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You've selected:
Leçon No. 2
Sheetmusic to print
147 sheet music found
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126
Waltz (No. 2) from Le Bal
Waltz (No. 2) from Le Bal
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
#
Carl Bohm
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Monica Re Martin
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Waltz
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Monica Re Martin
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1080161 Composed by Carl Bohm. Arranged by Monica Re Martin. Classi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1080161 Composed by Carl Bohm. Arranged by Monica Re Martin. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and parts. 16 pages. Monica Re Martin #684375. Published by Monica Re Martin (A0.1080161). A light, fun waltz by Carl Bohm, originally for violin and piano, arranged for string quartet. Accessible enough for a beginner group but entertaining enough to play for a more advanced or professional level musicians. For more information on custom string arrangements, email monica.re.martin@gmail.com.
$1.99 ≈
1.84€
BLAVET SONATA No. 2 IN A MINOR FOR 2 FLUTES
BLAVET SONATA No. 2 IN A MINOR FOR 2 FLUTES
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2 Flutes (duet)
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INTERMEDIATE
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Michel Blavet
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Edited by Pat Spence
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Giga
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BLAVET SONATA No. 2 IN A MINOR
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Piper Publications
#
SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811688 Composed by Michel Blavet (1700 - 1768). Arranged by Edited by Pat Spence. Baroque,Concert,I...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811688 Composed by Michel Blavet (1700 - 1768). Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 18 pages. Piper Publications #3892681. Published by Piper Publications (A0.811688). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the second of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page. There are 4 movements, Adagio, Allegro, Sarabanda & Giga. The sonatas are suitable for players of intermediate standard and above of equal ability. Teachers will find the sonatas to be a useful and enjoyable aid in developing independent part playing.
$9.50 ≈
8.77€
BOISMORTIER SONATAS FOR 2 FLUTES OPUS 8 Nos. 1 - 3
BOISMORTIER SONATAS FOR 2 FLUTES OPUS 8 Nos. 1 - 3
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2 Flutes (duet)
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Joseph Bodin De Boismortier
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Edited by Pat Spence
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Le Sr. Le Clere.
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BOISMORTIER SONATAS FOR 2 FLUT
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Piper Publications
#
SheetMusicPlus
Flute Duet Flute - Digital Download SKU: A0.811701 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited by Pat Spence. Concert,Instr...
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Flute Duet Flute - Digital Download SKU: A0.811701 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited by Pat Spence. Concert,Instructional,Standards. Score. 44 pages. Piper Publications #4321469. Published by Piper Publications (A0.811701). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page.Each sonata has 4 or 5 movements in the same key alternating slow and fast and is written for players of equal ability. Teachers will find them useful for developing independent part playing in players of intermediate ability.The sonatas are also suitable for pairs of oboes or violins - or possibly clarinets.
$15.00 ≈
13.84€
Cécile Chaminade - Aubade op. 126 no. 2 for solo piano
Cécile Chaminade - Aubade op. 126 no. 2 for solo piano
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Piano solo
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INTERMEDIATE
#
Cecile Chaminade
#
Music for a While
#
Cécile Chaminade - Aubade op.
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Music for a While
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.914193 Composed by Cecile Chaminade. Arranged by Music for a While. 20th Century,Romantic Period. Score. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.914193 Composed by Cecile Chaminade. Arranged by Music for a While. 20th Century,Romantic Period. Score. 3 pages. Music for a While #6611231. Published by Music for a While (A0.914193). CeÌcile Chaminade (1857-1944) was born in Paris and began studying piano at an early age with her mother, she later studied violin and composition privately and became hugely popular in France, the UK and USA. She was the first female composer to receive the LeÌgion d’Honneur and often performed for Queen Victoria at Windsor Castle. Her US debut was with the Philadelphia Orchestra in 1908 where she performed her own Concertstück op. 40 for piano and orchestra. Despite the fact that most of her 400+ works were published during her lifetime her music fell into obscurity after her death; though in recent years there has been much renewed interest. Aubade was first published by Enoch & Cie, Paris in a collection of twelve short pieces called Album des Enfants vol. 2, op. 126 and many of the works in both volumes 1 and 2 are on the syllabuses of the major music examination boards. Aubade has was later extended and expanded by Chaminade as her opus 140.
