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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
¥182.13
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
#
Choral SATB
#
ADVANCED
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
¥140.02
Pequeño Estudio Barroco No. 9 "Rondino Caucano" (Small Baroque Studio No. 9)
Pequeño Estudio Barroco No. 9 "Rondino Caucano" (Small Baroque Studio No. 9)
#
Piano solo
#
ADVANCED
#
Juan Carlos Cortés Aguirre
#
Juan Carlos Cortés Aguirre
#
Pequeño Estudio Barroco No. 9
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1109667 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1109667 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 4 pages. Juan Carlos Cortés Aguirre #712019. Published by Juan Carlos Cortés Aguirre (A0.1109667). Composición original en Mi bemol menor por: JUAN CARLOS CORTÉS A. Composición (Rondino Caucano) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in E flat minor by: JUAN CARLOS CORTES A. Composition (Rondino Caucano) of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 11 "Uccellino (Pajarillo) ben temperato" (Small Baroque Studio No. 11)
Pequeño Estudio Barroco No. 11 "Uccellino (Pajarillo) ben temperato" (Small Baroque Studio No. 11)
#
Piano solo
#
ADVANCED
#
Juan Carlos Cortés Aguirre
#
Juan Carlos Cortés Aguirre
#
Pequeño Estudio Barroco No. 1
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1109670 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1109670 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712030. Published by Juan Carlos Cortés Aguirre (A0.1109670). Composición original en Re menor por: JUAN CARLOS CORTÉS A. Composición Uccellino (* Pajarillo: Golpe rÃtmico de Joropo llanero Colombo-Venezolano) ben temperato, de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in D minor by: JUAN CARLOS CORTES A. Uccellino composition (* Pajarillo: Rhythmic beat of Colombian-Venezuelan Joropo llanero) ben temperato, of free character that do not pretend to fit in the orthodox and pure style of the Baroque or Renaissance, but to use these musical elements as simple playful exercises for the delight of who composes and concern of who listens to it. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 10 "Antiguo Bunde o Fandango Cienaguero" (Small Baroque Studio No. 10)
Pequeño Estudio Barroco No. 10 "Antiguo Bunde o Fandango Cienaguero" (Small Baroque Studio No. 10)
#
Piano solo
#
ADVANCED
#
Juan Carlos Cortés Aguirre
#
Juan Carlos Cortés Aguirre
#
Pequeño Estudio Barroco No. 1
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 5 - Digital Download SKU: A0.1109668 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 3 pages. Juan Carlos Cortés Aguirre #712023. Published by Juan Carlos Cortés Aguirre (A0.1109668). Composición original en Sol menor por: JUAN CARLOS CORTÉS A. Composición (Antiguo Bunde o Fandango Cienaguero) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in G minor by: JUAN CARLOS CORTES A. Composition (Old Bunde or Fandango Cienaguero) of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 12 "Ofrenda Tropical" (Small Baroque Studio No. 12)
Pequeño Estudio Barroco No. 12 "Ofrenda Tropical" (Small Baroque Studio No. 12)
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Piano solo
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ADVANCED
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 1
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1109672 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 5 - Digital Download SKU: A0.1109672 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Folk,Instructional,Latin. Score. 2 pages. Juan Carlos Cortés Aguirre #712032. Published by Juan Carlos Cortés Aguirre (A0.1109672). Composición original en Mi Bemol Mayor por: JUAN CARLOS CORTÉS A. Composición (Ofrenda Tropical), de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in E Flat Major by: JUAN CARLOS CORTES A. Composition (Tropical Offering), of a free character that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19 ≈
¥15.37
Baroque-A-Nova
Baroque-A-Nova
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Concert band
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INTERMEDIATE/ADVANCED
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Mannheim Steamroller
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John Ivor Holland
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Baroque-A-Nova
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1449801 By Mannheim Steamroller. By Mason Williams. Arranged by John Ivor Holland. 20th Century,Classic...
