish pop group ABBA, . It was the second single to be released from the ABBA album, and one of the last songs to be recorded for the album.The song was written by Benny Andersson, Björn Ulvaeus and Stig Anderson and performed by Agnetha Fältskog and Anni-Frid Lyngstad.Its release took place in April 1975 with Rock Me on the B-side.The song was recorded on February 21, 1975 at Glen Studio.
$3.99 ≈
3.59€
Dancing Queen
Dancing Queen
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C Instruments
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EASY
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ABBA
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Leonardo Silva
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Dancing Queen
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MP Sheet Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1105638 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Leonardo Silva. Disc...
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C Instrument - Level 2 - Digital Download SKU: A0.1105638 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Leonardo Silva. Disco,Pop. Lead Sheet / Fake Book. 2 pages. MP Sheet Music #708857. Published by MP Sheet Music (A0.1105638). Dancing Queen is a song recorded by the Swedish band ABBA in 1975 and released in 1976 as part of the album Arrival. The song followed the other hit of the time, Fernando and is considered one of the biggest hits of the 1970s. Upon release, the song topped the charts in Europe, Africa and Oceania in April 1977, as well as becoming the group's first number one on the Billboard Hot 100. With good reviews, music video recording, appearances on television shows. around the world and its inclusion on the 1977 tour, the song became very popular and became one of the quartet's best-selling singles. the 75 most played songs in the UK over the last 75 years.
$5.00 ≈
4.50€
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00 ≈
179.92€
Jan Zach - Fugue in C Minor
Jan Zach - Fugue in C Minor
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Organ
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Classical
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early 1745 he was living in Au
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published ...
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99 ≈
4.49€
I Can't Tell You Why
I Can't Tell You Why
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Concert band
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INTERMEDIATE
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Rock
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The Eagles
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Don Henley, Glenn Frey, Timoth
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Lorenzo Bocci
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I Can't Tell You Why
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1444708 By The Eagles. By Don Henley, Glenn Frey, and Timothy B. Schmit. Arranged by Lorenzo Bocci. Pop...
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Concert Band - Level 3 - Digital Download SKU: A0.1444708 By The Eagles. By Don Henley, Glenn Frey, and Timothy B. Schmit. Arranged by Lorenzo Bocci. Pop,Rock. 93 pages. Lorenzo Bocci #1024606. Published by Lorenzo Bocci (A0.1444708). I CAN'T TELL YOU WHY As recorded by The Eaglesfor Concert Band - Grade 3 - Digital Download Composed by Don Henley, Glenn Frey, Timothy B. Schmit. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Can't Tell You Why is a song by the American rock band Eagles that appeared on their 1979 album The Long Run. It was written by band members Timothy B. Schmit, Glenn Frey and Don Henley. Recorded in March 1978, it was the first song finished for the album and the first Eagles song to feature Schmit on lead vocals. Released as a single in February 1980, it became a Billboard top 10 hit in April, reaching number eight on the Billboard Hot 100 and number three on the Adult Contemporary chart. It was the group's last top ten hit on the Billboard Hot 100. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
80.06€
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Last April C Instruments