$1.99 ≈
1.84€
Cécile Chaminade - Intermezzo op. 123 no. 2 for solo piano
Cécile Chaminade - Intermezzo op. 123 no. 2 for solo piano
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Piano solo
#
INTERMEDIATE
#
Cecile Chaminade
#
Music for a While
#
Cécile Chaminade - Intermezzo
#
Music for a While
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.914194 Composed by Cecile Chaminade. Arranged by Music for a While. 20th Century,Romantic Period. Score. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.914194 Composed by Cecile Chaminade. Arranged by Music for a While. 20th Century,Romantic Period. Score. 3 pages. Music for a While #6614257. Published by Music for a While (A0.914194). CeÌcile Chaminade (1857-1944) was born in Paris and began studying piano at an early age with her mother, she later studied violin and composition privately and became hugely popular in France, the UK and USA. She was the first female composer to receive the LeÌgion d’Honneur and often performed for Queen Victoria at Windsor Castle. Her US debut was with the Philadelphia Orchestra in 1908 where she performed her own Concertstück op. 40 for piano and orchestra. Despite the fact that most of her 400+ works were published during her lifetime her music fell into obscurity after her death; though in recent years there has been much renewed interest. Intermezzo was first published by Enoch & Cie, Paris in a collection of twelve short pieces called Album des Enfants vol. 1, op. 123. Many of the works in both volumes 1 and 2 have been on the syllabuses of the major music examination boards.
$1.99 ≈
1.84€
Fantastique! French Folk Song Fantasy, Op. 70, No.2
Fantastique! French Folk Song Fantasy, Op. 70, No.2
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Myra Brooks-Turner
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Fantastique! French Folk Song
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The FJH Music Company - Digital
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SheetMusicPlus
2 pianos, 4 hands - Intermediate - Digital Download SKU: F0.E1050 This title is on the 2017-2021 National Federation of Music Clubs list. Composed...
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2 pianos, 4 hands - Intermediate - Digital Download SKU: F0.E1050 This title is on the 2017-2021 National Federation of Music Clubs list. Composed by Myra Brooks-Turner. Sheet Music. The FJH Piano Ensemble Series. Duet Sheet. 14 pages. The FJH Music Company - Digital #E1050. Published by The FJH Music Company - Digital (F0.E1050). UPC: 674398220182.This two piano, four-hand duet takes the well-known French folk songs Alouette and Sur le Pont D'avignon and gives them a classic boogie-woogie, eight-to-the-bar treatment that will definitely bring the house down! This piece is a perfect closer or encore for performances.
$4.50 ≈
4.15€
Leçon No. 2
Leçon No. 2
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Guitar
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Fernando Sor
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Leçon No. 2
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Schott Music - Digital
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SheetMusicPlus
Guitar - easy to intermediate - Digital Download SKU: S9.Q46908 From: Petites pièces progressives op. 44. Composed by Fernando Sor. This editio...
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46908 From: Petites pièces progressives op. 44. Composed by Fernando Sor. This edition: Sheet music. Copyright 2017 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q46908. Published by Schott Music - Digital (S9.Q46908). Digital publication of the piece found in the following print music collection: Preludio - 130 Easy Concert Pieces from 6 Centuries for Guitar (easy).
$2.99 ≈
2.76€
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
7.34€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.68€
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
BOISMORTIER THREE SONATAS OPUS 8 FOR 2 BASSOONS OR CELLOS
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Joseph Bodin De Boismortier
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Edited & arranged by Pat Spenc
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Le Sr. Le Clere.
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BOISMORTIER THREE SONATAS OPUS
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.811704 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 43 pages. Piper Publications #4338647. Published by Piper Publications (A0.811704). SONATA No. 1 in A MAJOR SONATA No. 2 in E MINOR SONATA No. 3 in D MAJOR Written for 2 equal instruments these sonatas bring pleasure to players of intermediate standard and above whilst developing their independent playing skills. Each sonata has 4 movements slow and fast alternating in the same key. The six opus 8 sonatas were published in Paris in 1725 for ‘deux Flûtes-Transversiere sans Basse’. They were published ‘Avec Privilége du Roy.’ They were printed as a playing score preceeded by a title page which also gave details of where to obtain copies - L’Auter, Le Sr. Boivin & Le Sr. Le Clere. A copy of the Privilége du Roy. granted by King Louis on March 22nd 1724 was printed in full on the second page. It is highly likely that the sonatas would have been played by pairs of oboes or violins or possibly by bassoons or cellos according to the players available in the homes of the wealthy amateur players who could afford to buy music. The flute parts were printed in the soprano clef - with G on the bottom line. This would have been convenient for flute players who often also played bassoon when required and were often not keyboard players. This edition uses the modern bass clef and has a score plus separate parts to facilitate page turns. In editing the sonatas the presentation of the music has been modernised.