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Concert Band - Level 4 - Digital Download SKU: A0.1449801 By Mannheim Steamroller. By Mason Williams. Arranged by John Ivor Holland. 20th Century,Classical,Jazz,Latin,Pop. 63 pages. John Ivor Holland #1029560. Published by John Ivor Holland (A0.1449801). Penned by American guitartist and composer Mason Williams in 1968, this track was the follow-up to his most popular piece, 'Classical Gas', which won three Grammy awards. This arrangement draws upon the original recording by Williams and a more expanded version by powerhouse group Mannheim Steamroller, dating from 2012, who occasionally performed the piece alongside each other. The fusion of Baroque-style melody and close harmonies, all over an irrestible Latin beat, make this a great chart for any type of concert but particularly outdoor summer events.
$69.99 ≈
¥491.23
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Augustin Lehfuss
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the piece
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Just Another Night Music
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Gustfuss Records
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Cont...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. Score and parts. 23 pages. Gustfuss Records #3036639. Published by Gustfuss Records (A0.876883). This is a „take another crossroad version of Mozart´s famous Little Night Music, written by Austrian Arranger and Composer Augustin Lehfuss – a wild and funny arrangement for string quartet in a unusual latin style. Everybody knows the triad motive at the beginning of Mozart´s original composition, which reappears several times throughout the piece. The idea was, that the performing quartet, while playing the original work of Mozart – tired of always playing the same classical music – „turns left any time the characteristic motive appears, and switches to the latin version which is sold here. Then it runs wild for a while and enjoys Mozart´s theme in a crazy latin style, bevor, finally disciplinized again, finishes in Mozart´s original ending of his „Little Night Music. From the „turn out of Mozart´s original piece until the original ending the latin arrangement lasts about three minutes . For this arrangement starts with the famous triad motive, it can also be played as a stand alone version, though recognizable for the audience. There are phrasings and dynamics indicated in this arrangement, but every quartet should feel free to choose their own phrasings. This arrangement was written for students of a musical university, so it requires a little bit more advanced players – but it should not be taken too serious..visit also the arranger's hompagewww.lehfuss.com Please visit also the arrangers facebook and twitter accounts https://www.facebook.com/pg/Augustin-Lehfuss-Singer-and-Songwriter-694559137266782/about/?ref=page_i..... https://twitter.com/AugustinLehfuss
$11.95 ≈
¥83.87
Latin meets Classic
Latin meets Classic
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Gerhard Goebel
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Latin meets Classic
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flutes - Digital Download SKU: S9.Q52975 Quintet. Composed by Gerhard Goebel. This edition: Sheet music. Downloadable. Musikverlag Zimmermann - Di...
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Flutes - Digital Download SKU: S9.Q52975 Quintet. Composed by Gerhard Goebel. This edition: Sheet music. Downloadable. Musikverlag Zimmermann - Digital #Q52975. Published by Musikverlag Zimmermann - Digital (S9.Q52975). German • English • French.The title Latin meets classic describes the basic idea behind this quintet: the composer tried to make his favorite Latin American rhythms from the 20th century meet with European rhythms from the baroque and rococo periods. For example, in the first movement a BACH motif 'winds its way' into the tango part, and the second movement is a classical minuet from the Mozart era, which is then recalled towards the end on the third movement (samba). All three movements are based on the same plain chord sequences.
$13.99 ≈
¥98.19
Latin-American-Suite
Latin-American-Suite
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Violin and Piano
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ADVANCED
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Stanley Weiner
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Latin-American-Suite
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - difficult - Digital Download SKU: S9.Q5730 Reprint. Composed by Stanley Weiner. This edition: Sheet music. Violin Library. Down...