$15.00 ≈
13.84€
Le Bal
Le Bal
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Clarinet
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Classical
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Jacques Gregoir
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Hubert Leonard and J
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Le Bal
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53282 Six Duos de Salon, No. 3. Composed by Jacques Gregoir. Edited by R...
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53282 Six Duos de Salon, No. 3. Composed by Jacques Gregoir. Edited by Rainer Mohrs and Rudolf Mauz. Arranged by Hubert Leonard and J. Blaes. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 10 pages. Schott Music - Digital #Q53282. Published by Schott Music - Digital (S9.Q53282). German • Danish.Joseph Jacques-Mathieu Gregoir (also Grégoir) was a pianist, conductor and composer. When he was young he went from Antwerp to Paris for piano lessons. He then studied with Christian Rummel in Biebrich near Wiesbaden and worked mainly in Brussels. His work includes compositions for piano, chamber music, symphonies and an opera. This edition is based on the Duos concertantes for violin and piano by J. Gregoir and Hubert Léonard (1819– 1890, violinist and Professor in Brussels) from the 1850s (see Hofmeister, Handbuch der musikalischen Literatur 1852–59). The edition for clarinet is by Joseph Blaes (1814–1892), clarinettist in Brussels. Three pieces have been selected: Chant de Mai (No. 2), Le Bal (No. 3), Sur l’eau (No. 5), all were published in 1858 (plate number 14614).
$3.99 ≈
3.68€
Allegro (from "Sonata for Trumpet") (Bb) (Brass Octet - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba) (French Horn le
Allegro (from "Sonata for Trumpet") (Bb) (Brass Octet - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba) (French Horn le
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813568 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Inst...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813568 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 13 pages. Regis Bookshar #6429285. Published by Regis Bookshar (A0.813568). Brass Octet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Brass Octet, consisting of 3 Trumpets, 2 French Horns, 2 Trombones and 1 Tuba, and features a French Horn on the melody, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00 ≈
13.84€
Twinkle Pluto planet no more for string quartet
Twinkle Pluto planet no more for string quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Anonymous
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David Warin Solomons
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Twinkle Pluto planet no more f
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score an...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00 ≈
9.23€
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
46.10€
The Swan (for Intermediate Piano) AKA Le Cygnet from The Carnival of the Animals
The Swan (for Intermediate Piano) AKA Le Cygnet from The Carnival of the Animals
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Piano solo
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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Gaili Schoen for TheMusicRemed
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The Swan
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UpperHandsPiano.com
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1230320 Composed by Camille Saint-Saens. Arranged by Gaili Schoen for TheMusicRemedy.com. Classical,Conte...
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Piano Solo - Level 3 - Digital Download SKU: A0.1230320 Composed by Camille Saint-Saens. Arranged by Gaili Schoen for TheMusicRemedy.com. Classical,Contemporary,Film/TV,New Age,Romantic Period. Score. 2 pages. UpperHandsPiano.com #826041. Published by UpperHandsPiano.com (A0.1230320). The Swan is a gorgeous piece written by French composer Saint-Saëns. We have simplified it and arranged it for Intermediate Piano but it still retains the beauty of the orchestral piece and cello solo. It has been featured in many films as well as Olympics and other sports competitions. We create clear, clean arrangements that are easier to read with rich, beautiful chords. This is an intermediate piano solo arrangement with guitar chords that I originally arranged for the book The Music Remedy, No. 2: 12 Passionate Pieces to Move You from Anxiety to Calm, available on Amazon.com.  The Music Remedy, No. 2: 12 Passionate Pieces to Move You from Anxiety to CalmWatch our Youtube video of this arrangement:.