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Violin and piano - difficult - Digital Download SKU: S9.Q5730 Reprint. Composed by Stanley Weiner. This edition: Sheet music. Violin Library. Downloadable. Schott Music - Digital #Q5730. Published by Schott Music - Digital (S9.Q5730). Stanley Weiner (1925-1951) is mainly remembered as a performer: a solo violinist. His musical career was predetermined for his father served as assistant principal violinist to the Baltimore Symphony Orchestra. At the age of 8, little Stanley gave solo performances, auditioned for Leonard Bernstein in 1947 and thus became the youngest principal violinist of the New York Symphony Orchestra. Weiner's career as a composer started rather late, at the age of 35, but then he wrote over 200 works, particularly instrumental music of all genres. The 'Latin American Suite', dedicated to the violin virtuoso David Oistrach, is an effective work which begins with a sweeping virtuoso Allegro con brio. Baroque form, expressive melody and delicate sound effects are combined in the middle movement, headed Basso ostinato, until the work culminates in a rhythmically fresh and capricious Molto vivace.
$19.99 ≈
¥140.30
Pequeño Estudio Barroco No. 8 "Ricercare Colombiano" (Small Baroque Studio No. 8)
Pequeño Estudio Barroco No. 8 "Ricercare Colombiano" (Small Baroque Studio No. 8)
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Piano solo
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INTERMEDIATE/ADVANCED
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 8
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1109666 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 4 - Digital Download SKU: A0.1109666 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 3 pages. Juan Carlos Cortés Aguirre #712016. Published by Juan Carlos Cortés Aguirre (A0.1109666). Composición original en La menor por: JUAN CARLOS CORTÉS A. Composición (Ricercare) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del Barroco o Renacimiento, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in A minor by: JUAN CARLOS CORTES A. Composition (Ricercare) of a free nature that does not intend to fit into the orthodox and pure style of the Baroque or Renaissance, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 5 (Small Baroque Studio No. 5)
Pequeño Estudio Barroco No. 5 (Small Baroque Studio No. 5)
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Piano solo
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INTERMEDIATE/ADVANCED
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 5
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1109663 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 4 - Digital Download SKU: A0.1109663 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712011. Published by Juan Carlos Cortés Aguirre (A0.1109663). Composición original en La bemol Mayor por: JUAN CARLOS CORTÉS A. Composición (Coral Variado) de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in A flat Major by: JUAN CARLOS CORTES A. Composition (Varied Choral) of a free nature that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 2 (Small Baroque Studio No. 2)
Pequeño Estudio Barroco No. 2 (Small Baroque Studio No. 2)
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Piano solo
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EASY
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 2
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1109660 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 2 - Digital Download SKU: A0.1109660 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 1 pages. Juan Carlos Cortés Aguirre #712000. Published by Juan Carlos Cortés Aguirre (A0.1109660). Composición original por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 3 (Small Baroque Studio No. 3)
Pequeño Estudio Barroco No. 3 (Small Baroque Studio No. 3)
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Piano solo
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EASY
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 3
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1109661 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 2 - Digital Download SKU: A0.1109661 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712006. Published by Juan Carlos Cortés Aguirre (A0.1109661). Composición original en Re Bemol Mayor por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in D Flat Major by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 1 (Small Baroque Studio No. 1)
Pequeño Estudio Barroco No. 1 (Small Baroque Studio No. 1)
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Piano solo
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EASY
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Juan Carlos Cortés A
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Pequeño Estudio Barroco No. 1
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1109659 Composed by Juan Carlos Cortés A. Baroque,Classical,Contemporary,Instructional,Standards. Scor...
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Piano Solo - Level 2 - Digital Download SKU: A0.1109659 Composed by Juan Carlos Cortés A. Baroque,Classical,Contemporary,Instructional,Standards. Score. 1 pages. Juan Carlos Cortés Aguirre #711994. Published by Juan Carlos Cortés Aguirre (A0.1109659). Composición original en Do mayor por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in C major by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Pequeño Estudio Barroco No. 4 (Small Baroque Studio No. 4)
Pequeño Estudio Barroco No. 4 (Small Baroque Studio No. 4)
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Piano solo
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INTERMEDIATE
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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Pequeño Estudio Barroco No. 4
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1109662 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A...
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Piano Solo - Level 3 - Digital Download SKU: A0.1109662 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712009. Published by Juan Carlos Cortés Aguirre (A0.1109662). Composición original en Do Sostenido menor por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in C sharp minor by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
$7.99 ≈
¥56.08
Platinum Jubilee Anthem
Platinum Jubilee Anthem
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Choral SATB
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INTERMEDIATE/ADVANCED
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G
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Alan Edgar
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Platinum Jubilee Anthem
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Alan Edgar Ted Moon
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.903820 Composed by G.F.HANDEL. Arranged by Alan Edgar. Baroque,Patriotic. Octavo. 77 pages. Ala...
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.903820 Composed by G.F.HANDEL. Arranged by Alan Edgar. Baroque,Patriotic. Octavo. 77 pages. Alan Edgar Ted Moon #6794473. Published by Alan Edgar Ted Moon (A0.903820). This is an arrangement of Handel's Coronation Anthem Let thy hand be strengthened, allowing a bigger variety of instruments and with almost entirely new words to celebrate the Jubilee of Queen Elizabeth II.DURATION 8 minutesINSTRUMENTATION: SAATB, 2 Vns,Va,Vc. Optional Fl, Ob, Cl, Bn, 2 Trpts, 2 Hns,Trb,Tu, Cb,Timps. Keyboard part in vocal score but it is not needed in performance. Handel probaby had over 200 performers, including 160 instrumentalists, so don't be afraid to use everybody!
$25.00 ≈
¥175.46
War Pigs (Interpolating Luke's Wall)
War Pigs (Interpolating Luke's Wall)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Black Sabbath
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Marian Wilson
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War Pigs
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Marian Wilson
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1468243 By Black Sabbath. By Frank Iommi, John Osbourne, Terence Bu...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1468243 By Black Sabbath. By Frank Iommi, John Osbourne, Terence Butler, and William Ward. Arranged by Marian Wilson. 20th Century,Baroque,Chamber,Instructional,Rock. 16 pages. Marian Wilson #1046557. Published by Marian Wilson (A0.1468243). This string quartet arrangement of Black Sabbath's War Pigs begins true to the original song, morphs into a fugue in the style of J.S. Bach, and ends with the iconic air raid siren. Sight-readable for professional players and accesible for late intermediate students. The arrangement has been performed by professional string quartets.
$12.99 ≈
¥91.17
Costa Rican Two-part Inventions (Invenciones ticas)
Costa Rican Two-part Inventions (Invenciones ticas)
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Piano solo
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INTERMEDIATE
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Contemporary
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Manuel Matarrita
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Costa Rican Two-part Invention
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Manuel Matarrita
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download Composed by Manuel Matarrita. Neo-Classical, Repertoire, General Instructional, World, Latin. 34 pages. Pu...
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Piano Solo - Intermediate - Digital Download Composed by Manuel Matarrita. Neo-Classical, Repertoire, General Instructional, World, Latin. 34 pages. Published by Manuel Matarrita
This is a collection of fifteen works for piano that usesa series of songs and dances that belong to the traditional Costa Ricanimaginary, as well as the Two-voice inventions (BWV 772-786) by JohannSebastian Bach. In a stricter sense, these pieces are parodies since they usefragments of existing works as the starting point for the creation of newcompositions. In this case it is a double parody process because they emulatenational melodies, and they are stylized in light of other compositions and musicalpatterns of the Baroque period. These inventions (understood essentially asnovel creations) do not follow a formal, harmonic or strictly scholasticcontrapuntal scheme and they are rather free reconstructions of the originalmelodies, with some fundamental features of the two-part Baroque works. As forthe thematic material, the original melodies correspond to anonymous works ofCosta Rican folklore and others whose authors are known -such as PasiónAcevedo, Rafael Chavez Torres, Julio Fonseca Alberto Gómez and Héctor Zúñiga,among others- all of them found in printed versions or sound recordings. Thetonal scheme of the compilation traces the order established by Bach in hiscollection of inventions. The purpose of the works does not go beyond offering anapproach for the pianists in training to different musical styles of theCentral European tradition from melodies of the Costa Rican own popularrepertoire.
$9.99 ≈
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