$2.99 ≈
2.76€
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
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2 Flutes (duet)
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INTERMEDIATE
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MICHEL BLAVET
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Edited by Pat Spence
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BLAVET SONATA No. 1 IN E MINOR
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Piper Publications
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,In...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 17 pages. Piper Publications #3884077. Published by Piper Publications (A0.811687). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the first of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page.The sonata is written for two equal players and has 4 movements, Adagio, Allegro, Affetuoso & Allegro assai. Players of Intermediate ability and above will enjoy the interplay between the parts. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. This edition has been transcribed to the now established treble clef with G on the second line. Trills shown in the original as + are shown in this edition as tr. The breath marks in bar/measures 36, 39 & 41 in the final movement are Blavet’s. This is the first instance of his practice of marking the breaths which he developed in his opus 2 set of sonatas for flute and which has proved so useful to today’s performers of music of this period. Curiously Blavet used a flat (b) to cancel a sharp instead of a natural.
$9.50 ≈
8.77€
Hommages III. Sonata No. 1 'Gothic'
Hommages III. Sonata No. 1 'Gothic'
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. D...
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Piano Solo - Level 5 - Digital Download SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.22€
BLAVET SONATA No. 3 in D MAJOR for 2 bassoons
BLAVET SONATA No. 3 in D MAJOR for 2 bassoons
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2 Bassoons (duet)
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INTERMEDIATE
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Michel Blavet
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Pat Spence
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Gavotta.
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BLAVET SONATA No. 3 in D MAJOR
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Piper Publications
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.811695 Composed by Michel Blavet (1700 - 1768). Arranged by Pat Spence. ...
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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.811695 Composed by Michel Blavet (1700 - 1768). Arranged by Pat Spence. Baroque,Concert,Instructional,Standards. Score and parts. 20 pages. Piper Publications #3916821. Published by Piper Publications (A0.811695). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the third of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. The bass clef has been used for this edition. The sonata is suitable for players of intermediate standard and above. There are movements Adagio, Allegro, Larghetto. Allegro & Gavotta.
$9.50 ≈
8.77€
GIUSEPPE SAMMARTINI TRIO SONATA IN D Opus 1 No. 1for 2 flutes & basso
GIUSEPPE SAMMARTINI TRIO SONATA IN D Opus 1 No. 1for 2 flutes & basso
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2 Flutes (duet)
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INTERMEDIATE
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GIUSEPPE SAMMARTINI
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Edited by Pat Spence
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GIUSEPPE SAMMARTINI TRIO SONAT
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811712 Composed by GIUSEPPE SAMMARTINI (1695 - 1750). Arranged by Edited by...
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Small Ensemble Bassoon,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811712 Composed by GIUSEPPE SAMMARTINI (1695 - 1750). Arranged by Edited by Pat Spence. Baroque,Concert. Score and parts. 24 pages. Piper Publications #4983087. Published by Piper Publications (A0.811712). This is the first of ‘VI SONATE A TRE Due Flauti col Basso’ by ‘Giuseppe San Martini Milanese’ published in Paris as his ‘Opera Prima’ (opus 1)* by Le Clerc and Boivin ‘avec privilege du Roi’ in 1736. Giuseppe’s surname varied progressively during his life from St. Martini via San Martini to Giuseppe Sammartini. The basso part would have been played on a cello or bassoon probably with the addition of a harpsichord filling out the harmony according to the figured bass. The trio works well with three players of intermediate ability or above. One or both flute parts can be played on oboe(s) or violin(s) and this would certainly have happened in the households of the wealthy amateurs who purchased the first edition.
$10.00 ≈
9.23€
String Quartet No 1 (parts)
String Quartet No 1 (parts)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Colin Bayliss
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String Quartet No 1
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938379 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 70 pages...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938379 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 70 pages. Colin Bayliss #6119. Published by Colin Bayliss (A0.938379). Was completed in April 1987, slightly revised for publication in 1994 with a few further revisions made for recording by the Lochrian Ensemble in 2007. The four movements follow the Classical pattern; the first movement, Sostenuto - allegro is followed by a scherzo (allegro molto, in 7/4), an adagio (also in 7/4) and a finale (allegro molto). The balance of the movements, however, differs in that the first and last movements are concertante movements for cello and first violin respectively; the argument of the third movement is largely made up of a love duet between the second violin and the viola, where the other two instruments have a mainly accompanying rôle, and only the scherzo has an equal balance between the forces. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573539633.
$12.00 ≈
11.08€
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